Note: I do not wish to convince anyone of my opinion or be convinced of theirs, I just want to write down how I feel about the finale. Also, I've heard that the creators are getting some hate messages, omg? Please if you have a slightest inclination to do that or to be mean to someone because you disagree with them then log off the internet and go for a walk... try to find a rainbow, feed peas to a duck ❤.
Simply put... I hated the finale. During while some things felt quite rushed I was thinking that it's because of the 6 episodes to 90 minutes shortening and even if it won't be perfect it will still be worth it because of the ending. And then came the scene in the bookshop with God and Satan and our ineffables after which they... died. And then we saw some two human clones who looked like them ending up together.
...
Crying, I couldn't have believed my eyes. The finale killed Aziraphale and Crowley and all the characters we came to know and love and replaced them with some random people who looked like them and we are supposed to care about?
Have I really just watch Soho struggle, learn that Mutt have died, Nina and Maggie had to leave, and people there were barely hanging on to be given a bit of hope by Jesus so they would be erased and this wouldn't matter at all?
I can't even start to begin to describe how much this is not Good Omens that I love. My words fail me and I am left stuttering and waving my hands erratically.
Not starting again but fix what we have has been an important point of Good Omens. Same as Job and his wife don't want some new children but the old ones. But somehow replacing the Earth is the ideal ending now?
The finale is trying to convince us that it's better because now there won't be any Hell and Heaven with their influences, but the big part of Good Omens was always that the humans do have their free will unlike most angels and demons - and all the big events on Earth like World Wars or Spanish Inquisition are created by humans, no matter how many coins Crowley glues on the pavement. If this was truly a problem then even a God's edict that from now no direct influencing people would do (not that we have that much reason to believe that there was that much influencing going on in the first place - most demons and angels kept to their dominions and Aziraphale and Crowley had The Arrangement), Aziraphale and Crowley could have been left on the Earth to make sure no such things was happening. But no, let's throw this all out, kill everyone and start over with real dinosaurs this time because it will surely be better... or will it? The humanity without Hell and Heaven seems the same to me in the ending. Hmm.
The whole scene with the God and Satan (what happens to him? who knows) where God calls Aziraphale lazy felt very very weird.
My brain is completely baffled why I should care about some random two men that look like Aziraphale and Crowley when I just saw my ineffables die. It's not them. It's like someone killed me and cloned me. I would not be very happy about it. And I know that some people like to say it is at least an imprint of them because they created the universe and they find each other in every universe over and over but nothing like is stated there, it is just wishful thinking of a broken heart imho. Aziraphale and Crowley are dead after Aziraphale spend years trying to make Heaven better and Crowley spent years in depression...
...which is another thing of itself:
Crowley is an optimist. (so seeing him in the finale makes me want to put the gif of from The Godfather: "look how they massacred my boy" here :D)
I hate this trend where you have an uplifting funny movie/season/book/something and you see that it is successful and people love it because it gives them comfort and hope and you go "oh but what if we make it drama where suddenly our characters full of hope and energy are depressed and see dying as the only option because surely that is what the fans of the original material appreciate". Fuck that.
I can't help it but the finale doesn't feel like Pratchett. At all. Perhaps there is a reason for that:
I have decided that I will consider only the book and S1 the canon in my head (perhaps with occasional visits from Bildad, Muriel or Furfur ;)). But I simply can't take this ending into my heart.
I have been waiting for the Finale to find out if it rekindles my passion for Good Omens, which sort of died away after the info about NG came out. I'm afraid it hasn't and I don't plan to update this blog much more anymore, perhaps sometimes if I see something that I want to share but I am not sure how much. Thank you for following me all these years, it's been a blast ❤.
(I still love Good Omens. I am going to The Ineffable Con 7 and I will look forward to meeting you there or at another opportunity. ❤❤❤)
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that one post about immortals having to keep track of their belongings but with good omens. crowley loses his journal some time in the 1900s. it’s full of him waxing poetic about aziraphale but he just figures it ended up in a ditch somewhere, nothing to worry about.
until aziraphale invites him to a new exhibition and they’re both staring down multiple transcripts of pages in what is unmistakably his handwriting talking about ‘my angel’ and ‘that beautiful, infuriating bastard’ and ‘i’ve loved him since eden and i fear i’ll love him until armageddon’
Vimes knelt down by Dorfl. The broken clay skull looked as empty as yesterday’s breakfast egg. But there was still a pinpoint of light in each eye socket.
“Usssss,” hissed Dorfl, so faintly that Vimes wasn’t sure he’d heard it.
A finger scratched on the floor.
“Is it trying to write something?” said Angua.
Vimes pulled out his notebook, eased it under Dorfl’s hand, and gently pushed a pencil into the golem’s fingers. They watched the hand as it wrote – a little jerkily but still with the mechanical precision of a golem – eight words.
Then it stopped. The pencil rolled away. The lights in Dorfl’s eyes dwindled and went out.
“Good grief,” breathed Angua. “They don’t need words in their heads…”
“We can rebuild him,” said Carrot hoarsely. “We have the pottery.”
Vimes stared at the words, and then at what remained of Dorfl.
“Mister Vimes?” said Carrot.
“Do it,” said Vimes.
Carrot blinked.
“Right now,” Vimes said. He looked back at the scrawl in his book.
WORDS IN THE HEART CAN NOT BE TAKEN.
“And when you rebuild him,” he said, “when you rebuild him… give him a voice.”
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This was, Crowley reflected as he stood in the doorway shaking snow from his hair, something of an understatement. The bookshop wasn't merely decorated—it had been consumed by Christmas with the sort of thorough enthusiasm that only Aziraphale could muster when he'd decided something was a Good Idea.
"Angel," Crowley said, his voice carrying across the shop as he unwound his scarf, "you do realize Christmas is meant to be tasteful, right?"
Aziraphale turned from where he was carefully draping yet another string of silver garland over a precariously stacked tower of ancient manuscripts. His face bore that particular expression of wounded dignity that Crowley had come to know—and perhaps even cherish—over six thousand years. His tartan bow tie was slightly askew, and there was what appeared to be a piece of tinsel caught in his hair.
"I'll have you know this is perfectly tasteful," Aziraphale said, adjusting his waistcoat with a slight huff. "It's traditional. Humans have been decorating for Christmas for centuries, and I think it's rather lovely."
Crowley pushed his sunglasses down his nose to survey the scene properly. Every available surface glittered with something festive. Garlands swooped from bookshelf to bookshelf like very shiny vines. Fairy lights twinkled in colors that probably shouldn't exist in nature. There were wreaths, baubles, candles, and what appeared to be an entire forest's worth of mistletoe strategically placed throughout the shop.
"There are four separate nativity scenes in here. Four. I counted."
"Well, I couldn't decide which one I liked best, so—" Aziraphale fidgeted with the garland in his hands, not quite meeting Crowley's eyes.
"So you manifested all of them. Obviously." Crowley sauntered further into the shop, stepping carefully over what appeared to be a line of vintage Christmas cards arranged on the floor in chronological order. "There's one on the desk, one by the cash register that nobody ever uses, one next to the extremely cursed mythology section, and one—angel, is that one in the bathroom?"
Aziraphale sniffed, a faint blush coloring his cheeks. "The wise men had to travel a long way. I thought they might appreciate the relevance."
Despite himself, Crowley felt his mouth quirk upward. This was the thing about Aziraphale—six millennia, and the angel could still surprise him with the sheer peculiarity of his reasoning. It was one of the things that made existence bearable. More than bearable, if Crowley was being honest with himself, which he tried very hard not to be.
"Right," Crowley said, draping himself across the tartan sofa with practiced ease. "Sure. That makes perfect sense. And the seventeen different types of tinsel?"
"Sixteen," Aziraphale corrected primly. "And they're all different styles from different decades. That silver one is from the 1950s—proper lead tinsel, you know, none of this modern plastic nonsense. And the gold one is actually from the Victorian era, when they first started making it commercially. I thought it would be nice to have a bit of history represented in the decorations."
"You're impossible."
"You say that as though it's a bad thing." Aziraphale smiled, that soft, genuine smile that he seemed to reserve exclusively for Crowley and very old books. "Besides, you're still here, aren't you?"
"Yeah, well." Crowley examined his fingernails with studied indifference. "Someone's got to make sure you don't bury yourself under an avalanche of Christmas cheer."
"How thoughtful of you."
