Doing my best

This confirms that there is a civilization older than the Sumerians that we have yet to find

Some people get existential dread from this

Source (non Aboriginal)

And a quote I picked out from a longer interview with an Aboriginal local elder about the area where he touched on the history

So, if any trans men are being told about this, it’s not true!! Smoking will not change your voice, at least not until you’re about forty years down the line and you’ve already irreparably destroyed your lungs and throat and mouth and pretty much every other organ in your body. When you hear heavy smokers with deeper, scratchier voices it is literally because their vocal cords have been ruined. This is not a passive effect of smoking, it is a very very damaging one!

It’s simply not worth it! There will be no meaningful changes except terrible ones. Voice training will do a lot more for you than cigarettes will, I promise that the people urging you to start smoking as a voice training method do not have your best interests at heart!

(And you know what, this also goes for not eating due to the idea that starving yourself will decrease your chest size. Like with smoking, there will be no meaningful changes except terrible ones. Your body is worth so much more than that and there will always be healthier alternatives!)

(Btw, afaik smoking only has this effect on estrogen from HRT. Estrogen that AFAB bodies produce naturally is not affected, so smoking is still bad for trans men)

I think also in that conversation, I had a couple people tell me that the book The Easy Way to Quit Smoking is, despite the gimmicky title, genuinely helpful.

If quitting for yourself seems too abstract and it’s hard to care, think about everyone around you. Someone with asthma or migraines will breathe easier if they’re not risking an attack from standing near you.

Lastly, some queer history: a 90’s tobacco marketing campaign that targeted gay men was literally called Project SCUM. That’s what they think of us. Don’t give them your money.

like. tanrak looks at those statues as a child and it brings him comfort knowing eventually, one day, when he dies and goes to heaven, he can have that. in tanrak's mind, god will one day give him that loving, happy family that was so cruelly taken from him on earth. seeing it brings him comfort, even so many years later, because he still holds onto that faith and that belief that one day, he'll get that.

but barth looks at it and it makes him so upset and uncomfortable he has to walk out of the church. because when barth looks at it, he sees the thing god took from him. he sees a happy family that he doesn't get to have because of god. because god is what has driven a wedge between him and his parents, because their beliefs have made him an imperfect son in their eyes.

And after getting over my initial (rather emotional) response, I wanted to reply properly, and explain just why that hit me so hard.

So back around twenty years ago, the internet cosplay and costuming scene was very different from today. The older generation of sci-fi convention costumers was made up of experienced, dedicated individuals who had been honing their craft for years.  These were people who took masquerade competitions seriously, and earning your journeyman or master costuming badge was an important thing.  They had a lot of knowledge, but – here’s the important bit – a lot of them didn’t share it.  It’s not just that they weren’t internet-savvy enough to share it, or didn’t have the time to write up tutorials – no, literally if you asked how they did something or what material they used, they would refuse to tell you. Some of them came from professional backgrounds where this knowledge literally was a trade secret, others just wanted to decrease the chances of their rivals in competitions, but for whatever reason it was like getting a door slammed in your face.  Now, that’s a generalization – there were definitely some lovely and kind and helpful old-school costumers – but they tended to advise more one-on-one, and the idea of just putting detailed knowledge out there for random strangers to use wasn’t much of a thing.  And then what information did get out there was coming from people with the freedom and budget to do things like invest in all the tools and materials to create authentic leather hauberks, or build a vac-form setup to make stormtrooper armor, etc.  NOT beginner friendly, is what I’m saying.

