imagine being one of john's best mates and getting introduced as such & it drives paul absolutely mad. every. time. not cause you're also john's friend or always on his damn heels, but he has no idea how john hasn't crossed the line and made you his girl already.
john also seems the type to go "oh watch reader for me real quick?" only to run off for a moment to do something even if the reader doesn't need to be watched, she's grown, damnit. paul just seems perfect for not quite enemies to lovers, more snarky friend to even snarkier lovers. the type to turn bickering into flirting when the two of you are alone and act like nothing happened once john's back.
๊ฐ summary ๊ฑ youโve been johnโs best mate since art school. paul doesnโt know how the hell youโre not dating him already... worse, heโs starting to wish he could.
๊ฐ note ๊ฑ ohhh you just fed me something delicious...
You're always his girl. Except you aren't.
Thatโs the bit that drives Paul mad. Not that you're hanging round all the time. Not that you get on with the crew, the tour managers, even bloody Brian. Not that you're quick with a quip or know how John likes his tea or how you always remember the name of whichever poor sodโs driving the van that day.
No, itโs that every time John introduces you, itโs with that same maddening, throwaway affection:
โThis is my mate. Youโll love her.โ
Not โmy bird.โ Not โmy girl.โ Just โmy mate.โ
As if Paul hasnโt been slowly grinding his molars into chalk for the better part of a year every time you laugh at one of Johnโs jokes. As if he doesnโt catch your scent when you lean in to whisper some devilish little insult in his ear. As if he didnโt spend a full train ride once just trying to figure out if you'd brushed his knee on purpose.
You're not Johnโs.
But he hasnโt crossed the line either.
Which is worse.
Because if he had, if John had done the thing that everyone assumes he mustโve done, then Paul could put you out of mind. Swallow it down. Pretend it was some stupid schoolboy crush and not the real, raw thing that knots his chest every time you walk into a room.
But no. Instead, he gets this.
Gets you laughing at Johnโs side. Gets you falling asleep on his shoulder on long drives. Gets you hopping out of cabs in his old jumpers. Gets the casual, infuriating trust of โHere, watch her for me, would you?โ when John needs to nip off to the loo or grab something from the van.
Like you're a bloody teacup.
Like Paulโs not the one biting his tongue bloody every time heโs alone with you.
The first time it happens, he thinks itโs a joke.
โHey, mate,โ John says, one arm slung across your shoulders, โkeep an eye on her, yeah? Iโll only be a mo. Donโt let her run off with any Rolling Stones.โ
Paul tries to laugh, but it comes out too tight around the edges. He watches as John disappears, swallowed by the hallway, and then turns to find you watching him with that look again... part mischief, part challenge, like youโre waiting to see how long itโll take him to break.
โYโneed watchinโ, then?โ he says dryly.
You smirk. โWhat, worried Iโll get into trouble?โ
โThink itโs more likely you are the trouble.โ
You grin, one brow cocked. โThat why you never leave me alone at parties?โ
He blinks.
โDonโt flatter yourself,โ he mutters.
You lean in. โOh, come on, Macca. Admit it! You like the company.โ
He doesnโt answer. Canโt. Not with the way your voice sounds when you say his name, or the way your leg swings just enough to make his throat go dry.
Five minutes later, Johnโs back, holding two beers and looking utterly unaware.
It keeps happening.
At first, Paul thinks John must know. Must be winding him up on purpose.
But no. If anything, Johnโs too oblivious for his own good. Every time he tosses you Paulโs way, itโs without a second thought. Like Paulโs a bloody valet.
โKeep her company, yeah?โ
โSheโll eat all the crisps if you donโt watch her.โ
โShe bites.โ
Each time, you roll your eyes. Each time, Paulโs left standing awkwardly beside you, watching you chew your lip or twirl a bottlecap or click your nails together in a rhythm he canโt unhear.
You never comment on it outright. But you know. Heโs sure you know. You're too clever not to.
Especially with the way you both talk.
Itโs not flirting. Not really.
Itโs just... sharp. Fast. Loaded.
โYou always this sulky?โ you ask one night.
โOnly when Iโm being babysat,โ he shoots back.
You tilt your head. โYouโre not my type.โ
โOh, so what is?โ
You lean closer, voice like syrup. โNot you, McCartney.โ
He watches you walk off with a twist of the hips that has to be deliberate.
John says later, โShe said you were broody.โ
Paul says, โSheโs a hazard.โ
โโ
One night, backstage, it nearly tips.
Theyโve just come offstage, sweaty and high on adrenaline, and you're there in the wings, hair wild from the wind, grinning like you're drunk on the whole bloody circus. John kisses your cheek and runs off to flirt with the local press.
Paulโs left beside you, heart still hammering.
You turn to him.
โYou look like youโve seen God.โ
He scoffs. โJust a crowd.โ
โYou love it.โ
โAnd you donโt?โ
You shrug. โI like you in it.โ
That throws him.
You step closer. โAll sweaty and golden. Think I get why the girls scream.โ
He narrows his eyes. โYouโre takinโ the piss.โ
You grin. โA little.โ
He stares.
You stare back.
Then Johnโs voice echoes down the hall: โWhereโs my mate? You two snogging back there?โ
You spring apart like teenagers.
โNope!โ you call, too bright. โJust bothering Paul.โ
โWouldnโt dream of it,โ Paul mutters.
He dreams about it all the time.
โโ
It finally cracks in a hotel bar in Glasgow.
Johnโs off with Brian, talking shop. George and Ringo are somewhere with girls. Itโs just Paul and you in a corner booth, low light, empty glasses, the air thick with unspoken things.
You say something about John. A fond little smile. โHeโs so soft, really. People donโt see it.โ
Paul takes a long sip.
โHe doesnโt touch you,โ he says.
You look at him.
โWhat?โ
He looks up. His voice is low now, quiet but sharp. โHe doesnโt touch you. Not like he would. If you wereโฆ his.โ
Thereโs a pause.
Your mouth opens, then closes again.
โWhy are you bringing this up?โ
Paul leans in, elbows on the table, his voice unraveling.
โBecause itโs maddening,โ he says. โYouโre always there. On his arm. In his shirts. His bloody shadow. But itโs nothing, isnโt it? All of it?โ
You don't answer.
He leans in.
โYou tell me.โ
You meet his gaze. โNo. Itโs notโฆ not like that.โ
He exhales. Hard.
Then: โGood.โ
You blink. โWhy?โ
His mouth twitches. โYou wouldnโt last a week with him. Heโd forget your birthday.โ
โAnd you wouldnโt?โ
โIโd pretend I did. Then throw you a party with a string quartet.โ
You snort. โYouโre ridiculous.โ
He tilts his head. โStill not your type?โ
You grin. โGetting warmer.โ
He wants to kiss you.
God, he wants to destroy the space between them.
But John comes in with a pint and a grin and a loud โYou lot better not be gettinโ married without me!โ
And it dies on Paulโs tongue.
โโ
Later that night, you knock on his hotel door.
โCanโt sleep,โ you say.
He lets you in without a word.
You sit on the bed. Donโt touch.
You talk about the tour. About the screaming girls. About how John seems more tired lately.
Paul listens. Nods. Watches your mouth.
โYouโre not what I expected,โ you say finally.
โYeah?โ
โDidnโt think youโd be funny.โ
He smirks. โDidnโt think youโd be such a pain in my arse.โ
You grin. โBet youโd miss it.โ
He leans back on his elbows. โMaybe.โ
You lie back beside him. Shoulder to shoulder.
No words.
Just the soft sound of your breathing. The ticking of the wall clock. The weight of everything that hasnโt happened.
Yet.
John never notices.
Or if he does, he never says.
He still tosses you Paulโs way without thinking.
Still calls you โmy mateโ with that maddening fondness.
Still assumes you're his shadow, not Paulโs secret sun.
And Paul?
Paul keeps his cool.
Mostly.
But when you're alone, when John ducks out, when the hallway clears, when the door clicks shut... something breaks loose in Paul. Itโs not sharp, not sudden, but a heavy ache that finally swells into something unbearable.
You're right there, always has been, but now you feel close in a different way. Your perfume clings to the air between the two of you. That little tilt of your head, the way you look at him under your lashes like you know exactly what you're doing. Itโs maddening. Itโs holy.
He doesnโt say a word. He just stares at you like you're the thing heโs been writing around in his head for a year and never finding the right lyric for.
And you don't move. Just watch him back like you've been waiting.
The moment stretches.
Then, he closes the space.
His hands find your jaw, fingers splayed, reverent. He breathes you in like you're oxygen, like heโs been starving on stage for a month and you're the first full inhale. His forehead presses to yours, lips barely parted.
โYouโve been drivinโ me mad,โ he murmurs, voice low, cracking.
"I know."
And then he kisses you.
Not gentle. Not asking. Just, everything.
Itโs all heat and frustration and need, the kind of kiss that burns away every inch of distance you've kept too long. His mouth moves like heโs making up for all the times he bit his tongue, all the seconds he let pass between glances and brushing fingers and never quite saying it.
Your hands move to his neck, threading into the curls there, pulling him closer like you're furious with how long it took.
And when you finally break apart, breathless and red-lipped, you say, voice still dazed-
โTook you long enough.โ
Paul just rests his forehead against yours again, smiling like heโs found the end of a very long song.
โAye,โ he says, hoarse. โBut itโll be worth it.โ
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๊ฐ summary ๊ฑ thereโs mud in your boots, a chicken in the kitchen, and your husband wonโt stop singing to the sheep.
๊ฐ note ๊ฑ YES MA'AM!!
The kettle whistles just as Paul barrels through the door, trailing a gust of cold air, Martha, and approximately half of the Scottish countryside on his boots.
โDonโt you dare-โ you start, pointing a wooden spoon in warning.
Too late.
He kicks his boots off mid-step and sends a splash of mud across the kitchen tile.
โOh, for fuck's sake-!โ
โSorry, love!โ Paulโs laughing, holding up both hands, guilty and unrepentant as his socks squelch across the floor. โBut the kettleโs going, innit?โ
โIโve got it!โ you groan, gesturing to the stovetop with a dramatic roll of your eyes. โGo hose off or something before you paint the whole place brown.โ
He gives you a wink and a wet smooch on the cheek โTa, sweetheartโ, and then pads away, leaving a trail of sheep smell and chaos in his wake.
You sigh.
And smile, despite yourself.
The farm in March is what the locals call a wee bit boggy... which, in practical terms, means you havenโt seen your own ankles in weeks thanks to all the mud.
But the crocuses are starting to come up, and the mornings smell like rain and hay and black coffee. And Paul is here, every day, all the time, soft-eyed and scruffy and humming to himself while he checks the hens.
Which makes it all kind of perfect, really.
Even with the mud.
He comes back a while later, smelling like soap and sheep.
โYouโre a hazard,โ you mumble, swiping at your cheek with the dish towel where he kissed you earlier.
Paul sidles up behind you, looping his arms around your waist. โMโnot. Iโm lovely.โ
โYouโre filthy.โ
โMm, not anymore,โ he says, and presses a kiss to the side of your neck. โSee? All clean now.โ
โPaul,โ you say, laughing as you squirm away. โYouโre soaking wet.โ
โAnd yet you love me.โ
โGod knows why.โ
He kisses you again, quick and cheeky, and then snatches a slice of toast from your plate before you can stop him.
โHey!โ
โYou love it,โ he sings around a mouthful of bread, already halfway to the back door.
You do the afternoon feedings together. Itโs cloudy, and the sheep are in a mood, which means Paul spends half an hour trying to coax one particularly obstinate ewe out of the shed while you attempt to keep the bucket of pellets from getting trampled.
โCome on, pet,โ Paul pleads, crouched in the straw with his arms out like heโs about to cradle a toddler. โDonโt look at me like that. Itโs just food. You like food!โ
The ewe blinks at him and doesnโt move.
