rolling my third eye
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hello vonnie
2025 on Tumblr: Trends That Defined the Year

Love Begins
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I'd rather be in outer space 🛸

blake kathryn
let's talk about Bridgerton tea, my ask is open
he wasn't even looking at me and he found me
Game of Thrones Daily

titsay
Keni
PUT YOUR BEARD IN MY MOUTH

oozey mess

"I'm Dorothy Gale from Kansas"
Monterey Bay Aquarium

Discoholic 🪩
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@voluptuarian
rolling my third eye

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I think I officially have reached the point where I need to get permanent access to the ocean or at least a large body of water or I will die. It's been over 20 years now of being marooned inland, I need to be taken to the seaside for my health ASAP. I cannot keep doing this landlocked bullshit, I am Actively withering.
Gotta assume at this point that every time David Oakes hears about a project he'll just go "is anybody else going to audition for the part of 'somebody's fuck ass brother'" and not wait for an answer
how are we getting major key hey oh-woah-oh clap clap music again in the year of our lord 2026. Have we not suffered enough
“get a job” nope im splashing in da pool
via
meet me under the pier we are going beast mode

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I <3 watching pervert mutuals post highly niche kink on their blog it's like watching them go down a waterslide while they're giggling with exhiliration and you're cheering from the side watching the water rush them away like woooo yaaaay go pervert mutual
I hope i am Pervert Mutual to some of u
I like this dress because it looks like something Ms. Frizzle would wear to the BDSM club
My friends and I were brainstorming PBS themed scene names. I would be Ms. Sizzle and they would be Bill Tye the Shibari Guy and Master Rogers.
victorian sterling silver seal peppers
like. i'll leave this alone. but HOW are historical romance books not sexualizing the fall of breeches. literally a blowjob flap. not to mention the collars that open to the diaphragm. the décolletage with a wide neckline one swift tug from being revealed. the calves on display. the intimacy of finally seeing the real hair beneath the wig. cmon it's basic storytelling
i love making a post that attracts everyone with usernames like mozartswigsweat and bonnetenthusiast and foppishrake and petticoatsonpetticoatsonpetticoats and dandyismunlimited within 48 hours. blessed webbed site. merry christmas to us all.
guys, if i do kill myself and never published any books or anything please copy all my best tumblr posts and arrange them into a deeply moving stream of consciousness narrative and submit it to the new yorker on my behalf. i feel like i can count on you. don't let my life and posting have been in vain

