
Love Begins
trying on a metaphor
Mike Driver

if i look back, i am lost

Discoholic đŞŠ

Andulka
hello vonnie

çĽćĽ / Permanent Vacation

shark vs the universe
taylor price
Alisa U Zemlji Chuda

JVL
todays bird

Janaina Medeiros
h
Monterey Bay Aquarium

JBB: An Artblog!
sheepfilms
he wasn't even looking at me and he found me
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@lemonmoxy

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its actually easy to de-enshittify your digital experience all you need to do is install this browser extension and this browser extension and this browser extension and input this custom script into the advanced box and go into your system settings and reconfigure all these options you didnt know existed and change your entire workflow and switch to this alternative operating system and this alternative web browser and this alternative chat client and this alternative word processor and this alternative- sorry that one turned out to be malware delete that one okay now double check your task manager for unwanted background processes and element block these ads and invest in a good VPN and append all your searches with AI blocking keywords and wait a few years until everything you just did becomes shitty too so you can do it all over again okay kitten. its literally that easy.
reductions in socially necessary labor time are actually a wonderful thing and the only reason we seem them so critically is because of the inherent contradictory nature of capitalism where progress is turned into harm
âThey said they wanted a vampire relationship with no age gapâ
âNo age gap??!?!?â
âAnd no non-con elementsâ
âNO NON CON?â
âAnd no coercion or otherwise manipulative behaviorsâ
âJoe they want a vampire with NOTHINGâ
audiences have no idea how to be uncomfortable anymore
watch movies that make you uncomfortable read books that make you uncomfortable go to plays that make you uncomfortable watch tv that makes you uncomfortable look at paintings and sculpture and artwork that makes you uncomfortable. it is spiritually and morally and ethically and artistically really really good for you. think about why you are uncomfortable. what biases do you bring to art? what biases does the art bring to you? how do you reconcile this? how does your worldview grow and expand and change? all this and more will be answered and available to you if you just engage with art that does not coddle you and treats you like an intelligent human being that can sit through discomfort

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going further, trans women literally just existing in public gets called a sex crime by transmisogynists. these people want literally any excuse to remove us from public life
My mom likes to tell me about how when I was a little kid riding public transport with her I'd always smile and giggle and chat with weird old ladies who smelled like cat pee and homeless folks and strangers dressed in bizarre outfits but any time a tidy and respectable businessman in a suit and tie waved at me I'd immediately clam up, and she takes a great deal of pride in my supposed inherentability to clock personalities but the truth is I do vaguely remember those bus rides, and it was never about the clothes or the hair or the smell, but more because everyone "strange" asked interesting questions and listened to what I had to say and seemed to think about what I said while the neat and tidy and rigid folks only ever acted like they were going through the motions, which was boring as hell and also pretty annoying
Well-to-do finance manager with tidy shoes: "Why hello, sweetheart. Can you say 'hi'? Aren't you cute. Are you on a trip with your mom?"
4 year old me: why must we do this
Fantastic old woman in the leopard print coat: "Why yes, my tooth IS real silver! Nobody ever asks me that. Do you like cats?"
4 year old me, suddenly paying attention: Finally, A Person Of Intellect
Strahd: [smug and bitchy] Until the game is over, you are forbidden to communicate. If I suspect you to have broken this rule, your lives are forfeit. 19-year-old blindfolded cleric: Hey Strahd. [holds up middle finger] What am I communicating?
I forget straight people have a really bad habit of using top/bottom to mean dom/sub until Iâm talking to someone who calls a women in a m/f relationship a âtopâ and they get mad at me because I think they meant sheâs pegging the guy. Apparently they mean sheâs just kinda mean and controlling in bed. This is like the 3rd time this year this has happened.
Being into m/f ships is hard because you will look up âTop [women] Bottom [man]â and all the posts will be incorrectly tagged dombottom women/subtop guy and if you ask people to correctly tag stuff you are the bad guy. I want to her fucking him in his hole!!
BWHAHAHHAHA

