universal rules of campaign 4:
everything is birds
everyone is 5â11
only teor is teor
you canât prove thereâs allegory in this

Lint Roller? I Barely Know Her
he wasn't even looking at me and he found me
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@maryallenc
universal rules of campaign 4:
everything is birds
everyone is 5â11
only teor is teor
you canât prove thereâs allegory in this

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NO ONE IS DOING IT LIKE DEGRASSI
Veth Brenatto: Winter Collection
the group print that came with the second mighty nein artbook (deluxe) is lovely in general, but also i am cackling like why are caleb and veth posing like a married couple in a vintage photograph
"Love/sex is what makes us human" Wrong. It's the obsession with rectangles. look around you and count the number of rectangles you see.
#looked up and thought âthat canât be hardâ#and then my eyes widened with horror as I realized the sheer number of rectangles everywhere#Iâm . Iâm horrified
It's a good shape!

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Lestat: I am an unreliable narrator. I love to lie.
Half the audience for some reason: I canât believe how reliable this narrator is. He would never lie to us.
the thing about 2x72 Clay and Dust is that like. It really ruined me for having any patience for people who are overly cautious or passive. Like, yeah, you should be thoughtful, but also, really, if you're not willing to break your pact and go without your core abilities for almost 4 episodes maybe you should, as the kids say, get good.
the thing is, obviously this isn't true of all DMs, but Matt (at least when he's on the ball) and Brennan are very much DMs who go by "you get what you give" which to be clear I think is a good thing. there's a reason Fjord gets a new patron and a vestige and +2 strength and it's because he did that degree of work, from seeking out potential new patrons to telling Uk'otoa to fuck off. It's the same reason why Tyranny has a cool knife; it's because she established early on that she both cares deeply about other people (rescuing Teor, her genuine devotion to Wick) and finds herself drawn to hurting them (stealing the knife) and admits it. It's also true purely on the PC-PC level! There's a reason Liam's characters often have rich relationships with most of the rest of the party and it's because he makes sure to try to run scenes with them! The takeaway here isn't "blow up your character's life" or "don't use your powers"; it's "if you want interesting things to happen to your character, you better be doing something interesting."
kinda wild that House Tachonis is genuinely more powerful than they've ever been, but the withering House Royce at their historical weakest completely annihilated their forces despite the Tachonis having a surprise attack advantage AND wielding a magic completely poisonous to the fae AND there being no Royce present to stabilize the Orchard
iâm feeling not just vindicated but incredibly moved that we were right that Thjazi did have good intentions the entire time, he was doing the right thing, he was trying to help fix the problems with the world and with a little help from the people he cared about it worked, his plan worked
itâs so easy to be cynical and tell the story of a revolution that eats itself or a heroic character who is corrupted by power or a rebel who becomes the thing he once fought against but that wasnât Thjazi and more importantly that isnât this story
this is a story of hope, the world is dark and dangerous and there are powerful people doing terrible things and the story of oppression is long and painful but you can do something, you can say no, you can fight against a more powerful opponent with more resources than you and if you are smart and careful and if you stand up for what is right and true and good even when it is difficult then you can still beat them and you can win, you can tell the story of freedom and manifest it in the world, you can fix what is broken, and you truly cannot tell me thereâs not allegory in this because there is and it goes both ways
So different, yet kindled all the same.
Iâve loved their dynamic ever since they first met, and the last couple of episodes have only made me love them more đŽâđ¨

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âbend overâ âbend what? overâ
I hate this place
I love their bickering.
"please, I had so much dignity."
as a child being told "the moon controls the tides" with no additional explanation was like. oh okay. you want me to believe in magic? you're talking about magic right now? okay. fine
sorry. only semi-related but i simply wasn't ready for "the sun is a distant gorilla". thank you NASA
listen iâve been dealing with life stuff for the past like year which has greatly impeded my ability to write as much or any meta stuff about c4 which is devastating because my investment in c4 is so much higher than it was in c3 but instead of the huge ass meta i want to write about how much iâm just gonna gesture emphatically and with great vervet at how much iâve been obsessed with kattigan especially given that the aforementioned life stuff is not disconnected from my own indigeneity and the family legacies whose encounters with western society left us uh. burdened to put it politely. kattigan vale is the character of all time. like this stoic alcoholic who has this severity that he pairs with a like. careful playfulness about it thatâs both like. self aware and also looking away like MAN that scene back when he looked into the blade of the knife and saw the face of a haggard drunken man that when robbie asked if he recognized (i assume, thinking it was kattiganâs alcoholic father) brennan hit him with âitâs you.â what a scene. what a scene. didnât make me sob like a baby. what a scene.
and now fucking. listen. iâm a huge fan of brennanâs dming always. robbie is an incredible fucking role player. the shit theyâre doing with the like. unreliability of kattiganâs self perception and memory. concocted in a lab to make me rattle the bars on my bad times cage. iâve seen a couple people talk about the parallels with mmiwg especially given robbieâs own indigeneity as they should and as i find so compelling but in addition to that like. the memory/fogginess shit robbie and brennan are playing with are also hitting me hard in that same vein of like. obviously large scale cultural memory is a huge thing that has been scattered by the fists of colonialism but also on the smaller like. family to family level like. the amount of family members i have who couldnât tell you with any certainty thr details of why or how they ended up as the (oft addiction addled) version of themself they swore not to be. like. man that fucking knife blade scene will never leave me i fear like. the times iâve had that moment staring at myself? the times iâve watched my father and aunts and uncles have those moments of looking at themselves and seeing the person who they thought being raised by had taught them better than to become only to realize that the reality of their lives have denied them the simplicity of escaping a cycle that is perpetually kept from their hands. listen. this is a burger of a post but robbie daymond . the character youâve created and the story youâre telling. head in hands

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he took it personally