You snort. โTalk to her like that again and sheโs gonna charge.โ
โIโve got charm!โ he insists. โIโm very charismatic with the ladies.โ
โPaul, she just shat on your foot.โ
โโ
Eventually, he gets her to follow him out with a mixture of clapping, singing, and a handful of oats. (โSee? Told you she liked me.โ)
You shake your head, grinning. โYouโre ridiculous.โ
He flashes you that cheeky, boyish grin, brushing hay from his jumper. โYeah, but you married me anyway.โ
He grabs your hand, intertwining your fingers even though youโre both covered in barn grime.
โTill death do us part,โ he says solemnly, you cringe at that and then he immediately breaks into giggles when you shove him into a hay bale.
โโ
Back inside, it starts to rain.
Youโre curled up on the old corduroy sofa in the living room, sipping tea and pretending not to watch Paul noodle around on his acoustic. Heโs barefoot now, hair damp from the mist, wearing one of those soft flannels thatโs so worn itโs nearly see-through at the elbows.
Heโs playing something sweet and wordless, just for the room. You donโt think heโs even aware heโs doing it.
Your heart aches with it a little.
โI like that one,โ you say softly.
He looks up, surprised. โYou do?โ
โMm. It sounds like home.โ
Paul beams, flushed and warm with the compliment, and sets the guitar aside. โCould write some words to it, if you like.โ
You tilt your head. โYeah?โ
He crawls over to sit beside you, arms wrapped around his knees.
โWould you be my muse?โ he asks dramatically. โMy darling source of inspiration?โ
You laugh. โOnly if you clean the mud off the back porch.โ
He groans. โCruel thing.โ
But his eyes are shining, and his knee is pressed against yours, and he looks like heโs the happiest man alive.
After dinner (shepherdโs pie, saved only by Paulโs insistence that โcharred bits add characterโ), you both end up on the porch.
The rain has stopped. The sky is still grey, but in that soft, pale way that feels like it might just break into blue if you give it a minute. Youโre wearing one of Paulโs cardigans and heโs holding a mug of something strong that smells like smoke and cloves.
Thereโs a chicken sitting stubbornly on the step next to you. Neither of you acknowledge it.
โYou ever think weโd end up here?โ you ask quietly.
Paul hums, watching the mist curl around the hills. โDunno. Suppose I always hoped we might.โ
You lean your head on his shoulder. โEven with all the mud?โ
โEspecially with all the mud,โ he says, grinning.
You donโt say anything for a while. Just sit there, pressed together, wrapped in the silence of the farm and the smell of wet earth and wood smoke.
Eventually, Paul turns to you.
โYโknow,โ he says, voice gentle, โI love you moreโn anything, right?โ
You look up at him, all freckles and flannel and windblown curls.
โI know,โ you say.
And then you kiss him, slow and easy and rain-damp and real.
Oh my god, your work is so good! I would it eat if I could v(ยดโฝ๏ฝ*)
If it's not too much trouble to ask, I thought you could write something with Paul? In 1971, on his farm in Scotland, having a fun, lovely and silly time together!
Thank you, soooo much! ใฝ(*ยด๏ผพ๏ฝ)๏พ
๐๐๐๐ ๐๐๐๐๐
๊ฐ pairing ๊ฑ paul mccartney x reader
๊ฐ summary ๊ฑ you spend the day with paul, running wild, laughing yourselves sick, and finding honey in the rough places.
๊ฐ note ๊ฑ THANK YOU!! such a lovely request! youโre speaking my language.
The whole morning smelled like damp earth and old woodsmoke.
You woke to it, the scent of moss and rain pressing against the cottage windows, a far-off bleat of sheep, the heavy silence of a world not expecting anything of you.
You rolled over in the small bed, covers twisted around your legs, and found him there, sprawled on his stomach, face buried in the pillow, hair a tousled, sun-warm mess.
Still breathing heavy. Still dreaming, probably.
You smiled into the crook of your arm.
The world could end right now, you thought, and you wouldnโt mind.
You finally coaxed him awake with a not-so-subtle elbow to the ribs.
โOi,โ he mumbled, face still hidden. โAssault.โ
โGet up. Your empire awaits.โ
He cracked one bloodshot eye. Grinned, lazy and devilish. โEmpireโs on strike.โ
You snorted. โYouโre on strike.โ
โToo right,โ he agreed, voice scratchy with sleep.
But eventually, after much groaning, mock-complaining, and you threatening to eat all the porridge without him, he heaved himself upright.
โโ
Breakfast was clumsy.
Paul insisted on making it, which meant half the porridge ended up welded to the bottom of the pot but still tasting pretty good.
You leaned against the table, watching him stir with intense concentration, tongue poking out of the corner of his mouth.
โYouโre decent at this,โ you said, very helpfully.
โShut up, you love it,โ he shot back, brandishing the wooden spoon like a weapon.
You did.
God help you, you loved it more than anything.
After breakfast (which somehow tasted amazing despite the catastrophe of its making), Paul tugged on his battered green wellies and declared:
โLetโs go out .โ
You blinked at him over your teacup. โWhere?โ
He shrugged, grabbing a moth-eaten jumper off the back of a chair. โFields. Hills. Wherever the sheep ainโt.โ
โProfound,โ you said.
He grinned like a schoolboy, grabbed your hand, and yanked you out the door.
โโ
The fields were soggy from last nightโs rain, the grass slick and bending under your boots. Somewhere far off, the hills rolled gentle and misty, stitched with stone walls and hedges like a half-forgotten quilt.
Paul splashed through a puddle deliberately, sending water up your pants.
You yelped. โHey!โ
He just laughed, wicked and bright.
โYou started it!โ you cried, chasing after him.
He didnโt run hard, not really. Just enough to make you work for it, dodging behind scraggly bushes, ducking under low-hanging tree branches.
You caught him near the old stone wall at the edge of the field, crashing into his side, both of you slipping and landing hard on the wet grass.
For a moment, you just lay there, panting and laughing, the cold soaking through your clothes.
Paul turned his head toward you, eyes sparkling.
โBeautiful, innit?โ he said.
You looked up at the grey sky, the mist-blurred hills, the shivering trees.
โYeah,โ you said.
He smiled like youโd said something much smarter than you had.
The rest of the day passed in a lovely, muddy blur.
You helped him herd the scraggly sheep (badly).
You picked handfuls of wildflowers (half of which Paul tried to stick behind your ears, missing spectacularly).
You clambered over old stone fences, boots slipping on moss, shouting dares at each other.
At one point, Paul found a rotted tree trunk and proclaimed it โthe treasure chest of the Highlands,โ digging through the muck with bare hands like a child.
He unearthedโฆ a dead snail shell, three unidentifiable rusty nails, and a cracked marble, cloudy white.
He pressed the marble into your hand with exaggerated ceremony.
โFor you, mโlord.โ he said, bowing so low he nearly fell over.
You snorted. โThank you, sir.โ
โOnly the best for you.โ
โโ
Late afternoon found you sitting against a crooked fence, sharing an apple heโd swiped from the kitchen, letting the mist settle in your hair.
Paul leaned back, propped on his elbows, face tilted to the sky.
โThis is it, yโknow,โ he said suddenly, voice soft and certain.
You looked at him. โWhat is?โ
He cracked one eye open, found your gaze, smiled slow.
โLife.โ
You didnโt answer, because what could you say?
He was right.
It wasnโt screaming crowds or flashing cameras or platinum records.
It was this.
Damp grass and apple juice sticky on your fingers and Paul McCartney smiling at you like you were the last safe thing on earth.
When it started to rain, proper rain, not just mist, you made an attempt at running back inside, laughing.
Paul tripped halfway there and grabbed you for balance, dragging you both down into the mud.
You shrieked. He howled with laughter.
You wrestled half-heartedly, slipping and sliding and ending up breathless, clutching at each other, faces inches apart.
He was grinning. Mud in his hair. A leaf stuck to his jumper.
You kissed him anyway.
That night, after youโd both warmed up, hot tea, dry clothes, two extra logs on the fire, you curled up together on the sagging couch.
Paul strummed an old battered guitar absently, making up nonsense songs about you and the farm and how you couldnโt herd sheep for shit.
You protested weakly, but your heart wasnโt in it.
You tucked your head under his chin, listening to his heartbeat rumble against your ear.
๐ฆ๐๐ข๐ ๐๐๐๐ | john lennon x fem!reader
๐ contains ; nsfw!! minors dni! lots and LOTS of yearning, overstimulation, physical injury, manhandling, power imbalance
๐ summary ; youโre both in your prime, two bright stars circling too close. itโs not love, not officially. but god, you both wish it were.
๐ note ; inspired by "your girl" โ lana del rey. extra long treat for u guys
It starts in Paris. Or maybe it started long before that. Some green room in Liverpool, some lazy after-show sprawled across itchy couch cushions and half-empty bottles of flat Coke and gin. But Paris was the place you last remembered being able to breathe around him, and it had been three years since then. Three years since the air didnโt ache.
Youโre backstage at the Olympia, the crowd still humming like the echo of bees through velvet curtains. Cigarette smoke curls in your lungs like cotton and vodka curls in your bloodstream like lullaby syrup. You lean against the wall, makeup melted, heels dangling from your fingers by the straps. Your feet pulse with the effort of existing. Itโs been a long night. Itโs always a long night.
Johnโs somewhere in the other room. You can hear the tail-end of his laugh cutting through the chatter, low and scraping like a matchstick dragging over a brick wall. You donโt look. You never do.
He doesnโt say much to you tonight. He hasnโt in weeks. Youโre friends, good friends, great friends, close enough for the tabloids to speculate, not close enough to admit anything. Youโve spent too long folding your feelings into palatable shapes, origami heartbreaks tucked into stage handbags and jacket pockets. Youโre not lovers. But sometimes he looks at you like he remembers things that never even happened.
Sometimes he touches your shoulder in passing and the ghost of it lingers three days later.
"You're off early," George says, fiddling with his guitar case, glancing sideways. Not at your face, at the door behind you.
You smile, a sharp little crescent. "Iโve done my bit. Let the boys take the encore."
George shrugs, clearly unconvinced, but he's not the one who matters.
John walks past you on his way to the hall. His shoulder brushes yours, barely, just enough static to make your skin spark. He smells like sweat and hotel soap and a hint of something else. He doesnโt look at you. You donโt look at him. You both become experts at not noticing things.
You wish he would grab you by the wrist, drag you down some narrow corridor, say something cruel just to get a rise out of you. Instead, he says nothing, and itโs somehow worse. He could love you if it wasnโt inconvenient. You could love him if it wouldnโt destroy you.
Instead, you perform around each other. Two famous ghosts haunting the same tour bus.
โโ
Later, youโre curled in the back lounge of the hotel suite. The couch isnโt comfortable, but it's soft, and youโre a little too gone to care. You left your makeup on. You always do. Thereโs a bruise blooming on your ankle where your strap dug in too tight. Your nail polish is chipped. Your dress is bunched at your thighs. You look like the kind of girl men write songs about.
You wonder if he ever has.
He comes in quietly. No announcement. No knock. No shoes.
You hear the door click, and then the room dips as the other end of the couch sinks under his weight. He doesnโt speak. Neither do you. The air is thick with things unsaid.
You feel him watching the side of your face. Or maybe you're imagining it. You do that sometimes. Make-believe affection like a cigarette you canโt stop lighting even though it scorches you down the throat. You turn your head slightly, just enough to catch the curve of his jaw in the lamplight.
โYou okay?โ he asks.
You smile with your eyes closed. โNot really.โ
He doesnโt say anything to that. He never does when youโre honest. It frightens him.
Instead, he taps a cigarette from the pack on the table. Lights it. Offers it to you without looking. You take it. His fingers brush yours. You donโt flinch, donโt sigh. You pretend itโs nothing and let it burn anyway.
