mjay

[Timkon lovesquare au] okay here’s the part I never posted here! This was a two part comic with the first one exploring superboy going for more traditional superman look (sort of based on an mlb episode where chat noir changes his whole suit and demeanor) after getting shunned by the public and media while this part was about Tim’s belief in him inspiring him to just be superboy

So from then on whenever one of us called something problematic, he would make us talk it out until we could name the “bad” thing we were hinting at. In this particular class, 7/10 it was some type of oppression, and the remainder was like, “I’m uncomfortable because this is very new/confusing/pushing boundaries that made me feel safe.”

Once we stopped calling things “problematic” and stopping at that, class got way more interesting and... we all had to say, like, “that’s racist” or “that’s misogynistic” or “ew capitalism gross” out loud, which a lot of us had never done in a classroom before. Or we had to be like, “Uhhh... I’m not sure what’s so bad?” and confront our own beliefs and that was maybe even more useful.

The longest reoccurring modern day super without an ongoing.

Over 500 appearances but less than 10 center focused stories.

Nat has existed since 1994, why is it that I can finish her entire chronology in a week or less? Nat has an established origin, family, strong principals and reasons for being a hero, friendships and relationships; All waiting to be told to new and old audiences. It’s more of a world than even some popular characters get. So much to work with but none of it is ever largely expanded on. Natasha deserves a new story; one that highlights her as a black woman, an inventor, and an amazing form of queer representation. Not just now but for years to come.

Speedpaint

OG sketch vs Redo

dare to ask. what if they were peanuts

my piece for the @womenincomicsminibang for an anita/cassie duo run! 💥💫

And perhaps we should interrogate who that narrative is for.

Damian has literally been sent to hell. Tara has been treated like...Tara by basically every narrative she has ever been in. To this day, people still refuse to acknowledge their growth, their nuance, or the lack of agency baked into their circumstances.

But then you get a willing, spiteful mass murderer who spends five dubious minutes posing as less of an asshole, and suddenly he is the freshest, hottest concept in comics. We simply must root for him. We must celebrate his growth. We must ignore the continuity of his crimes. And if you point out that he has, in fact, done horrific things on purpose, suddenly you’re “taking comics too seriously.”

Interesting.

Redemption arcs are not the problem. Growth is not the problem. Characters with blood on their hands becoming better is not the problem.

The problem is how quickly some fans recognize humanity, nuance, pain, and potential in a violent white male power fantasy, while treating characters like Damian, Talia, Tara, and plenty of others as permanently defined by their worst context, their worst writing, or their least charitable interpretation. Even Diana suffers from this and she didn't even really do anything wrong--

What could possibly cause people to project so hard into that archetype?

In this political climate?

happy pride, superboy 🩷💜💙