Butterflies were just caterpillars wrapped in cocoons of ease. But they deviated.
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Butterflies were just caterpillars wrapped in cocoons of ease. But they deviated.
Mench Bela

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Faraaz Kazi, Truly Madly Deeply
Faraaz Kazi, Truly Madly Deeply
I will not call this a home. A home does not scare your colors away. It must let you bleed hues in canson papers or mahogany walls. Homes don't prick your skin and peel your smiles. They tie your hair in braids and bleach them pure for you to comb again.
A home doesn't jail. It opens portals that lead you to passion realms — those with lights that match the shades of the sun when it rises or when it kisses waters or when it meets the moon. Home smells like vine-wrapped benches and overlooking meadows, with tulips and lavenders atop rich earth. And it tastes like snowflakes on warm tongues that breathe love and speak love. For things. For skies. For paintbrushes and ink.
Home. What if it exists in masterpieces?
Slowly, home drifts from places into people, but is it right? Is it safe? Or is it just equally risky? A home must not be susceptible to change, sentimentality-wise, that even when time subsides, it still comforts you. It should be the space where you change and still be recognized. Where blooming is not strange. Where roots are grown deeper, unkept in a pot, but grounded in a forest, where gentle rain taps on your leaves, eternally.
How you live, and what you give life to: call that home.

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Edgar Allan Poe, "For Annie"
— José Olivarez, from "Getting Ready to Say I Love You to My Dad, It Rains," Citizen Illegal
Starhawk, Diane Baker, and Anne Hill, Circle Round; "The Circle of Life"
Emily Dickinson
Edgar Allan Poe, Fanny

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Lang Leav, The Universe Us; "The Butterfly Effect"
Emily Dickinson
Lang Leav, The Universe of Us; "Today"
Edgar Allan Poe, Tamerlane
Emily Dickinson, The Collected Poems of Emily Dickinson

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I've lived life in ruthless voices, both real and unreal. So I'm making mine gentle.