why are we here

OKAY so! First of all, I'm sure this is obvious. You're clearly someone who is very skilled, but the way that these panels all flow to each other directionally is really impressive. I'm a huge fan of how Kane's expression in the first panel really leads into Kinger's motion in the second one. Also, the way you get so much of Kane's emotions just by adding that little bit of shading is so fucking cool! His initial expression in panel one is exactly what I was picturing, his hand pressed to his chest and all. And then Kinger's reaction is also exactly how I was expecting this to go. Insert standard ramble about how fucking good you are at giving expressions to characters that have completely inhuman faces. Caine's lil face when Kinger finally snaps is so fucking cute. You really captured that feeling of like, "oh no, dad's finally mad at me" which is what I was going for.

I really like the directional flow from, "You are the one who keeps forcing my hand," into the baiting line. Like, you get so much of Kinger being pissed just from how you draw the curve that's like in his neck and how that connects with his little anguity eyebrow. And then the hand motion on "you've been trying to bait me"? Ah, perfect!

I love the little pullout showing Caine tucked into his little race car bed and Kinger gesturing to the rest of the room. Love how Caine looks genuinely scared and surprised.

And then the way that Kinger's poses all flow together on that panel, just, oh my god, I'm losing my mind about it. Look, I just, I am obsessed with this shot of when Kinger puts his hands together and looks actually angry. It's so good.

I love how you draw the little glitches Caine is going through. Like, it has the same energy as when Ghibli hair poofs up because the characters are experiencing an intense emotion, and it works so well. You really sold the bit of him going from genuine surprise to choosing to finally take up the fight he decided to pick.

Poor guy, when he doubles over at the end of his rant. And I like how even though we're looking at Kinger from behind, I do get the impression that he's concerned by this in his body language? It's just very neat.

God, the panel of Kinger looking down at Caine and asking if he's hurt, and you can tell he is just so fucking done with this situation. And in response, Caine's reaction—oh my God, that face drives me absolutely wild. And the way you actually did show his fingers digging into his arms and clipping, like I'd written down. aaaaaaaaaa I love it so much!

The way that you emphasize, Kinger taking that breath before really getting into the fucking lecture is just real good.

I am in love with Caine's little like flinch when he tries to make the excuse of this being Kinger's code's fault and not his. The little like quirk of his upper jaw "eyebrows" and the way that little bit of shading in the interior part of the lower jaw really emphasizes this expression. Just love that.

And it's great because then after Kinger really gets into it, you can see how his words are pretty much immediately wrecking Caine's defenses here. The way Caine immediately goes from like angry and defensive to more sad kicked puppy. HOOOOOOO the panel where Kinger mentions the mind files and you include that beat of him catching on the thought and having to take a moment before he says the next part does such a good job of emphasizing the thing.

AAAAA which does indeed result in the next panel of Caine really genuinely looking like a kicked puppy. And I like that you included the little glitches to help emphasize that this is causing a lot of emotion for him, because, you know, it is! GOD the last panel thank you so muuuuch. This hits the exact gravity of the phrase I was going for, and the shading does so fucking much. And the way having the shot be from a little below Kinger really emphasizes how heavy it is. And then the way it contrasts with Caine looking down and how he shrinks. The perspective is really good. The perspective is doing a lot of work here, and I'm a big fan.