Verena (she/her)
Binding, lurking, reading, gushing.
Here to appreciate fanart, fic authors and handbound books. Everything I bind is for personal use only - keep fandom free and ethical! 🫶
This story is truly one of the most unique fics I have ever read! It is an absolute masterclass in temporal storytelling where one point of view moves forward in time while the other moves backwards...
In this fic Ilya and Shane spend four months playing hockey in Switzerland during an NHL lockout, suddenly sharing not only a hockey team but also a house, routines, a life. And then abruptly need to return to their separate realities.
Already while reading I knew that I absolutely wanted to bind this story and immediately envisioned a Switzerland-focused cover design. Which was further inspired by the Swiss flag mug that Shane remembers as one of the things he collected while living in Zürich.
And then luckily I stumbled across the absolutely gorgeous and special art that @isolabellz created for the fic - look at those Zürich skyline vibes and the whole NYE scene comic, I mean.... Thank you so, so much for letting me use your pieces!
I really like that not having a Cricut or the option to print on canvas always challenges me to get creative with my covers - this time I chose to use stickers for the title which mirror the block font of the typeset and the cutout made it possible to still show the art on the cover.
Anon author, wherever you are - thank you for this absolute masterpiece that will stay with me for a long time!! [and also thank you for inspiring me to get out of my binding hibernation and motivating me to make my second ever typeset]
As always, bound for personal use only - keep fanfiction free!
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Bound: i know where to draw the line by @magneticwave
I hope you've read this magnificent AU by magneticwave, but just in case you haven't -- this is a delightful what-if fic that explores a world where Shane was born three years earlier and Ilya, three years later. The result is a (slight) age difference fic that gives us an older, more world-weary Shane falling for a younger, more vulnerable Ilya. It's a pure delight, and the moment I finished reading it, I knew I wanted to bind it.
As you can see, I went pretty simple on this one! I had the vision of something graphical and clean and slightly evocative of an informational pamphlet from the 1960s. I picked up the cloth (Iris) just last week in Amsterdam, but I had to get a new 12 x 24 mat for my Cricut, hilariously, just to properly cut these two simple lines long enough to wrap around the cover. I hadn't tried this technique before but it went fairly smoothly.
Featuring my first double-core endbands (please don't zoom in), a rounded and backed little text block, and chiyogami endpapers.
The typeset is simple and clean, letting the story be the most important thing.
With thanks to @magneticwave for permission to bind, and to @phoenixortheflame for feedback and encouragement.
Rozanov’s big hand takes up a lot of the view, index finger wagging as he audibly counts off every single bird in the park.
“Fifty-one!” The speaker crackles with an ecstatic, huge whoop and the birds panic, shooting off in all directions. Rozanov sounds more pleased than he had the whole time Shane had been on the call with him. “Ha! I win. There is always more than looks like on outside.”
The video starts itself over. So Shane doesn’t have to. He sits cross-legged on the floor and stays inside of it a while.
for @garagepaperback, whose birthday it is today. i love you and have concluded you are the little sister. time isnt real. im older.
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This is a collection of one-shots featuring works by @smugrobotics, @hoko-onchi-writes, @arminaa8, @jtimu, @orolin-writes, Lately, @ghaniblue, @toomuchplor, @lemonlimelea, @citrusses, @its-the-allure, @greattemptation (plus one by me).
I wanted to host a chill binding event that was deadline-flexible and low-barrier for new binders. This meant no exchange and no typesetting.
Enter: The Bind-This-In-Your-Style Shinny!
The idea was simple:
Authors opted in to be part of the anthology.
Once all works were collected @citrusses and I created two versions of the same typeset: one letter and one A4.
Binders had four weeks to take that typeset and bind it in their style.
I already had art in mind that I wanted to use, but I wasn't sure the artist would let me. I shot my shot anyway, and he said yes! The piece—"Curious" by Brad Welch—is a graphite on bristol rendering of the seared-in-my-memory shower scene.
In exchange for letting me use his art, I made a copy of the bind for his own collection.
The endbands are made with with Trebizond silk thread using DAS's two-colour front bead method. I also hand-marbled the end papers.
It was my first time attempting a clear dust jacket, and I'm really happy with how they turned out. The transparent material is inkjet-compatible projector film, which a friend of mine recommended. The graphics were designed in Affinity Designer and applied with heat transfer vinyl.
As for the typeset, @citrusses and I met over video chat to set up the bones of it. We created a doc that detailed fonts and other design decisions made. Then we volleyed it back and forth until the thing was complete.
After having @dogearedbindery review the Letter typeset, we made an A4 version, which @mojowitchcraft looked over (thanks, pals!).