Crowley watched as Aziraphale continued his fussing, adjusting the garland minutely to the left, then to the right, then back to the left again. Snow was falling outside the window now, fat flakes drifting down through the glow of streetlamps, blanketing Soho in white. The bookshop glowed warm and golden against the dark December evening, a pocket of coziness in the winter night. Humans hurried past outside, wrapped in scarves and carrying bags full of presents, their breath misting in the cold air.
"You're staring," Aziraphale said without turning around, though Crowley could hear the smile in his voice.
"Am not."
"Are too. I can feel it. You have a very particular stare, you know. Very intense."
"Don't know what you're talking about." Crowley slouched lower on the sofa, as if that would somehow make him less obvious. "Just wondering if you're going to decorate the books themselves next. Maybe some holly tucked into the Shakespeare folios. Little Santa hats on the Milton."
Aziraphale did turn then, looking genuinely thoughtful, one hand coming up to tap against his lips. "That's actually not a bad—"
"No. Angel. I was joking. Don't you dare put tiny festive accessories on your precious books."
"Oh." Aziraphale's face fell slightly, and Crowley felt an unwelcome pang of guilt. Then the angel brightened, his eyes lighting up behind his spectacles. "Well, I've made cocoa. The proper kind, with cream. And I've got mince pies. Fresh from the oven."
This was a trap. Crowley knew it was a trap. Aziraphale's mince pies were legendary, and not in a good way—somehow the angel, who could make crepes that would make a French chef weep with joy, and whose soufflés defied the laws of physics in their perfection, completely failed to understand the basic principles of pastry when it came to traditional British Christmas fare. It was one of the great mysteries of the universe.
Crowley had a theory that Aziraphale's corporation simply rejected the concept of making bad food so thoroughly that when he did manage it, the results were catastrophic.
"Sure," Crowley heard himself saying anyway, because he was, apparently, completely hopeless. "Why not."
Aziraphale beamed and bustled off toward the back room, leaving Crowley alone with approximately eight thousand Christmas decorations and his own questionable life choices. A particularly aggressive piece of tinsel caught the light and glinted at him accusingly.
"Oh, shut up," Crowley told it.
When Aziraphale returned, he was carrying a tray laden with two steaming mugs of cocoa topped with what looked like an architecturally improbable amount of whipped cream, and a plate of mince pies that were only slightly burnt around the edges. Progress, Crowley supposed.
"I tried a new recipe," Aziraphale said hopefully, settling onto the sofa beside Crowley. Close beside Crowley. Their shoulders were almost touching. "Found it in a cookbook from 1843. Apparently this is how they made them in Victorian times."
"Angel, hate to break it to you, but Victorian cooking wasn't exactly known for its palatability. They boiled everything within an inch of its life and thought flavor was probably sinful."
"Well, I added some improvements. Cinnamon. Nutmeg. A touch of brandy." Aziraphale pressed a warm mug into Crowley's hands. Their fingers brushed, and Crowley definitely didn't notice the contact. Definitely not. "Give it a try."
Crowley took one of the pies out of a sense of solidarity that he absolutely was not going to examine too closely. He bit into it.
It tasted exactly as bad as expected—the pastry had the consistency of cardboard that had been left out in the rain and then dried in the sun, and the filling was somehow both too sweet and completely flavorless. And yet, somehow, the awfulness of it felt exactly right. Felt like them.
"It's..." Crowley swallowed with some difficulty. "It's something, all right."
"Oh, you hate it." Aziraphale's face fell. "I knew I should have checked the oven temperature. I always get it wrong. Too hot or too cold, never just right. Goldilocks would be appalled."
"Nah, it's fine. Very... rustic. Authentic. Probably exactly how they tasted in 1843, actually."
"You're a terrible liar."
"Demon, angel. Lying's kind of my thing."
"Not to me." Aziraphale said it softly, matter-of-factly, as if it were simply a truth of the universe. Gravity pulls down. Water is wet. Crowley doesn't lie to Aziraphale.
Crowley felt that uncomfortable warmth in his chest again, the one that seemed to be becoming a permanent fixture. "Yeah, well. The pies are terrible. But the cocoa's good."
And it was—rich and dark and sweet, with real cream that must have come from very happy cows, probably ones that Aziraphale had specifically blessed. The angel had a tendency to do that.
"I'm glad you're here," Aziraphale said quietly, wrapping both hands around his own mug. "For Christmas, I mean. I know you don't... that is, I know it's not really your sort of thing. The whole 'peace on earth, goodwill to all' business."
