Hello! I'm very interested in making podfics but I can't seem to find anywhere that explains how to put the audio file into ao3. I'm not the most tech savvy person so I'm hoping you or your followers know. Thank you in advance, I love your account!
There are two ideas you need to understand when you're trying to post media on AO3. Those two ideas are hosting and embedding.
hosting means (basically) storing and sharing. You upload a file to a host and that host then serves your file to the people or websites that try to access it.
embedding is (basically) displaying or presenting.
The host holds the file and shares it with AO3 when you embed it in your work. It then gets displayed when you post.
Both archive.org and soundcloud.com are hosts that can embed directly into AO3. Other hosts might not work but I know that those both do.
Since you're new to podficcing, I'm also going to recommend Azdaema's Newbie's Guide to Podficcing and GodofLaundryBaskets' Keep it Simple: A Highly Biased Podfic Guide for Absolute Beginners.
Podficcers - please add in any other resources you think might be helpful!
(shoutout to @hullomoon for reccing those two guides to me when I was looking for info before)
A great guide for different hosting options is @godoflaundrybaskets ' amazing Podfic Hosting Guide! I highly recommend it.
I also want to extend an offer to anyone interested in maybe dipping their toe into podfic waters (or who is already a podficcer) to join the Podfic community on Tumblr and also the Podfichat discord server. Lots of super knowledgeable and super friendly podficcers would love to welcome you and help you out with any questions you have!
I learned, some years ago, from this post by @emilianadarling
Podficcers who work with Duck Prints Press also threw together some tips we have here:
š¬ 0Ā Ā š 13Ā Ā ā¤ļø 22Ā Ā·Ā Roundtable: Tips for PodficcingĀ Ā·Ā
Press author and editor Shea Sullivan is looking to begin podficcing, so she asked th
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The Hobbit movies would have been vastly improved by going the same route as the The Princess Bride movie
Just constant cuts to the future with Frodo chiming in as Bilbo tells the story to be like āthatās not how you told it when I was little!ā and āwait, you never mentioned these orcs chasing you!ā
And Bilbo hems and haws like āwell, I didnāt want to scare the childrenā etc and we see the same scene get replayed multiple times with slight variations as Frodo and Bilbo bicker about the details of what actually happened
(And then we can do an extra gut-punch at the end where Bilbo tells the little kids āyeah, the dwarves were all fine, nobody died, they recovered from their wounds and went on to rule the kingdomā and maybe we get a glimpse of a universe where that happened⦠but Bilbo turns away as soon as the children are gone and stared out the window while he relives the truth all over again š)
it's not about paying for pt. i think pt should be accessible to anyone and everyone.
however we need a way to track patronage. free pt doesn't give us any insight into how people are using the service, because nobody touches on
queensland's 50c fares are great because it's next to nothing for most people and it still incentivises people to touch on, thus logging the trip and providing valuable insight into our network's characteristics for organisers
it's not whether pt should be self sufficient or whatever (it shouldn't), it's a public service and it should match the needs of the public. it's just one of the best ways to find out what those needs are is to have people pay just enough to make it worth touching on
but also! ridership is not the same as patronage. we still need a way to figure out where people are actually going, and how they're going there, not just how many people are using the system.
also worth noting the distinction between PSOs and AOs. PSOs are from victoria police and aren't there to check your ticket. they still harass minorities (raises hand) but they can't detain you for fare evading. AOs are from the operator and it's their job to harass people into paying fines. they're particularly evil because they're not actually cops and get compensation out of your fine. both are evil, but one is more evil than the other. AOs also probably wouldn't exist in an affordable pt system!
