Was driving with my grandmother and in broken English she says âno eyes⌠no nose⌠no face. Donât trust.â To which I looked around wildly in search of this omen of ill portend.
Cybertruck. It was a cybertruck.

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@justaquickquestion
Was driving with my grandmother and in broken English she says âno eyes⌠no nose⌠no face. Donât trust.â To which I looked around wildly in search of this omen of ill portend.
Cybertruck. It was a cybertruck.

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according to An Immense World, apparently giant squid eyes are, like, UNREASONABLY large, even for something their size living at those depths. the next largest eyes on earth, blue whale eyes, are less than half the size, and swordfish, who live at similar depths as giant squid and have the largest eyes of any fish, have eyes that could fit inside a giant squid's pupil.
eyes hit serious diminishing returns wrt resource costs vs vision quality as they get bigger, so the question became: what the FUCK do giant (and colossal) squid need to see so badly that they couldn't see with swordfish-sized eyes that's justifying that massive energy cost? that nothing else in the deep ocean needs to see so fucking badly??
turns out the one strength eyes that big really have over much smaller eyes is: seeing large glowing objects in water deeper than 500 meters from an appreciable distance.
sperm whales are the primary predator of giant squid. sperm whales don't glow. BUT! water that deep is full of bioluminescent creatures-- these creatures light up when bumped into. something a sperm whale's size is continuously bumping into those critters, it's just surrounded by a glowing field all the time when it's swimming at those depths, visible from a distance-- if you have the right eyes-- as a massive glowing shape. so basically the only reason to have eyes the size of soccer balls is if you live in the deep ocean and your life depends on having a heads up when a hungry sperm whale lurking around
and also I gotta say, the imagery... the huge lurking threat betrayed only by the ambiguous glowing shape of its movements through the water, is really evocative, if spooky deep-sea games aren't already using that to make things extremely ominous then they should really start
@ perfectunion
Drivers in Massachusetts for ride-hailing apps such as Uber and Lyft have become the first in the nation to certify a union.
May 27th, 2026
excerpts from erin in the morning's article on the ioc's ban on transgender women and sex testing policy
i skink therefore i scram...!

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Dame Archer kicks McDougalâs Scots ass there in the rain at the Washington Midsummer Renaissance Faire - August 11, 2018 - Photo by Douglas Herring
Oh NO.
me, a sheltered noblewoman: Pray who is that brave knight? Dame Archer:*turns around* me: gasp! *instantly in love*
Alicia Archer
my bi heartâŚâŚâŚ
IâVE NEVER SEEN THE ADDED PICS
*dies*
Oh shit.
GAY KNIGHTS
Fellas Iâm real gay
@0hheytherebigbadwolf HELP!!
Every June this inevitably winds up back on my dash. And I appreciate that. And I will reblog it. Every time.
Frithjof Smith-Hald (Norwegian 1846-1903), The Plein Air Painters, 1872, Oil on canvas
Thirty-year-old Tamara Rees shows us what trans empowerment looked like in 1954. She fought Nazis, taught parachuting, and traveled the world... but her biggest challenge came when the press learned of her identity.
1950s news coverage of Tamera Rees' transition shows a time before the trans moral panic. Most stories regarded her as brave or heroic for her openness. National newspapers even celebrated her wedding in 1955.
The New York Daily News, which now hosts daily anti-trans editorials, ran a shockingly respectful series on trans people in the 1950s. Tamara Rees's narrative was among the longest and most detailed. She thoughtfully implored the public to respect not only her identity, but also other trans people like her.
Tamara wasn't the first famous trans woman of the 1950s, nor was she the best known. However, she had a unique opportunity to share her own story. You can read Tamara's 1955 autobiography, Reborn: A Factual Life Story of a Transition from Male to Female, at transreads.org/rebornÂ
1928 c. Uranium glass. From Art Deco and Art Nouveau, FB.
Truth oozing out of her bath to irradiate mankind
Okay, I'm exhausted, but mercifully, this whole thing is installed. The Atrium at Uccello's, Grand Rapids, MI, September 13-28. I'll be back for finishing touches and final pictures later this week!
https://www.artprize.org/entries#59851

