« One flesh, one end, bitch. »
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The Locked Tomb’s series is one of my fav at the moment ( thx @alpha.corvi ) and I can’t wait till the fourth and last book !
If you still didn’t read it yet you should definitely give it a shot 👌🏻
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@majinie
« One flesh, one end, bitch. »
.
The Locked Tomb’s series is one of my fav at the moment ( thx @alpha.corvi ) and I can’t wait till the fourth and last book !
If you still didn’t read it yet you should definitely give it a shot 👌🏻

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goat fight. non-negotiable.
#LISTEn listen most marvel fights feel so contrived and fake and like la-dee-da-superhero#but this one was REAL and had me on the edge of my seat and still does#partially bc of the street clothes not costumes#partially because steve is fighting 1 on 1 and gets stripped of his shield quick#and he has to show like his physical combat skills#and the ACTING on both their parts.. fucking ace#esp chris evans tho like his face looks PANICKED how often do u see captain fucking america panicked??#anyway in this essay i will (tags via @asterlark)
I think it’s also very important that this is a fight in which the characters *actually interact with their environment* in a way that feels real. Like, yes, have superpowers but there’s no cartoon physics involved, no obvious sense that this was filmed on an empty set with a greenscreen and the background was added later, or that they’re filming without even the people they’re fighting being present, just ‘look over here and make a hand gesture’. The shield gets stuck in a car, there’s that awful moment of the knife sliding along the side of the van that cues up with the mounting tension in the soundtrack. Bucky’s arm impacts the pavement and actually dents it, etc. They’re jumping over/behind the cars and getting thrown into them/into the pavement in a way that feels more visceral than just ‘whoosh there was a wire & we CGI’d in the rest’. t has a sense of real world space to it, and that adds to the feeling of real world stakes.
This is one of the few fight scenes I can recall seeing that makes a little knife look like a real threat. Like I am legit scared for Steve when that thing darts in, because he’s not wearing armor and it really feels like the WS could open him up like a can. I feel like movie fight scenes don’t usually hit that note with knives.
It’s worth pointing out that this scene WAS filmed on a actual set with actual asphalt and cars (with fall pads and stuff, but still). They really were interacting with their environment.
But as a fight nerd, there’s one other thing I want to point out about this fight, and it goes back to @mikkeneko’s point about the knife:
This isn’t a magic fight.
Yes, they’re both super soldiers. Yes, WS has a vibranium arm. Yes, Steve has a vibranium shield. But there are no magic blasts going on here. There’s no wuxia and minimal wire-work (mostly protective for the actors).
WS shoots at Steve until he runs out of bullets because that’s the most efficient way to murder him. Steve either dodges or hides his whole body behind his shield because that’s the most efficient way to not get murdered. The shield gets thrown, caught, thrown back, wedged in a car. Then it’s a knife fight. Throughout, it’s really obvious that neither of them are fucking around. WS is trying to just straight-up kill Steve, Steve is trying to not die. No banter. No dick-measuring. No quips.
This fight is brutal, efficient, and not flashy. Steve’s knife defense is textbook, and aside from that cool little flip that was almost too fast to clock, WS’s attacks are textbook. He’s doing his best to control Steve’s defense and open a hole to wedge that knife in. Steve’s doing his best to control that knife hand and keep just enough space between them that he can close those holes before WS can get to them. It’s telling that he’s paying so much attention to the knife that when WS finally gets through his guard, it’s with his empty, vibranium hand. (Still no idea why he tosses him instead of crushing his windpipe though, that was 100% movie logic.)
When Steve does that flying knee at WS, that’s not about flashy martial arts moves, that’s about brutal efficiency. Your knees and elbows are the hardest points on your body. Steve can engage in fisticuffs with normal people; he can knock out hitler over 200 times. He could also break his knuckles on WS’s face before doing any appreciable damage, and we watch him figure that out. So it’s not kung fu, it’s muay thai. It’s krav maga. Those flips aren’t for show - that’s pure Jiujitsu, the ruthless throws that are supposed to segue into joint locks and dislocations. That is the way to take your opponent apart, literally. He was trying to rip WS’s non-vibranium arm out of its socket.
That pile-driver? That was meant to break WS’s neck. A normal person would die instantly if Captain America pulled that WWE shit on them. We are into the gritty shit now. We have two extremely strong, extremely skilled men who are just trying to kill each other because the only way to win this fight is to die last, and it shows.
They scramble for position through the fight. When one move fails, they don’t bother breaking apart before finding the next-most-efficient killing move and trying that. This is what two people who are actually trying to murder each other look like - most street scuffles stay on the ground once they get there and don’t involve this much skill, but we can excuse that because it’s Captain America and the Winter Fucking Soldier. I still recognize the blocking of this fight as a real fight, not a spar. The urgency, breathlessness, the pragmatism, the messy transitions between moves as you just keep trying to improvise faster than the other guy… that’s all correct.
There’s no magic. There are fists, feet, elbows. There’s a shield and there’s a knife - the first and oldest human-made tools of war. There are chokes. There are joint locks. Not a word spoken. And it helps that they are really there - landing on cars, landing on asphalt.
No other MCU fight even comes close unless you’re including the tv shows, because that Daredevil long-shot hallway fight was pretty fucking badass too.
no animal was harmed during the making of this video. not one. for the few minutes that we were shooting film, the guns of each hunter fell silent. the industrial bolt throwers observed a moment's peace and the jaws of every predator hung softly open. no fish bit any hook and the bait worms held off on drowning only until the cameras stopped. the tails of ruminants ceased to flick just as their attendant flies, in unison, landed on their flanks to catch their tiny breaths. a spider instantly stopped winding silk around a wasp, patiently waiting for the caesura to end. a young veterinarian paused with the syringe in their hand. somewhere, a colicky baby stopped biting its mother's nipple and nursed happily for the very first time. we're sorry. we're sorry it couldn't have been longer. we didn't know this would happen.
The problem with playing smash or pass is that there's a lot of characters which I'm not sexually attracted to but I would fuck in a heartbeat out of sheer curiosity and ego, like I don't find Mickey Mouse attractive at all but if he approached me at a bar and went "Hey sexy, want me to show you my mouseketool?" I would say yes because then I get to tell my friends I fucked Mickey Mouse
Smash Or Pass should never be about attraction, that's what Hear Me Out is for. A Smash on Mickey Mouse is understandable, even respectable. A Hear Me Out on Mickey Mouse however, that requires a lab dissection
Okay one thing I really love about the first episode of Taz Royale is how beautifully the introduction plays to the players’ strengths. Like Travis LOVES a backstory, always has, and so giving him the Past vision gave him the chance to flesh that out for us. Like, Magnus’ pages of backstory when they thought TAZ Balance was going to be a one shot (LMAO) or Devo Mutt Beef still having fairly solid origins even in the ‘guys we’re not doing backstories’ campaigns. And of course Travis pops off with a giant cast of backstory characters to work with, trauma to pull from, and giant character motivation that’s simultaneously tragic and hilarious!
Versus Justin being in the Present. I’m fairly certain in a ttazz for Ethersea he had this discussion about wanting Amber to be a very present character, and preferring the now adventure to a backstory the audience can’t fully engage with. And I think his philosophy on that very much bled through Steeplechase, Justin leans into the improv and building things on the fly. Like the entire Nanofather! So giving him a near immediate present to jump off and immediately launch into establishing personality and a rivalry dynamic that’s immediately relevant and ready to unfold is right up Justin’s alley.
And with Clint, Future space janitor just works really well cause I think Clint usually takes a little time to get a solid grasp of his characters. Frequently he’ll drop a little comment or a scene near the end of the campaign that just utterly reframes my understanding of the character. Like, all of Merle and John but also like the fact he has kids, or Zoox becoming the Mind Melder guy tm. I almost always appreciate his characters more on a relisten. So, having his character start with a vision of a future to build towards (and an INSANELY compelling one at that) is just perfect.
Like, obviously the season just started, but I can just feel Griffin’s years of DMing this specific group and it’s really cool to see.