It's also pretty well established that fares are not the main blocker to increasing public transport ridership; frequency and route utility are. It's much more effective to invest money in increasing frequency and developing new routes that go where people want than free fares. Public transport is already, most places, significantly cheaper than owning and using a car. What it needs is to be more convenient as well.
having lunch and someone's watching cnc videoes loud as fuck style so i'm just here chewing my food while there's sounds of water jetting and steel screeching in the back
i like to think that the reason janity keeps shooting murderbot weird looks is bc she is VERY familiar with leonide's endless tirades about wanting to THROTTLE some fuck-ass secunit that is absolutely the WORST person she's ever met, and she's not convinced it even IS a secunit; it doesn't LOOK like one and all the humans that are supposed to be "controlling" it love it to PIECES and also seem to follow its ORDERS (??) rather than simply take its assessments under advisement, and what she wouldn't give to hire security that mindbogglingly competent for herself and the whole family but not like. specifically THAT "'"secunit""' bc it's an ASSHOLe and she HATES it and also it saved her life in an absolutely impossible situation and that makes her want to STRANGLE it with her bare hands. her techs STILL can't understand how the hell it had hacked its way into controlling HER ENTIRE FUCKING SUPPLY TRANSPORT and also she still can't figure out how it had managed to STOP DEAD that one secunit that was about to break the whole door down or *drags hands down face* where the FUCK did the university or preservation or whoever GET THAT THANG
so janity is looking at this thing and thinking. this looks. a lot. like mom's description of the fuck-ass secunit
which is both bewildering, bc it's?? here?? somehow?? why?? but also, going off memories of her mom's stories about its STAGGERING quantities of competence... it showing up is the single most reassuring thing that could POSSIBLY have happened in their situation
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"har har har look at how confused TERFs will be when they hear about intersex people"
Stop using us as a rhetorical bludgeon I BEG
TERFs know intersex people exist. We don't fit into their worldview. They think cis women with CAIS or PAIS or Swyer Syndrome or 5-ARD are "men with DSDs".
They think cis men with de la chappelle syndrome or EIS are "women with DSDs".
Look at how they treat Caster Semenya and Imane Khelif
under US law, it's illegal for anyone who's not a member of a recognised native tribe to own an eagle feather. the penalty is a $100,000 fine.
14 years ago when I had recently moved to Alaska, I went hiking with an Aleut friend, and she pointed to a feather lying on the ground and said "hey that's a bald eagle tail feather, you should grab it!" and I was like "uhh I'm very white and that's very illegal" and she went "they're fuckin everywhere up here man. I have 20." so she grabs it off the ground and hands it to me and says "there, now it's a ceremonial gift from an indigenous person."
and I'm like, okay, cool, I guess this is how we do things in Alaska. nice.
so I keep this bald eagle tail feather around for years. display it in my home among other cherished memorabilia from places I've lived and visited, etc.
on a whim, I have just now looked it up. there is no exemption to that law for a ceremonial gift from an indigenous person. the last 7 years I lived in the US, I was technically a bald eagle poacher.
probably a good thing I don't intend to move back there anytime soon. I wonder what the statute of limitations is on bird crimes.
@freedomisscaryshit I'm fucking dying I think you forgot the word "feathers" in your tags?? or do you just wish you could grab whole ass eagles that land in your yard??
As an Indigenous person, it continues to astound me that there are such strict laws (written by White people) in our name, laws against...picking up things just found on the ground. Like, stop pretending this is "for" us. We don't want this.
so, for clarity, that's not what this is. the law against possessing feathers is an anti-poaching measure, derived from a North American treaty protecting certain migratory bird species from hunting. that treaty has an exemption for indigenous people to allow tribes that use eagle feathers in ceremonial or religious practices to continue doing so.
i used to collect feathers (illegally) as a teenager and the thing is that it's incredibly important for feathers from wild birds to be illegal to possess because it ensures that they never become fashionable to wear. the reason we passed the migratory bird act was because the american and european fashion industry was driving species to extinction in a timespan of years. not just decades. the ecological devastation of exporting birds for hats was absolutely insane and people were watching wetlands and forests and meadows just empty out in realtime. look at the wikipedia article for the plume trade.