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In 2026, the chicest thing a gay actor can do is never explicitly come out as gay but also make it abundantly clear that he is. Coming out is too modern. Staying closeted is too old fashioned. But this method merges contemporary freedom with Old Hollywood glamour and allure, and it weeds out the dumbest people who truly donât get it. I call it the Pascal Method.
Taylor Swift does this
no she doesnât
You clearly don't go here or to queer history and signaling, or both, enough to have this conversation and I'm not going to explain it to you. You could have asked questions, you could have done even a modicum of research. You didn't and you made yourself look ignorant. Goodbye.
Every time I remake the same post about how the people typically portrayed as being "poor" in pop histories of the georgian and regency periods are really just lower level gentry and it's insulting to the lower classes of the era and also just not true to describe them as relatively "badly off" I get ninety billion people saying that actually wealthy white english women in 1810 did have it bad as though it's a trump card, so I would just like to ask everyone to join me in a group exercise where we all put our heads together and see if we can think of a group of people to which "poor" and "woman" could possibly both apply
It was often miserable to be poor in early nineteenth century britain and ireland: true â
It was often miserable to be a woman in early nineteenth century britain and ireland: true â
It was often miserable to be a poor woman in early nineteenth century britain and ireland: thankfully this one is not true as women only existed in the upper classes and therefore the heights of oppression for women were such horrors as "arranged marriage" or "only had one servant" and not "arm torn off in a factory machine; no recourse of any kind as women aren't actually legally allowed to be working at that factory and early workers rights movements were male exclusive" or "indefinitely imprisoned in a lock hospital by the government as a prostitute, the evidence being that she was living on the streets because she couldn't afford rent." learned this one today from my tumblr notes
i love writing out numbers and then putting them in parentheses like "one (1)" even when i dont need to i think its funny
"one..."
(âď¸)
"singular sensation, every little step she takes..."
Meagan Morris and Autumn Hill have been sent back to FMC Fort Worth to await sentencing. If you want to write them letters, you'll have to use their deadname in the addresses, but please use their actual names in the letters! The addresses are below:
For Meagan:
Bradford Morris 11136-512
FMC Fort Worth FEDERAL MEDICAL CENTER
P.O. BOX 15330
FORT WORTH, TX 76119
for Autumn Hill:
Cameron Arnold 11138-512
FMC Fort Worth FEDERAL MEDICAL CENTER
P.O. BOX 15330
FORT WORTH, TX 76119
If you provide them with contact information, you can get emails to and from them with Corrlinks. They need your legal name, physical address, phone number, and email address for Corrlinks, and if you ask to get in touch with them that way you'll receive an email from Corrlinks with their contact request and instructions on setting up a Corrlinks account. Corrlinks is free for the people on the outside, so if you want to contact them without paying for postage that's an option.
however, Meagan and Autumn do need to pay for a bunch of things - access to Corrlinks emails, food and toiletries from the commissary, mailing labels and stamps for mailing letters. If you want to send them commissary, the Bureau of Prisons website has the instructions on how to send commissary money. You'll need to use their deadname and register number to send money to their account:
For Meagan Morris:
Bradford Morris, register/account number 11136512
For Autumn Hill:
Cameron Arnold, register/account number 11138512
If you have any questions about all this, feel free to message me or send me an ask on Tumblr, I'm willing to pass along messages and help you troubleshoot things if necessary. As always, thanks to everyone who supports Meagan and Autumn and all the Prairieland defendants! To support all of them as they appeal their convictions and prepare for the future, you can donate to their legal fund here:
Please visit our website at https://prairielanddefendants.com/ for more updates, articles, and letter writing information.EspaĂąol abajo Supp
Source

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'Are we back in the 1930s?' asks Israeli consul general, sharing message sent by Hotel zum Hirschen in Lam, Bavaria; booking site removes ho
Happy Pride