Then, around 2000 or so, two particular things happened: anime and manga began to be widely accessible in resulting in a boom in anime conventions and cosplay culture, and a new wave of costume-filled franchises (notably the Star Wars prequels and the Lord of the Rings movies) hit the theatres.  What those brought into the convention and costuming arena was a new wave of enthusiastic fans who wanted to make costumes, and though a lot of the anime fans were much younger, some of them, and a lot of the movie franchise fans, were in their 20s and 30s, young enough to use the internet to its (then) full potential, old enough to have autonomy and a little money, and above all, overwhelmingly female.  I think that latter is particularly important because that meant they had a lifetime of dealing with gatekeepers under our belts, and we weren’t inclined to deal with yet another one.  They looked at the old dragons carefully hoarding their knowledge, keeping out anyone who might be unworthy, or (even worse) competition, and they said NO.  If secrets were going to be kept, they were going to figure things out for ourselves, and then they were going to share it with everyone.  Those old-school costumers may have done us a favor in the long run, because not knowing those old secrets meant that we had to find new methods, and we were trying – and succeeding with – materials that “serious” costumers would never have considered.   I was one of those costumers, but there were many more – I was more on the movie side of things, so JediElfQueen and PadawansGuide immediately spring to mind, but there were so many others, on YahooGroups and Livejournal and our own hand-coded webpages, analyzing and testing and experimenting and swapping ideas and sharing, sharing, sharing.  

I’m not saying that to make it sound like we were the noble knights of cosplay, riding in heroically with tutorials for all.  I’m saying that a group of people, individually and as a collective, made the conscious decision that sharing was a Good Things that would improve the community as a whole.  That wasn’t necessarily an easy decision to make, either. I know I thought long and hard before I posted that tutorial; the reaction I had gotten when I wore that armor to a con told me that I had hit on something new, something that gave me an edge, and if I didn’t share that info I could probably hang on to that edge for a year, or two, or three.  And I thought about it, and I was briefly tempted, but again, there were all of these others around me sharing what they knew, and I had seen for myself what I could do when I borrowed and adapted some of their ideas, and I felt the power of what could happen when a group of people came together and gave their creativity to the world.

And it changed the face of costuming.  People who had been intimidated by the sci-fi competition circuit suddenly found the confidence to try it themselves, and brought in their own ideas and discoveries.  And then the next wave of younger costumers took those ideas and ran, and built on them, and branched out off of them, and the wave after that had their own innovations, and suddenly here we are, with Youtube videos and Tumblr tutorials and Etsy patterns and step-by-step how-to books, and I am just so, so proud.  

So yeah, seeing appreciation for a 17-year-old technique I figured out on my dining-room table (and bless it, doesn’t that page just scream “I learned how to code on Geocities!”), and having it embraced as a springboard for newer and better things warms this fandom-old’s heart.  This is our legacy, and a legacy the current group of cosplayers is still creating, and it’s a good one.  

Now, through the efforts of so many wonderful people, Renegade Bookbinding Guild has developed out of the Discord server I originally created just to answer questions about paper, fonts, printers and such. I figured there would be no more than 15 people joining. We have surpassed 3000.

I hope in another 20 years time my little tutorial still be kicking along out here, my bad photography and potty mouth sitting forever at the foundational level of an exploding practice of radical generosity and community, preserving the best of fanfiction from the ravages of time and digital threats and censorship, and giving authors the best thank you I know how to give.

Just like the anti-Vietnam War protest songs that we associate with the 1960s, or the early nihilism that spawned punk music in the 1970s. But he didn’t *sound* like a punk anarchist; he sounded like a country rock singer. When he released Born in the U.S.A. people completely misinterpreted (or possibly ignored) the lyrics in favor of the tone of the music.

Politicians used his music to promote their ‘Murica Yes! brand, and he had to literally explain that that was not what he was about. He’s over here asking when we’re going to have jobs and heathcare, not stanning the politicians who weren’t helping the people.

It was also kind of a big deal that he had an integrated band, because even as late as the 1980s music was still kind of segregated and MTV was straight up racist. They refused to play and promote black artists and then claimed that were no black artists in the first place. Michael Jackson’s record company had to threaten a boycott of their white artists to get MTV to play his Thriller video.

Plus, the first black/white interracial kiss on TV was in 1968 (OG Star Trek). Also it took us until the 70s to get sympathetic gay characters on screen, and the 90s to get gay characters to kiss onscreen. And all of those firsts were met with outrage.