the law against 'picking feathers up off the ground' means that you can't go shoot an eagle then sell the feathers on etsy by saying you 'just found them'. you can't own them no matter where they came from, which makes sure that they're not going to come from any birds killed and then secretly disposed of.
these laws, as harsh and ridiculous as they seem, saved flamingos, spoonbills, egrets, and all kinds of hawks and eagles from extinction. the minute these laws weaken and people can make money off killing them again, they're fucked.
this is one of those "no actually this regulation exists for a reason" laws much like work place safety and building fire codes (that Republicans keep trying to roll back) and is written in blood just like them as well. it's just not human blood this time, and the fact that people actually cared enough about long term future over short term profit to get it put in place is nothing short of astonishing. That it didn't get put in place in time to save several species is heart breaking.
You listen to music regularly? Why? Have you even tried quitting? Could you quit? You get music stuck in your head? Wow. You're so ruined and music brained. I bet you make your partners listen to music with you when you have sex. Music addiction has really ruined a whole generation. You know it's not realistic to expect reverb in real life, right? You're probably so desensitized that you don't even feel anything anymore when you hear a bird singing that it wants some fuck.
She probably helped that girl solve her teen sexuality dilemma anyway, because if that were me and I asked an adult for advice only to find out the adultās not only worse off than me but also the dumbest person alive, Iād accept the lesbianism just to get out of the awkward situationā¦
So many political posts I hate boil down to "I don't want to organize and work with people I hate and fight for small, incremental victories, I just want to start a revolution where everyone magically becomes an automaton who acts exactly the way I think they should act"
Like damn man, I want that too. Unfortunately I live in reality though so we're stuck with the first thing.
"Modern movements are too fractured, too aimless, with too much infighting and corruption among the leadership. What we need is a revolution, which famously never have any issues with those things" okay then. Good luck I guess
This whole line of thinking comes down to "the current systems and leadership are bad. What we need is a fresh start with only people who are good, and then all the systems will be good". Which is simply not how anything has ever worked!
"We don't have enough people, funding, and power to bring about changes through elections! We have to do an armed revolution instead which thankfully doesn't require people, funding, or power to pull off."
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hello, itās me, enlightened historical fiction feminist heroine. i hate being forced to wear my long hair gathered up neatly and securely behind my head. oh how i long to let it flow free and whip around wildly in the wind and get in my face and my eyes and my mouth and get snagged on everything
in Finland, it is illegal to kill a bear when itās hibernating. If you ask a hunter why that is, a number of them will tell you itās wrong simply because it is the law, and they donāt make a distinction between what is right, and what is legal. Most people like that are perfectly normal, decent and respectable people, just like the rest of us.
Ā But if you ask people who think about things, the answer is vague. Killing a hibernating bear would just feel⦠impolite? You canāt fucking shoot a man when heās sleeping, thatās just fucking rude. Itās just not the right thing to do.
Ā Long before hunting laws were established in Finland, you couldnāt kill a sleeping bear, and what commands you is something older than law: tradition. Even at a time when hunting was a matter of life and death, and a bear fighting for its life is mainly a matter of death, you just didnāt kill a hibernating bear, you have to wake it up first. Hunters risked their lives, the lives of their brothers and everyone in the hunting party, who were friends, family and men that they loved, to give the bear a fighting chance.
Ā In the modern time, the hunting season of bears is in the summer, for the warmest summer months. There are many reasons for why they are allowed to tread safely in autumn and to sleep in peace through the cold months, almost all of which are rational and scientific, and do not touch the old traditions.
Ā Old faith says a living thing has many souls - henki, luonto, itse. Plants only have one - the one that wills them to grow. Animals have two, both the spark of life and nature that enables them to act. A human being also has the third, one that makes them a person, personality, itse, literally āselfā. But the soul that travels in your dreams is not the soul that defines a human - animals have that one as well. When your dog runs in her sleep, her soul is elsewhere, where a dog is needed.