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Halfway through The Priory of the Orange Tree and the funniest thing about the queerness of the book is that the world is generally not homophobic except for one person who needs to be straight in order for her religion to work, and folks you’ll never guess who’s gay.
Eadaz and her queen
just so you know i know this dynamic is toxic and i'm not romanticizing it :/ i'm actually sexualizing it
My first biology professor had an ‘inadequacy drawer’ full of things to remind him he wasn’t, in fact, the dumbest and laziest person to ever exist. It was mostly Darwin, notably these two bits:
‘But I am very poorly today and very stupid and hate everybody and everything.’
‘I am going to write a little Book for Murray on orchids and today I hate them worse than everything.’
“I am at work on the second vol. of the Cirripedia, of which creatures I am wonderfully tired: I hate a Barnacle as no man ever did before, not even a Sailor in a slow-sailing ship.”
-Charles Darwin on a letter to his cousin
Charles Darwin: unexpected depression hero.
I knew about “I am very poorly and very stupid and hate everybody and everything,” but not the others.
“I hate myself, I hate clover, and I hate bees” is A Mood.
My favorite Darwinism: “I am dying by inches, from not having any body to talk to about insects”. Hits me right at the center of my hyperfixated soul.
I hate a Barnacle as no man ever did before
“The work has been turning out badly for me this morning and I am sick at heart and oh my God how I do hate species & varieties”
PHRASES ADDED!
“I hate myself, I hate clover, and I hate bees”
“But I am very poorly today and very stupid and hate everybody and everything.”
“I am going to write a little Book for Murray on orchids and today I hate them worse than everything.”
“I hate a Barnacle as no man ever did before.”
“I am dying by inches, from not having any body to talk to about insects.“
“The work has been turning out badly for me this morning and I am sick at heart and oh my God how I do hate species & varieties.”

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she weaponized her gag gift im crying
they Always take the pencil
It's their day 🌷
Now, see, if the OP had commissioned a real artist, they could have asked the artist give the gnome some cake so big no room could contain it. A real dump truck. A badonkadonk, if you will. A truly Callipygean derriére.
Instead, the feeble machine can only offer platitudes. Shameful...
Instead, the feeble
machine can only offer
platitudes. Shameful…
Beep boop! I look for accidental haiku posts. Sometimes I mess up.
"I will die human or I will not die at all"
Gearbreaker by Zoe Hana Mikuta, p.113
I often wonder what happened to authors of unfinished fanfictions.
I hope they’re having a nice life
we absolutely are not and that unfinished fic haunts us to this day
Reblog if that unfinished fic haunts you to this day

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
I often wonder what happened to authors of unfinished fanfictions.
I hope they’re having a nice life
we absolutely are not and that unfinished fic haunts us to this day
Reblog if that unfinished fic haunts you to this day
Don't tell me you're not the same person
You're always my husband and I've been waiting, waiting
For you