This was a super fun event, and I've loved seeing everyone's take on the bind!
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This idea entered my obsessed, endorphin muddled brain and just had to be done!
Made a dust jacket for my massmarket paperback copy featuring incredible art by @cosecollaterali and @chaosandcodices (over on insta). Thank you so much for letting me use it for this project!
The first time I saw @cosecollaterali's Ilya and Shane club scene portrait I knew this had to be on a cover! The intensity of their facial expressions is just insane!
I purposefully kept the title on the front very subtle and cropped, both to not distract from the art but also to reflect that these two bb boys constantly need to keep parts of themselves hidden.
In contrast, I wanted the back to be all soft and open and I am so grateful that @chaosandcodices was willing to share the sketch version of her drawing with me - I feel that it has an extra level of rawness and vulnerability.
I initially played around with the two different intersecting fonts on the back to bring more dynamic to the design, but now all I can think of is that it is basically also a reflection of these two very different characters getting closer.
And the agony quote, well because OF COURSE THE AGONY QUOTE!!
If anyone else is also sad that they changed that line in the show, let me know - we can mourn it together 😌
[ one boy doing grief— for the things had (& almost-had). ⁀➴ ♡ | for the @drarrymicrofic july prompt: brief | title from “loml” by taylor swift ]
drarry | word count: ~860 | rating: m | warnings: mcd!
_ _ _
Harry Potter’s parents died in a Muggle automobile accident.
At least, that’s what the Dursleys had said.
Potter had told Draco as much on Halloween, 2001, lying in his twin bed, fucked-out, cotton-curled, and comfortingly empty.
He’d sunken into Draco’s singular spare pillow, whispering every scrap he held of two people he had never met, would never meet.
It was one of the few times he stayed.
. . .
It was always going to be brief— Draco suffered no illusions. Potter was no literal deity, but still: Savior.
& Gods may bed mortals, but they did not wed them, nor woo them, not unless they intended to fall, to descend.
Potter never offered. Draco never asked.
Still, it was light, in the fleeting way of dusk, of autumn, of the warmth of sheets pulled fresh from the dryer in his Muggle flat. He did not get to have him, but he did get to hold.
For a while.
. . .
That last time, he didn’t know it was the last time. How could he have?
Draco, later, can’t quite remember their final exchange.
Potter had protested his lack of proper cream, stirring the powdered French vanilla into his coffee. He’d checked his watch, then gone sheepish, late again, making his excuses, moving for the door, and Draco’d said something like: Excuse you, or I do believe that’s my mug, or Where exactly do you think you’re going with that?
Mundane. Entirely un-extraordinary.
And Potter’d answered: “I’ll bring it back.”
(“I’ll bring it back,” he’d said.)
Smiling— he’d been smiling. Not his Quibbler, fundraising-smile. Not the tight Ministry gala one. Not even the one he used meeting schoolchildren, small, sweet, coaching them through the earliest of broom safety lessons.
(Draco knew. The smiles. He’d had them catalogued for longer than he’d ever admit.)
This smile was his, special reserve, private. Remarkable. Star-aligning.
And then he’d gone.
. . .
Muggle taxicabs were easiest for navigating this part of town.
Draco had told him as much.
.
James and Lily Potter’s only son dies in a Muggle automobile accident.
.
At least, that’s what the young wizard says, bursting into the corner store at the crossroads of Vertic and Later Alley, waving a photocopied Ministry memo.
The carton of cream falls from Draco’s glamoured hands, spilling slow over the tiled floor.
He’s not there to see it reach the shelves.
. . .
Potter’s mobile telephone line rings & rings & rings.
. . .
At the wake, he wears his own face.
His is one in the great sea of grief.
He hates them— every person here, every single person between himself and the casket on the dais at the head of the Ministry atrium.
(Exceptions: Granger, and Weasley— every Weasley. Devoted, deserving. Otherwise— irrelevant. Otherwise— interferent.)
It’s Neville Longbottom who finds him after, asking him along insistently to the private service.
It’s in Grimmauld— Potter’s home— and Draco tries not to think He kissed me on that sofa or I gave him that biscuit tin.
His fingers trace the spines of the books on the shelf, in need of distraction, though it works poorly, all his resolve necessary to keep him from imagining a life where he got to read these titles, page through these very volumes.
He pulls away, burning.
Across the parlor, Granger meets his eye, holds his gaze. Her face is red, puffy. Draco’s had a great deal of practice with aesthetic charms— his own eyes clear, his complexion smooth. They feel tight, wrong. Granger’s grief suits.