Ā Oneās waking soul is elsewhere when they sleep and dream. A bearās soul is somewhere else when they are hibernating - there are two words for āhibernationā in finnish, one of which is talviuni, āwinter sleepā, and that is the one that bears have - and if you kill a sleeping bear, their soul is not in the body, it is still out there, and it can find you, and as a revenge for killing its body, Ghost Bear will kill your entire fucking family.
heated rivalry & off campus: a smut vs. hockey screentime breakdown
since both these shows came out about hockey within the past 6 months and have been facing a lot of comparisons, i wanted to do an analysis of the amount of smut and hockey content in each show. as someone who watched both shows and loves hockey, i found it interesting the way each show approached the sport differently. i've also seen fans of heated rivalry claiming that off campus had the same amount of smut, if not more, which just did not ring true to what i watched and made me curious about the exact amounts. this is not meant to criticize either show, i do not think that that having more/less smut automatically means a show is worse/better. i am just presenting a screentime breakdown!
disclaimers:
i divided hockey scenes into two categories: on-ice time where characters are practicing/playing, and scenes that feel like hockey, but don't involve actual skating. examples of "feels like hockey" scenes: interviews about hockey, shane and ilya winning the cup, kip watching scott's games, locker room motivational pep talks
if there was not a scene cut, i counted the beginning of the smut scene as when the scene started to feel charged. for example, when ilya starts jerking off in the shower or when hannah and garrett's dancing turns sensual instead of just silly
i stopped counting post-coital scenes as smut when characters began putting clothes back on, because frequently characters will linger in bed partially clothed and have conversations and this did not feel like smut to me, unless they were still talking about sex
i only counted kissing scenes if those scenes lead into actual sex scenes, if characters just kissed briefly i didn't count it
i also broke the smut down by couple, just for fun. 'other' means scenes of the main characters with people that aren't their romantic lead, like hannah's daydreams about justin or shane sleeping with rose
results:
if you're interested in my calculations, here's a link to my spreadsheets: x x x
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I am so utterly fascinated by āSakiā, the 18-year-running mahjong manga in which you, the reader, become gradually, frog-boilingly aware (over the course of nearly two decadesā worth of mahjong tournaments) that none of these girls are wearing underwear and most of their boobs are slowly expanding.
I need you to understand that I have, like, an anthropological level fascination with this comic. From the perspective of someone who is also a comic artist and writer, two things delight me about it:
the fact that I understand completely how an artist gets from āthe fans can have a little hint of skirted asscheekā to āthe pussy is completely out on center pageā over the course of 18 years; and
the way in which the pussy being out is treated by the characters and diegesis as being utterly unremarkable.
Okay. Point 1. The frog-boiling.
Let me put this in perspective for you. There was already a meme about how the characters in āSakiā donāt wear underwear when I was in middle school. I am thirty now. Okay? And itās still going.
In the time since, this has stopped being a joke. It is now indisputable canon. This is not because anyone outright says it at any point. Itās because the underwear ran out of places to hide. Iām obsessed with this thought: somewhere in the over 20 volumes of āSakiā, there is a panel in which underwear was objectively deconfirmed. And it would be so hard to figure out where that panel actually is. Maybe the artist didnāt even realize it when she drew it! The frog? Boiling!!
And of course there is also the breast expansion. I donāt know how to put a spin on this. They are just expanding. Like, this happens a lot with artists: you define a character as being, in your mind, āthe one with the big boobsā, and over the years you emphasize that trait further and further so that the signal doesnāt get lost in the noise. Itās just that normallyāin like a wildly popular manga series about mahjong published by literally Square Enix, for exampleānormally there would be a point at which the boobs stopped getting bigger. Like, an editor would step in or something. Or you would get to the point where you cannot draw the character in the same panel as her mahjong tiles without her breasts spilling over the tiles, and youād go, āWell, this is now untenable.ā
That did not happen. There is no ceiling. The frog is soup.