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Once I find my sealskin again it's over for you hoes
do nuns have pockets
question answered thanks #MediaNun
The reindeer skin vestments and mammoth bone mitre of Metropolitan Nestor Anisimov of Kamchatka, Russia.
These vestments were made of northern reindeer fur. Take a close look at the pectoral cross and notice how the the cross and the chains are also of reindeerskin.
Watching Le Samourai and randomly fixating on the accidental little vignette of kettle and cooking pots in the apartment scenes
idk why it's so compelling to me but just 🤌 I want to paint it.
I've been thinking lately about two of the most singular primary source documents I've run across in my many years of reading about history.
The first is "Yellow Bird", a poem from Qin China dated around 621 BC, preserved in the Book of Odes. Written by members of the Ziju clan after the death of Qin ruler Lord Mu, it's theme is the deaths of 177 retainers and slaves who were sacrificed to accompany him, and specifically mourning for three of these victims, notable court ministers and Ziju clan members. Each stanza memorializes one of these men, and ends with
"Heaven, you annihilate our best men. If this one could be ransomed, for his life, a hundred."
It's rare enough to get a primary source detailing retainer sacrifice like this, let alone one which refers to individual victims, written by their own surviving clan members. And it's extra fascinating to get a look into views on human sacrifice from the time it was happening, and be able to see that although retainer sacrifice as a custom isn't condemned, it's already understood as a potential form of conspicuous consumption, and the death of the three Ziju ministers seen as an unjustifiable waste of irreplaceable resources and a loss to the clan and the nation.
Here's a translation of the poem and brief rundown of its historical and cultural significance.
The second is the last letter of Johannes Junius, a burgomaster and victim of the witch hunting craze in Bamberg, Germany. It was written in 1628 from prison, and smuggled out to Junius' daughter Veronica before he died. It details his arrest, torture, and coerced confession, and maintains his innocence, as well as the innocence of the people who accused him and those he, in turn, accused.
I have been writing this letter for many days. My hands are badly lamed, I have in fact been very badly injured... Now dear child, here you have all my confession and my trial, for which I must die. And they are sheer lies and inventions, so help me God. For I was forced to say all this through fear of the torture that was threatened beyond what I had already endured. For they never leave off with the torture till one confesses something; no matter how pious he really is, he must be a witch. Nobody escapes, even if he is a count. And if God does not provide the means to bring things back into the clear light of day, all our kin will be burnt. For each must first confess out loud things he does not know to be the truth about other people, just as I had to do. Now God in Heaven knows that I cannot do and do not know the slightest thing [about the activities with which he was charged]. Therefore I die innocent and as a martyr. Child, I know you are as pious as I am, such that you already have much pain and if I were to counsel you, you should take as much money and letters as you have and go on a pilgrimage for around half a year, or if you can get out of the diocese for a time, I suggest you do so until it becomes clear what turn things will take. Many honourable men and women in Bamberg go to church and do their other business, have no knowledge of evil, have a good conscience, just as I have had until now, as you know… and nonetheless are taken to the witch's house.
The witch mania in Germany was particularly virulent, in great part due to the political and religious structures in place, which allowed many different courts and authorities to handle local cases rather than submitting them to one higher court. Combined with the need for the accused to name accomplices, this resulted in massive amounts of arrests and executions, and victims who were increasingly highly placed and unbelievable as witches. (The unrealistic numbers and characters accused eventually helped end the craze, as no one could still believe entire communities and their most pious neighbors were truly in league with the devil.) Junius, a burgomaster and respected citizen, was one of these. Having a voluntary first hand account from a condemned witch is unique enough, let alone from a male victim— one that plainly asserts the victim's innocence, reveals the reality of inevitable forced confession, and the hopelessness of an environment where everyone can be accused and upon accusation is certain to be condemned is exceptionally so. Furthermore, the personal detail in this letter, a parting word from a father to his child, is truly pathetic, and a counterpoint of real humanity in a subject almost entirely dominated by cold, manufactured court documentation.
Here's a translation of the full letter, and discussion of its context, excerpted from Male Witches in Early Modern Europe.

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Oh, they have robbed me of the hope my spirit held so dear; They will not let me hear that voice my soul delights to hear. They will not let me see that face I so delight to see; And they have taken all thy smiles, And all thy love from me. Well, let them seize on all they can; One treasure still is mine, A heart that loves to think on thee And feels the worth of thine.
I could think of him day and night; and I could feel that he was worthy to be thought of. Nobody knew him as I did; nobody could appreciate him as I did; nobody could love him as I–could. ― Agnes Grey, by Anne Brontë.
At this point in the novel Agnes is distraught because Weston is about to leave the parish, and she fears she will never see him again; this compares with the fact that Weightman had left and Anne would never see him on this earth again. Agnes then reveals one of her poems, one of her ‘pillars of witness’ as she refers to them, which is in fact Anne’s poem ‘Oh They Have Robbed Me of the Hope’. The lines that Agnes ends this poem with, within the novel, and her commentary on them are very revealing of Anne’s thoughts in the days, months and years following Weightman’s death.
― In Search of Anne Brontë, by Nick Holland.
EMILY (2022) dir. FRANCES O'CONNOR
reading in cinema through the times
l'inhumaine (1924) napoleon (1927) 42nd street (1933) young mr. lincoln (1939) suspicion (1941) the curse of the allenbys (1946) sunset blvd (1950) north by northwest (1959) eva (1962) tokyo drifter (1966) black girl (1966) le samourai (1967) heartbeat (1969) your vice is a locked room and only i have the key (1972) cries & whispers (1973) house (1977) stalker (1979) time bandits (1981) tempest (1983) the discarnates (1988) dead poet's society (1989) mermaids (1991) to sleep with anger (1990) before sunrise (1995) the dreamers (2004) love exposure (2009) frances ha (2013) under the silver lake (2018) bones and all (2022) the ugly stepsister (2025)