I know what you’ve done, he imagines her saying, ever-knowing. She nods, minute, and he has to hold himself steady against a startle.
(In retrospect, the look is likely nothing so sinister, is perhaps the greatest kindness she could offer to Draco: interloper, intruding. Acknowledgment. — Of what? Well. Exactly.)
It’s no small thing, acquiring a private moment. The crowd happens to have shifted towards the foyer, Shacklebolt sparing a few words for those gathered there. He has nothing to say that Draco could even pretend to want to hear—
Potter isn’t himself. He’s a boy and an old man, a shell and a crypt.
In the casket, he’s less.
His scar has gone purple and faint. Draco tucks a curl away from it, hand tremoring in spite of himself.
In Pureblood custom, Draco’d have been by his side until they lowered him into the ground. In Pureblood custom, he’d have no shoes on his high-arched feet. In Pureblood custom, a sickle in one hand, a Galleon in the other.
It was meaningless, probably, prejudiced, almost certainly— Draco knows, or tries to know. Can’t help the panic that sparrows at his throat, regardless.
In Wizarding custom, he thinks: a lock of hair.
It’s wrong— it must be— and he cannot bring himself to care.
His fingers shake, twining a curl behind his ear, lips offering up the quietest Diffindo. He will not walk away empty handed.
. . .
In the aftermath, the realization hits Draco with a pang (& another, another, ad infinitum, forever, for always), too late.
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Bound: Soup-pocalypse and The Great Curry Cataclysm by SquadOfCats
Typeset, bind, and illustrations by: me, @phoenixortheflame.
Eleven years after the war, Draco Malfoy leads a quiet, boring, and perfectly respectable life, thanks very much. Or, at least he does, until a sudden and very unexpected veela awakening causes him to throw soup all over Harry Potter in the middle of the Ministry cafeteria.
Every once in a blue moon I pull together a bind in four days, and other times I agonize over it for months. This was one of those rare occasions where inspiration hit — and then simply did not quit.
The cover of the bind was inspired by the novel Icarus by K. Ancrum. And I drew veela Draco based on a tattoo of a falling Icarus, which is an adaptation of the Phaeton from "The Four Disgracers" (ty @haxkattpress for the art lesson!)
For programs I used Procreate for the illustrations (veela Draco, bowl, waffle), Affinity Publisher for the typeset, Designer for the full-title page typography treatment, and Canva for the book cover.
There are a lot of letters sent between Draco and Harry in this fic, so I chose handwriting for each of them.
Finally, I did a sneaky little inside cover design featuring waffles. Regular or fish — you decide!
I did not make a copy for the author, as they've left the fandom; however, I made sure to check that they have blanket permission for binds. (That said, Squad, if you see this and you want a copy, send me a DM!)
As always, the extra copies are gifts. No money was exchanged.
If you have any questions and want to learn how to bind fic for yourself, feel free to get in touch!
„There was nothing simple between them after all. Whatever edges time had sanded down were still rough enough to catch.“
Sometimes you find the fic and sometimes the fic finds you – and sea change most definitely found me. I had just read the wonderful The Isle of Ogyia by @citrusses (make sure you read that gem of a story!) - and thus was already in the mood for more sea vibes when @eleadore's fresh-off-the-press fic appeared in front of me and lured me in with its stunning art header.
So I dove in and was absolutely swept away….by the delicate poetic prose (“layers of studied indifference shaved away by one easy look” 🫠), by this story that is so immersive and both so gentle and rough. And it’s not just just Draco and Harry’s relationship that is beautifully written as it slowly unfolds - it also has such a unique and creative take on Harry’s relationship with his mother.
Already halfway in I knew that THIS would be the fic I want to bind as a little surprise for my dearest binder friend Anna @annaadmires for our meetup.
Also, I finally(!) wanted to endeavour typesetting and a single-chapter 40.000 word story seemed absolutely perfect. I kept it quite simple for my first attempt but wanted to integrate the feeling of the SEA™ and of course eleadore’s gorgeous art!
Probably the most special and nerve-wrecking and absolutely lovely part for me was that for the first time I had the honour of making an author copy!! And when sending it out I just couldn't resist adding a little nod to eleadore's short yet excellent drarry thesis. Ehehehe.
It was an absolute joy making these little binds and especially the three different yet matching versions of the cover - one for Anna, one for Ella, and one for myself.
I absolutely cannot wait to read it again – you absolutely should, too!
---
Cover: Hand foiled with foil quill on smooth 180g craft paper by Paper Poetry
Binding: Pamphlet bind with chain stitch using embroidery thread