Point 2. The complete and utter mundanity of all of this.
Itās like this, okay: thereās no shortage of trashy ecchi manga out there. Thereās a million other comics doing wildly bawdier things with wildly more improbable bishoujos.
The vibe with āSakiā is different.
Itās hard to explain this, but it feels like the world of the comic is fundamentally uninterested in the fanservice happening on the page. I cannot describe it as āleeringā, because I cannot conceive of a person in the story from whose point of view one would leer. I think the artist is probably into itāI canāt imagine anyone is making her do thisābut āSakiā the comic has no opinion on the matter.
There are essentially no male characters in āSakiā. Like, there was one guy? Kind of? At the very beginning? But he is gone now. They put him back in the toybox. He does not exist. It appears to be some level of canonical that in the world of āSakiā, almost all humans are women. Those women are sometimes romantically into each other. According to comments the artist has made on Twitter (which I cannot source), they have lesbian baby technology, so itās no problem. Itās so much not a problem that the story is about mahjong, instead of any of that.
So, like, the fiction here appears to be this: this is the, like, meta-narrative of the fanservice of āSakiā, right: itās just normal that they donāt wear underwear and their boobs are arbitrarily big. Itās been normal. It was normal before the story of the manga began. Itās just how things are. Nobody bats an eye about it, and if they do, itās in sort of a lesbian kind of way so like whatās the problem, we love lesbians here. This is literally normal for girls.
The fanservice simply diffuses into this all-encompassing aura of disembodied, ambient sluttiness. The framing of the panels demands you acknowledge it, and the story demands you already be over it, because itās mahjong time now, and weāre playing mahjong.
Do you get??? why Iām so fascinated??? Are you not a little enraptured???
Anyway, I have no idea how to end this weird post. I guess the conclusion is that women stay winning????
I have so many questions... How does one SUSPECT a manga character isn't wearing underwear? Like, sure, boobs are front and center amd you can see them get bigger panel by panel but how does this work for panties? Are there just that many upskirt shots?
Also how do you keep a manga about Mahjong going for 18 years, what??
So a couple days ago, some folks braved my long-dormant social media accounts to make sure Iād seen this tweet:
And after getting over my initial (rather emotional) response, I wanted to reply properly, and explain just why that hit me so hard.
So back around twenty years ago, the internet cosplay and costuming scene was very different from today. The older generation of sci-fi convention costumers was made up of experienced, dedicated individuals who had been honing their craft for years. Ā These were people who took masquerade competitions seriously, and earning your journeyman or master costuming badge was an important thing.Ā They had a lot of knowledge, but ā hereās the important bit ā a lot of them didnāt share it. Ā Itās not just that they werenāt internet-savvy enough to share it, or didnāt have the time to write up tutorials ā no, literally if you asked how they did something or what material they used, they would refuse to tell you. Some of them came from professional backgrounds where this knowledge literally was a trade secret, others just wanted to decrease the chances of their rivals in competitions, but for whatever reason it was like getting a door slammed in your face. Ā Now, thatās a generalization ā there were definitely some lovely and kind and helpful old-school costumers ā but they tended to advise more one-on-one, and the idea of just putting detailed knowledge out there for random strangers to use wasnāt much of a thing. Ā And then what information did get out there was coming from people with the freedom and budget to do things like invest in all the tools and materials to create authentic leather hauberks, or build a vac-form setup to make stormtrooper armor, etc. Ā NOT beginner friendly, is what Iām saying.
