The ineffable brainrotting

ft. azi turning it into a yellow scooter 🤧

After agonizing for a short while over the perfect shade of yellow, Aziraphale cut to the chase and asked Crowley to remove his glasses so he could hold the swatches up next to his eyes.

Asa isn't a guardian angel wrapped in self-indulgence who's just enough of a bastard to be perfect.

Anthony's co-workers probably actually like him. He probably drives a perfectly reasonable car and when he turns on the stereo it almost certainly plays music that hasn't been transmuted into Queen.

Asa is excited at the thought of selling books. He offers discounts as a form of flirting. He doesn't own a bookshop with incomprehensible opening hours.

They'll never drive through London at 90 miles an hour while bickering. They'll never show up at the Ritz expecting a table has just miraculously opened up. They'll never reminisce about something that happened thousands of years ago that no one remembers except for them. They'll never talk through their issues. They'll never retire into a peaceful life full of the love that they both saved up over all the years when they had to hide how they really felt.

one of my favorite bits about good omens art is how everyone decides to interpret “gayer than a treeful of monkeys on nitrous oxide” or “dark hair and good cheekbones” differently

S2E2 - Bildad the Shuhite

Aziraphale looks to the left, expecting a demon, getting Gabriel

I remember copying Ingres at school was gruelling but equally rewarding. It usually involved hours at the Met drawing room with a magnifier. Each one of his lines is expressive, and every edge is finely controlled. An Ingres copy wouldn’t have the feel of the original at all if it’s not done this carefully with a SHAAARP pencil on very smooth paper. (Ironically, not Ingres paper...)

I took out the same magnifier and all the Ingres catalogues I could find at my place for this drawing too... The struggle is real (?)

i lowkey wanna make a comic abt them soon :>

First, we have confirmation that Pratchett was the one who actually put Good Omens together in its final form: "One person has to be overall editor, and do all the stitching and filling and slicing and, as I've said before, it was me by agreement" which honestly explains A Lot about the differences between the book and S1 of the show. I think it could be argued that the book was Good Omens put together by Pratchett and the show was Good Omens put together by Gaiman, which would explain the vast differences in vibes even if the main story is functionally the same.