โI miss Paris,โ you murmur, smoke drifting from your lips.
He hums. Not in agreement, just acknowledgment.
โEverything was simple there,โ you lie.
โIt wasnโt,โ he says, and you love him a little more for it.
There was a moment once. Three years ago. A hallway. A mistake that almost happened but didnโt. Your lip was bleeding and his voice was low and furious, whispering your name like a prayer and a curse all at once. You hadnโt spoken of it since. You both pretended it was part of the act. Like the rest of your lives.
Now, here you are again. Close enough to touch but galaxies apart.
โJohn,โ you say softly, but not his name really, just the idea of him. Just the word you use when your soul feels like it might leak through your ribs if you donโt do something about it.
He shifts. You feel it like a tremor in the furniture.
You donโt turn to look at him.
He doesnโt lean in.
No one moves.
But the air is louder now. Charged. Cracking at the edges like a broken amp.
You blink slowly. You think about all the things youโll never do with him. The toes heโll never paint. The beds heโll never carry you to. The futures that were buried under record deals and Japanese tours and wives and pride.
You want to whisper, โI wish I was your girl.โ
But you donโt.
Instead, you stub out the cigarette and stand up on shaky legs.
โNight,โ you say, soft, deliberate, without meaning.
You donโt wait for his answer.
You never do.
Outside, the hallway is silent. Your heels echo like drumbeats. Youโre still drunk. Your heart is louder than your footsteps. Your longing feels like a scream buried under a velvet curtain.
โโ
You donโt remember the last time you felt your legs.
No, actually, you do. It was six songs ago, mid-second encore, when your heel snapped and you kept going anyway, because thatโs what you do. You smile, you twirl, you project, you bleed glamor like some fever dream torn out of a glossy Melody Maker centerfold. The roar of the crowd only ever drowns out the sound of your spine screaming when youโre singing loud enough.
Now the makeup's melting again. Your corsetโs digging into the soft part under your ribs, the place where breath lives, where regret hibernates. Youโre slumped in the stairwell just off stage left, arms wrapped around your knees, a towel too damp to do any good clinging to your shoulders like the world's saddest cape. Your feet are bare and ruined. Your toes are trembling. Your right ankle's an exposed nerve. You're vaguely convinced you left your soul on that stage next to a bottle cap and someone else's setlist.
The world is blurry in that slow, muffled way that comes with exhaustion... not sleepiness, no, youโd give anything to feel that kind of soft-lidded, innocent tired. This is the tired that comes from being stared at like a statue and touched like a fantasy for nights on end. This is the tired that makes you want to peel your skin off and slip into the wallpaper and be nothing, just for five fucking minutes.
Someone whistles.
Low, long, lazy.
And because you already know that voice, because you know the rhythm of that smug bastardโs windpipe like your own bloodstream, you donโt even look up. You just groan and let your head fall back against the brick wall with a thump.
โWell, well,โ John says, drawing out the syllables like cigarette smoke, โif it isnโt the shattered glass version of our lady of perpetual sparkle.โ
You squint at him from your pit of theatrical decay. โFuck off.โ
He laughs. Bastard. Looks like heโs fresh from the dressing room, still buttoning his shirt. His fringe is damp from the shower and curling against his temples, sleeves pushed to his elbows. He looks like he just got laid or is about to. Probably both.
Youโre too tired to be jealous. Almost.
John lets the door shut behind him with a lazy click, strides toward you like he owns every plank of wood your bloodโs soaked into. His eyes slide down your body, cataloging the limp towel, the glitter-crusted knees, the bruised bare feet curled against the tile.
โHard night?โ he says, and itโs not even a question. Itโs bait. He crouches, squatting right in front of you, arms on his knees, eyes sharp and shining like heโs waiting for you to snap. โDidnโt look it from where I was sitting.โ
You roll your eyes. โYou werenโt sitting.โ
โNo,โ he agrees, lips twitching. โWas standinโ right off-stage, watchinโ you nearly eat shit tryinโ to pirouette with one foot in hell.โ
โFuck. Off.โ
He grins wider, teeth sharp and too white under these shit lights. โCanโt. Contractually obligated to taunt you at least twice a night.โ
You close your eyes and exhale through your nose, trying not to murder him with your mind.
โWhy are you here?โ you ask, voice thin and frayed like lace left in the rain.
โThought Iโd do my good deed for the day. Be a gentleman. Help a lady in distress.โ
You crack one eye open and stare at him. โYouโre about as helpful as a wasp in a jam jar.โ
John leans in. Not much. Just enough to make you nervous. โStill buzzin' though, arenโt I?โ
You snort, despite yourself. Your lips twitch. Youโre so fucking tired it almost hurts to find him funny.
โI hate you,โ you say.
He stands, and for a moment you think heโs leaving. That heโll fuck off to the bar or to bed or to whatever girl heโs been stringing along on the side. Instead, he turns and crouches again, his back to you now.
And then he says, โGet on.โ
You blink.
โWhat?โ
He glances over his shoulder, mouth crooked. โYou heard me.โ
โJohn-โ
โCโmon. You want me to carry you or not?โ
You hesitate. A beat. Then another. And then-
โFuck it,โ you whisper, and you haul yourself onto his back with a grunt that sounds halfway to a sob. His hands immediately slide under your thighs, lifting you like youโre weightless, like your broken feet and battered soul donโt weigh more than his whole bloody band. Your face presses into his shoulder. He smells like cloves and sweat and hotel soap again, and you hate how much you breathe him in like youโre trying to memorize the scent for the apocalypse.
He starts walking. Youโre not sure where. You donโt care.
โDo I feel heroic yet?โ he mutters, breath hitching a little with the effort.
โYou feel like an ass with a hero complex.โ
โIโll take it.โ
Silence, then. Except for the creak of the stairs and your pulse in your ears and the slow, steady thump of his heart beneath your cheek.
You close your eyes.
You donโt mean to speak. You really donโt.
But the words fall out, raw and soft and broken at the edges. โI canโt do this much longer.โ
He doesnโt answer right away. Just adjusts his grip and keeps walking.
Eventually, he says, โYeah. Me either.โ
And somehow, thatโs worse than if heโd told you to suck it up.
He kicks open the hotel suite door with one foot and tows you inside like some war bride in a trenchcoat. The lights are low. The bedโs turned down. Room service cart abandoned in the corner. He drops you onto the mattress like you're made of feathers and not bones ground to powder.
You groan. โIโm dying.โ
โNo youโre not,โ he says, already tugging the blanket over you. โYouโre just dramatic.โ
โLet me die.โ
โCanโt. You've got Glasgow in two days.โ
โThen I definitely want to die.โ
He chuckles, pushing pillows around you like youโre some centerpiece heโs fluffing. He doesnโt touch your hair. Doesnโt linger too long. Doesnโt look at your mouth.
Then he pauses, one knee on the mattress, that familiar tilt to his head, like he's listening to a song only he can hear. His eyes flick down to your feet, and he makes a face like he's just seen a crime scene.
โChrist,โ he mutters under his breath. โTheyโve done you in, havenโt they?โ
You donโt answer. You donโt need to. The soles of your feet are practically humming with pain, hot and swollen and ragged from weeks of stages that never cared how deep they splintered. Your heels, those evil, glittery deathtraps, are somewhere in the stairwell, probably sparking a lawsuit.
โMove up,โ he says, voice softer now. Less teasing.
You blink at him. โWhat?โ
He jerks his chin. โGo on. Scooch. Iโm not fixinโ you like this.โ
Your body protests as you shift backward on the bed, sinking into the pillow mountain with a hiss between your teeth. He moves like heโs done this before. He grabs a clean towel from the armchair and disappears into the bathroom for a moment. You hear water running, the clink of something against porcelain.
When he comes back, heโs rolled up his sleeves.
โRight,โ he mutters, setting down the bowl. โLetโs see what those bloody shoesโve done to you.โ
You start to protest, out of habit, pride, humiliation. But youโre too tired, and heโs already lifted one foot gently into his lap like it's made of glass. You wince.
He whistles low through his teeth. โHell of a bruise, that one.โ
โThey match the ones on my ego,โ you mumble.
He smirks, glancing up. โLucky me. Iโve always fancied a bit of symmetry.โ
The waterโs warm when he dips the towel and presses it to your arch, and your whole body jerks at the contrast. His hands are careful, cradling you like something precious, but itโs the way he doesn't look at you while he does it that undoes you. Like this is routine. Like youโre not special. Like this is just something he does.
"Yโknow," he says, voice drifting somewhere between tired and too awake, "'S not very rock 'nโ roll, sittinโ here patchinโ up a princessโs feet."
You snort, throat dry. โYouโre hardly Mick bloody Jagger yourself right now.โ
He grins without looking up. โOi. Iโll have you know Iโm devastatingly sexy at all times.โ
You let your head loll to the side. Watch him work. His fingers move slowly, dabbing at the raw places, thumb brushing just above your ankle where the strap left its red ghost behind. He doesnโt rush. He never has when it's like this. When it's quiet. When it's real.
โYouโve got the feet of a gremlin.โ he said, more to himself than you
โAnd youโve got the face of someone who fell down a staircase made of sarcasm.โ you mutter, blinking at the ceiling.
He laughs, and the sound is stupidly warm. โYou're right.โ
He switches to the other foot, quieter now. His fingers press, gentle, firm. Thereโs something so intimate about it, him, kneeling there, sleeves rolled, sweat-damp curls falling in his eyes, hands on your battered skin like youโre some half-melted wax figure he's still trying to put back together.
You donโt say anything about it. Neither does he.
He finishes your feet, all wrapped up, sets them down like heโs tucking in a child, and then turns to your knees.
โGimme your leg.โ
You hesitate, your dressโs ridden up, your thighs bare, knees raw and glitter-streaked and a little bloody where the stage bit into you. You tug the hem instinctively.
He raises a brow. โIโve seen worse, love.โ
You mumble something, but your voice is softer than it should be. You let him take your leg, watch his thumb brush a flake of silver from the top of your thigh like it offends him. He cleans the bruises, the scrapes, the faint red outline where your skin was pinched by sequins and fishnets and too many hours of pretending you were made of magic.
He doesnโt say anything smart this time.
He justโฆ looks.
Then he leans in, and you freeze, just a fraction, just inside your bones. But he doesnโt kiss your knee, or your thigh, or your foot, or any of the places youโve imagined. No. He leans up, up, bends forward and presses his lips to your head, warm and quiet and maddening in its restraint.
โGโnight, superstar,โ he whispers against your skin.
You keep your eyes closed. You donโt move. You don't say a word. You memorize the sound of him standing, the weight leaving the mattress, the click of the lamp turning off.
And then the door opens.
And then it shuts.
And then the room is quiet again.
But everything in you is louder than ever.
You think about your little day off tomorrow, and then begin dreading the day after that.
โโ
The next day, your feet are still bandaged.
Bandaged. Like youโve come home from a war you keep volunteering for. The white gauze is too clean, too bright against the mess of your skin. This temporary lie of healing, when you both know itโs only going to get worse. Youโll slip those glittering murder heels on again tomorrow, paint your lips like armor, curl your hair until it screams, and step onto another stage for another crowd that doesnโt know how much of you bleeds with every chord.
You stare at them now. Your feet. Ridiculous little traitors. Useless symbols of everything you sacrifice to keep glowing. They ache like heartbreak.
Youโre in your hotel suite alone. Room service tray cold by the window. The view of Vienna glittering like a Christmas card no one bothered to sign. You're halfway under the covers, knees up, pillows wrapped around your ribs like insulation against the world. Youโve got a phone in your hand youโre not dialing. Youโve got his number memorized like lyrics.
Your bodyโs clean, finally. Showered until the glitter went down the drain like sins. You still feel dirty.