So keep that in mind when you see Bruce Springsteen not just playing with an interracial band, but engaging in an interracial, gay kiss on stage repeatedly.

https://www.gq.com/story/this-fucked-me-up-bruce-springsteen-singing-about-clarence-clemons

It was a story where… we remade the city. We remade the city, shaping it into the kind of place where our friendship and our love for one another wouldn’t have been such an exceptional thing. - Bruce Springsteen

It wasn’t about showmanship or rejecting bigots or anything it was just. Damn right that was one of the loves of his life and damn right he was going to kiss him onstage

It gets me a little that Bruce has had a divorce, that he’s been married twice, but he loved Clarence for the rest of Clarence’s life and will presumably love him the rest of his own

Clemons said in one interview. “Bruce and I looked at each other and didn’t say anything, we just knew. We knew we were the missing links in each other’s lives. He was what I’d been searching for.” In another version of the story, Clemons says “He looked at me, and I looked at him, and we fell in love.”

I’m having some emotions about it!

“He was elemental in my life,“ Springsteen adds, “and losing him was like losing the rain.”

Not just! I love you pure and deep and true but! I am going to love you like that in front of the whole damn world!

We have fewer narratives about taking risks and making statements for platonic love rather than romantic and supposedly it would be easier to downplay this onstage than romance and! They refused! They fucking refused! In front of hundreds of thousands of people, over the course of years! In the spotlight, in word and deed, I love you!

I mean, will you LOOK at this:

This was the pic chosen for the album cover from an extensive photoshoot, too. A few others:

Carolina Milanesi, an independent technology analyst, said Google is trying to make its cash cow business — search — richer and more personalized, and it will make shopping easier. But there is a risk that users may have fewer choices about what to click. "Right now it's: I ask a question, I get a bunch of answers and I feel that I'm in control as to which answer I take, or if I'm looking for something, which product I'm going to end up buying. That is going to be less so going forward," she said. Milanesi envisions AI-enabled search and agents proposing products to consumers — perhaps even those they have requested — but with less clarity or choice around where it's coming from. "If you're going to say: 'I want a pair of Jordans, go find them,' you're not necessarily sure what steps have been taken and whether the AI has used a source or a store that was paid for and therefore came up in the search results," she said, "or if AI actually went and did their due diligence and picked the best for me as a customer."

And here's one from Time magazine (May 20, 2026):

While Google already has “AI Mode,” the company will now power the whole search bar through its new Gemini 3.5 Flash model.  Instead of the classic list of blue links, Google Search will now also generate a custom page with an AI-generated summary of what you’re searching about, which will then trigger a conversation with AI Mode on the main page, allowing users to ask follow-up questions—similar to the kind of layout you would see when opening ChatGPT.

And a little more from Time's article on how this may affect the websites that we are trying to search for:

And he raised his eyebrow at me. We'd been discussing addictive medications a few minutes before, like the Tramadol I finally got from the pain specialist to take once a week or so to give me a break from my chronic pain, so I reassured him that methylpenidate (Ritalin/Concerta) is not addictive (at least not in people with ADHD).

His response? To raise his eyebrow even harder and say "Well it sure SOUNDS like it's addictive!"

And I had to explain to this man - who works in a healthcare related job by the way - that just because medication makes you feel good and helps you, just because you look forward to taking it, that doesn't make it addictive or dangerous. And he wasn't convinced.

The simple fact that I was excited to take a daily pill that has literally changed my life, after decades of fighting to get that medication, made him think I shouldn't be taking it so often. That it must inherently be dangerous.

I'm not even in America, but I'm pretty sure this attitude began there and then spread over here to Europe. This Puritan idea of "if something feels good, you must beware of it. Pleasure is dangerous, it is sinful, it is addiction, it is evil."

I know too many people who subconsciously believe that pleasure = addictive = dangerous = bad. Joy is a slippery slope to hell.

So here is your reminder for today that you don't need to be afraid of feeling good. If something improves your life, use it. Even if it is addictive - learn what that addiction means, whether the addiction is inherently dangerous or not, and whether the benefits outweigh the drawbacks and risks.

My ADHD meds are, in fact, not addictive. But I will take them every day because they make my life orders of magnitude easier. I will enjoy them every time I take them.

My tramadol is addictive. I will still take it. I will keep it on a schedule to avoid becoming addicted, primarily because addiction in this case would mean reduced effectiveness. But I am not afraid of my painkillers. They are life changing.

im really not trying to be mean here but this one tag from a reblog just so colossally missed the point i cant let it go unacknowledged

the whole message of this post is that the clothes are being made regardless of whether anybody is going to be purchasing them. they’re made in sweatshops, shipped to the other side of the globe, put on racks in thousands of stores, and whatever doesn’t sell is dumped in the fucking desert to make room on those racks for the next shipment.

That “viral” song, movie, meme, influencer, and celebrity drama was probably the product of a stealth marketing campaign.

link to the actual article here

Joe Lim estimates that 90 percent of what you see on the internet is advertising in disguise, and he should know. For three years, Lim ran a company called Floodify, which at its peak operated 65,000 dummy social-media accounts used to drum up attention on behalf of paying clients. On a typical day, he says, Floodify posted 50,000 videos across TikTok, Instagram, YouTube, and X, all of them designed to pass for the unscripted output of ordinary users.

Current status of some of the internet censorship and surveillance bills.

CALL YOUR REPS!!!

the following organizations accept donations via Venmo, PayPal or Cashapp:

Homeless Black Trans Women Fund: supports Black Trans women that live in Atlanta and are sex workers and/or homeless

Trans Justice Funding Project: supports grassroots trans justice groups run by and for trans people, focusing on organizing around racism, economic injustice, transmisogyny, ableism, immigration, and incarceration

Trans(forming): membership-based organization led by trans men, intersex, gender non-conforming people of color, to provide resources and all around transitional support

Black Trans Men Inc.: the first national nonprofit social advocacy organization with a specific focus on empowering Black Transgender men by addressing multi-layered issues of injustice faced at the intersections of racial, sexual orientation, and gender identities

Kween Culture: provides programming towards social and cultural empowerment of transgender women of color

Heaux History Project: a documentary series and archival project exploring Black and Brown erotic labor history and the fight for sex workers’ rights

Tournament Haus Fund: mutual aid fund for protesters and trans/non binary BIPOC in the ballroom scene in Portland/Tacoma/Seattle

Black Excellence Collective Transport for Black NYC LGBTQ+ Protesters: raising funds to provide safe transport for Black LGBTQ+ protesters (NYC)

F2L Relief Fund: provides commissary support (and legal representation & financial assistance) for incarcerated LGBTQ+ and Two-Spirit POC in NY state

Trans Sistas of Color Project Detroit: uplifts, impacts and influences the lives and welfare of transgender women of color in Detroit

Black Trans Protesters Emergency Fund organized by Black Trans Femme in the Arts Collective: supports Black trans protesters with resources like bail and medical care

Black Trans Travel Fund: a mutual aid project developed to provide Black transgender women with the financial resources to self-determine safer alternatives to travel, so they feel less likely to experience verbal harassment or physical harm

Reproductive Justice Access Collective (ReJAC): a New Orleans network that aims to share information, resources, ideas, and human power to create and implement projects in the community that operate within the reproductive justice framework

the following organizations can be donated to individually or all-together via this split donation form that will split your donation amount to equal parts:

Okra Project/Tony McDade and Nina Pop Mental Health Fund: provides Black Trans people with quality mental health & therapy and addresses food security in Black trans communities

For The Gworls: provides assistance to Black trans folks with travel to and from medical facilities, and co-pay assistance for prescriptions and (virtual) office visits ⁣

Third Wave Fund: an activist fund led by and for women of color, intersex, queer, and trans people under 35 years of age to resource the political power, well-being, and self determination of communities of color and low-income communities; rapid response grantmaking, multi-year unrestricted grants, and the Sex Worker Giving Circle

