skeb
2025 on Tumblr: Trends That Defined the Year
"I'm Dorothy Gale from Kansas"
Claire Keane
noise dept.
$LAYYYTER

titsay

★
Mike Driver
Alisa U Zemlji Chuda

Kiana Khansmith
Peter Solarz

shark vs the universe
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Today's Document

❣ Chile in a Photography ❣

@theartofmadeline
todays bird

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@judiciousimprecation
skeb

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I bet octopuses think bones are horrific. I bet all their cosmic horror stories involve rigid-limbs and hinged joints.
To an octopus, a human is like a thinking being with blood-stained coral growing inside it.
I need to sit down and breathe into a bag for a while.
Its parts were obscenely limited in their movement. Each hinge could open or close only a small amount before reaching its limit, yet by working in concert they demonstrated unexpected dexterity, moving and manipulating the objects before it with cunning equal to my own. It was more torso than limb, as though a seal had been stretched and warped, given long grasping tentacles filled with bones like bars of coral. It’s head was most horrid of all, flat and ovoid, jutting out too small from the trunk as though it belonged to a beast half its size.
The thing rose upon its lowermost appendages, two long trunks that ended in flat, protruding flippers that branched into stubby, grasping mockeries of a sucker. It’s triple-hinged uppermost limbs were similar, but the ends branched into five smaller tentacles, each with three hinges of their own.
I froze, as the thing’s gaze fell upon me and it opened its hideous fish-jaw, filled with thick, many-shaped teeth like white shards of stone, and spoke in a shrill, discordant babble. I felt its horrid dry grip on my flesh, as those hinged appendages closed on me like the legs of a crab.
I felt the heat of its body, tasted its noxious, oily flesh through my touch, and prepared for the end, and all went black as a swoon overtook me.
I awoke, some time later, the cold and comforting water, banished back to the comfort of the sea and the dark. I should be grateful I am alive. I should cast aside the experience like a half-remembered dream.
I shall never again go swimming in search of lights above. The last thing I recall before the darkness took me was my right eye popping free of the thing’s grasp enough to see into the distance for one brief moment.
I saw thousands of lights.
ok so it turns out “horror but it’s about something mundane from the perspective of a non-human animal” fucks severely
I try not to fall into the "I never liked their work anyway" ditch when an artist/creator reveals themself to be a terrible person
BUT
a feeling I do have and will stand by is "While I enjoyed their work overall I did have some gripes that I overlooked out of affection and whimsy, but now that my loyalty is gone and my affection tainted there is nothing holding me back from enumerating my many grievances, to which the revelations of the creator's shittiness may or may not provide a new and infuriating context."
I always say that the thing which sets Sargent apart as a portrait artist is that he draws/paints literally every subject - no matter their gender, social position, life vs representational drawing etc - like he is right that minute realising he's desperately in love with them. And it rules every single time.
Examples pulled just from his Wikipedia page most popular works. Absolutely devastating scenes for bisexuals for over a century
Actually Dumb Question:
How viable would it be to impose an entitlements tax on (certain forms of) non-cash compensation? Y'know - if you give your employee 5 shares of stock, you have to give 1 share to the Social Security Administration.
Obviously relevant to the same conversations that generate discussion of raising the taxable Social Security wage cap.
I'm confused because stock grants are already taxed? Like when I get 100 shares of XYZ in my quarterly vest, the value of those shares at vest is reported as income on my W-2. And if I'm lucky, my employer automatically sold and remitted ~25 of those shares during the vest to cover my tax obligation.

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tech companies appear to be labouring under the delusion that users who click on the wrong program by accident because the button's placement has changed will naturally find themselves using and enjoying whatever feature they moved into the previous location of that program's button
i suspect the number of people in the world who go "ah, what the hell. i've accidentally opened the window for this new feature. i suppose i might as well stop what i'm doing to try this out rather than just figure out where they've hidden the old button and go do the thing i was already doing" is roughly n=2 and that those 2 people are the CEOs of microsoft and google respectively
Perspective from someone who as worked at a big tech company (you've heard of them) that does shit like this:
This isn't so much deliberate, as there's no incentive to notice that you (the button developer) have done it.
Accidental taps on the new button still read as "engagement", make number go up, and no one wants to be the one to rain on the parade. Unless you've built a really strong culture around statistical rigor ("what's a learning effect?") and un-shipping changes (even though the PMs really really want to ship things or they stop existing), it's just so much easier to invent fake wins and keep shipping garbage to justify your continued employment.
"Actually make software people like" is soooooo much harder than "ship garbage that moves the numbers long enough to look like we did something"
what op said
Slimey wifey
wanted to draw a shlime…
Peeling off the broken breastplate of a stoic knight who only fights and never speaks, just to realize there’s nothing in there. Not metaphorically—the armor is literally empty. It doesn’t appear to affect him. If the armor stays mostly in the shape of a knight, he just gets back up to keep fighting. But with the chest plate off he just sits there, equally impervious to curiosity as I reach up into the cavity where his body might’ve gone. Stubbornly, no answers are found anywhere in there.
So I forge him a new breastplate and on the inside, because I know he has plenty of room, I put a little pocket. Not big enough to hold anything functional of course. Just a little extra piece to see what he’ll do with it.
At Toba aquarium in Japan, after closing time, some clever little otter pups help their grandpa tidy up their toys. As a reward, he gives them ice cubes