Late nightโs always the same: too quiet, too sharp. Everything slows down until the ache gets loud. Every wound thinks it has something to say. Your skin doesnโt feel like yours. Your eyes are burning from lack of sleep and your fingers twitch like they want to touch someone theyโre not allowed to.
And you know exactly who.
You swear you wonโt. You say it out loud. โI wonโt.โ
The room stares at you like it doesnโt believe you. Neither do you.
The phoneโs in your hand.
The receiverโs up.
The buttons glow from the nightstand.
Youโve waited hours now, half-daring yourself not to call, half-hoping heโd just show up anyway. But itโs late. Heโs probably stoned. Probably tangled in someone prettier, easier, less exhausted.
You hate how much that thought bruises.
You donโt remember dialing.
He answers on the third ring.
โโLo?โ
Your heart stumbles. โHi.โ
A pause. Not silence. His breath is always a little loud on the line. You imagine heโs lying on his back, one arm behind his head, the other holding the receiver to his ear like it's boring him. Heโs probably shirtless. You try not to imagine that.
โYou alright?โ he asks. Voice lower than usual. That late-night gravel that happens when he hasnโt had his second whisky or first cigarette.
You stare at the wall. โNo.โ
Another pause. Then, a faint shuffle, like heโs sitting up.
โWant me to come over?โ
You donโt answer. But the silence does. And he hangs up without another word.
โโ
Ten minutes later, thereโs a knock. Not a loud one. Not dramatic. Not the way anyone else would knock if they wanted to be let in. Itโs the knock of someone whoโs already been given permission a hundred times without ever asking once.
You open the door.
Heโs barefoot. Shirt untucked. Eyes shadowed with something that isnโt tired.
He looks at your bandaged feet, then your face.
โYou look like shite,โ he says softly.
You step aside.
He walks in.
You donโt speak for a while.
He leans on the wall by the window. You curl back into the bed. The space between you is the size of the Atlantic. You pretend not to notice the way he watches your every movement. Like youโre a song heโs trying to learn the chords to without a melody.
You say, โWhatโs the point of fixing me if Iโm just gonna fall apart again?โ
He laughs once. Itโs a short sound. โArenโt we all?โ
You look at him. โIs that why you keep showing up?โ
He doesnโt flinch. โMaybe I like the sound of breaking glass.โ
โMaybe you like feeling needed.โ
He lifts a brow. โYou think you donโt need me?โ
The question should piss you off.
But it doesnโt.
Because the answerโs crawling all over your skin like a fever. Because your chest feels like itโs about to cave in under the weight of all the things you havenโt said. Because youโre so fucking tired of pretending that every glance, every almost-touch, every smartass insult isnโt just the echo of a scream.
You slide the blanket off your shoulders. Sit up. Let your legs dangle over the edge of the bed. Your bandaged feet look like little ghosts. You should be embarrassed. You should feel small. Instead, you say,
โWhy havenโt you kissed me yet?โ
The words fall into the hush between you like a stone in still water, and everything stills. The air goes tight. A heartbeat ago, the room was just space and walls and silence. Now itโs thick. Like itโs watching, holding its breath.
He stares.
Really stares. Not blank. Not surprised. Caught. You see it, something arrested in his eyes, like the moment between blinking and crying, like he was somewhere else entirely and you just called him home. His mouth parts slightly, but nothing comes out. He doesnโt move. Not even to fidget.
And then; he breaks.
Not all at once. Not like glass shattering, but like the soft sound of old wood groaning under pressure. Something subtle giving way. His chest rises with a deeper breath. His lashes lower, slow. And still, his eyes donโt leave yours.
His hand comes up, slow, reverent. Fingers hover near your jaw. He doesnโt touch. Not yet.
โYou look at me like you already know what itโd do to me,โ he whispers. โLike youโd ruin me. And I think you would.โ
That strikes something deeper in the room. An invisible chord. You feel it in your throat, in your gut, in the ache that pools behind your ribs like heat waiting for flame. Heโs still not touching you. His hand is right there, breath-close. His fingers twitch like the restraint is costing him something.
You swallow hard.
โThen let me.โ
The silence that follows crackles. His eyes flick down to your mouth. His brow pulls tight, soft lines carving themselves with the tension of too many things unsaid. He shifts, subtle, forward.
That does it.
He leans in, halting like the movement might undo him. His forehead brushes yours. Just barely. A breath lands on your cheek, shaky. His lips hover so close you feel the shape of them, the tremble.
One breath.
Two.
Then his mouth is on yours.
Itโs not soft.
Itโs not slow.
Itโs everything heโs been holding back, pouring into you like fire, like music, like confession. His hand cups your cheek, thumb at your temple. Your lips part, and he kisses you deeper, like it hurts, like it heals, like itโs the only thing heโs wanted since the first time he saw you on stage wearing that color and pretending you didnโt need anyone.
You kiss him back like youโve been waiting a hundred lifetimes.
He breaks off, panting. Forehead still resting on yours.
"Fuck," he whispers. "Fuck."
You grip his shirt.
He kisses you again, and itโs the kind of kiss you canโt walk away from.
The kind that makes you forget you were ever broken.
Your body is wrecked, tender and aching, bones humming, skin threaded with fatigue and the ghost of sequins and spotlight. Your feet are still wrapped in white, useless beneath you, and your thighs scream each time you shift, skin kissed raw from friction and hours of forced posture. You feel bruised all the way through, knees, your ribs, the delicate pull of your waist where the corset you wore yesterday cinched and cinched until your lungs gave up complaining.
You are a ruin. A beautiful one. And John looks at you like he wants to crawl inside the wreckage and never come out.
Heโs still close. Still pressed against your lips like heโs testing the water before diving in. You feel the shape of his breath, warm and unsteady, his hands hovering, one just beneath your jaw, the other curled around the edge of the mattress like heโs bracing himself against the pull of gravity. Or of you.
โYou good?โ he murmurs, voice cracking low in the back of his throat. Not smug now. Not teasing. Just that raw honesty he only offers after midnight.
You nod, barely. โYeah. I mean, no. But yeah.โ
He smiles, faint and crooked. His forehead nudges yours. โThatโs a very you answer.โ
โYouโre a very you question.โ
That earns a laugh. He shifts again, his thigh brushing yours, and both of you feel the tremble that jolts through you when it happens. Your legs open, not wide, not offering, but letting him in. Letting him closer.
He doesnโt push. Not yet. Just lets his fingers slide over your neck, feather-light, until they settle on the edge of your collarbone. The touch alone makes you arch slightly, ribs protesting, your spine curling like a note being held too long.
โYou sure youโre alright?โ he says again, quieter this time. โYouโre all banged up.โ
Your eyes meet his. And for a second, itโs almost unbearable, the way heโs looking at you. Like he sees every fracture and wants to kiss them one by one.
โI donโt want to feel pain tonight,โ you say. โBut I want to feel something.โ
His hand trails down, following the swell of your shoulder to your arm, down to where your wrist lies against the blanket. He doesnโt answer with words.
He lifts your hand slowly and presses his mouth to your palm.
Not a kiss, an ache. His lips linger like heโs trying to memorize the lines in your skin with his mouth, trying to absorb something from you that he hasnโt earned, like devotion, or safety, or the right to stay. His breath is warm, drawn out. He holds your hand there against his lips, eyes closing for a beat too long, as if he might say something. He doesnโt.
Instead, he exhales and turns his face, brushing his mouth across the side of your wrist next. His lips are a little softer now, a little wetter, heat blooming along your veins in a way that makes your knees tense under the blanket. Still, he doesnโt go faster. Heโs deliberate. Like he knows youโre sore. Like heโs sore too.
When he opens his eyes again, theyโre darker. His thumb skims over your knuckles. Then down the side of your arm. His hand meets your shoulder and settles there, warm and solid. His fingers slide into your robeโs collar, slow, gentle, just enough to dip beneath the fabric. Finally, he started undressing you.
But not like a man undressing a lover. Not like some sweaty tangle of impatient hands. No, he treats you like a sculpture coming out of its wrappings. Like something delicate and breakable and wanted. His hands slide beneath the robe and ease it down your arms, one inch at a time, until it puddles at your waist in a heap of soft fabric and static warmth. The shift in air against your skin makes you shiver, and he pauses.
He looks.
Not hungrily. Not like a man getting what he wants.
But like a man who doesnโt believe it.
His eyes roam, your chest, the faint marks left by the corset like cracked porcelain around your ribs, the flush that rises in your throat as your breath shallows. He doesnโt reach for you. He doesnโt move yet.
He just whispers, โBloody hell.โ
Like youโre a sunrise he wasnโt ready for.
Then his hand slides back in, cradles your waist. His thumb finds one of the corset lines, presses there, barely grazing the tender skin.
โYou let this thing dig into you like this?โ
You nod, slowly.
โWhy?โ
You blink at him. โBecause I have to look good.โ
His jaw tightens. His eyes flicker up to yours.
โYou donโt,โ he says, quiet but with that sharp edge of truth he never lets out unless itโs late and heโs raw. โYouโre already fuckinโ perfect.โ
He leans down then, not to kiss your lips, not yet, but to press his mouth to one of the bruises on your ribs. A soft kiss. Lingering. He moves to the next. And the next. Each one slower, warmer, lips dragging across your skin like theyโre rewriting what hurt.
He kisses your chest, your collarbone, your shoulder, nudging the robe further and further down with the scrape of his lips, until the fabric gives up and slides away entirely. He pulls back to look again, like he has to.
Like his sanity depends on remembering this later.
Like heโs never going to forgive himself if he forgets the way your ribs rise and fall in uneven rhythm, the soft glisten along your hipbone, the imprint of your corset etched like guilt into your skin. His eyes crawl over you like a starving man cataloging his last meal. But he doesnโt make you feel like food, he makes you feel like fire.
And then, just like that, the hesitation snaps.
Gone.
He surges forward with a sound, half groan, half growl, and your back hits the mattress with a soft thud, sheets tangling beneath you. His mouth finds yours again like gravity, like punishment, like need too long delayed. Thereโs nothing patient about him now. This isnโt reverent. This is desperate.
His handโs already between your legs, pressing hard through the thin slip youโre still wearing. Your hips jolt. You gasp. Your thighs ache but the want burns right through it, white-hot and impossible to ignore. Your whole body tightens under him like a bowstring.
โFuckinโ hell,โ he mutters against your mouth. โYouโre soaked.โ
You whimper, grinding into his palm. He lets out a broken, disbelieving laugh and yanks your slip up, baring you, his hands everywhere, thumb brushing your clit with just enough pressure to make your back arch.
โThree years,โ he says, voice rough now, breath hot on your neck. โYou donโt know how many nights I thought about this.โ
โThen do it,โ you pant. โDonโt talk.โ
That does something to him. He groans like heโs angry, at himself, at the whole world for not giving him this sooner. His hands slide under your thighs and pull you down toward him. The shock of it wrings a whimper out of you, and he watches your face like he needs it.
โKeep lookinโ at me,โ he says. โDonโt close your eyes, not yet.โ
He tugs his pants and boxers down in one frantic motion, cock flushed and heavy, already hard. He catches your eyes flicker down and huffs a laugh, smug but stunned.
He lines himself up and grips under your thighs again, lifting you just enough to tilt your hips, your bandaged feet dangling useless over his forearms.
The stretch when he sinks into you knocks your breath straight out of your lungs.
Your mouth opens but nothing comes. Just a high, trembling gasp and the full-body burn of being opened like this, deep, too deep, too much and somehow not enough. Your thighs shake immediately, already weak from the night, and he notices.
โOh, you poor fuckinโ thing,โ he groans, barely holding back as he pushes in, inch by inch. โStill sore, huh? But youโre takinโ it so well, Jesus, listen to you.โ
Because youโre whimpering now. You canโt help it. His cock is dragging through every nerve youโve ever buried under lipstick and stilettos. Your hips try to buck but theyโre too tired, your arms grasp the sheets but youโve got no leverage. Youโre just full and trembling and trying not to beg him to ruin you.
He pulls out just enough to make you cry out, then slams back in harder this time, your whole body jerks with the motion, a sob caught in your throat.
โThatโs it,โ he hisses through his teeth, โfuck, you feel unreal. Like youโre made for this.โ
He leans forward, pressing your knees toward your chest so he can grind even deeper, and you cry, really cry, because now heโs dragging over that spot again and again, each stroke wet and obscene, his hips snapping fast and filthy.
The bed creaks, the air breaks, and itโs pure sex now, raw and urgent. His sweat is dripping onto your stomach, and still he doesnโt stop. His mouth finds your throat, your jaw, teeth grazing like he wants to mark every inch heโs fucked. Your hand flails for something, anchor, relief, pain, who knows.
But your thighs, god, theyโre failing. Youโre panting hard now, sobbing into your shoulder, legs twitching with the strain. You didnโt realize how spent you were until now. You were ready in your head, but your bodyโs still too raw, too used up. Something, not an orgasm, is building sharp and fast in your belly, but your legs are going, you can feel it, and when they start to give out he feels it too.
And then, suddenly heโs gone.
He pulls out so fast you whimper at the loss, wet and ruined, your whole body still rolling toward climax and denied.
โWhat?โ your voice cracks.
But heโs already flipping you over, manhandling you gently onto your front like you weigh nothing. His hands slip under your hips, dragging a pillow beneath your stomach, arching you up so your ass is raised, your back curved, your face buried in linen.
โIโve got you,โ he says, breathless.
And then his voice shifts.
โWait-where is it?โ
You lift your head, dazed. โWha?โ
And then you see it. Your scarf. Still on the floor. Silly, feathery, totally inappropriate.
He grabs it.
And before you can even think, heโs looping it around your wrists, in front of you, and knotting it tight. Soft but firm. Gentle but sure.
You breathe out, startled, and he leans down to kiss your cheek, murmuring against your ear:
โSomethinโ to keep your hands out the way. And maybe... somethinโ to bite on, yeah?โ
You moan, confused, fucked-out, grateful. You donโt even care why heโs doing it. Youโre too far gone to argue. You just let him push your bound wrists up against the pillow and nestle you down again.
โIโll be gentle,โ he lies, and slams back in.
Your moan is buried in fabric, the scarf absorbing every gasped-out moan as he drives into you from behind, your hips locked in place, his fingers digging into your ass as he pounds you harder than before. The angle is cruel, perfect, his cock hitting something now that makes your vision go white, and the way youโre tied means you canโt squirm, canโt run, canโt do anything but take it.
Heโs groaning behind you, loud, guttural. โYou feel so fuckinโ tight like this, fuck, tied up like a present.โ
You whimper into the pillow, legs spread uselessly, one of your wrapped feet twitching with every thrust. Your bodyโs burning. Everything hurts, but itโs so good, too good, and the ache is just more fuel. Youโre soaking wet, throbbing, twitching around him, your orgasm close and cruel and insistent.
He leans over you, presses his mouth to your ear.
But he doesnโt speak.
Not yet.
Just breathes, hot, heavy, rhythmic. The air between you thickens, skin on fire where his chest brushes your back, where his fingers settle on your hips again, slowly gliding down until his thumbs press at the soft crease where your thighs meet your ass. You squirm beneath him, helpless, hands bound with your own scarf, face half-buried in a pillow that smells like clean linen and sweat and sex.
โLook at you,โ he murmurs finally, voice cracked and reverent. โFuckinโ spread out like I dreamt you, soft and fucked and begginโ without sayinโ a word.โ
You make a sound that isnโt a moan, isnโt a sob, something between shame and need and overwhelmed worship. And he eats it up. Presses a slow kiss to the shell of your ear, then your neck, then your spine, tracing a path down between your shoulder blades, then lower.
And lower still.
Until heโs kneeling behind you, cock flushed and slick and aching, but he ignores it.
Instead, he palms you, spreads you gently, and lets out a rough breath.
โCanโt believe I waited three years for this view.โ
You're so heated, you hadn't even realized he pulled out. Then, without warning, his tongue is on you.
You jerk, bound hands tightening in front of you, your thighs twitching, and he groans at the reaction, dives deeper, tongue hot and insistent as it drags from your pussy to your ass, long slow licks that make your back arch and your mouth open uselessly against the sheets. Heโs devouring you, feasting like itโs his last meal. His nose presses against your heat while his tongue slips into places no oneโs dared, wet and slow and filthy.
โOh my God, John,โ you gasp, face burning, body shaking with the stimulation, the wrongness of it, the rightness of it, how nasty and tender it feels to be on your knees, sore and wrapped in fake fur, while he worships you like this.
He groans again, one hand sliding up your thigh, tracing the bruises he didnโt cause but clearly wants to soothe. His mouth moves down again, tongue flicking at your clit now, teasing, tasting, lips sucking just enough to make your legs twitch, to make you cry out.
He pulls back just long enough to mutter, โDidnโt think Iโd get this close and not taste you proper, did you?โ
You try to lift your head, to glare, to say anything, but heโs already ducked back in, mouth working you open, tongue moving in circles while two fingers slide up and tease your entrance. He doesnโt push them in, yet. Just circles, light pressure, until youโre pleading, incoherent, hips grinding weakly against his face, scarf burning against your wrists.
Then, finally, his fingers push inside, slow and careful. Your back bows, and he growls into your cunt like your reaction just cracked his fucking brain.
โSo wet for me,โ he says. โJesus. Squeeze me like that and Iโm not gonna last.โ
You pant into the pillow, hair sticking to your cheek, every nerve lit up, skin too much, and not enough. Youโre nearly sobbing, voice shaking.
โPlease.โ
He chuckles, tongue flattening against your clit as his fingers start moving, curling inside you, dragging over that spot with maddening precision.
โPlease what, love?โ
โFuck, do it again.โ
He pulls away, fingers still working you, mouth now moving to your thigh, biting lightly, then licking the sting.
He grins like a devil as he pulls his fingers free, watches the way your pussy clenches around nothing, weeping and ready, and then he climbs over you again, dragging the head of his cock along your slit, coating himself in your slick.
And then he sinks into you, once again.
This time, he doesnโt go fast. Not rough.
Not yet.
He fucks you deep, slow, grinding strokes, one hand pinning your hip, the other sliding up your back and he presses down against you.
โFeel that?โ he whispers, grinding in so deep you think heโs in your throat. โThatโs me, all of me. No one else ever had this, did they?โ
You canโt even answer. You whine, long, high, desperate, and he slams in again, harder now. Then again. His pace picks up, the headboard thumping against the wall, your bound hands arching as he uses you, still careful, still focused, but finally giving in to the way heโs starved for this. For you.
He leans down, tongue dragging over your neck, voice low and dangerous.
โTell me youโre mine.โ
You canโt speak. Youโre gone.
He thrusts again, hard, sharp, angle brutal.
โSay it.โ
โYours,โ you cry out. โIโm yours-fuck, John, please-โ
Your orgasm builds faster than you expect, hips meeting his in frantic thrusts, body writhing, sobbing his name into the sheets.
He pounds into you until your legs shake, until youโre crying into your scarf, until your body goes liquid. And then you're coming as he snarls something filthy under his breath, and suddenly he pulls out again, no.
You groan, shaking, overstimulated and abandoned, ass still arched up, cunt twitching and emptying out. But before you can sob, he flips you, rolls you onto your back, scarf still binding your wrists. He kneels between your thighs, his cock flushed and slick and furious where it stands up against his stomach, and he looks down at you like he could die happy right now.
โIโm not done,โ he pants. โNot even close.โ
He slides his fingers through your folds again, watching you shudder beneath him. Then he grabs his cock, gives it two quick, desperate strokes, eyes locked on your tits heaving with every gasp.
โWanna see it,โ he groans. โWanna see what you look like when I mark you.โ
Your breath catches.
He strokes faster.
โWhere do you want it, love?โ
You blink up at him, sweaty, used, feral.
โEverywhere.โ
He growls, actually growls.
โFuckinโ hell.โ
He braces one hand beside your head, jerks himself faster, rough now, wrist working furiously, his other hand still wrapped tight around your scarf-bound wrists, holding you in place.
โIโve wanted this for years. Wanted to see you laid out like this, lookinโ up at me like youโd die for it.โ
You nod, frantic. โI would.โ
Thatโs it.
He leans forward just as he starts to lose it, hot ropes of cum painting your stomach, your tits, your neck, his hips stuttering, his mouth open, groaning your name like a hymn and a curse.
He looks down at you.
At the vision heโs only ever seen in flickering fantasy, in dreams he never dared admit he had, and now youโre here.
Still tied up, wrists in the middle of your chest in that ridiculous scarf, your body sunk into the ruined bedding like youโve been dropped from heaven and caught mid-fall. Your chest rising and falling fast, nipples stiff in the aftermath, his release gleaming across your skin in obscene, glorious streaks, throat slick and glistening, lines of it caught just under your collarbone, pooling lightly beneath the swell of your breasts. One streak trails down the soft slope of your ribs toward your bellybutton, shining in the low lamp light like he meant to mark you, like he couldnโt help himself.
Your thighs are still trembling, one twitching helplessly, the bruises from earlier glaring red and violet against the softness of your skin. They crawl from the edges of your hips down to your knees, angry and tender, reminders of everything you went through to be here. Your feet are wrapped still, ankles helpless, bandages softening the edge of your vulnerability but not hiding it.
He looks at your face, and something changes in him.
Because thereโs cum on your jaw, just beside your mouth, catching the corner like a ruined kiss. Your lips are parted, gasping still, hair sticking to your cheek, sweat beading at your temples. Your lashes flutter, and your eyes, fuck, your eyes, look up at him with something close to disbelief.
Like you canโt believe heโs still here.
And John, naked, breathless, still pulsing between his thighs from the force of what he just gave you, looks down at you and feels this sick, aching punch of tenderness swell in his chest, so big it almost crushes him.
He collapses over you, panting into your neck, his body shaking, his hand still tangled in the scarf.
He unties the scarf with trembling fingers. And then he cradles you. Doesnโt leave. Doesnโt speak.
Just pulls you into his arms and holds you like something sacred.
And as you lie there, breathless and half-broken, you finally say it.
Itโs so funny how Ben, Gael and the rat are all standing, but princessnik is sitting there with his legs crossed amongst the girls, like a true classy lady
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๐ฉ๐๐ข๐ซ๐ข๐ง๐ : bruce wayne x wife!reader (+ batmom!reader x platonic!jason)
๐ฌ๐ฎ๐ฆ๐ฆ๐๐ซ๐ฒ: bruce had promised he would always come back to you, his last mission makes his word difficult to keep. when news spread of mrs. wayne being all alone, suitors and trouble start to appear. all while your husband is trying to return to your side!
๐ฐ๐๐ซ๐ง๐ข๐ง๐ ๐ฌ: angst, crack, fluff, violence, happy ending, sexual innuendos, diana + clark + dick cameo, pervy men, bitchy women, a little bit of everything, bruce being the #imissmywife final boss, 11k words, this was absolute HELL to edit so if there are mistakes please tell me and iโll happily fix them! REALLY recommended to play somethinโ stupid by frank + nancy sinatra, youโll know when to play the song trust, also idk if the format is weird PLEASE tell me if it is
THE artificial hum of the Batcave buzzes around you, the only glow coming from the massive screen of the Batcomputer, its harsh glare in the dark making you squint.
You wrap your robe closer to yourself, softly rubbing the silk between your fingers for more comfort. In the late hours of night, the steel walls and long shadows of the cave donโt feel familiarโ the glint of metal or the actual depths of the place make it all feel more distant.