Then, around 2000 or so, two particular things happened: anime and manga began to be widely accessible in resulting in a boom in anime conventions and cosplay culture, and a new wave of costume-filled franchises (notably the Star Wars prequels and the Lord of the Rings movies) hit the theatres. Ā What those brought into the convention and costuming arena was a new wave of enthusiastic fans who wanted to make costumes, and though a lot of the anime fans were much younger, some of them, and a lot of the movie franchise fans, were in their 20s and 30s, young enough to use the internet to its (then) full potential, old enough to have autonomy and a little money, and above all, overwhelmingly female. Ā I think that latter is particularly important because that meant they had a lifetime of dealing with gatekeepers under our belts, and we werenāt inclined to deal with yet another one.Ā They looked at the old dragons carefully hoarding their knowledge, keeping out anyone who might be unworthy, or (even worse) competition, and they said NO. Ā If secrets were going to be kept, they were going to figure things out for ourselves, and then they were going to share it with everyone. Ā Those old-school costumers may have done us a favor in the long run, because not knowing those old secrets meant that we had to find new methods, and we were trying ā and succeeding with ā materials that āseriousā costumers would never have considered. Ā I was one of those costumers, but there were many more ā I was more on the movie side of things, so JediElfQueen and PadawansGuide immediately spring to mind, but there were so many others, on YahooGroups and Livejournal and our own hand-coded webpages, analyzing and testing and experimenting and swapping ideas and sharing, sharing, sharing. Ā
Iām not saying that to make it sound like we were the noble knights of cosplay, riding in heroically with tutorials for all. Ā Iām saying that a group of people, individually and as a collective, made the conscious decision that sharing was a Good Things that would improve the community as a whole. Ā That wasnāt necessarily an easy decision to make, either. I know I thought long and hard before I posted that tutorial; the reaction I had gotten when I wore that armor to a con told me that I had hit on something new, something that gave me an edge, and if I didnāt share that info I could probably hang on to that edge for a year, or two, or three. Ā And I thought about it, and I was briefly tempted, but again, there were all of these others around me sharing what they knew, and I had seen for myself what I could do when I borrowed and adapted some of their ideas, and I felt the power of what could happen when a group of people came together and gave their creativity to the world.
And it changed the face of costuming. Ā People who had been intimidated by the sci-fi competition circuit suddenly found the confidence to try it themselves, and brought in their own ideas and discoveries. Ā And then the next wave of younger costumers took those ideas and ran, and built on them, and branched out off of them, and the wave after that had their own innovations, and suddenly here we are, with Youtube videos and Tumblr tutorials and Etsy patterns and step-by-step how-to books, and I am just so, so proud. Ā
So yeah, seeing appreciation for a 17-year-old technique I figured out on my dining-room table (and bless it, doesnāt that page just scream āI learned how to code on Geocities!ā), and having it embraced as a springboard for newer and better things warms this fandom-oldās heart. Ā This is our legacy, and a legacy the current group of cosplayers is still creating, and itās a good one. Ā
(Oh, and for anyone wondering: yes, Iām over 40 now, and yes, Iām still making costumes. And that armor is still in great shape after 17 years in a hot attic!) Ā
In 2018 I developed a method to bind fanfiction into hardback books. Like penwiper, I was also literally working in my kitchen by myself and trying things out. This solo work was a meditative experience that allowed me to think deeply about the implications of what I was creating and what my ethics and philosophy should be. I got around to the idea that the knowledge I was building should be spread far and wide, so that together, many of us fans could bind all the wonderful fics that made our lives better in a million tiny ways, and wherever possible, create a copy to give to the authors themselves. In 2019 I wrote How to Make a Book From An AO3 Page, a free manual for how to format and bind fanfic, as a gift to fandom as a whole. It took off during the 2020 lockdown and has been going strong ever since.
Now, through the efforts of so many wonderful people, Renegade Bookbinding Guild has developed out of the Discord server I originally created just to answer questions about paper, fonts, printers and such. I figured there would be no more than 15 people joining. We have surpassed 3000.
I hope in another 20 years time my little tutorial still be kicking along out here, my bad photography and potty mouth sitting forever at the foundational level of an exploding practice of radical generosity and community, preserving the best of fanfiction from the ravages of time and digital threats and censorship, and giving authors the best thank you I know how to give.
ArmoredSuperHeavy, March 2026
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