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yeah i like to give my blessing to the most pathetic looking weak little knight at the tournament. she can’t even look me in the eye when i give her my flower and she stutters out that she’ll do her best or something of the like. i think its funny when she has to cry and beg my forgiveness and i get to say “such a shame, i suppose my hand in marriage will have to go to someone else…” and then i get to hear her whimper like a dog. ive done this like 6 times alrea-
did she just win.
I shall prepare a stew for the wedding! Extra salt!
wait wait wait stew goblin wait
get ready for the wedding
one year into the marriage
When I die I don't give a fuck who knows what my porn preferences were, clear my calculator history before ANYTHING else
Trying to calculate a 20% tip on a $50 bill and my partner looks at me with all the love and sadness they would heap upon an injured bunny
Wait, so...Why DID 4E underperform? Or is that outside your expertise here? (No shame if so, you're a game designer, not a market analyst. You can tell by the having a soul).
(With reference to this post here.)
There were a couple of major factors in play there.
First, a big chunk of Dungeons & Dragons 3rd Edition's popularity had come about due to robust third-party support, published under the auspices of Open Game License (OGL). Dungeons & Dragons 4th Edition, however, was not licensed under the OGL, being subject to a much more restrictive license imaginatively titled the Game System License, or GSL. Hasbro reportedly refused to negotiate with existing third-party publishers to get them on board with the GSL, or to offer transition support of any kind; instead, they simply demanded an immediate halt to the publication of all 3E material, and attempted to bludgeon publishers into compliance by threatening to yank their trademark authorisations (i.e., the agreements which allowed them to put the "D&D compatible" logo on the covers of their books).
Predictably, this approach was not well received. The largest of 3E's third-party supporters, Paizo Publishing (now Paizo Inc.), elected to produce their own game which was statblock-compatible with 3E in order to provide a venue for other publishers to continue producing OGL material; many of their peers decided to gamble on Paizo's plan rather than play ball with Hasbro, and this is how we got Pathfinder. Hasbro's behaviour thus caused D&D's third-party support to crater nearly to zero with the publication of 4E and created D&D's largest competitor.
Second, 4E was badly behind the curve on digital availability. Shortly before 4E was scheduled to drop, the digital masters (i.e., the files provided to printers in order to manufacture the books) were leaked on file sharing networks. Hasbro responded by panicking and ordering an immediate and indefinite halt to e-book publication of D&D material (in spite of the fact that the leak had demonstrably originated from their print production arm rather than their e-publishing arm), even going so far as to refuse to honour pre-orders for 4E's now cancelled e-book version.
Combined with a series of mismanagement-induced delays which caused 4E's virtual tabletop tools to miss the game's publication date entirely, and a decision to paywall what few first-party resources did manage to hit their target behind a monthly subscription, this resulted in 4E being available exclusively in print for the first two full years of its lifespan, at a time when D&D's competitors – including the aforementioned Pathfinder – were literally giving their core rules away in digital form for free.
As you say, I'm no market analyst, but I have a strong suspicion that "alienating practically all third-party publishers for a game line which was critically dependent on robust third-party support", "being the first edition of the game ever to face significant direct competition", and "making a game which dropped in the middle of the worst economic recession in thirty years available exclusively as an expensive printed set" resulted in the 4E stepping up to the plate with three strikes already against it. Add to that the almost comical ineptitude of Hasbro's advertising for 4E, and the usual drama of any major edition turnover, and... well.
"But what about the rules" sure, there were some issues with 4E's mechanics, but you need to understand that "4E underperformed because people hated the rules" isn't just a convenient narrative for edition-warring grognards; it's also a fiction which Hasbro itself has tacitly embraced, because the alternative is acknowledging that their publishing department repeatedly shit the bed on 4E's rollout.
@crashional-thinker replied:
this kind of thing sounds like something that would kill d&d as a franchise entirely with how badly hasbro fumbled it, so i'm surprised to see 5e not only still kicking, but also still the primary force to the point that people will say "homebrew 5e" for anything. what's up with that?
"Commercially underperformed" doesn't mean "failed". Dungeons & Dragons 4th Edition was still the single best-selling tabletop RPG on the market every year of its lifespan. The idea that nobody bought it at all is another of those edition-warrior myths.
Brain today obsessed with the fact that "synecdoche" rhymes with "calliope"

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Your therapist asks you "Who in this image do you see yourself as?" and then shows you a drawing of two shirtless skinny anime catboys with a thread of saliva going between their lips
It was actually just an ink blot but thank you, this gives me a lot to work with
Broccoli Knuckle Duster by David Delahunty