Unique Womens Coalition (Los Angeles, CA): supportive organization for and by transgender people of color, committed to fostering the next generation of black trans leadership through mentorship, scholarship, and community care engagement work

Black Trans Women Inc.: a national nonprofit organization committed to providing the trans-feminine community with programs and resources 

SisTers/Brothers PGH (Pittsburgh, PA): A transgender drop-in space, resource provider and shelter transitioning program

Love Me Unlimited for Life: helps transgender community members reach their goals and fulfill their potential through advocacy and outreach activities

My Sistah’s House Memphis (Memphis, TN): designed to bring about social change within the Trans Community in Memphis by providing a safe meeting space and living spaces for those who are most vulnerable in the LGBTQ+ community

Black LGBTQIA Migrant Project: builds and centers the power of Black LGBTQIA+ migrants through community-building, political education, direct services, and organizing across borders; provides cash assistance to Black LGBTQ+ migrants and first generation people dealing with the impact of COVID-19

Taja’s Coalition at St. James Infirmary (San Francisco/Bay Area): navigating housing, medical services, legal services, and the workplace, as well as regularly training agencies

Marsha P. Johnson Institute: helps employ black trans people, build more strategic campaigns, launch winning initiatives, and interrupt the people who are standing in the way of more being possible in the world for black Trans people

Black & Pink Bail Fund: national prison abolitionist organization dedicated to dismantling the criminal punishment system and the harms caused to LGBTQ+ people and people living with HIV/AIDS who are affected by the system 

Black Visions Collective (MN): healing and transformative justice principles and develops Minnesota’s emerging Black leadership, creating the conditions for long term success and transformation

Middle Tennessee Black and Indigenous Support Fund (Middle, TN): a community fund for Black and Indigenous queer and trans folks to foster wealth redistribution in its larger community, direct the funds to Black and Indigenous community members, and build the leadership of Black and Indigenous community members

SNaPCo (Atlanta, GA): a Black, trans-led collaborative to restore an Atlanta where every person has the opportunity to grow and thrive without facing unfair barriers, especially from the criminal legal system

Brave Space Alliance (Chicago, IL): created to fill a gap in the organizing of and services to trans and gender-nonconforming people on the South and West Sides of Chicago

House of GG: a nonprofit, founded trans activist Miss Major Griffin-Gracy, that is raising money to build a permanent home for Transgender people  and be part of a growing network of Southern trans people who are working for social justice

TGI Justice Project: a group of transgender, gender variant and intersex people inside and outside of prisons, jails and detention centers challenging and ending human rights abuses committed against TGI people in California prisons, jails, detention centers

Trans Women of Color Collective: creates revolutionary change by uplifting the narratives, leadership, and lived experience of trans people of color

Youth Breakout (New Orleans, LA): seeks to end the criminalization LGBTQ youth to build a safer and more just New Orleans, organizing with youth ages 13-25 who are directly impacted by the criminal justice system

Translash: a trans-led project uses the power of individual stories to help save trans lives, shifting the cultural understanding of what it means to be transgender, especially during a time of social backlash, to foster inclusion and decrease anti-trans hostility

TRANScending Barriers:  empowers the transgender and gender non-conforming community in Georgia through community organizing with leadership building, advocacy, and direct services

My Sistah’s House: a trans-led nonprofit providing first hand experience and field research to create a one-stop shop for finding doctors, social groups and safe spaces for the trans community, providing emergency shelter, access to sexual health services, and social services

TAKE Birmingham: focuses on discrimination in the workplace, housing advocacy, support for sex workers, providing trans-friendly services, and working to alleviate the many other barriers that TWOC face

Dem Bois: provides charitable economical aid for female to male, FTM, trans-masculine identified person(s) of color ages 21 years old and older for them to obtain chest reconstruction surgery, and or genital reassignment surgery

G.L.I.T.S: approaches the health and rights crises faced by transgender sex workers

