i’ve watched this like 8 times in a row
Me and my dog post-apocalypse after we find a broken crate of canned peaches washed up on the beach

oozey mess

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#extradirty
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$LAYYYTER

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@noqueronaareblog
i’ve watched this like 8 times in a row
Me and my dog post-apocalypse after we find a broken crate of canned peaches washed up on the beach

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Something that I get chills about is the fact that the oldest story told made by the oldest civilization opens with "In those days, in those distant days, in those ancient nights."
This confirms that there is a civilization older than the Sumerians that we have yet to find
Some people get existential dread from this
Me? I think it's fucking awesome it shows just how much of this world we have yet to discover and that is just fascinating
@makaeru peer review cos this made me check when the Sumerians happened and I forget how recent history is for every other continent. 7000 - 8000 years ago just isn't that long when you're in Australia, and the amount of detailed history we have access to here is wonderful and should be recognised more internationally
Source (non Aboriginal)
And a quote I picked out from a longer interview with an Aboriginal local elder about the area where he touched on the history
Source (the rest of the interview is really interesting and all transcribed, have a look if you're curious)
This is part of my Ancient Civilizations class that I teach, which does a whole week about Australia and the Torres Strait Islands because I was sick of never seeing them represented in USAmerican history contexts. With the help of @micewithknives and @acearchaeologist I've learned so many incredible things about Australia's past and it's been incredibly rewarding to share them with students.
My favorite fact about Aboriginal oral history is the fact that we pretty recently discovered that the Aboriginal myth of the 7 Sisters, an origin story for the Pleiades star cluster, accurately reflects a point TEN THOUSAND YEARS AGO when two stars in the constellation got close enough together to no longer be distinguishable by the naked eye.
The story? 6 sisters running from something that took their 7th sister.
as a gilgar gunditj woman, i was not expecting to see my culture on my dash.
thank you for spreading our words and treating our culture with respect.
How I learned to write smarter, not harder
(aka, how to write when you're hella ADHD lol)
A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.
The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.
As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!
Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!
2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)
Unpopular writing opinion time: You don't need to make a detailed outline.
Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.
I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.
Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!
This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.
As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.
When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD
People always say if you're stuck, you need to outline.
What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!
What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.
You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.
And then quickly note down your inspirations so you don't forget, haha.
And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.
If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?
And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD
In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.
Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.
Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)
And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)
helen “trans people are perpetuating gender steriotypes” joyce is now upset that the scientific american is writing about how women were hunters too back in the day, not just mothers and caretakers. feminist win!
I think I found the article!
The influential idea that in the past men were hunters and women were not isn’t supported by the available evidence
Read it if you have the time, it's very interesting.
Reading the article I see why TERFs are mad about it; it explicitly makes the distinction between gender as a social entity and sex as a biological category, and defines biological sex having multiple factors, both of which are anathema to TERF philosophy.
It also includes these fascinating paragraphs about the role of estrogen in different types of physical activity, directly debunking the widespread notion that estrogen is the weak human's hormone and only does weak human things:
Given the fitness world's persistent touting of the hormone testosterone for athletic success, you'd be forgiven for not knowing that estrogen, which females typically produce more of than males, plays an incredibly important role in athletic performance… The estrogen receptor—the protein that estrogen binds to in order to do its work—is deeply ancient. Joseph Thornton of the University of Chicago and his colleagues have estimated that it is around 1.2 billion to 600 million years old—roughly twice as old as the testosterone receptor. In addition to helping regulate the reproductive system, estrogen influences fine-motor control and memory, enhances the growth and development of neurons, and helps to prevent hardening of the arteries. Important for the purposes of this discussion, estrogen also improves fat metabolism. During exercise, estrogen seems to encourage the body to use stored fat for energy before stored carbohydrates. Fat contains more calories per gram than carbohydrates do, so it burns more slowly, which can delay fatigue during endurance activity. Not only does estrogen encourage fat burning, but it also promotes greater fat storage within muscles… which makes that fat's energy more readily available. Adiponectin, another hormone that is typically present in higher amounts in females than in males, further enhances fat metabolism while sparing carbohydrates for future use, and it protects muscle from breakdown. Anne Friedlander of Stanford University and her colleagues found that females use as much as 70 percent more fat for energy during exercise than males. Estrogen's ability to increase fat metabolism and regulate the body's response to the hormone insulin can help prevent muscle breakdown during intense exercise. Furthermore, estrogen appears to have a stabilizing effect on cell membranes that might otherwise rupture from acute stress brought on by heat and exercise. Ruptured cells release enzymes called creatine kinases, which can damage tissues… Linda Lamont of the University of Rhode Island and her colleagues, as well as Michael Riddell of York University in Canada and his colleagues, found that females experienced less muscle breakdown than males after the same bouts of exercise. Tellingly, in a separate study, Mazen J. Hamadeh of York University and his colleagues found that males supplemented with estrogen suffered less muscle breakdown during cycling than those who didn't receive estrogen supplements.
The article also talks about sexual dimorphism in different species, concluding that "Modern humans have low sexual dimorphism compared with the other great apes," and that overemphasis on averages obscures the wide dispersal of individual traits, which is what I keep saying.
Anthropologists also look at damage on our ancestors' skeletons for clues to their behavior. Neandertals are the best-studied extinct members of the human family because we have a rich fossil record of their remains. Neandertal females and males do not differ in their trauma patterns, nor do they exhibit sex differences in pathology from repetitive actions. Their skeletons show the same patterns of wear and tear. This finding suggests that they were doing the same things, from ambush-hunting large game animals to processing hides for leather. Yes, Neandertal women were spearing woolly rhinoceroses, and Neandertal men were making clothing.
I also thought this part was cool :)
PLEASE read this article, this information is incredible for everyone looking to unlearn bioessentialism
You would think that Saiyans, being a warrior race, would have had several opportunities to adapt to lowlight environments over the generations in the name of conquest. So what if their eyes did the glow thingy?
beloved
*blushes*
Eheheh sorry about that! Sometimes I get excited about stuff and I've been thinking about Saiyans and animal traits a lot lately 😅
Okay I have to preserve @shannonsketches 's tags here because they have the same disorder I do where they leave it in the tags.
But this time I'm not going to leave it in the tags!
There's more that I left off of my previous Tag Ramble but I've been thinking a lot about how the point of tapetum lucidum is designed to refocus light waves - basically it bounces the light around in the eyes a lot more than it does in eyes without the membrane.
This of course makes sense for nocturnal predators but you know what it also makes sense for? A species that can turn into a giant ape when there's a big full moon (or an artificially created moon).
It would absolutely make sense for them to have a membrane that focuses and re-focuses that energy to allow them to transform, especially because it's not the full moon itself that causes the transformation (like a werewolf whether they can see it or not in most folklore) but *looking* at the moon that causes it.

