i have no idea what i am doing

do not keep putting those two unfunny autistic faggots on my dash

The fastest way to accomplish The Project is to cease being afraid of The Project. The Project cannot maim you. The Project cannot kill you. The Project is more afraid of you than you are of it. It is okay if The Project turns out differently from how it was in your head, and it is okay if it has flaws. You are capable of engaging with The Project.

your email means nothing to me

supermarkets should have benches

everywhere should have benches

Introducing yourself to people is so embarrassing. Like hey this is my stupid fucking name, I enjoy exactly 3 things, and am clearly anxious. please don't immediately hate me

Does anyone know what to do

*this meeting could have been an email voice* this cgi could have been a puppet

The 27 closeups from different angles in the last 10 seconds of this fight scene could have been a single wide shot of both characters

“Do I contradict myself? Very well, then I contradict myself, I am large, I contain multitudes.” -Walt Whitman

This has 200k notes but none of you know the truth of the I Hate Rubber Boots Guy. This man lives in my city. He wears this outfit constantly. The Weird Toronto photo group has a ban on posting him because he’s always like this.  He has done this for years. Every so often he buys a taller pair of rubber boots.

#you can tell this is an old photo by the height of his boots

by japanese painter and illustrator kato yuzu

i need to gush about how incredibly seamless her compositing is in these. Compositing is incredibly hard and time consuming work on a crisp clean digital image. But compositing into what seems to be a scanned photograph that was shot on film? Insane work. The film grain + photo paper texture is matched perfectly as well as the varying softness from being slightly out of focus in different amounts in each image. Each film stock has its own specific tone too some are warmer, others are more purply, or green and they all handle contrast with light and shadow completely differently. There was so much to take into account doing this and i really dont know how she did it other than maybe finding those locations again and shooting with the same film stock on a day with similar lighting. I cannot stress enough that for professional photographers doing complex compositing is mostly relegated to having a fully locked down camera set up in studio under controlled repeatable lighting. Super impressive and a really fantastic photo series truly.

opening tumblr in march and it's just like "huh. knife weather we're having."