Your eyes get used to the screenโs light and you make out the message thatโs written in a computer font.
COMPLICATIONS IN MISSION. DEEP SPACE. MAY BE ANOTHER MONTH. I LOVE YOU.
Your heart drops and youโre all too aware of the cold in your body, not the one that comes from the chilly breezes of the place. No; itโs the coldness you get when the other side of the bed is empty, the cold bathroom without its vapor because no one has used it before, the cold that comes when you miss an essential part of your being.
Luckily, crime has been low. Dick and his hero friends have taken over patrol and are doing a fantastic job. Jason tags along for the easier missions. Heโs not getting into any dangerous situations under your watch any time soon, thank you very much.
You pinch the silk again, but it slides through your digits. You had forgotten to bake brownies for Dick and his friends. Oh well, you can do it nowโ thereโs no point coming up to bed againโ you havenโt been getting much sleep anyway.
You check the time: 3:29. With a small sigh, you go up to the kitchen, careful not to wake Alfred. By four, thereโs a fresh batch of fudgy, crusted-top but gooey-inside brownies. You bite one; the hollow feeling in your stomach is still there. You take another bite, it just feels like throwing crumbs into an empty space.
I love you too.
Next morning youโre in a chirpier mood, humming a familiar tune under your breath (Frank Sinatra). Jason is grumbling sleepily beside you, stuffing his mouth with toast and eggs and really everything else on the tableโ including the no-sugar cookies he claims taste like cardboard. That kid will eat about anything, and with Flash speed.
You open the morning paper before pushing your plate of eggs towards Jason.
โNo, Ma, itโs your breakfast.โ
You smile softly, brushing some of his loose curls, the end of the newspaper flopping forward. โItโs okay, baby, Iโm not very hungry.โ
Jason doesnโt look too convinced, but after a bit more insisting he happily gobbles them up.
Your stomach drops when you read the heading of todayโs article.
IS THE WAYNESโ FAIRY TALE LOVE STORY OVER?
Bruce Wayne hasnโt been seen in Gotham for over a month, and despite Wayne Enterprises claiming itโs for business reasons, close sources to the family confirm this is a lie. Apparently, he and Mrs. Wayne are undergoing a long and tumultuous divorce. For some reasonโ yet to be uncoveredโ heโs left their adoptive son (Jason Todd-Wayne) and the ancestral Wayne home under her care. Something doesnโt add up, and this reporter will find out what! While I personally rooted for the young couple, life happens and it is often not easyโฆ
The article continues, droning on about possible reasons why the divorce might have happened and blah blah blah. You finish your coffee and turn to the economy section; the gossip always makes your stomach churn. It has gotten better with time, of course, but this particular topicโฆ thereโs not much you can do about it, only choosing to ignore it.
Besides, who reads the gossip section of the Gotham Gazette?
Apparently, everybody.
While you drop Jason off at school, the other mothers look at you with a mixture of pity and thinly veiled disgust. You just give them a polite smile before getting into your car again. Insideโ and hidden by the tinted windowsโ you pinch your nose and put on some more Frank Sinatra. The weekend canโt come soon enough.
You start the car and secretly stare at the other mothers from the rearview mirror; theyโre still huddled amongst each other, their designer purses brushing as they lean closer to talk in hushed tones. One of them glances at your car and her lips turn into a mocking smile while she laughs with the others.
You drive away.
When youโre going through Old Gothamโ where the trees are more naked and time is more evident on the wasted bricks of buildings and the gothic elements crowning certain placesโ Lucius calls you.
The music halts at the same time as the light turns red.
He greets you with your name. โI assume youโre on your way.โ
โYeah, Iโll be at the office in five.โ The light turns green. โIs something wrong?โ
โI donโt know,โ the man sighs, โtwo of the board members were acting a bitโฆ weirdโ itโs probably nothing, but I thought Iโd tell you just in case.โ
โWeird how?โ
โWhispered conversations mostly. Again, itโs probably nothing. But with Bruce out of town they might get funny ideas.โ
Shortly after the League was funded, Bruce created a protocol; if he had to be away for more than three weeks, all of his power as owner and CEO and major stockholder of Wayne Enterprises would go to you. You insisted it had to be Lucius, but it was legally easier for it to be you. The downside is the other board members donโt respect you as much as they respect (or fear?) Bruce. But so far they havenโt been out of line.
You hope they donโt start now.
โThanks, Lucius. Iโll be on watch just in case.โ
You say your goodbyes as the familiar Wayne building comes into view; bright, sleek, impossibly tall, with that massive W looking down at you.
The moment you enter the office you feel the stares, from interns to higher-ups. People at the Wayne building always react the same way to you. Just like clockwork, you think.
Theyโll look at the length of your legs, settle on your hips, climb a little higher andโ oh. Finally, your face and a soft smile that greets them.
Some try to initiate conversation, but you donโt want to be late, so you just make polite small talk before continuing your path to the elevator. The moment the metallic doors close, the outside world, and your smile slips, you blink at the metal and press the button for the last floor.
Youโre looking at your phoneโ checking if either Alfred, Dick or Jason need somethingโ when the doors slide open.
The neutral female voice announces the floor the person clicked. Huh, the same as yours. You lift your eyes from the screen and meet his.
You immediately recognize him; medium build, blonde fine hair, an elongated nose, and startling blue eyes like two pale beams. Nolan Morrison, one of the main shareholders of the company.
โMr. Morrison,โ you greet, โgood morning.โ
He grins, a phony thing that makes your eyes narrow. โMrs. Wayne.โ His eyes study your figure. โLooking as good as ever.โ
You flash your ring, the great rock catching the light of the elevator. โYouโre too polite.โ
He laughs. โOh, donโt be modest. You surely know the effect you have on people.โ
Your stomach starts tightening and you donโt allow yourself to look at the rising elevator numbers, just pray the doors open.
Nolan doesnโt notice your discomfort.
โThatโs probably why Bruce married you, huh?โ
Your eyes snap back. โExcuse me?โ Your tone lacks all of its characteristic warmth.
He still grinsโ that stupid, stupid grinโ he must think himself very smart. โYouโre still hot.โ He laughs, amused by himself. And youโre too in shock to put into words everything you want to say to this man. โI donโt mind you being someoneโs seconds, is all.โ
โMr. Morrison,โ you snap, โIโm still very happily married, thank you very much.โ You force yourself to slow down and flash your ringโ oh honestly! How do you miss a ring that big?โ โYouโd do well in remembering that until Bruce comes back, which he is, Iโm your boss. So either you treat me with respect or Iโll be forced to take action.โ
Nolan opens and closes his mouth, his grin wiped off, and you internally smile. However, itโs quickly replaced with a sneer and the upward tug of his mouth.
Before he can reply, the doors finally slide open; smiling softly is Lucius, a cup of coffee in each of his hands. He greets you by your first name, and you reciprocate with an even brighter smile.
Your heels click against the floor, and you donโt even spare Nolan Morrison a glance.
โOh, Nolan, hello.โ Lucius hands you one of the coffees. โThe rest are already there. Why did you leave?โ
You look at him, waiting for his response, but he doesnโt dare even flick his eyes your way. โJust stretching my legs.โ
โGood, good.โ Lucius turns to you again and you both leave for his office, leaving a very humiliated man.
When youโre out of earshot, Luciusโ voice drops. โDid something happen?โ
You snort. โHeโs just unbelievably rude, thatโs all.โ
Lucius doesnโt look calmer. If anything, his eyebrows sink even further. โHeโs one of the two I saw whispering.โ He opens the office doors for you.
You hum and step into the familiar space. โFigures.โ
After revising some shared notes on the meeting and other miscellaneous matters, you and the man go to the main room where the shareholdersโ meeting will be held.
Everyone is already seated, chatting amongst themselves, but the noise quickly dissipates as you two step inside.
Lucius takes the seat closest to the door, while you have to walk the length of the long table until you reach your seat.
You neatly set your notes down and take out a nice blue ink pen, clicking it open. โWhere should we start?โ
First comes the heavy-loading company numbers and more technical matters. You write clean notes on your pad and the rhythm of comments and feedback flows seamlessly.
Then comes the new integration to the multinational insurance plans for outside Gotham.
โSo,โ you look at your printed notes, โwe now cover alien damage in Metropolis?โ
Margaret, the shareholder in charge of the project, nods. โWe cover what LexCorp covered, with the addition of pet and emotional damage.โ
You smile. โPerfect. How are the results coming along?โ
Margaret shares the numbers, and theyโre actually really good.
โBut what about Queen Industries?โ someone else asks. โTheyโve also gotten into the insurance business.โ
You wave your hand lightly. โWeโre Gotham-based. Anything happens in this city on the daily and we survive. People buy our insurance because we have a credible backgroundโ the worst thing that can happen in Star City is if a cat gets stuck in a tree.โ The whole table laughs and nods in agreement. You obviously know this is not true; Oliver works incredibly hard to keep his city safe, but a little humour doesnโt hurt anybody. โPlus, our packages are cheaper.โ
Things go well until the last point on the agenda comes up; the Martha Wayne scholarships. You and Bruce had started the initiative a few years ago, and apparently its success wasโฆ rocky at best.
You have a stack of a hundred papers or so in front of you, not a single corner out of place, just simple crisp white papers. But your gut is tugging down.
You try to read the first page, but itโs only a simple compulsory introduction for legal requirements. The wrongness in your gut expands to your stomach.
โIs there something wrong?โ
You snap your eyes away, but you donโt move to grab your pen and sign. โNot at all, Iโll just sign them later. Letโs go back to this monthโs numbers,โ
you dart at your notes despite knowing thereโs nothing amiss, โthe IT department could ease up on the companyโs spending on that nearby bakery.โ
You miss the worried glances (everyone else does, as a matter of fact), and the uncomfortable feeling in your body hasnโt left you.
Your dress glitters like moonlight and flows like the sinuous waters of a river. Beside you, Jason tugs at his tie.
He huffs. โI hate these stuffy galas.โ
You laugh and crouch down to his eye level. โWe just have to be here for an hour and then we can go back home.โ
โAnd we can continue reading Emma?โ he asks excitedly.
You smooth his tie and kiss his forehead, slowly rising again. โMm, no. You have school tomorrow.โ
He groans. โWhy canโt Bruce be here to deal with this?โ
โHeโll be back soon enough,โ you reply easily.
Jason hums, and the topic quickly shifts to his day at school. People greet you both, pinching his too-rosy cheeks and assessing your figure. As always, pleasantries are exchanged until the next batch of people arrives.
But tonight is unlike past galas; you feel moreโฆ stared at. Jason has disappeared to the dessert table and you talk with some shareholders, but you canโt ignore the looking and whispering.
You internally roll your eyes. It appears everyone does read the gossip section of the Gazette.
You politely excuse yourself and go to the bar. As you make your way there, you see one of the moms from school whispering to another group of women. You meet her eyes and she smiles brightly at you.
โA martini, please.โ
The bartender nods and begins mixing your drink.
โMrs. Wayne?โ
A chair scrapes beside you and a man sits down. You recognize him as one of the companyโs seniors.
โMr. Carlisle, hello.โ You greet.
He smiles, pleased to be recognized. โI just wanted to thank you in person.โ
The bartender slides your drink over to you, the stem cold under your fingertips. โFor what?โ you smile curiously.
โThe Martha Wayne scholarship,โ he replies with a slight blush, โmy daughter is studying medicine thanks to it.โ He smiles. โSheโs in her second year now.โ
You feel light in your chest. โThatโs great! Does she know what she wants to specialize in already?โ
He nods. โYes, yes. She wants to be a paediatrician.โ
You are about to reply when suddenly the entire room falls silent.
โAnd you donโt get to say that about my Ma!โ
Your back stiffens; you recognize that voice. You rush a goodbye to Mr. Carlisle and hurry toward Jason.
