Hi! I like to make stuff for fun:
Art Prints
Fics (they are all mass effect related): AO3 FanFiction.net
Fanfic Playlists (and more): Spotify
Tip Jar
Pet Portrait Sketch Commissions
Lint Roller? I Barely Know Her
Show & Tell
"I'm Dorothy Gale from Kansas"
almost home
The Bowery Presents
Claire Keane

Love Begins

#extradirty
untitled
Cosimo Galluzzi

macklin celebrini has autism
h
Not today Justin

gracie abrams
Color Me Curious
The Bright Sessions
KIROKAZE

if i look back, i am lost
One Nice Bug Per Day
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@themaniacisinthemailbox
Hi! I like to make stuff for fun:
Art Prints
Fics (they are all mass effect related): AO3 FanFiction.net
Fanfic Playlists (and more): Spotify
Tip Jar
Pet Portrait Sketch Commissions

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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magic missile never misses 😗
to be honest i think there’s a large number of people who conflate the very real and widespread phenomenon that women tend to be written off as just mothers or love interests in order to diminish their importance in a given story with the fact that a huge reason they’re sent to narrative purgatory in this way is BECAUSE the labels of “mother” and “girlfriend/wife” are systematically devalued and seen as inherently inferior because they’re terms that have been associated with ownership and/or control over women. like the amount of people who’ve told me that a certain female character is uninteresting or badly written because she happened to have a kid or be a man’s girlfriend or sister just to find out she was actually fleshed out very well and carried significant narrative importance frustrates me soo bad. there’s a huge problem with how those roles (specifically “wife” and “mother”) are systematically devalued and yet also perpetuated as the only viable options for women to achieve their societal roles in the patriarchy but acknowledging the devaluation of those labels to begin with is an important discussion in itself.
(thanks for the tlt shakarian au inspo i'm in pain so now you get this, feel free to publish) You've developed a post-mission routine, rarely deviated from bar an act of God or worse—a crew casualty. It's been a thing since Akuze.
First and foremost comes the decon. Served you well back on the SR-1, gave you and your crew time to think and decompress, as well as scraping off whatever blood or muck or pollution you still got clinging to your pores and your boots. The showers in the hangar bay made it fast and easy then; the SR-2 didn't have the same protocols when they first gave her to you, so that was the first retrofit order on your pit stop to the Citadel. Alliance standard, of course: even now, can’t take the blue out of you even if it kills you.
After decon comes the hydration and carb break, mostly to prevent an adrenaline crash or biotics exhaustion. Major injuries or potential infections may also get rushed to Chakwas by this point, but those are still rare enough and most of your people are just like you: stubborn enough to prefer letting the field medi-gel do its work. The good doctor did have to instate a mandatory check-in after each mission because she didn't trust any of them (bar Tali or Alenko, really) not to stubbornly limp back to their station instead, and you gotta admit, she’s doing an admirable job. Ash was way too close to losing her arm to a stupid infection by Cannibal bite.
Afterwards, the mission debrief: you’ve always liked them short and sweet and to the point, made a proper art out of it. Discipline or praise get meted out, miscommunications clarified, observations written down for Traynor to sort out (she’s a gem, really). In these recent days of Armageddon, you’ve found yourself having to drag your sorry ass to the QEC and give Hackett in-person reports about the latest Reaper grotesquery and how to put it down. You, Commander Shepard, are the very definition of cutting-edge necrotech, or that’s how that jackass in the suit put it when you first came back; you’ve figured since that you might as well be a good return-on-investment and put an end to the Apocalypse. So far it hasn’t been going that swell, but your field trips and politicking have put the Reapers on the defensive for the first time since the war started, and that’s worth something. It is.
You do your rounds, then. Check your messages, read reports, give permissions or refusals. Your people figure you get most of your thanergy from battle and the bloody path you leave in your way—much like Reapers themselves do, but hey, it doesn’t bother them. They think it’s good that someone can meet the bastards on their own player field. You think that food is looking pretty unappetizing these days, which might explain why your civvies have gotten so loose and why you’ll rarely have dinner before sleep.
Since losing your entire squad to a thresher maw you’ve rarely skipped any step to this routine, bar the occasional force majeure such as your first trip to Omega or the Collector Base, and most recently Tuchanka. Your crew knows to expect your rounds in the two hours following a successful mission, readies their reports for you beforehand. Cortez got your fuel break ready and the decon tuned to perfection to avoid wasting any time. It’s part of your motivation for this whole charade: it gives people structure, reassurance, something to look forward to and confirm that everything is alright. Perhaps it did the same for you, once upon a time.
These days, your hands are always shaking just the tiniest bit when you get to the final step and take out our diary. I may be overstepping here. Maybe you’re just that tired. But I can’t help but notice the way you’ll delay it some nights, staring at the triple locked secret drawer that hosts a tightly encoded datapad for a whole half-hour before you’ll finally crawl over and take it out.
Yet it’s the first thing you scramble for when you wake up at the start of the next shift. Odd, and kinda touching. If I could tease you about it I would, but I have the feeling you wouldn’t take it well these days. Which is quite hypocritical if you ask me, considering the first thing you did when half my face got blown off was taunting me for being ugly. That’s fine—you can have the magic powers and the world-saving and the generational politics skills, so long as I get at least one statue at the end of this. I’m still the one with the aim and an actual sense of comedic timing.
It’s just a shame nobody can appreciate it anymore.
Hell, it’s fine. I’m still here, and it’s thanks to you. That’s what counts. Don’t you forget it.
You take out the datapad. Spend the next few minutes working on the encryption while I watch and silently cheer you on. I’ll take it as a compliment that you didn’t break it immediately, but I also gave you a limited challenge. After all, if I made it too hard, we wouldn’t even be able to talk and I might lose my mind and start carving the walls once you go to sleep. Pray we don’t make it to that extremity.
The damn war is on your mind, as it always is these days. Makes sense. It’s on everyone’s minds, and I won’t grudge you that. One day we’ll hopefully have the time for the longer conversations. For now, let’s stick to the professional.
You copy-paste the same mission report Traynor finalized for you earlier, as though I hadn’t read it with your own eyes just half an hour ago. Annotate it with a few comments and questions, then at the end of it write your own remarks for me to eventually respond to as soon as you hit the haystack:
Cannibals evolving again; incendiary no longer as effective. Alternatives?
Yeah, I noticed. At least so far they haven’t evolved to eat people alive; at least, not that we know of. Scratch that last thought actually and let's avoid giving Reapers ideas.
Krogan Clan Eynrich asking for some Turians if they’d serve as cavalier to their necro-shamans, but Turians are reluctant. Advice?
Well, the thought is making me want to throw up, frankly, so maybe I’ve still got some ingrained prejudices to work on–but then again they called me a freak for pledging myself to you. I’ll get back to you on that later. Got a thousand years of history to reflect upon, and I don’t think Wrex will take my call even wearing your face.
Our all-seeing friend has caught a lead for Cerberus operations on Idrassi, but she partially suspects it may be a trap. See attached file. Ignore or check out?
First of all, Shepard, that’s kinda adorable. Not that I wasn’t partial to some good old paranoia even when I still had lungs of my own, but come on—Liara is serving right here on the Normandy, she has no need for codenames. Second of all, I’ve already read the file, again using your own frankly massive eyeballs. It absolutely is a trap. Doesn’t mean it’s not worth checking out though. Cerberus’s necrotech could be an invaluable tool to win this war.
Are you in pain?
This is the third time you’ve asked this question. Don’t make me lie to you again. I’m bad at it even in writing.
You don’t write me good night, or goodbye; you don’t make a joke or tell me about Roman history or debate me about gun mods or agonize on the ethics of that planet whose life you sucked up before the Reapers could pour in. I was looking forward to talking to you about that one. But these days your questions are curt, focused on details rather than the big picture.
I get it: talking about feelings has always been hard for you—we had that in common, and it's why I thought you were the perfect necro to die for. And I'm hardly one to speak. I only managed to open up only once, and it was right before I died gasping in your arms and you panicked and ate me whole.
But it hurts more that you write to me as though I were a helpful VI; as though nothing happened between us right before Omega Four, as though the vows we purposefully broke were just air between the two of us.
Or maybe that’s why you'd rather stick to work talk and avoid everything else.
Shepard, here’s another question that will remain unwritten between us: do you think you killed me? Or do you wish you could have let me die?
YEEEEEESSSSSSSS YEEEEEEESSSSSS YOU GET ITTTTTT YOU GET ITTTTTTTTTTTTTTT AAAAAAHHHHJHHHH
I'd love to see ur version of Issac and Jeannemary
bring them hands, come outside 👻
(no book spoilers pls im not done the series)

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the "came back wrong" trope except like... they didnt. like this mad scientists wife died, and so he studied necromancy, brought her back, and she came back and it all worked. like she came back exactly the same as she was before with literally no difference. but the scientist guy is like "oh no... what have i done.... shes Different now!!!! she came back Wrong!!!!" and shes just like. chilling. reading a book. cooking dinner. shes just so so normal but in the guys mind hes like "oh shes soooo weird" but shes just normal
Peer reviewed tags from @somanyofthekids
NO its a JOKE and YOU DONT GET IT. ITS NOT THAT DEEP
While she was dead he put his memory of her on such a high pedestal that she could never live up to it alive
alternatively‚ she came back perfectly fine but he thinks she came back wrong‚ because the tragic reality is that he never actually knew his wife
im going INSANE thats MY POST.
It's your post but the journey to posting it changed it to such a degree that even its closest intimacies are now foreign to you. Sorry dude.
“progressive” men when a woman is deemed evil enough that they can call her a bitch 24/7:
shitshit shit. umm no its fine. does anyone see a grenade pin on tbe floor
the scene in NTN where Cam saves Nona from getting attacked, and Nona realizes it's both Cam and Pal using the body simultaneously and it terrifies Nona...sent a shiver down my spine. Loved it.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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(feeling up her blood squibs and giving them a squeeze) you like how that feels?
god didn't give me a dick because he knew I'd get hard when I heard a rich choral harmony
more women whump. more women pushing themselves and passing out from sleep deprivation and exhaustion. more women training until their knuckles bleed and their legs give out from under them. more women being held prisoner and remaining stoic until the very end or perhaps when they’re rescued. more women under truth serum and terrifying hallucinogens. more women waking up in a pool of blood, their own and others’ and not knowing what happened but that something is terribly wrong with them. more women falling apart o ly when rescued. more women pushed to their breaking point. more women whump.
having a resting bitchface is so funny because i'll be doing something relaxing, and really enjoying myself and my face will look like this
Mass Effect x The Locked Tomb crossover where the mission to pick up Archangel was actually a setup to force Shepard into Lyctorhood.
tip jar

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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So, we need to talk about what webtoons(the company) has done to webcomics
Over the past 7 or so years, we've seen this absolute shift in expectation, migration, and stagnation in the webcomics sphere which applies to style, sustainability, and the platforms grip on readers and creators
I'll be the first one to say that webcomics are not an easy way to make money and a majority of folks who make them rarely see profit. This has always been the case! But when virality, siphoning audiences from all over, and opportunity to 'get printed' presented itself, that expectation shifted.
So let's talk about what those expectations are now: 🔴Demand for Higher quality- less readers will check out beginner looking works or comics that feel too 'faulty' in style meaning less excitement to see webcomics grow over the years. Polish is expected and commented on consistently by readers
There is also an expectation for specific visual and narrative styles. This applies to other social media platforms too- in that works that take less investing in are often promoted and prioritised. That means less risks on narratives, less nuances, and shorter series running.
🔴All on one site/app- That may seem pretty fantastic for getting new readers (and is the absolute main sticking point for so many artists) but when algorithms and specific series are wanted, your works have a harder chance getting to the people they need to. The search function is trash for a reason
I'm not one to toot the competition flute, but there's a level of that at play when the spotlight for that platform is actually pretty small. What you get is a lot of readers checking out the same comics, and not spreading it all out to find yours (their subs have a cap for this reason)
🔴Sustainability (and lack thereof)- The creator of these comics are often burnt out and given little support- all while fighting to see what is allowed on the platform with its excitable censoring. I won't speak for originals (there's many testimonies you can find) but their experiences of burn out are harrowing
With the high production expectation for a person who is rarely given help (often has to hire out of pocket for that) and the readers who want Updates Now, it's a frustrating place to post your comics with no rest. It's 2026, we shouldn't be treating cartoonists this way still.
Webtoons (the company) is always going to be interested in making a profit. That's sort of where it all starts and stops here. They'll embrace the slop machines (more slop sources) for investors, they'll mistreat creators, cancel 'unprofitable' comics, censor work, and protect that bottom line. That's their MO, always!
So when I see these conversations that inevitably float around about Webtoons and how the only response is 'stop using it', I think we also need to deconstruct what it's done to creators and readers and how they engage with/create works too- because it doesn't seem that simple of a solution
Webtoons has solidified itself in webcomics as the Place to start and stop with comics. They want you to use their app of course, but they've conditioned folks to think it's the only way to share your stuff. How do we break this? How do we get people to stop using it?
We share resources 😎
Alternative Comic Platform: comicfury.com Comic Resource List: cartoonist.coop/resources/ Screen Tones Webcomic Website: screentonescast.com Webcomic Website Template: rarebit.neocities.org How to make a webcomic: thestarfishface.com/products/how... And feel free to reply with even MORE!
I use >>>Dreamhost<<< for hosting my sites, which has Wordpress built in.
I only know the barest minimum about coding so I use the free version of the >>>Breakdance<<< plugin to design my sites. The backend looks like this:
It takes some playing around with but it's not as intimidating as coding from scratch. It was actually even fun once I got the hang of it.
Coding webcomic navigation can be tricky so I use the free version of the >>>Toocheke<<< plugin to handle my archive and navigation buttons. There's even a >>>guide<<< to help.
Yes I have to pay for domains and hosting myself. I think it's worth it.
I use Feedly to keep track of comic updates. It's like a subscription system you can use across different sites (look into RSS feeds if you've never heard of them!)
As a personal preference I don't maintain comments on my sites anymore and simply run a discord server instead. I like it much better when folks' comments are not permanently tied to my pages. I think it allows every reader to have a focused experience catching up to the story.
_______
The day Webtoon started advertising in Times Square I was actually pretty upset because I KNEW it was going to bring an unhealthy culture of expectation towards webcomics. I knew it was going to define what a webcomic was to millions of people who were unaware of what they were outside of that app.
But much worse was how Webtoon normalized pressuring webcomic creators to appeal to the widest audience possible, because now normal everyday people who don't share your interests might see you and judge you and leave nasty comments on the work you care so deeply about. You don't HAVE to use that platform. You don't HAVE to cater to that audience. You don't HAVE to design your narrative to appeal to the widest audience possible. I will tell you a secret:
You will be loved for the same things you are hated for.
In the world of entertainment the worst thing you can be is not hated, but forgettable.
Please build your own space and understand that you don't want numbers, you want people dedicated to the story only you can tell.
had to share this
In every way this is set up to be a joke like any other short video, it even uses the trope of main character in a wig to represent their mom, but it isn't funny at all. It's just sweet and nice