Fritz Lang, woodcut prints of cornflowers and red carnations, circa 1910s-1923.
RMH
he wasn't even looking at me and he found me
Claire Keane
2025 on Tumblr: Trends That Defined the Year

blake kathryn
Monterey Bay Aquarium

if i look back, i am lost
Keni
ojovivo

Kiana Khansmith
hello vonnie
Cosimo Galluzzi
DEAR READER


TVSTRANGERTHINGS
Jules of Nature
Sade Olutola
almost home
seen from United States
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seen from United States
seen from Italy
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seen from Yemen
seen from Puerto Rico
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seen from Azerbaijan

seen from United States
seen from Germany

seen from United States
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@kryptonitecore
Fritz Lang, woodcut prints of cornflowers and red carnations, circa 1910s-1923.

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150 meter aluminum sea serpent skeleton sculpture in Nantes, France. Artist Huang Yong Ping
Not only is this is extremely cool, but it also looks cool when viewed from Google Earth.
Just nibbling this beach, no big deal.
πππππππ // swallowtail shiners // gouache on hot press paper
these hips don't lie but the truths they tell are strange and disquieting
Three Barn Owls at a quatrefoil church window. Photographer: Richard Brooks. Date: July 2009. Shot at a local church in North Norfolk, England.

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Inviting more discussion on Stardrive because she is an unfathomably interesting character and I need more people talking about what her experience just. living must be like. IDW in itself is already a story that talks so much about how Earth and humans affected the Cybertroniansβ perception of living and life, with many standout cases of TFs describing how the process of getting to know organics/humans was the most important and memorable part of their lives (Stakeout, Thundercracker, Jazz, the list goes on) despite having lived millions of years already. A part of this I think can be chalked up to how differently humans live and value their lives, short as they must be to a Transformer, and that sort of love for life affecting how they live each day invigorating beings otherwise desensitized to loss and death.
But when you think about it from Stardrive's position, who was raised by organics and lived her developmental years completely surrounded by this sort of mindset it brings up this really interesting question of. how the fuck does she transition out of that mindset with the reintegration into Cybertronian society? I mean, she would've probably internalized an organic sense of urgency when it comes to living, but this is more or less a foreign concept to Cybertronians (generally speaking), as the core goal of living under technical immortality is more to endure, and morality is a lot more abstract, tied to ideology, faction, or survival. Would her reaction to loss be surprising to Cybertronians around her? Would there be such a thing as an unsettling amount of empathy, socially? Would people who befriend her find a difference in their friendship compared to other Cybertronians in the way human-Transformer friendships feel different? class discussion
Vietnam, 1936. Huong Ky
BRIDE OF FRANKENSTEIN (1935) dir. James Whale
Elsa Lanchester as Mary Shelley & The Bride of Frankenstein
drew this coming up on 6mo ago! still waiting for season 2
Map of the Universe as described in Milton's Paradise Lost, 1915.

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Pinturicchio - Green Dragon. 1490
Snake Bridge on Macclesfield Canal. location: Astbury Congleton, England
Ok Iβm going to be normal about this but this is one of my favorite (non-train) infrastructure things so these bridges are designed for barge drawing horses and the spirals are because the horses have ropes tied to the barges and the spirals stop the ropes from tangling.
Theyβre very pretty and also a cool topological solution to a weird problem
recollections
problematic plot relevance gap
Anthony Theakston
Bastion, 2007, Ceramic

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Blackberries
Ingrid Smuling 2018.
Antanas Sutkus, Marathon in University Street, Vilnius 1959