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RESOURCES FOR POSES
Line of Action
JustSketch.Me
PoseManiacs
Human-Anatomy-For-Artist.com
MagicPoser
MIXAMO
Pose Archives
Bodies in Motion
Posemy.art
ReferenceAngle
CroquisCafe
i would recommend removing croquiscafe from your links due to the owners being absolutely abhorrent (source)
BUT might i also recommend adding @adorkastock (formerly senshistock) because they are INCREDIBLE! i’ve used their free and paid pose resources for years and they’ve never let me down 💖🙏
hot artists don't gatekeep
I've been resource gathering for YEARS so now I am going to share my dragons hoard
Floorplanner. Design and furnish a house for you to use for having a consistent background in your comic or anything! Free, you need an account, easy to use, and you can save multiple houses.
Comparing Heights. Input the heights of characters to see what the different is between them. Great for keeping consistency. Free.
Magma. Draw online with friends in real time. Great for practice or hanging out. Free, paid plan available, account preferred.
Smithsonian Open Access. Loads of free images. Free.
SketchDaily. Lots of pose references, massive library, is set on a timer so you can practice quick figure drawing. Free.
SculptGL. A sculpting tool which I am yet to master, but you should be able to make whatever 3d object you like with it. free.
Pexels. Free stock images. And the search engine is actually pretty good at pulling up what you want.
Figurosity. Great pose references, diverse body types, lots of "how to draw" videos directly on the site, the models are 3d and you can rotate the angle, but you can't make custom poses or edit body proportions. Free, account option, paid plans available.
Line of Action. More drawing references, this one also has a focus on expressions, hands/feet, animals, landscapes. Free.
Animal Photo. You pose a 3d skull model and select an animal species, and they give you a bunch of photo references for that animal at that angle. Super handy. Free.
Height Weight Chart. You ever see an OC listed as having a certain weight but then they look Wildly different than the number suggests? Well here's a site to avoid that! It shows real people at different weights and heights to give you a better idea of what these abstract numbers all look like. Free to use.
Homie gonna share this
a poll for the TJLC veterans still on tumblr….which of the following most closely describes your current beliefs?
1. tjlc was never real; we were intentionally mislead
2. tjlc was never real; we misinterpreted the show
3. tjlc was real, but the creators changed their minds out of spite
4. tjlc was real, but the creators changed their minds due to external forces
5. the creators were undecided the whole time
6. the series can be read either way from start to end and that was intentional
7. tjlc was real, johnlock was canon at the end
8. tjlc was real, johnlock was intended as a tragic romance
9. all will be revealed in season 5
10. undecided / (whispering “norbury” in your ear)
11. i wasn’t a tjlc-er but i want to see results
i put as many options as i could think of (also i numbered the options so that you can put a number in the tags instead of typing your answer out uwu)
please reblog to reach more of our former comrades ✨
I have had a few theories about pupa under my belt.
I had a theory that the Shlorpians found the species of the pupa and genetically modified them into “super computers” to terraform planets. When they were working with them, they were actually modifying them on a biological levels and testing their abilities. I have a second connecting theory about how the Shlorpians made/found pupas; What if they are just genetically modified shlorpians? They could’ve changed the genetic make up from plant-based life to some I entirely different. Or maybe they are a species that originated from their planet that they modified heavily. Slugs and plants 😉
Since the pupa is in the transformation stage, when it grows up and doesn’t terraform the planet, how do we think he will look? When I think pupa, I think of the larval or cacoon stage of the bug cycle. Since we know, pupa loves his family and isn’t going to destroy the planet because of his evolution being tainted, what are some ideas of how he will grow and change?
What if being “ tainted” by earth, is actually him being broken from the Shlorpians bio code? What if he ends up evolving, and growing like his species normally would because he has been treated as an equal to the team (for the most part…) and growing as a child should be?
My headcanon for Dende :) I figured his road to godhood was parallel and opposite to that of Kami’s – a sort of yin-yang motif, if you will.
Seguir leyendo

