My Immaginary Nation

"The Source"

by Luo Li Rong

As we can see above, this haircut:

Is dark in the back, blached in the front

split into minimum two groupings: Body and Bangs

Spiked in the back, likely with the use of gel or styling mousse

Obviously this is an anime, and as other features such as eyes, ears, and legs are exaggerated I feel it is safe to interpret the length of hair as exagerrated as well.

This is a convenient assumption because otherwise, spiking shoulder-lrngth hair into seven (minimum) rigid vertical spikes would be impossible to maintain.

Assuming a real-life Yugio haircut could exist as inspiration got this style, I imagine a haircut that is either short and spiked in the back with natural bangs, or long in the back and textured with shorter bangs to frame the face. Either way, either the front is bleached, or the additional blond spikes in the back could be interpreted as highlights throughout the darker, perhaps natural hair.

Given these criteria, I have narrowed the possibilities dow to these three hair styles:

For research purposes please enter your interpretations to the poll attached below

Yugi and Atem have slightly different hair, with Atem having a more extreme version of Yugi's hair. However, it is important to note that there is likely no actual physical difference in Yugi and Atem's appearances. His close friends, before finding out Atem existed, simply noticed that Yugi seemed more confident, not that he got taller, voice changed or hair changed. So that might not be diegetic, but a difference for the audience's sake.

It's also worth noting that anime tends to exaggerate things, particularly hairstyles. So in reality, Yugi's hair may be less like this:

But more like this:

The show itself had many collaborations with Visual Kei performers and bands, too, so it's pretty obvious how the series takes inspiration from the culture aesthetically as well. You can see it in some of the fashion choices, too, not just the hairstyles, as well as how visual kei took cues from and overlapped with goth and punk styles as well:

It's the costume designer in me, but I always think it's important to remember and reference the period and location something was made when you're trying to figure out why it was designed the way it was, and how to realistically recreate it.

Hey everyone,

A lot has happened since my father had a stroke in April, and now I am the sole caretaker of my elderly parents, who require continuous supervision and care (mobility issues on one side, memory issues on the other). The past months have taken a serious toll on my mental health, and my translation work has dried up. I'm at my wits end.

I revived my Ko-fi page and I am offering Tarot readings for entertainment - you can get one for just 5 dollars. If you have the means, please consider buying a reading from me, or reblogging and sharing this so others can see.

Thank you so much in advance.

You guys asked for these, so I'm back with more Good Omens art books ☺️ "I'll Wait For You" is all new art, including my s3 pieces, while "Time After Time" is a combo book with all of my Good Omens pieces to date, including all art in "I'll Wait For You"

200gsm gloss paper

A4 hardback, perfect bound

ships worldwide, from the location nearest to you

✨️ I'll Wait For You ✨️

60 pages, €50, shipping calculated at checkout

Buy at Peecho

Free .pdf ebook

✨️ Time After Time ✨️

200 pages, €120, shipping calculated at checkout

Buy At Peecho

Free .pdf ebook

Water is way more hydrating than soda, but soda is more hydrating than nothing. A balanced meal is way more nutritious than ice cream, but ice cream is more nutritious than nothing.

Something is better than nothing. Some hydration is better than no hydration. Some nutrients are better than no nutrients. Some produce is better than no produce.

"They've got nobody in the Odyssey?"

"No I'm saying they don't got nobody."

"Nobody's there?"

"Nobody's not there!"

"So everyone's there?"

"Everybody but nobody!"

I'm lucky: My son is a very easygoing kid. But I remember the first tantrum he threw for me. He was standing by our front door and asked to go outside. So I opened the door and grabbed his shoes. But as soon as he stepped onto the porch, he pointed back into the house.

"Inside," he said.

"Okay," I said. I picked him up and brought him inside.

But as soon as I shut the front door, he pointed outside.

"Outside!" he said.

You know where this is going. We went back and forth, inside and outside, again and again. He got more frustrated. And I got more frustrated. Eventually he wound up straddling the threshold of our house, sobbing. When I tried to comfort him, he screamed at me. "You go wherever you want!" I said. He just got madder. I felt trapped, convinced he’d concocted the whole episode as a pretext to unleash his rage at me. It was ridiculous. I consoled myself with the thought that he was just being a toddler.

But later I kept thinking about him wailing at our front door, one foot inside, one foot outside. His misery wasn't unreasonable, or trivial, or silly. My son was experiencing the agony of wanting two things that were impossible to have at the same time. What a fundamentally human sorrow! My son wasn't being a toddler; he was being a person. Adults may not walk around howling, but that same pain rages within us. In that moment, as a father, I was powerless to solve my son's problem. I told him he could go wherever he wanted, but of course I was wrong. To be where he wanted was impossible.

As you know, counting sheeps is perfect for sleep. Sheeps take that job very seriously. But some are still learning. It’s fine, I don’t think Wolf Hunter minds. 🐑🐑🐑

Watch with VERY CUTE AUDIO here!: