is rhea seehorn aware of the impact this outfit has had on the gay community
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@lenabloggingthingy
is rhea seehorn aware of the impact this outfit has had on the gay community

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
the evil amulet is a classic but have we considered The Good Amulet . villain who switches sides because they put on The Amulet That Makes You Good and fell too deeply under its spell to ever take it back off and the heroes are trying to figure out how they feel about that ethics-wise
Wouldnât leave my mind sorry
You just found out that your roommate is a literal god(dess). One who is completely unknown and has not a single follower, because apparently they tried that before and quote: "they were so annoying."
Ask and ye shall receive (one of them, at least)
"You're..."
"A goddess," Kara finished.
"Right." Lena's eyes weren't on the other woman as she said it though. Instead, her attention was locked onto the innocent white flowers blooming against green leaves. Flowers which Lena had watched blossom before her very eyesâas if she had been watching a time-lapse. The apparent cause: Kara, leaning over the potted plant and blowing gently across its branches. "A goddess."
"Please don't tell anyone," Kara begged with a wince.
Her name was Judy-Lynn del Rey. And she became the most powerful editor in science fiction history.
Born in 1943 with achondroplastic dwarfism, Judy-Lynn grew up devouring science fiction in New York City's public libraries. At a time when the genre was dismissed as pulp fiction for teenage boys, she saw something else entirely: the future of storytelling.
She started at the bottomâan office assistant at Galaxy, the most prestigious science fiction magazine of the 1960s. Within four years, she was managing editor.
Then Ballantine Books came calling.
When she arrived at Ballantine in 1973, science fiction and fantasy were afterthoughts in publishing. Fantasy in particular was considered unsellableâunless you were Tolkien. Judy-Lynn thought that was nonsense.
Her first major move was audacious: she cut ties with one of Ballantine's bestselling authors, John Norman, whose "Gor" novels were popular but notoriously misogynistic. It was a risk. She didn't care.
Then came the gamble that changed everything.
In 1976, someone brought her an opportunity: the novelization rights to an upcoming space movie by a young director named George Lucas. Hollywood thought the film would bomb. Studio executives were skeptical. Most publishers passed.
Judy-Lynn said yes.
The Star Wars novelization sold 4.5 million copies before the movie even premiered.
She would later call herself the "Mama of Star Wars."
In 1977, she launched Del Rey Booksâher own imprint, with her husband Lester editing fantasy while she oversaw everything else. Their first original novel was Terry Brooks's The Sword of Shannara. It became a phenomenon.
She didn't stop there.
Remember The Princess Bride? The original 1973 novel had flopped. It was headed for obscurity. Judy-Lynn rescued it, reissuing it in 1977 with a striking gate-fold cover and an aggressive marketing campaign. Without her intervention, there might never have been a movie.
She published the Star Trek Log series. She championed Stephen R. Donaldson's Thomas Covenant trilogyâconvincing Ballantine to release all three books on the same day from a completely unknown author. Unprecedented.
She published Anne McCaffrey's The White Dragonâthe first science fiction novel ever to hit #1 on the New York Times bestseller list.
And she did all of this while competitors called her imprint "Death-Rey Books"âbecause she was utterly dominant.
Between 1977 and 1990, Del Rey Books had 65 titles reach bestseller lists. That was more than every other science fiction and fantasy publisher combined.
Arthur C. Clarke called her "the most brilliant editor I ever encountered."
Philip K. Dick went further: "The greatest editor since Maxwell Perkins"âthe legendary editor of Hemingway and Fitzgerald.
But here's what burns: the science fiction community never nominated her for a Hugo Award while she was alive. Not once. The men who ran the industry praised her in private and overlooked her in public.
In October 1985, Judy-Lynn suffered a brain hemorrhage. She died four months later, at 42.
Only then did the Hugo committee vote to give her the Best Professional Editor award.
Her husband Lester refused to accept it.
He said Judy-Lynn would have objectedâthat it was given only because she had just died. That it came too late.
He was right.
Judy-Lynn del Rey transformed science fiction from a niche hobby into a cultural force. She made fantasy into a mainstream publishing category. She bet on Star Wars when no one else would. She saved The Princess Bride from oblivion. She published the first #1 New York Times science fiction bestseller.
She did all of this standing 4'1" tall in an industry run by men who underestimated her at every turn.
The next time you pick up a fantasy novel, or watch a Star Wars movie, or quote The Princess Brideâ
Now you know who made it possible.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Bug 182 be like:
đ¸đŚ đś đĽđ
đś đ¤đ đś
đśAll theđś
đśCrawl thingsđś
Making sure my Zoom camera is tilted at a Dutch angle to indicate to my coworkers my psychological madness
Catharsis
I really donât know what crowd I expected to be in the theatre for carol at 1:20 in the afternoon on a friday but it was probably 85% old people, old het couples and halfway through the movie this old lady in front of me turned to the old dude next to her and just said âharold theyâre lesbiansâ
Honoring 10 years of âharold theyâre lesbians.â Many happy returns to all who celebrate.
brown works so hard and does so much and everyone is so mean to her. coffee chocolate hair leather tea wood eyes broth a warm coat autumn leaves caramelized onions the crust on a loaf of bread. all things good and warm and kind are brown. bitch!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
you're closer than you think
A bee girl would probably say âin my bumble opinionâ
Emily Dickinson, from her poem titled "1188," featured in The Emergency Poet
WE HAVE GOT TO START LOVING THE PROCESS MORE THAN THE PRODUCT AGAIN
extremely interesting to me how important thimble was in that first episode. laura had maybe 40? 50? minutes at the table and yet her connection to thjazi has woven her deep into all of the central questions driving the very beginning of the campaign. what did thjazi want hal to tell her? where is she why isnât she at the funeral? why did her place get attacked who attacked her? where is the stone that she stole where is âthjaziâs pixieâ? why did the box open at the mention of her name? her absence in scenes is felt just as acutely as her presence.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
everyone always surprised when you can learn bits of information about them from the characters they make... dearly beloved. you took a lump of clay with no form and shaped it with your hands and thought you wouldn't leave fingerprints? what hubris! you leave scraps of yourself in everything you make. sometimes it's a lot more than scraps but just for you i'll pretend i didn't notice
Sobs. Laudna and Occtis would be the BEST OF FRIENDS
"...and though that young man is not a sorcerer, he has wielded a strange gift to make a little dead creature that regarded you with kindness. Is it possible that dead things can still love us?" (c4e03)