The people are still frozen, almost caught in a spell, as they watch Jason shout at a man.
You have to shove a woman aside to reach him.
โWhat is going on here?โ you glare at the man and squeeze Jasonโs shoulder, your hand settling at the small of his back.
The man scoffs, his face red and the flute of champagne in his hand dangerously empty. โTell this kid to respect his elders.โ
โMaybe his elders should learn to behave first.โ
Someone gasps behind you.
โLetโs go, Jason.โ
Jasonโs chest is rising and falling too quickly, the anger practically radiating off him. The moment the cold air of the street hits your skin, you text Alfred to pick you up.
โJason,โ you meet his eyes, โwhat happened?โ
โNothing,โ he bites out.
โJason,โ you say softly. โThings are easier when you share them.โ
He sighs, and the rhythm of his heart slows. โThey were saying mean things about you,โ he looks down at the pavement. โAnd I got angry.โ
You wrap him in a hug, his small head pressed against your stomach. He hugs you back. You tighten your hold and press a kiss to his hair. โPeople always have something to say. The best thing we can do is ignore it. Theyโll eventually get bored.โ
He pulls back slightly. โBut itโs wrongโ what they were saying. It doesnโt matter if they stop or not, they canโt say that stuff.โ
Youโre not going to ask what they said. โYou already fight as Robin. I donโt want you fighting for me too.โ
He hugs you again. โI love you, Ma.โ
Your eyes sting, and your heart is practically going to burst with the love you hold for this boy. Your son in everything but blood. โI love you, Jay.โ
You sit crossed legged in Bruceโs chair, the cold leather sinking under your weight. The scholarship papers are spread out before you. Your pijamasโ which consists of one of Bruceโs shirts and a pair of sweatpantsโ are losing their scent, you inhale the cotton and realise his perfume is much fainter now than a month ago.
You perk up the moment the studyโs door open, thinking itโs Alfred again reminding you to sleep. Itโs not, itโs Jason. Rubbing his eyes and hair sticking in odd angles, he comes up to you.
โHow long have you been here?โ
โA little while only.โ About an hour give or take. โYou should be sleeping, baby.โ
He nods, now reading the papers. โYeah well, you should too.โ
You laugh but donโt reply. โSee anything interesting?โ
A beat passes. โYeah actually,โ he points at one of the papers, โthis neighbourhood doesnโt receive the Martha Wayne scholarship money.โ
Your stomach falls. โWhat?โ
He notices your worried face. โNo, no. I say it because they donโt need it. This neighbourhood is under Penguin, and a year ago some of his senior goons unionised.โ
โPenguin has to deal with unions?โ
Jason nods. โYup. So anyways, he now offers funding for those kids who have great grades.โ
You blink slowly and pick up a bright yellow highlighter, you swipe it evenly through the name of the neighbourhood. โThatโs actually really helpful.โ
โSo I can help you?โ His eyes light up.
โHah, no way.โ You pick up your computer and the papers. โBut we can move to the couch, you sleep and I finish this.โ
He pretends to think about it. โI think itโs a deal.โ
When you call Lucius to cite an emergency board meeting for this same afternoon, youโre actually in a better mood than yesterday.
Luckily, you donโt bump into Nolan into the elevator. But when you step into the room, he and the others look slightly worried.
โGood afternoon,โ you sit in your place, โthis is about the Martha Wayne scholarships, and I understand the entire board has to be present for this.โ You look at the woman from legal, she nods.
You pull the stack of papers down. โI will not be signing none of these until I see the evidence that the money is going where itโs needed.โ
You show them the third page. โEverything thatโs in yellow are the discrepancies, Iโve already sent the copies to the department.โ
โBut thatโs going to take us another week,โ one of the shareholders saysโ Conrad, you think. โWe donโt have time.โ
โTime for what? Last time I checked your department is in charge of energy.โ
He goes red. โIโm just saying.โ
โWell, this is what is going to happen.โ You look at Nolan. โI understand your department does this sort of thing.โ
He nods slowly. โWe do, but Conrad is right, time is tight.โ
You pinch your eyebrows. โDonโt we have interns? Itโs a simple task. Just check that the money is going where it needs to.โ
Nobody else says anything, and you internally smile.
You and Nolan are the only two people in the elevator. And again, itโs moving far too slowly.
Youโre staring at the elevator doors, painfully aware of his eyes trained on your face. Someone else comes in, you sigh in relief, they come out again.
โIs something wrong?โ You ask, finally acknowledging him.
He works his jaw. โThere is.โ
Youโre two seconds away from getting off the next floor. โIs something related to Wayne Enterprises? Our HR departmentโ"
โYouโre an absolute bitch,โ he snaps and grabs your wrist. His thick hand exerting pressure on your skin and bones.
You immediately bring your knee to his crotch while simultaneously, with his free hand, you punch his throat. โDonโt you even think about touching me.โ
Nolan is gasping, knees crouched and a hand on his heaving chest. You slam the button for the next floor, desperate to get out as blood rushes in your eyes.
But the moment a thread of light slowly appears, Nolan hits you cold in the head.
The first time Bruce was in space, he found it magnificent. Now? Heโs two seconds away from gauging his eyes if he sees another fantastical boulder.
Everyone is working at their full capacity to make the ship work, but the damage is big and the distance to Earthโ to youโ too large.
Bruce inhales, taking up precious oxygen. He doesnโt really mind. Heโs focussed on stepping away from a moment, go behind that massive boulder and take out the only thing that has been keeping him sane for this past month.
The moment he knows heโs alone, he greedily grabs the picture. Itโs a dog eared thing about the size of his outstretched hand. In it, Alfred, Dick, Jason, Bruce and you. Youโre all smiling at the camera, your arms wrapped around him, the picture doesnโt show it, but his hands were settled on your hips.
He has a small smile gracing his lips, eyes locked on your face. Alfred is looking all softly at the camera, Dick and Jason are both grinning but he remembers they were shoving each other and bickering for the past five minutes.
His eyes meet yoursโ or well, the picture version of yours.
He feels your absence like a ghost limb. A cold, hollow, feeling lives in his chest and isnโt going anywhere until he sees you. His hold body feels submerged by absolute cold and in the depths of the night, his mind doesnโt stop playing youโ your voice, your scent, your face, your jokes and your quirksโ until daylight comes. Then he has work to do in order to come back home. It's exhausting, he's exhausted.
โBruce.โ
Clark and Diana are there, with a swift movement he hides the picture. โAny news?โ
Diana shakes her head. โNo, we just came to check up on you.โ
Clark nods slowly. โYouโve been actingโฆ strange, during this past week. Disappearing a lot.โ
โHal was convince it was toโ" She shakes her head. โThatโs not important. Whatโs important is that youโre our teammate, our friend, and weโre here to help you.โ
Bruce stares at them without making a sound.
Clark rubs the back of his head. โAre you going to say something?โ
Another beat of silence. Then a long sigh. He decides to give up.
โI just want to go back to Earth.โ
Clark watches him carefully, his arms are folded across his chest, cape resting heavy against his back.
Diana tilts her head slightly, eyes narrowing. Her gaze is not unkind, just assessing like it usually is.
โYou miss your family,โ she says finally. Itโs not phrased like a question, its โs a fact. Her voice is even. โYour wife.โ
Bruce doesnโt respond immediately.
His gaze stays forward, fixed somewhere past the bulkhead. His hand rests beside him. He appeares calm but his posture is too rigid, too precise.
Clark notices the tension in his posture immediately. The way his shoulders sit just slightly too sharp for someone standing still.
Bruce exhales through his nose; slow and controlled, but he isn't really feeling calm. His fingers flex once against the great boulder's wall. A small movement, but itโs enough to show pressure building somewhere underneath. The gaping hole in his chest flutters.
Bruce finally looks at them.
โYou are not as alone as you behave,โ Diana says. โStop acting as if you are.โ
Clark nods once, small but firm. โWeโve got your back,โ he says simply. โBut you donโt get to vanish on us and call it fine, Bruce.โ
The man exhales slowly through his nose again, deeper this time. โI know how to get back,โ he suddenly says.
Dianaโs gaze sharpens instantly. โThen stop standing still,โ she replies.
The three of them quickly move to join Barry and Hal again, impatient to get to work.
Bruce canโt wait to have you in his arms again.
The ropes burn against your skin, your head is heavy and thereโs a slow but strong beat of a drum inside itโ shaking up all of the bones of your crane.
You try to remember what had happened; cooking with Alfred, picking up Jason from school, the meeting, Nolanโ
โWhat the fuck are we going to do?โ A voice snaps. โThis is Mrs. Wayne, for crying out loud. Everyone will notice her being gone.โ
โOh relax, weโll figure something out.โ
โYou messed up Nolan,โ a familiar voice says, โshe saw your face. What do you think sheโll do if we let her go?โ
โShe didnโt see ours,โ the first voice says, โwe still have a chance to get out.โ
You screw your eyes tight, before relaxing them trying to appear still unconscious.
Nolan lets out a sharp laugh. โIf Iโm going down youโre going down with me.โ
You hear footsteps against concrete but before you can think of anything else, a sharp crack resonates through the room as the skin of your cheek flares up with pain
โDude!โ A gasp. โYou donโt hit girls!โ A voice calls through the sharp ringing in your ears.
Your eyes snap open and see three men staring down at you; Nolan, the shareholder that questioned you at the meeting, and the man from the galaโs barโฆ
Nolan rubs your painfully raw cheek, nothing about the caress is comforting. If anything it makes bile rise up your throat. โMorning.โ
Your head is blaring with panic and fearโ and pain, but you desperately try to keep your composure.
Nolan sighs. โYou just had to sign the scholarship papers like Bruce does.โ He mock pouts and takes a step away from you. โNow youโre here."
โYouโre stealing from children who need it,โ you rasp out and look at the others, โwhy? You already have money.โ
Nobody says nothing for a moment, then the other shareholder shrugs. โYou can never have enough.โ
โSo,โ you swallow painfully, โwhatโs going to happen now? Are you going to kill me?โ
Mr.Carlisle winces. โYou just have to sign the papers.โ
Immediately, a plan forms in your head.
You let your body go slack, like something in you has snapped clean in half. Your breathing stutters, shallow and uneven, and you drop your gaze to the floor, watching the faint smear of dirt dragged across the concrete by the shareholderโs shoe.
โFine,โ you whisper, voice thin, fraying at the edges. โIโll sign it.โ
Silence follows.
Nolan studies you, eyes narrowed, but greed winsโ it always does with men like him.. You see it in the way his shoulders loosen, in the slight curl of his lip.
โThought so,โ he mutters.
Carlisle hesitates. โUntie her.โ
The ropes scrape as they loosen, fibers dragging harshly over your skin. It burns; sharp and raw, like your wrists have been peeled open. You swallow the reaction, biting it down until it settles somewhere deep and sharp like little crystal shards.
Your hands fall into your lap, numb for a second before the pins and needles startโ violent, prickling, almost worse than the ropes.
They shove the papers in front of you. Those damn papers, with the Wayne name stamped across the top mocking you.
A pen follows, cheap and plastic, nothing like your elegant ones. You take it, but your fingers slightly tremble and this is not part of the act.
โRight there,โ Nolan says, tapping the line with the tip of his long and bony finger.
Your heart is pounding so hard it feels like it might crack your ribs open. You lean forward slightly. A small pause, pretending they buy your dizzy act.
Thenโ
You move.
Itโs fast enough but the angle is wrong and desesperation curls out of you like a bad stench. The pen lurches forward with everything you have, jamming into the soft space just beneath Nolanโs jaw.
For a split second, reality stops. You just feel like a puppet with your limbs being tugged by a strange entity your adrenaline made up to save you.