Emergency Release Fund (NYC): aims to ensure that no trans person at risk in New York City jails remains in detention before trial; pays cash bails

HEARD: Helping Educate to Advance the Rights of Deaf Communities: supports deaf, hard of hearing, deafblind, deafdisabled, and disabled people at every stage of the criminal legal system process, up to and including during and after incarceration

Black Trans Advocacy Coalition COVID-19 Community Response Grant: works daily to end discrimination and inequities faced in health, employment, housing and education to improve the lived experience of transgender people

Princess Janae Place: provides referrals to housing for chronically homeless LGBTQ adults in the New York Tri-state area, with direct emphasis on Trans/GNC people of color

The Transgender District: aims to stabilize and economically empower the transgender community through ownership of homes, businesses, historic and cultural sites, and safe community spaces

Assata’s Daughters (Chicago, IL): Black woman-led; organizes young Black people in Chicago by providing them with political education, leadership development, mentorship, and revolutionary services

Collective Action for Safe Spaces: A grassroots organization that uses comprehensive, community-based solutions through an intersectional lens to eliminate public gendered harassment and assault in the DC area.

The Knights and Orchids Society (TKO) work for justice and equality through group economics, education, leadership development, and organizing cultural work throughout rural areas in Alabama

The Outlaw Project (Phoenix, AZ): prioritizes the leadership of people of color, transgender women, gender non-binary and migrants for sex worker rights

WeCare TN (Memphis, TN): Supports trans women of color 

Community Ele'te (Richmond, VA): provides safe sex awareness and education, linkage to resources, emergency housing assistance

TAJA’s Coalition (San Francisco, CA): ending violence against Black Trans women and Trans women of color 

Black Trans Task Force: intersectional, multi-generational project of community building, research, and political action addressing the crisis of violence against Black Trans people in the Seattle-Tacoma area

The Transgender District: stabilize and economically empower the transgender community through ownership of homes, businesses, historic and cultural sites, and safe community spaces

Black Trans Media (Brooklyn, NY): #blacktranseverything storytellers, organizers, poets, healers, filmmakers, facilitators that confront racism and transphobia

Garden of Peace, Inc. (Pittsburgh, PA): for black trans & queer youth, elevates and empowers the narratives and lived experiences of black youth and their caretakers, guides revolutionary spaces of healing and truth through art, education, and mentorship

House of Pentacles (Durham, NC): Film Training Program and Production House designed to launch Black trans youth into the film industry and tell stories woven at the intersection of being Black and Trans

Minnesota Transgender Health Coalition (Minneapolis, MN): committed to improving health care access and the quality of health care received by trans and gender non-conforming people through education, resources, and advocacy

RARE Productions (Minneapolis, MN): arts and entertainment media production company for LGBTQ people of color that promotes, produces, and co-creates opportunities and events utilizing innovative artistic methods and strategies

Baltimore Safe Haven (Baltimore, MD): providing opportunities for a higher quality of life for transgender people in Baltimore

Transgender Emergency Fund of Massachusetts: recently helped organize a Trans Resistance Vigil and March through Boston, in place of the Boston Pride Parade that was cancelled due to COVID-19

Semillas: in Puerto Rico, the trans, gender non-conforming and queer communities are facing many obstacles to survival

More info from GLAAD:

https://glaad.org/fcc/

They have some good tips about writing a comment and protecting your privacy which, fuck it, I'll just paste here:

Providing an email address is optional. If you have concerns about privacy, you may use your initials or public address in your local area, such as City Hall. Do not use a joke name. It diminishes the comment’s credibility.

Your submission does not need to be long. A single, well-reasoned paragraph is sufficient.

Do not copy/paste a template comment. The FCC values unique perspectives, and an original comment carries significantly more weight in the public record. You can explain why this matters to you without revealing private or sensitive personal information.

Here's what I said:

“Free speech is a fundamental American freedom. I do not need a warning about seeing queer people, much like I do not need a warning about women, veterans, or any other group of people.”

Here's the link to submit your comment by May 22: