I remember correctly how this scene went, as I am correct about most things and incorrect about:
todays bird
almost home

Jar Jar Binks Fan Club

blake kathryn
d e v o n
h
cherry valley forever


Discoholic đŞŠ

bliss lane
2025 on Tumblr: Trends That Defined the Year
sheepfilms
The Stonewall Inn
Keni

#extradirty
Claire Keane
NASA
hello vonnie

seen from T1

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seen from United States
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@thepageofhopes
I remember correctly how this scene went, as I am correct about most things and incorrect about:

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toby's got a favorite color combo i think
Abolish ICE.
my overall opinion of the whole "i became a white nationalist because people called me racist for no reason" talking point is that while I do think spurious accusations of bigotry are a problem, if your immediate reaction to being called racist is to become an actual white nationalist then it sounds like they were right about you being racist. like I don't think that accusation was spurious.
something i adore about hadestown is that it still meant something, y'know what i mean? like okay, no orpheus's song did not convince hades to give up his empire. hades' love for persephone isn't enough to deconstruct the machine he's built and has convinced himself that he needs in order to protect what he has. but he let them go. he saw the love eurydice and orpheus had for one another and it convinced him to let them try. orpheus may have turned around but they still walked, they almost made it. doubt set it but they were right there. that's further than anyone else can say. nobody else had made it that far. who's to say someone else can't make it a few steps further? persephone is able to leave the underworld and go home again when she needs to. spring has come again, if we're lucky autumn just might too. will this change be permanent? we don't know. but it's something. it doesn't knock down the wall but it's one brick out of it. and that means something. it wasn't all for nothing. it's a crack in the wall. there's a reason we keep singing this old song.

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"the Hadestown proshot exceeds box office expectations" truly, who could have predicted fans going repeated times, to see the musical whose entire concept is about the musical repeating
a crude summary of one of my favorite musicals
Sheep girl who goes âfuwarin~â as she kills you in james bond esque fashionÂ
I keep seeing this picture and similar ones and it keeps giving me thoughts. Yeah I do agree with the message ! And these animals are hated by many peoole !! But let's be honest. These are still fairly conventionally cute. They're big eyed fluffy affectionate pretty intelligent mammals and birds. So today, I'm offering y'all my own version.
BE NICE TO ALL ANIMALS. INCLUDING THE ONES WHO DON'T LIKE BEING PET. INCLUDING THE ONES THAT AREN'T FLUFFY. INCLUDING THE ONES YOU FIND UGLY. Be nice to the weird ass critters too >:)
Tumblr made the gif so weirdly blurry and somehow improved it?? Wild times
Anyways Iâve seen the pro shot twice and Iâm still foaming at the mouth about it

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Ray Bradburyâs short story âThere Will Come Soft Rainsâ that was written in 1950 is set on the day of August 4th, 2026 (tomorrow)!! Nowâs your chance to read it around the time itâs based in!
Audio: A recording of Leonard Nimoy reading it on Internet Archive.
Text: A PDF version.
Graphic Novel: On Internet Archive.
I used to set this one for second year undergraduate creative writing seminars on writing science fiction on a double bill with Octavia E. Butler's "Bloodchild" and no-one here gets out alive.
!!!! Today is the only chance weâll ever have to listen to this absolute banger of apocalyptic fiction on the very day the story is set đ˛â¨
Nemoyâs voice is PERFECT in this!
(A content warning if you do listen - the dog dies, though itâs not super graphic)
I paused the robot vacuum so I could listen to this 1950âs story predicting the robot vacuum.
Two vtubers I have never heard of have simultaneously posted google docs calling each other out and both showed up on my feed at once so while I do not condone this one bit I am nevertheless scrolling through both side by side at once
I will not be putting these people on blast I will not be sharing who these people are!!
I love the Google Doc Callout because it's such a delightfully stupid modern day phenomenon borne not merely from inability to hash out interpersonal disputes in private but the cloying need to have an entire audience on one's side to validate one's feelings. Months and months of pent up anger and insecurity finally exploding in one cathartic, incoherent 200 page document where you have to simultaneously contextualize your friendship and defend your position because somehow this is easier than you and another person just sitting down and going "Hey. This made me uncomfortable, can we talk about it?" (And of course nowadays, disagreements are a numbers game. The correct party is whoever has the most people in support of them)
I also feel like this is a natural byproduct of what happens when you and your friendship gets publicized even within a small online sphere where interpersonal disputes aren't allowed to remain private, because everybody feels bafflingly entitled to knowing the details (specifically, who is The Bad Guy in the dispute, because there must be one). I understand that when you have a spotlight on you, no matter how small, there is a pressure to vomit out an explanation about why you are no longer talking to this person and why you're in the right for it. And when both of you have access to the same free Google Suite, obviously there's a need to rush and get your own document out asap because God forbid the other person pulls the trigger first.
It's sad! It's silly. This helps nobody. Nobody is combing through the evidence both sides provide and trying to meaningfully parse who the "correct" party is because your "audience" is not a jury, the evidence provided is skewed to start, and the only people really going through them are people who've already made up their minds or nosy bad-faith shitheads who treat it like overhearing a fight on the subway (me). (I do not pretend to be better than this, btw: I am fully aware I am part of the audience that has gathered to watch the public dissolution of a friendship that didn't need to be public. My one defense is I've no interest in sharing who these people are)
atla just so happened to write one of the most insane and complex brother sister relationships in all of television, and yet for some reason everyone focused on zuko and azula instead, even though they are basically just normal siblings, and as such not even that interesting ..
their dynamic is more fraught and tragic than you could ever comprehendâŚâŚ
thisâď¸ is just a typical sibling interaction
katara and sokka are what happens when you are your brotherâs mother and your brother also tries to be your father. you love them, you hate them, youâre half of them, you canât stand them, you look after them, they keep you safe.
azula and zuko are both just gifted kid burnouts with a dad that only loves the winner.
#yeah when they're not trying to kill each other azula and Zuko are p normal. #katara and sokka on the other hand spent the majority of their childhood trying to raise each other #and were also the ONLY kids in their age group that they ever interacted with. #they are so. they're so. #''i don't remember what my mom looks like I just picture katara'' WHEN HE HAS HIS MOTHER'S FACE. kills me. (@professorsparklepants)
All I've been doing has just been...
Marching down my path.
More than just âJealousyâ (although thatâs certainly part of it), I think one of the big through-lines of Chapter 5 is âYou Canât Make Someone Love Youâ. That relationships are complicated and mutual things dependent on personalities and history, and canât (or shouldnât) really be âforcedâ. Thatâs part of the reason for the constant Dating Sim references this Chapter, and itâs something thatâs been kinda brewing through the whole game so far. It connects to the recurring ideas of deconstructing video game tropes (notably here the gamification of interpersonal relationships) and your choices not mattering, and also Divorce. How Asgore constantly fails to make Toriel âfeel what she used to feelâ for him and probably making things worse through these constant attempts.
And to Ralseiâs original naĂŻve ideas of âhow to be a friendâ. Them thinking itâs a simple matter of always âbeing niceâ - paralleling âRelationship Mechanicsâ in games that are mostly about choosing the friendliest and most placating options, and that's really all you need to 'max out' your relationship with whoever.
Only for them to realize that itâs more complicated than this as they grow closer to Susie, someone who absolutely is not the person who chooses only the âniceâ options all the time, and realize that they love her for it. But also at the same time, their sweet and passive demeanor seems to have pretty much failed to endear them to Kris, despite their best efforts.
That relationship only progresses when Ralsei stops trying so hard to be LovableâŚ.
And then also Our Choices Donât Matter meaning that thereâs no Choice a Player can make that can meaningfully change Krisâs most important relationships. These relationships also donât depend on simply picking âpositiveâ options (because if one likes Kris, that also goes hand-in-hand with liking some amount emotionally detached teasing and pranks). AND the most important moments of relationship development happen of Krisâs own volition, and they will rebel against words that are either too cruel or too sappy to their own taste. Which in previous Chapters was mostly a positive, hopeful thing. No matter our influence, Krisâs friends will always be Krisâs friends first and foremost. We donât have enough power to ruin their most important relationships or to make their friends love them for something that theyâre not.
But in this Chapter, thereâs a new melancholy wrinkle added to it. Through the whole Festival Sequence, youâre presented with a bunch of choices that under standard âGame Logicâ might be expected to influence the relationships between Kris, Susie and Noelle - but in true Deltarune fashion, regardless of your choices, Susie and Noelle always start their romance at the end of it. But while this could be a heartwarming story about Cute Teenaged Lesbian Love triumphing over a manipulative Amoral Time God⌠the whole situation also makes it very clear that even if Kris was able to make choices freely, thereâs nothing they could choose that would make Susie love them either. No matter how close they and Susie get, she just doesnât seem to be attracted to them that way.
You can also add to it the way the Flowery Final Boss plays on the âPower of Friendshipâ bit thatâs generally expected at the end of a Pacifist RunâŚ
Where Flowery has his own Recruits that instead seem to team-up with Flowery and against you, regardless of your choices. Because the cute little ACTs you did to Recruit them were nice and all, but were they really enough to make them truly love you more than they already loved Flowery and the other Flowers? More then they loved their Dark World?
And then thereâs Floweryâs whole thing. Like in many other aspects of their characters, he and Ralsei are two sides of the same coin. If Pre-Character-Development Ralsei is like someone who tries to please and befriend everyone in an RPG, Flowery is someone trying to powergame his way through a dating sim. His (and the other Flowers) constant showering of Asgore with admiration, gifts and ideal hang-outs/dates that are all just perfect for him are partly just trying to repay Asgore for the kindness heâs given them and making him happy⌠and also to try and make Asgore choose Flower Kingdom and his Flower Family over Hometown and his Light World Family.
As much as Flowery teases Ralsei over their jealousy of him, his behavior often reveals that heâs jealous of Kris, for being part of that family that has, from his perspective, have given Asgore nothing but grief, and yet he still seems to love more than the Flowers. Kris is a living demonstration of how his gifts and dedication to Asgore is secretly just as âuselessâ as his fake made-up overpowered stats. Flowery is also well aware that Kris is the one that opened the Fountain in the first place, and that they seem to have some sort of hidden agenda thatâs not beneficial to their dad, and Flowery still feels like Asgore will always choose them over him.
And, well, the resolution to the Flower Kingdom arc is a mixture of that (especially considering how much he was motivated into exploring the Dark Worlds out of a belief that it will magically make his family life âgo back to normalââŚ. Literally pushing the Flowers away for the sake of that goal...)
But also, itâs kind of a matter that Asgore does absolutely love the Flowers, just not in the way they wanted to. The Flowers wanted Asgore to love being around them so much, heâd choose their fantasy even if it means their deaths, but Asgore loved the Flowers so much that he wanted them to live.
And in way, thatâs also kind of a mirror to Krisâ situation with Susie. She definitely loves Kris, they just feel like sheâd never love them the way theyâd want her to.
And then, the way Pink interacts with the whole Dating Sim Pastiches adds in some wrinkles of important nuance. Sheâs the one notable occasion (well, outside of the other even bigger exception weâd get to in a moment) where the Gamification of Relationships is actually useful, both for the Player to progress and beat the Fight and for Pinkâs Body and Ghost to solve their relationship issues. In a way, itâs kinda like saying âWell, of course, just because you canât make anyone love you, that doesnât mean Choices donât matter at all in relationships, obviously. Making Choices of consideration and healthy communication is important.â
And even then, part of the resolution is Pinkâs Ghost accepting her Bodyâs needs even if it means she wonât necessarily have her all for herself. She thereâs still thereâs this undercurrent of accepting that you canât make people love you the way you want them too.
But, of course, the biggest and obvious exception of the concept of âYou canât make someone love youâ is, well, the same as what seems to be the biggest exception to the concept of âYour choices donât matterâ, and thatâs the Weird Route, of course.
The Weird Route is the one exception to the idea that we and our choices canât have a meaningful affect on Krisâ relationships, and it very intentionally uses a lot of the Tropes and language of, like, going on a Romance Route with a character in a Video Game, complete with a supposed âclimaxâ when said NPC decides to invite you to the big romantic Festival, and it also uses every storytelling tool in its disposal to showcase how itâs utterly creepy and manipulative and wrong.
Itâs adding to the point of âyou canât make people love youâ with âalso, even if you can make people love you, you probably fucking shouldnâtâ.
But I suppose, in many ways it is still a case of one not being able to control how people love themâŚ
Interesting analysis! There's a part I think you glossed over, though, and that's Susie's own feelings about having to make someone love you. She frames love as something you feel when someone else already loves you, and has several sequences in the Dark World where she does things, sometimes ones she really doesn't like, because she thinks that will make Noelle like her more. It's sad that she can't break out of this transactional mindset when she has other people who love her no matter what.

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Drug arrives years after pandemicâs peak, but could still offer protection to vulnerable populations.
An antiviral pill has, for the first time, been shown to prevent COVID-19 in people exposed to the SARS-CoV-2 virus at home, according to trial results published today in the New England Journal of Medicine1. The drug could be a lifeline for those who still face real danger from the virus, such as care-home residents or transplant recipients on immune-suppressing medication.
There are good things happening in the world.
You can read about it here without a paywall.
Households exposed to COVID-19 now have an oral drug specifically cleared to prevent infection after contact with a sick person. The FDA listed Xocova, the brand name for ensitrelvir, as a 2026 novel drug approval for post-exposure prophylaxis of COVID-19 following contact with an infected individual. The decision fills a gap that has persisted since the pandemicâs early years: until now, no oral antiviral carried an FDA-approved indication for prevention rather than treatment.