There's some resistance from the skin at first, before the initial force and despondency do the job. Then it gives. Nolan chokesโ a wet, broken soundโ stumbling back as his hands fly to his neck, eyes wide in shock more than pain.
Nobody moves, the other two men simply stare in absolute shock.
You shove yourself up, legs screaming in protest, and slam into Carlisleโs shoulder hard enough to knock him sideways as you run past.
โWhat theโ?!โ
Youโre already out the door; your footsteps echoโ loud and uneven, the pattern is all wrong. Behind youโ
โGET HER!โ
You run like you've never before. Your lungs burn almost immediately, your calves ache and dragging in air feels too thin, too sharp on your frail lungs. Your legs threaten to fold with every step, muscles shaking from disuse and adrenaline. But you force yourself to not look back.
You donโtโ
A hand claws on the flesh of your back, near your hip. You let out a raw, animal sound.
It yanks you sideways, slamming you into the wall hard enough to knock the breath out of you. Lights flash in your vision and you gasp with pain.
Nolan.
Thereโs bloodโ too much of itโ slicking his pure white collar, his hand pressed desperately to his neck, but his other hand is on you, fingers now digging into your throat.
โYouโโ he gasps, voice wrecked, โyou fucking cuntโ think you canโโ
His grip tightens, you gasp.
Your vision sparks. Your hands claw at him, nails scraping, trying to pry him off, but heโs heavier, stronger, fueled by something frantic and dyingโ And then heโs gone.
Not pushed or pulled. No, literally ripped away from you. Your neck goes from the extreme pressure of his hold to cold, you sofly rub it with your fingertips as you greedily breathe in air.
He hits the ground hard, dragged back by something that moves too fast to track. Your heart recognises him before your eyes do.
Batman.
He doesnโt hesitate.
The first punch lands with a sickening crack, snapping Nolanโs head to the side. The second follows instantly. Then another. And another.
Nolan tries to fight back, but itโs sloppy and the hits-- if you can even call them that-- land weak, his limbs and movements futile against the assault.
Batman grabs him by the front of his shirt and slams him into the wall.
Again.
And again.
The sound echoes down the hallway and reverberates through the walls.
โStopโโ Nolan chokes, barely conscious now.
Batman does not stop.
His grip tightens, gauntlet curling into fabric and skin like he might justโ
โBatman!โ Your voice tears out of you, still raw.
He freezes. So subtle is almost not there, but just enough to reprieve Nolan of the next hit.
His head turns slightly toward you.
โDonโt,โ you manage, pushing yourself upright, your legs shaking violently, he notices and his hold around the man tightens. โPlease donโt do it.โ
A beat too long.
The tension in him coils tighterโ then breaks; he lets Nolan drop.
The man crumples, barely more than dead weight now.
Batman turns to you fully. And in two strides, heโs there. For the first time in months, you feel all of the cold fizzle away, for the first time in months, you relax.
His hands are on you instantly; checking, grounding, moving over your arms, your shoulders, your face like he needs to confirm youโre still in one piece. Oh his touch, so delicate and tender... despite the cool texture of his suit, you feel eneloped in a cocoon.
โYouโre hurt.โ
โIโm fine,โ you breathe, even though your throat burns and your wrists feel flayed open and your whole body is trembling. โIโm okay.โ
He pulls you into him. He holds you tight, almost desperateโ steals the air from your lungs in a completely different way. You can't feel his hearbteat, but its thundering in his chest just as yours is now.
Your hands fist into him without thinking.
For a moment, everything else falls away. Then he pulls back just enough to look at you.
And then he kisses you.
Itโs not soft or careful. Itโs quick, urgentโ like he needs to make sure youโre real, not a figment of his imagination, that youโre really here and alive.
Your breath catches.
โThereโs more,โ you say, voice still uneven, pointing weakly back toward the room. โInside. The other two.โ
โStay.โ He commands, but the tone is... off. Was Batman put out by a kiss?
You nod, sinking back against the wall as your legs finally give out beneath you.
Heโs already gone.
The hallway swallows him in seconds.
Thenโ noise. Thuds and some shouting. The sharp, controlled rhythm of a fight that doesnโt last too long. It ends quickly as it usually does.
Sirens split the air open, their jarring noise ricocheting through the hallway.
Red and blue lights flood the space, washing over everything; Nolanโs unconscious body, the blood, you. Youโre sprawled against a cold wall, trying to calm your heart and quiet your head.
Batman doesnโt come back; heโs not there as the paramedics rush you into the ambulance, or as the cops flood the scene like ants around honey.
You desperately search for his figure in every face, every dark crook. At some point, you ask where he is. The paramedics reply that your family are on their way.
โMom!โ
You look up from where youโre sitting. Rushing through the crowd are Jason and Dick.
Immediately, Dick scans you for any possible injuries the paramedics might have missed. He hugs you, and you melt into him.
โIs your hair longer?โ You ask.
โMom,โ he frowns.
You brush a rogue strand from his face, just like he did when he was much younger. โDick.โ
Jason is on you like a tiny leopard, clutching your body like itโs a lifeline.
โUh, Jay, Mom is a bitโโ
He nuzzles his head into the crook of your neck. โI donโt care.โ He looks up at you. โWe were so worried. We thoughtโโ
You rub soothing circles on his back. โIโm okay now.โ
Jason hides again.
Your eyes spot a worried Alfred walking in your direction, his breath slightly uneven.
Your eyes meet his above Jasonโs body.
โMy dearโโ
You soften immediately. โHi, Alfred.โ You frown. โYou donโt have to worry,โ you look at Dick too, who is still looking at you like you might disappear if he blinks, โIโm fine now.โ
His eyes flick over you, taking everything in. โWe shall have words about your definition of โfine,โโ Alfred says gently. He mutters something about you and Bruce being annoyingly stubborn.
You almost smile.
But then the entire worldโ the whole of planet Earth with its billions of inhabitants and thousands of living creaturesโ stops. Everything stops the moment his voice reaches you.
โWhere is my wife?โ
Bruceโs voice is nothing but stern and demanding. Both Dick and Jason turn toward the source.
Jason unpeels from you and goes to stand between Alfred and Dick.
Your eyes find Bruceโs instantly, and before you even realize it, he is in front of you, cradling your head in his hands, consuming you with a kiss.
Youโre alive. Youโre here. I didnโt lose you. I love you.
He tries to say with just the language your lips and his can speak.
โHello to you too, Bruce,โ Dick says.
Bruceโs forehead is pressed against yours, the kiss broken but his face still close. โChildren.โ
He spins around, and before anyone can say anything else, he pulls Dick and Jason into a tight hug.
โLet go!โ
A laugh rumbles in his chest. โCanโt.โ
You four end up at Batburger; huddled in one of the booths at the back to avoid people staring.
Bruce hasnโt left your side for a second, even on the ride there. It was Alfred who drove. Jason and Dick ordered enough food to feed an army, while Alfred pretended to disapprove and only ordered a glass of water. You werenโt really hungry, but occasionally dipped your spoon into your Mr. Freeze ice cream.
Bruce has an arm around your waist, your body and his impossibly close. So close he can hear your heartbeatโ though you suspect thatโs one of the reasons why.
As Jason and Dick steal fries from each other, Alfred laughs, and you and Bruce finally allow yourselves to rest against each other.
The pier is mostly quiet, aside from the soft lapping of waves at the shore and the chatter and laughter from nearby restaurants.
You and Bruce walk under the moonlight, your bodies sharing the same warmth. Alfred, Dick, and Jason have already headed home, but you two needed this alone time.
โI missed you,โ he says.
You laugh, a soft and crystalline sound ringing through the night. โI was about to say the same thing.โ
โI thought I had arrived too late,โ he confesses. โI saw his hands on you and I just lost itโโ
โBut you didnโt. You stopped, Bruce.โ You rub his knuckles with your fingers, your wedding ring brushing against his, a testament to your love.
Suddenly, a soft familiar song begins playing. You cannot see the source, but itโs probably one of the street musicians that roam Gotham, especially near restuarant areas.
Bruce perks up. โThatโs our song.โ He softly grabs your hand, the other settling around your waist.
You smile and begin swaying to the music.
The time is right, your perfume fills my head, the stars get red.
Bruce spins you, and you cannot help the laugh that bubbles out of you. His small smile widens into something rare and honest; his blue eyes sparkle, and you wonder how anyone can love someone the way you love him.
Frank Sinatraโs voice continues as you let your bodies do the talking. It doesnโt feel like just flesh and bonesโ it feels like your souls are intertwining, his soul not only touching yours, but kissing, craddling, caressing, it too.
โI love you, Mrs. Wayne.โ
You smile up at him. โI love you too, Mr. Wayne.โ
i really love that project hail mary made it so clear how much grace loves earth. describing it to rocky, showing him bits of the culture and nature. the water and the cities. the birds. he sincerely and deeply loves earth.
you don't even have a dog. he had a whole planet. he loved being alive on earth and they took that from him.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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I love the idea that the Eridians briefly think that Rocky Came Back Wrong.
He shrugs and nods and does weird shake things with his carapce and their just like.... bro, why are you moving like that? He also talks so fucking slow and enunciates like his beautiful family is 20 years old. But when Grace is done being scurvy and rickets ridden and is capable of joining the thrum outside his earth enclosure, they realize Rocky spent a few years talking to a slow as fuck human incapable of converting to Eridian seconds in his head. He's pausing to congugate and he frequently needs words above a 1st grade level defined to him.
Damn, our planet was saved by a 30 year old? The planet fucking sent a CHILD into space? Rocky spent the entire time in space babysitting. You need to sleep. You need to eat. Damn, build him a statue he's now the patron saint of children.
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oh, so sleepless in the onyx night but now the sky is opalite!
summary: your new music video is coming out and you decided to hard launch your husband by casting him in it, but the rest of the stranger things cast practically begged to be included also. (inspired by taylor swift's 'opalite' music video!)
smau & masterlist.
liked by djotime, sadiesink_ and others
yourusername surprise !! the music video for 'opalite' is out at midnight๐
view comments?
user WHAT.
user dropping this on a random monday is CRAZY
milliebobbybrown and baby, that's show business for you
โคฟ yourusername u get itttttt๐๐๐
noahschnapp Wait I need to set an alarm for midnight
user YESSSSS
sadiesink_ was my performance in stranger things good enough to be casted in one of these things?
โคฟ yourusername idk i've got a long waiting list
โคฟ finnwolfhardofficial Ok Miss 'I'm top of the music charts'
โคฟ gatenmatarazzo Fame changed her...
โคฟ yourusername stop deuxmoi will think ur being serious
user why is the stranger things cast here๐ญ๐ญ๐ญ
djotime Did you put a meme of your own album on the last slide
โคฟ yourusername literally go away
โคฟ user they're flirting btw
โคฟ user what stage of insanity is this
liked by djotime, milliebobbybrown and others
yourusername and i can bring you loooveeeee !!! opalite is all yours (not joe. joe is mine) (๐๐๐)
tagged: djotime
view comments?
user still recovering
noahschnapp Keeping this a secret was so hard
โคฟ yourusername i FORCED u to shut up with the threat that i'd cut ur scenes
โคฟ finnwolfhardofficial Can you cut my scenes why was I the villain of the music video?
โคฟ yourusername L
โคฟ finnwolfhardofficial ?
user THEY'RE DATING
user second slide is SO real
djotime Wow! Good song! Do you know who sings this?
โคฟ yourusername ooohh! idk heard she wants u though x
โคฟ djotime I'll ping her a message then! (Love you)
โคฟ yourusername (love you too)
user this is so peak
sadiesink_ hard launching through a music video (that i'm in ???) is so cool
โคฟ yourusername ur so cool
calebmclaughlin Thanks for putting me in the most obnoxious neon work out outfit
โคฟ yourusername i'll never let u escape the 80s outfits๐๐