Something warm and uncomfortable lodged itself in Crowley's chest, somewhere in the region where a heart would be if he were human. "Well," he said, aiming for nonchalance and missing by approximately a mile, "not like I had anywhere better to be."
"You could be anywhere." Aziraphale turned to look at him, his eyes very blue behind his spectacles, reflecting the twinkling lights strung throughout the shop. "You could be in Alpha Centauri, or—or Atlantis, or anywhere at all in the universe. You don't have to spend Christmas Eve in a dusty bookshop with an old fool who can't even bake a proper mince pie."
"First of all, Atlantis sank. Remember? We were there. You got very upset about the library." Crowley set down his cocoa on the small table beside the sofa and turned to face the angel properly. "Second, you're not an old fool. You're an old angel, which is different. And third—yeah, well. I'm here. With you. In your absurdly over-decorated bookshop. Eating terrible mince pies."
"They're not that terrible," Aziraphale protested weakly.
"Angel, I think one of them's actually smoking."
Aziraphale glanced at the plate and waved a hand. The offending pie stopped smoldering, though it continued to look vaguely threatening. "I may have gotten the oven temperature slightly wrong."
"By about a thousand degrees, yeah."
"Well, at least I try. You never cook anything."
"That's because I have sense. And taste buds that I'd like to keep functional." Crowley picked up his cocoa again, cradling it between his palms. "Besides, you like it. The cooking, I mean. Even when it goes wrong. Especially when it goes wrong, probably."
Aziraphale smiled, soft and fond. "I suppose I do. There's something rather wonderful about it, isn't there? The way ingredients become something more than the sum of their parts. The transformation of it all. Even if the transformation sometimes results in inedible pastry."
"Very poetic. Very you."
They sat in comfortable silence for a moment, the kind of silence that only comes from knowing someone for longer than human civilization has existed. The kind of silence that doesn't need to be filled, that is itself a form of communication. Outside, church bells began to ring, calling the faithful to midnight mass. The sound drifted through the bookshop windows, clear and pure in the cold night air.
"Do you miss it?" Crowley asked suddenly, the question escaping before he could stop it. "Heaven, I mean. Especially this time of year? All the hosannas and the holy holy holys and whatnot?"
Aziraphale considered the question, his eyes distant for a moment, gazing at something Crowley couldn't see. "No," he said finally, and his voice was very certain. "I don't think I do. Heaven was... well, it was Heaven. But it wasn't home. Not really. Not like this."
"This?" Crowley gestured vaguely at the bookshop, at the ridiculous abundance of decorations, at the plate of catastrophically bad mince pies.
"This," Aziraphale repeated, but his gesture was somehow different—it encompassed the bookshop, yes, but also Crowley, and the world beyond the windows, and something ineffable that Crowley didn't quite have words for. "This is enough. More than enough. This is everything."
Crowley felt something shift inside him, something that had been coiled tight for six thousand years loosening just a fraction. "Yeah," he said softly, looking at Aziraphale's profile, at the soft glow of fairy lights caught in his curls. "It is, isn't it."
"Besides," Aziraphale added, his eyes twinkling with mischief as he turned back to Crowley, "Heaven never had your company. And while you're occasionally infuriating, and your taste in music is questionable at best—"
"Oi!"
"—and you insist on wearing those ridiculous sunglasses even indoors—"
"They're not ridiculous, they're stylish—"
"—you're rather indispensable, actually." Aziraphale said it lightly, but there was something underneath the words, something weighted and true.
Crowley swallowed. "Sap."
"Demon."
"Angel."
"Yes, well. We've established what we are. The question is whether you're going to help me hang the rest of these decorations or just sit there looking decorative yourself."
"I am very decorative, I'll have you know. It's the cheekbones. Very festive, these cheekbones."
Aziraphale laughed, the sound warm and bright, and Crowley thought that maybe—maybe—Heaven had the wrong idea about what the music of the spheres was supposed to sound like.
"Come on, then," Aziraphale said, standing and offering Crowley his hand. "Help me with this garland. I want to string it around the main desk, but I can't quite reach the upper corners."
"You could miracle it."
"Where's the fun in that?"
Crowley took his hand and let himself be pulled to his feet. Aziraphale's hand was warm and soft and didn't let go immediately, and Crowley found he didn't mind. Didn't mind at all.
They spent the next hour in companionable decoration, Crowley using his height advantage to reach the high places while Aziraphale directed him with increasingly specific instructions about garland placement. At one point, Crowley had to climb a ladder that Aziraphale conjured from somewhere, and the angel stood at the bottom holding it steady with both hands, looking up with an expression of concern that was entirely unwarranted considering Crowley could literally fall from a great height and be fine.
"A bit to the left," Aziraphale called up. "No, no, your other left. There! Perfect! Oh, wait, can you move it just a smidge—yes, that's it!"
"You're very particular about your garland placement, angel."
"It's important to get these things right. Attention to detail is what separates adequate decoration from truly excellent decoration."
"And we're going for truly excellent decoration, are we?"
"Well, obviously. This is our first proper Christmas together. After everything."
Our first proper Christmas together. The words hung in the air between them, significant in a way that neither of them quite wanted to examine. After the end of the world that wasn't. After Heaven and Hell both told them where they could stick their loyalty. After they'd chosen this—chosen each other, chosen earth, chosen everything that made existence worth existing.
"Yeah," Crowley said quietly, descending the ladder. "I suppose it is."
Aziraphale beamed at him, and honestly, it was unfair how that smile could still do things to Crowley's corporation after all this time. Six thousand years, and he still wasn't immune.
"Tea?" Aziraphale suggested. "I think we've earned it. And perhaps we could listen to some music. I've acquired a simply marvelous recording of Christmas carols from King's College Cambridge. The harmonies are absolutely divine."
"We're not listening to carols."
"We absolutely are."
"Angel—"
"I'll let you put on that dreadful band of yours afterward. The Queen one."
"Dreadful? You take that back. Freddie Mercury was a genius."
"Yes, yes, very talented, I'm sure. But first: carols. That's the deal. Take it or leave it."
Crowley pretended to consider this, as if they both didn't know exactly how this was going to end. "Fine. But I'm picking the ones after."
"Acceptable."
Aziraphale puttered off to make tea—the proper way, with a kettle and loose leaves and his unnecessarily fancy tea set—while Crowley settled back on the sofa. The angel returned a few minutes later with tea in delicate porcelain cups (the Meissen ones, Crowley noted, the expensive ones Aziraphale usually only brought out for special occasions) and a plate of biscuits that looked mercifully edible.
"Not your baking?" Crowley asked, taking one.
"From the shop down the street. Even I know when to admit defeat."
They sat together, shoulders touching now, definitely touching, while choral music filled the bookshop with ethereal voices singing about joy and peace and goodwill. Snow continued to fall outside, and London settled into that particular hush that only comes on Christmas Eve, when even the city seems to be holding its breath in anticipation.
"You know what I don't understand about Christmas?" Crowley said after a while.
"What's that?"
"The whole giving thing. Humans spend all this time and money buying things for each other, stressing about whether they've got the right gift, whether the other person will like it. Seems like a lot of pressure."
"I think that's rather the point, though," Aziraphale said thoughtfully. "The effort. The thought. It's not about the object itself, it's about showing someone that you've been paying attention. That you care enough to try to find something that will make them happy."
"Sounds exhausting."
"Mmm. Or perhaps it sounds rather lovely." Aziraphale set down his teacup and stood, moving to one of the bookshelves. "Speaking of which..."
He pulled down a slim volume that Crowley didn't recognize, which was saying something given how much time he spent in this bookshop. Aziraphale returned to the sofa and held it out, looking uncharacteristically nervous.
"I, um. I got you something. For Christmas."
Crowley stared at the book like it might bite him. "You didn't have to do that."
"I know. I wanted to." Aziraphale pressed it into his hands. "Go on, open it."
It was an old book, the leather cover worn smooth with age, the pages yellowed but intact. Crowley opened it carefully and felt his breath catch.
Paradise Lost, first edition, 1667.
"Angel, this is—"
"I know you always rather liked it. Despite everything. Or perhaps because of everything." Aziraphale was fidgeting with his hands, not quite meeting Crowley's eyes. "I thought... well. I thought you might like to have your own copy. One that you don't have to sneak from my shelves when you think I'm not looking."
"I don't sneak—" Crowley stopped. "You noticed?"
"Of course I noticed. You always put it back in slightly the wrong place. Half an inch too far to the left." Aziraphale smiled. "I never minded. I liked knowing you were reading it. Liked thinking about you here, in my shop, even when I wasn't."
Crowley turned the book over in his hands, this impossibly precious thing, this thoughtful gesture. "I can't—this is worth a fortune, angel. This is a first edition."
"Yes, well. You're worth more than any book." Aziraphale said it simply, as though it were obvious, as though it weren't the most devastating thing anyone had ever said to Crowley in six millennia of existence.
"I didn't get you anything," Crowley said, and his voice came out rougher than he'd intended.
"You're here. That's more than enough."
"That's not—" Crowley set the book down carefully on the table and stood abruptly, pacing across the shop. "That's not a present. That's just... existing in the same space."
"Crowley—"
"No, hang on. I'm a demon. We're supposed to be good at temptation, at knowing what people want." He was gesticulating now, hands moving wildly. "And I didn't even think to get you anything, and you've gone and got me a first edition Milton, and now I look like a complete—"
"Crowley." Aziraphale stood and crossed to him, catching his hands mid-gesticulation. "I don't want anything. I have everything I could possibly want."
"You say that, but—"
"But nothing. Look around." Aziraphale gestured at the bookshop, at the decorations, at the snow falling outside. "I have my books. I have my shop. I have London at Christmas, which is really quite special. And I have you. Here. With me. Not because you have to be, not because Heaven or Hell is making you, but because you chose to be. That's not nothing, Crowley. That's everything."
Crowley looked down at their joined hands, at Aziraphale's soft fingers wrapped around his own slender ones. "You're being sappy again."
"Yes, well. It's Christmas. I'm allowed to be sappy at Christmas. It's traditional."
"Everything's traditional with you."
"And everything's 'not cool' with you, and yet here we are." Aziraphale squeezed his hands gently. "Accept the gift, dear. Let someone do something nice for you without arguing about it."
"Fine," Crowley muttered. "But I'm getting you something. Something good. Something better than a first edition anything."
"That's entirely unnecessary—"
"Too late. Already decided. It's happening."
Aziraphale sighed in a way that somehow conveyed both exasperation and deep affection. "You're impossible."
"Yeah, but I'm your impossible."
The words hung in the air between them, and Crowley realized what he'd said. Your impossible. Possessive. Definitive. True.
"Yes," Aziraphale said softly, his eyes very blue and very bright. "Yes, you are."
They stood there for a moment, hands still joined, so close Crowley could count the individual gold flecks in Aziraphale's eyes if he wanted to. Could see the way the fairy lights reflected in his spectacles. Could feel the warmth radiating from his corporation.
"Right," Crowley said, not moving away. "Tea's probably getting cold."
"Probably," Aziraphale agreed, also not moving.
"Should do something about that."
"Yes, we should."
Neither of them moved.
Outside, the church bells rang again, marking midnight. Christmas Day had officially arrived. The sound seemed to break the spell, and they stepped apart—slowly, reluctantly.
"Happy Christmas, Crowley," Aziraphale said softly.
Crowley allowed himself a genuine smile, the kind he only ever showed Aziraphale, the kind that didn't hide anything. "Happy Christmas, angel."
They settled back on the sofa, and this time when their hands rested on the tartan cushion between them, when their fingers gradually intertwined as if of their own accord, neither of them mentioned it. They just sat there, watching the snow fall, listening to carols transition to Queen at Crowley's insistence, existing in the same space.
And if at some point Aziraphale's head came to rest on Crowley's shoulder, and if Crowley's arm somehow found its way around Aziraphale's waist, and if they fell asleep like that as dawn began to lighten the sky—well. That was nobody's business but their own.
The bookshop's fairy lights twinkled on, reflecting off sixteen (or possibly seventeen) different types of tinsel, four nativity scenes, and one extremely over-decorated angel and his demon.
Outside, London woke to Christmas morning. Inside, in a bookshop in Soho, everything was exactly as it should be.
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Anybody else ever lie awake and think about how they placed plant photographs in the kitchen behind David Tennant, and removed the background behind Michael Sheen for the last shot of Staged so that it would look exactly like the last shot of Good Omens? Just me? Okay.
Good Omens Season 2, Episode 6 (2023)
Staged Season 3, Episode 6 (2022)
-------------------------------------
Thanks for rewatching it with me @ghstptats @embracing-the-ineffable @thebluestgreen! Xx
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