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this is so compelling and heartbreaking and important and i wanted to share it. this is the reality of getting an abortion even with roe v wade in place and it's about to get worse.
So, in A Scandal in Belgravia, we see this poster on Sherlock's bedroom wall, with Chinese (?) writing? Is there anyone in the fandom who can read it or already has and can tell us what the poster is about? (This is the scene after Irene drugs Sherlock). Please, anyone? Does anyone maybe know a Chinese speaking fan who could take a look?
@helloliriels @fluffbyday-smutbynight @devoursjohnlock @garkgatiss @a-victorian-girl
Cosmic Currency
Help me figure out the MCU cosmic currency.
Broker was busy getting out units for Quill when he delivered the orb for him.
And the Collector was about to take out the units for the Guardians when they brought the orb to him.
Now I originally thought there were 3 colours, yellow, blue and silver, but now I think the silver units from the Collector's drawer is actually blue, they just looked silver due to the reflection of the light on them.
But I need more info, how much are each colour worth? Are the yellow worth more than blue or less? Is that actually a silver unit that's worth like a million? Because the Collector was taking them out to pay 4 billion to the Guardians, whereas Broker was paying Quill much less for the orb. Am guessing Broker was probably trying to get the orb so he could sell it to the Collector.
Anyway, best I can figure is that each of these chips can have a certain amount of units loaded on to them, and each colour represents the maximum amount of units loaded on them.
For example blue = 0 to 1 000 units, yellow = 0 to 100 000, silver = 0 to 1 000 000
Additional info to understand the economy:
Rocket thought 40 000 units was a lot, and in prison, Quill transferred the other prisoner 30 000 units for his leg.
In Vol. 2, Quill mentioned that each battery was worth thousands of units.
In Thor Ragnarok, Grandmaster paid Valkyrie 10 million units for Thor.
Now, does anyone have any ideas? I haven't been able to find much information on the cosmic worldbuilding of the MCU, so peoples thoughts and opinions are appreciated.
idc if you think it's toxic if you're in an enemies to lovers relationship i think you should be able to look back and laugh about all the times you almost killed each other violently
my former nemesis turned lover: oh my GOD who did this to you
me: [smug despite my open bleeding wounds] well clearly it wasn't you lol *passes out in their arms*
@alex-travaganza made me think of you for obvious reasons
yknow what i just realized?
one might initially see phineas as the leader of the group. he comes up with the plans, he gives everyone instructions, and he keeps everyone's spirits high.
but a crucial part of being a leader is keeping a cool head in dire situations, especially when things don't go well for the leader themself.
phineas, as he states in The Phineas and Ferb Effect, has very little frame of reference for what to do when things go seriously wrong. when something does go wrong, his first instinct is to panic and/or lash out at whoever is at fault. he starts running around in a panic and blaming himself when isabella goes missing in NOTLP, he gets so angry that he refuses to inform himself and reason with perry after finding out he's a secret agent in AT2D, he revokes candace's shed card and kicks her out without letting her try to fix her mistake caused by a small oversight in mission marvel, he totally freaks out when he isn't allowed to build anything in BBB, and he shuts down and gives up when he can't figure out how to get off the island in SBTY.
phineas flynn isn't a leader. he's (unintentionally) a control freak that doesn't know how to handle his emotions.
and who snaps him out of his funk in SBTY? who invites candace back to the shed to make things right in mission marvel? who makes sure phineas can build again as soon as possible in BBB? who reappears with a solution to the zombie apocalypse in NOTLP? who offers a team of capable individuals numerous times to help with phineas's plans? none other than isabella.
she's resourceful, reasonable, and able to think clearly in dire situations. isabella is the real leader, keeping everyone in line and making phineas's dreams a reality every time.
which is why phineas feels so lost when she stops coming over.