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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my high school english teacher would often critique our literature analysis work by pointing out: "you're treating these characters like they're real people. They're not. They're characters". And it took me a long time to understand what he meant by that. Because I always thought "isn't that the point? That writers want to write characters to be so three dimensional that they act and feel like real people?" but that's not it.
Characters are tools a writer uses in service of a story. Of course characters can be written with depth to the point they feel real to us, but they exist in service of their narrative. Something real people aren't beholden to at all. When discussing characters, I think it's easy to accidentally see these characters as "real people" and not extensions of the author's beliefs. Tools for a narrative. Means of storytelling.
Putting the term "Catholic guilt" on a high shelf where fandom can't reach it until everyone learns how to identify characters who are very very clearly coded as Protestant.
âoh no, my audience has begun to guess the big twists of my story and are accurately predicting what will happen!â
incorrect response: write the rest of the story to be as twisty, shocking and counter to expectations as possible, regardless of whether this is a logical or satisfying way for the plot to go
correct response:
can someone elaborate on the âmake hoaxâ and âpost angry tweet about âleakââ part. iâm stupid and donât understand things
sure!
(youâre not stupid. I posted this thinking it would amuse a handful of mutuals who all knew the context and that would be about it, so I didnât think about providing any other explanation. I had no idea it would spread this far.)
Iâll start from the very beginning just to be thorough. so this is Alex Hirsch, creator and head writer of Gravity Falls, a show which had a big focus on mystery, conspiracies, codes and ciphers, etc. the whole plot is kicked off by one of the main characters finding a mysterious old journal in the woods, which detailed all kinds of weird and supernatural things, but then ended abruptly with the author saying they had to hide the journal because they were being watched. the central driving mystery of the show, therefore, was the question of who wrote the journal and what happened to them.
now, the thing about Gravity Falls is that, while it must be said that the writers werenât always quite as sure of their plans as we tend to like to think they are, it is very much a fair play mystery, with legitimate clues to what was going on. but the writers were caught off guard by how quickly the show attracted a dedicated audience, including a lot of people outside the primary presumed demographic, who started solving the clues faster than expected. so some of the fans were able to correctly guess who the author was before it was revealed in the show, and the theory started spreading. this put the writers in something of a panic, because this was THE mystery that the whole story revolved around, with ž of the show building up to the dramatic reveal in the middle of season 2. they wanted it to be a mystery that could be figured out, sure, but they werenât prepared for people to solve it so far in advance of when it was planned to be revealed, which would have really taken away from the big moment. they werenât going to change the main story itself, but having been caught unaware by how much attention the fans were paying, they wanted to up the ante and make the mystery more complex to solve going forwardâbut first they needed to buy some time and throw the fandom off the scent for a little longer.
hence, Alexâs plan as described above. they whipped up a fake shot that appears to give away the identity of the author as being another character in the show, put it on a screen in the studio as if it was a real animation frame, took a picture of it, and âleakedâ it online. it was initially decided to be a hoax (albeit, I think, presumed to be a hoax originating from outside the production team), until Alex posted this tweet:
âŚbefore quickly deleting it (though not so quickly that it didnât get seen, of course).
it worked well enough to distract most people for a while, and wasnât revealed as a hoax until a year later, when an episode aired that definitively proved that the supposed screenshot could never have happened, at which point Alex owned up to the whole thing as seen in the tweet above. by then the episode with the real reveal wasnât far off, and while people did still work it out ahead of time, it was more of an âOH MY GOD I KNEW IT!â moment than a âbooooooring, weâve known that for agesâ moment, which of course was what the writers wanted all along.
personally I find this a fascinating approach to dealing with the problem of spoilers, because it doesnât affect the story itself at all; if you watch Gravity Falls todayâor if you were watching it when it aired without any significant contact with the fandomâyouâd never know about it. ultimately, the problem the writers were facing wasnât that some people might guess the answer to the mysteryâthey never wanted to make it completely impossible to predictâso much as it was that they hadnât designed the story to stand up to so many people working on the puzzle together, which resulted in a sort of total output of puzzle-solving ability that far outstripped the capability of any one solo human being. so their solution is something thatâs very much targeted toward delaying that group problem-solving, without actually affecting the experience of any individual person watching the show.
