you want to get into women's rugby. watch the video.
d e v o n
almost home
RMH

#extradirty

Andulka
Cosimo Galluzzi
dirt enthusiast
Sade Olutola

Origami Around

Not today Justin
h
Monterey Bay Aquarium
Mike Driver
$LAYYYTER
KIROKAZE
occasionally subtle
he wasn't even looking at me and he found me
PUT YOUR BEARD IN MY MOUTH

@theartofmadeline
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@magicalmanhattanproject
you want to get into women's rugby. watch the video.

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People talk about what they'd do if they were a horror movie protagonist, but you couldn't do that with horror games. Movies may be dictated by the writing, but in games, doing the sensible thing is almost always impossible. You can't just make your guy get back in the car and drive home instead of entering the scary abandoned mansion unless the developers included it as a fun easter egg early ending, and they probably didn't. If you were in a horror video game, you could walk up to your car, you could try to leave, but the prompt to open the door and put the keys back into the ignition will never come. Your hands will stay at your side until you finally realize there's truly nothing you can do than go through with the plot.
There’s a quality that certain books/movies/TV shows have that leads me to say, “Yeah, I can see people making fanfiction of that.” It’s something to do, I think, with how tight the story is, how much feels open-ended or like it could be elaborated on.
Something like Breaking Bad, for example, has low squiggability (that’s what I’m calling this quality). It’s tightly written, the characters are consistent, there’s little left to interpolate or extrapolate. Obviously, people DO write fanfic of Breaking Bad, but it still has a low squiggability score. Whereas something like Supernatural has a high squiggability score. Fantasy and science fiction often have high squiggability scores. This suggests squiggability could also be related to worldbuilding and potential for people to borrow a premise or setting.
And sometimes you’ll read or watch something and you’ll say, “Ah, low squiggability,” and then you’ll open tumblr and find out that everyone else seem to think its squiggability was very high indeed.
saw a bloodymary fic tagged ‘canon typical violence’ without specifying which canon and honestly? love it. finally a tag that conveys even less information than tagging dead dove without explaining why. ‘save up to 15% or more’ type beat. never let em know your next move
‘the story you’re about to read contains depictions of violence equivalent to either 1) a guy hitting his head pretty hard OR 2) a guy ripping his own arm off and dying horribly in an ocean of caustic and possibly sentient blood. impossible to say which. good luck tho 👍’
throughout the late 2000s and early 2010s, our generation was inundated with aave. it eclipsed lolcat as the "funny way to talk." ain't nobody got time fo dat turns into dat boi o shit waddup. this is blatantly not an "aracial" or "gen z" way to talk. it IS black english. not to mention the amount of black reaction images!!
WHY, specifically, is it black peoples' facial expressions that are seen as just so comical or exaggerated? analyze the history of this nation's comedy and tell me why you might be predisposed to thinking of black peoples' faces as just, "more emotive" or exaggeratedly funny than a white or nonblack person's
and throughout those years, 00s-10s, many black bloggers -- victims of the mass staff-led purge (under the cover of them being 'russian' while reichblr still exists) -- they DID tell us it was a problem, DID try to educate people who freak out at the insinuation of 'being racist,' DID argue, DID point out the duplicity and the appropriation and the gross equivalence of african american slang with unintelligence, goofiness, etc. and they were ignored, abused, cancelled, chased off, until being eventually mass deleted by our racist transmisogynistic staff.
we didn't do enough, and the generation after us gen z "kids" didn't stop the trend. using the '-ahh' suffix. rizz. no cap. ate. delulu. it's giving. it's serving. crash out. lock in. aura. tea. main character. bruh. slay. real. keep it 100.
all of the following images are or were popular reaction images! what do they all have in common?
it feels like the effort to categorize slang as AAVE and not 'gen z' or 'gen alpha' slang has really petered out. it feels like we stopped talking about digital blackface in an era where the administration is posting ai-generated videos of black women who speak and act like exaggerated stereotypes and it frustrates me because we all have a responsibility to understand our generation's role in normalizing this type of racist shit for kids today. this needs to be addressed!
Black people will never stop talking about this, but when we are on sites such as Tumblr, where so many of the white people feel that not only are they not racist, but that calling their racist behavior racist is emotional warfare on them, they will make sure to keep Black voices as silenced as possible.
Also, a lot of the Black people who got deleted or run off of the site weren't even accused of any type of Russian anything. A lot of them were just run the fuck off by the white Tumblr base on harassment shit.