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It’s just the two of us, or that’s what we swore
Wanted to make a lil comic for @lizardtheartist ‘s lovely Ghost Max Au! Just really gets to me the idea of your partner moving on while you’re left stagnant and stuck, a shell of who you used to be.
Vegan Means Attack – Fomenting A Wildfire Against Speciesism and Moral Anthropocentrism
My veganism exists as a nihilist confrontation against the existing moral fabric of anthropocentrism and speciesism. Here on this landmass called “america”, the moral justifications for consuming the flesh and secretions of non-human animals go hand in hand with the industrialization of their enslavement and reduction to commodity status. This is a reflection of capitalist society reducing chaos to order, animal bodies from wild to domesticated, and the marketing of bodies that are socially recognized as mere products for consumption. My veganism is defined not only by an individualist refusal to internalize, validate and reinforce these authoritarian social values, but also by consecutively attacking them as well.
My anarchy rejects speciesist civilization, not from a “return to the hunter-gatherer” perspective, but from a point of constant hostility towards arbitrary hierarchies, authority, and governance that take form pre- or post-civilization. These include the restoration of traditions or cultures that attempt to resurrect anthropocentric, hierarchical values and worldviews. My focus is not a re-establishment of a past existence. My focus is the creation of a joyous life, here and now, through destructive confrontation with any governing elements that attempt to maintain hierarchical power. I am hostile to all who view non-human animals and the wild as mere raw materials for anthropocentric exploitation and consumption.
For real though, it amazes me to see self-proclaimed anarchists fulfill the anthropocentric role of consuming non-human animals – roles assigned to them by capitalism, tradition, and cultures throughout childhood upbringing. Fulfilling the roles of being “Human” and embracing a morality which standardizes the roles of control and domination over the wild. How long does it take for contemporary “anarchists” to notice the battery cages, the open-air prisons of fenced enclosures, the exhibitions of zoos, the concealed brutality of slaughterhouses, the speciesism of consuming some non-human animals but building relationships with others? Or the interconnected ways society views non-human animals as the lowest common denominator to compare those of the oppressed category to? How the fuck does anti-authoritarian praxis stop at the commodification of bodies – human or non-human (but in this case, non-human) – who are objectified to justify their enslavement, murder, and consumption?
As far as prisoner support and prison abolition, where is the acknowledgment of – and the solidarity with – the millions who remain imprisoned in slaughterhouses with death sentences, justified by the mere demand for their mutilated, neatly-packaged corpses? The acknowledgement of their existential struggle against prison and domination is limited by human supremacy. When anarchy fails to include liberated wildness beyond the limited scope of human supremacy, it is mere human-centered reformism which falls short of destroying the very logic of control and domination. Society is death by design. Death and disregard for non-human animals are built into the design of highways, railroads, agriculture, and every other form of structural anthropocentrism. I advocate its total collapse towards the emancipation of the wild. Domestication is a process of internalized self-automation, conditioned with a sense of superiority to wildness which manifests itself institutionally with human-over-animal thinking. I reject this way of thinking along with its assumption that non-human animal bodies are mere food products for hunting and consumption – an assumption that disregards their own individual interests and bodily autonomy. I reject humanism, its authoritarian roles and traditions and its assigned identity which limits my potential to explore my own animality beyond civilized domestication.
There is a war to be waged against society, alongside the non-human animals who refuse domesticated subservience, and who are evicted from their homes due to mass deforestation, human development and technology. Veganism burdened by the millstone of liberalism, fails to critically acknowledge capitalist, industrial civilization itself as the massified, embodiment of anthropocentric domination. Anarchism that fails to challenge speciesism on an individual level reproduces the internalized authoritarian values of human domination. Since speciesism is pervasive in society, it is insulated and well preserved by a comforting normalization – a normalization that aids cultural indoctrination and apathy. Confrontation is necessary in unsettling the socially established comforts and moral order of non-human animal domination. My vegan anarchy embodies solidarity not just with dietary intake, but also armed with attack; attack defined by the material actions of an incendiary desire to destroy the social manifestations of human supremacy.