plus, itâs very in keeping with the overall tone of the show.
and now you know!
if your audience guesses the ending of your story
donât:
change the ending
do:
gaslight them
Its actually so crazy to me that it is still so stigmatized to have body hair as a woman like what the fuckkkkkk what the fuckkkkkk thats not even like a social convention associated with men thats just like a bodily function what the fuckkkkkk
A lot of criticism of delivery apps focuses on the fact that they offer convenience and variety, which I find much less compelling than criticizing the fact that the apps often send their contractors on fetch quests from Hell.
There are real labor problems here. Base pay is often insulting. Customer tips carry too much of the burden. Workers need better protections, more transparent algorithms, protection from arbitrary deactivation, and actual recourse when the app or a customer screws them over. Car-dependent delivery is also an environmental and infrastructural problem, though in a denser city Iâd still be doing this work; Iâd just be doing it by bike.
But when people talk about delivery work, I rarely see them talk to actual delivery workers. I see a lot of abstract arguments about convenience, consumer decadence, âhustle culture,â and internalized neoliberalism. Meanwhile, when Iâm out working and waiting in restaurants for orders, the other Dashers I meet are usually people who only speak Spanish, people who read as neurodivergent, visibly physically disabled people, or some combination of the above.
I have not met this mythical Disco Elysium poor ultraliberal hustlegrinder-wannabe people seem to be arguing with. Maybe that archetype exists somewhere. If it exists among any kind of gig worker, it would probably be rideshare drivers. But most of what I see looks less like ârise and grindâ and more like âthis is one of the few forms of work available to people who need flexibility, low barriers to entry, limited managerial surveillance, or a way to work around language barriers, disability, burnout, chronic illnesses and injuries with symptoms that come and go unpredictably, caregiving, rĂŠsumĂŠ gaps, or discrimination.â
That does not make the current system good. It means the current system is filling a real gap that a lot of supposedly better systems do not even acknowledge.
As a disabled person who is burnout-prone and demand-sensitive, contracting as a delivery driver has given me an unprecedented level of financial flexibility. I can work when I have capacity. I can stop when Iâm deteriorating. I can build my day around my actual body instead of being trapped under a manager who thinks âreliableâ means âable to perform the same way every day no matter what.â That matters. It does not cancel out the exploitation, but it is also not fake just because it is politically inconvenient.
And delivery itself is not some inherently decadent evil. Sometimes people live alone. Sometimes they are sick. Sometimes they are disabled, exhausted, overwhelmed, grieving, overloaded, or recovering from something else - perhaps the stress and fatigue induced by their own job. Sometimes they need medicine, groceries, or a meal that will actually unplug their sinuses instead of whatever generic community-care slop someone thinks they should be grateful for. Humans are allowed to need specificity. âFoodâ is not the same as âthe food I can actually eat right now.â
A serious labor critique would ask how to make delivery work safer, better-paid, less tip-dependent, less car-dependent, less algorithmically punitive, and less precarious. It would ask what kinds of flexible, accessible work should exist for people who cannot thrive in conventional employment. It would ask how cities could support bike delivery, worker cooperatives, public infrastructure, and real protections without simply replacing one bad system with a moral sermon about how nobody should ever want takeout.
But a lot of the discourse does not do that. It treats convenience itself as suspicious. It treats wanting flexible work as false consciousness. It treats the needs of disabled people, immigrants, and other people who can't fit into traditional employment structures as details to be swept aside in favor of a cleaner political image.
I guess the opinions of delivery workers only count when they are politically convenient.

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Just watched Adam Conover (of Adam Ruins Everything) make such a solid point that I think we should spread far and wide. Yes, having AI write your emails is lazy, sure, but people love being lazy. We need to really emphasize that sending AI emails (or using AI responses on social media, or publishing AI flyers, or or or) is rude.
It's rude. You're making someone take their time to read something you couldn't bother to write. You're telling them they were so unimportant you couldn't be bothered to actually take the time to say something yourself. And frankly, you're lying about it while you're at it.
It's rude.