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I NEED TO SUCK HIS DICK CLEAN OFF !!!!
thats the wrong image
wishing all outdoor workers, delivery drivers, people who have to walk to work, bus riders, etc a very Don't die in this heat
“can’t believe women fought to work!! i don’t wanna work!!” women have Been Working they fought to get Paid you know that right ?
Contemporary art haters will be like "i don't get it" and then not read the title or artist statement or the medium or the year or
How to "get it":
Ask yourself, how does this piece make you feel? (No wrong answers)
Look for an artist statement nearby. What does it say about the artist and their relationship to their work? What does the artist say that they are trying to convey with their art? What contextual clues can you pick up from what they say about their background, or what they omit?
Look at the title of the piece. What is the artist saying about their work by naming it that, either explicitly or implicitly?
Look at the medium. Is there anything about the piece that stands out to you, knowing what it's made of?
Look at the year it was made. What cultural events might have been happening around this time? Was this piece part of a particular art movement? What was the purpose of that art movement, and what was it trying to say?
Accept that sometimes, you still might not get it. This is perfectly okay.
salmon in the river
my favourite piece of "AI art" is something that was not intended to be AI art at all, and was made and posted online as a joke. which is "salmon in the river", from 2023.
this is how the AI apparently understood the above prompt. salmon filets jumping in water.
in this case, not only do i think this is interesting art, but i think it is interesting art only because it was not made by a human. like, this reads to me as art about alienation and commodification, right? obviously we all know that under capitalism products become separated from the labour and processes that created them. you buy a shirt and you don't think about the hands that sewed it, and so on. the commodity form hides its own origins. and food in particular hides not just labour, but life. the animal disappears. like, if you think about how meat reaches you at a western supermarket, typically it arrives on a styrofoam tray, wrapped in plastic, cut into shapes that don't resemble the body they came from. a chicken breast doesn't look like a chicken, and likewise a salmon filet does not look like a salmon. many times people actually find it gross or distasteful to see the animal! the filet is literally the shape that says don't think about it.
so the art, then. the filets are appearing in the river, which is where the living salmon would be. the commodity form is occupying the space of the creature. the erasure itself is swimming upstream. that's sick!!! and the wrongness of it, the visual absurdity, is exactly what reveals how much work the commodity form normally does. We're used to seeing filets in kitchens, on plates, in supermarkets. In those contexts, they look right. they look like what salmon IS! it's only when you put the filet in the context of a living animal that you suddenly see how strange it is and how much has been removed. it's good art!!!
AND YET if human artist had made this image, i don't think it would be very good art. filets swimming upstream as a commentary on commodity food culture is fine but it would feel very on the nose in a banksy, makes-u-think kind of way. this would be a human saying "here's what I think about how we relate to what we eat." like imagine this as a political cartoon, right? immediately the exact same image would make me want to fucking roll my eyes. it would be kind of insufferable!! and to me i think that's because it is making an argument. the artist has to be visibly making a point and the finger is always wagging. we live in a society, bottom text. UGH!
whereas, when an AI produces filets in the river, it's not making a claim. it doesn't think and it doesn't care. it is just outputting based on what it's been trained on and based on the prompt. it's saying "here's what salmon actually means in the aggregate of human visual culture." it says something in and of itself that an AI image generator was asked to create salmon swimming in a river, and it produced filets. boneless, skinless, ready-for-the-pan filets, floating serenely through the rapids. and that's because the AI was trained on us. it was clearly not primarily trained on, e.g Coast Salish art like on carved salmon with eyes and spirits or more generally on cultures that really focus on holding the sustenance and the creature together. instead it was trained on an aggregate blob of the internet, including the very massive and alienated western commercial relationship to food. our images, our photographs, our stock photos and food blogs and recipe sites. and in that corpus, salmon is overwhelmingly a filet. when you throw everything into the pile and ask "what is salmon," the commodity form rose to the top.
thus when the model produces filets in the river, it's not really making an error in the same way we would; it's just accurately reflecting what "salmon" means in the aggregate, and putting it in a context that makes it seem incredibly absurd. it literally works as art because it's not A Guy saying eyy, look what you've done, it's just showing what we've done, without commentary or judgment and without even knowing it's showing anything at all.
but then ALSO. was this really an "error" generated by an AI? or was this a human who prompted it to make a picture of salmon filets in a river and posted it as a glitch for internet points? i don't know!!!
and at first this bothered me, because I've been so hard on arguing that the image only works because it wasn't made intentionally. like, that the lack of human intent is what gives it evidentiary weight and what transforms it from trite political cartoon into Good Art.
but i literally think that's still true. if a human made this, if someone deliberately prompted an AI to produce filets in a river and then framed it as an accident for heckin reddit updoots or even legitimately to make a political point, then what they created is a piece of art about the difference between intentional and unintentional meaning. they used the AI as a medium, but more importantly, they used our expectation of AI failure as a medium. The art isn't just the image; it's the image plus the caption plus our willingness to believe it.
either way, the image only works as art if we believe an AI made it, because that belief is what transforms "salmon in the river" from a heavy-handed political cartoon into a piece of evidence about how we see. but only a human could post it and have it work, because the act of posting it as a mistake is also an artistic gesture, regardless of whether it actually was one. the AI can't do that part. it doesn't know what it made or why it's either profound or funny. but a human couldn't do it alone either, because a human making this image deliberately would just be making a statement, and statements are easy to dismiss. the art exists in the gap between the generation and the framing, and that gap is where the human goes.

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some dogs are smart and. well. others are happy
I fuck with this
[image description: screenshot of writing formatted as a question and answer exchange. headline of piece is: The Proposal to Raise Every Boy as a Girl. (author not listed)
Q. You want to raise every boy as a girl? Yes.
Q. Why? A boy will learn to hate girls as long as he is raised in such a way where he is treated as better, and superior to, his girl peers, whenever he is cruel to girls. So, instead, we raise boys as girls.
Q. What if they say they are not a girl, and want to be acknowledged as boy? Then you know they are a boy, so you must make sure to understand them as boy, and not a girl.
Q. What does it mean to be 'raised as a girl'? That's up for you to decide. The only difference is that you should not raise boys any differently than you raise girls, since you raise every boy as a girl.
Q. Girls and boys are raised in specific ways for specific purposes, so it does not make sense to raise boys as girls. If you raise every boy as a girl, then there is no being which is not raised as a girl, so anyone raised as a girl necessarily must learn to do anything and everything to grow up, without restrictions on tasks, labours, or interests.
Q. But boys and girls are different. All two girls are different, and raising girls in one specific way destroys this individuality in favour of moulding girls to serve the same master. Still, the girls resist to live life on their own terms. If girls can be raised such that they know they can do anything they want, including not being girls, so too will boys raised as girls.
Q. Why not raise every girl as a boy? Because if a girl does not exist among boys, then the girl is made.
Q. Why not raise girls and boys as themselves? The self must be made in a world where girls and boys can first and foremost be themselves. One step towards this goal is to raise every boy as a girl.
Q. The way people raise girls is cruel, so why would you raise boys with that cruelty? If you raise girls with cruelty, then you should stop being cruel to girls.
/end description]
every time i see a picture of a coyote i am immediately like "omg my friend Cable Ties!"
My friend Cable Ties
best betrayal-adjacent trope go
i do think theres something sad about how largely only the literature that's considered especially good or important is intentionally preserved. i want to read stuff that ancient people thought sucked enormous balls
Time to take this post entirely too seriously:
I often wonder if this is why you so commonly see the sentiment that we are in an era of uniquely bad literature, or at least that the fact that most books don't have artistic aspirations and are not aiming to be anything other than mindless entertainment is new. In fact what's new is the idea that everything is worth preserving (and also the internet making it easier to preserve it). The dumb artistically unambitious trash books of the past have survived only sporadically, because people thought of them as literally disposable.
When I was in college I had a professor who was an expert on detective fiction. He had a longstanding beef with the idea that "Murders in the Rue Morgue" was the first detective story. He thought that it seemed way too polished to be inventing a new genre, and also that the whole orangutan business had the vibe of someone subverting preexisting audience expectations and maybe engaging in a bit of stealth parody. With the help of some student volunteers, he went trawling through old magazines and newspapers and found hundreds of detective stories from the early 1800s that just hadn't garnered enough individual attention to be remembered. This was because most of them sucked balls. He created an online archive of them, so you too can read these mostly terrible stories.
I've spent a ridiculous amount of time on Project Gutenberg sifting through forgotten old fiction and lemme tell ya. a lot of that stuff sucks ass.

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guy who just got hit with a persian spear: fuuuuuuck i need roasted fatty meats and wine to live
FATTY MEAT AND STRONG ASS WINE
HIT WITH PERSIAN SPEAR BUT FINE
STRONG ASS WINE AND FATTY MEAT
ANCIENT PERSIAN SPEAR DEFEAT
An Archive of Our Own, a project of the Organization for Transformative Works
Chapters: 1/1 Fandom: Avatar: The Last Airbender (Cartoon 2005) Rating: Mature Warnings: Creator Chose Not To Use Archive Warnings Relationships: Hahn & Jee Characters: Hahn (Avatar), Jee (Avatar) Additional Tags: Enemies have to work together to survive the elements/a natural disaster, Location horror where the location itself is the horror, Episode: s01e19-20 The Siege of the North (Last Airbender), Cultural Differences, Colonialism, Survival Horror, bottle episode, Torture, relatively mild by my standards but certainly there, Near Death Experiences, Hostage Situations, Mutual Hostage Situations, Location Horror, Suicidal Ideation, Enemies to Friends, reluctant allies, environmental horror, Horror, Long One Shot Summary:
Lieutenant Jee watches Admiral Zhao throw a would-be assassin into the sea and realizes he has the perfect chance to defect. Except, instead of an experienced local guide grateful for being rescued, he gets a bratty teenager who seems to resent Jee just because Jee's in the army trying to burn his city to the ground. But beggars can't be choosers and they find they have bigger problems than just each other.