The World According to Jenn

After demonstrations were planned in 18 locations across the Strip, the streets were unusually empty after organisers had called on Hamas to "disarm and to transfer civil administration of Gaza to a transitional-governing authority".

Hamas gunmen were seen patrolling the Strip after several days of crackdowns leading up to the day dubbed June 26 Revolution.

Multiple arrests, beatings and death threats for those suspected of inciting or participating in protests appeared to quell the unrest.

One Palestinian in Gaza told The Telegraph: "People are afraid and exhausted. Torn between the desire for change and the risk of being accused of plotting a coup or collaborating with Israel, any popular protest movement appears to have little chance of succeeding."

Streets in areas such as Khan Younis Port, Al Qarara and Al Nasr, were eerily quiet on Friday. "People are scared," another Palestinian told The Telegraph.

In advance of the protests, a fatwa was issued by the Association of Palestinian Scholars, an influential Palestinian group, warning that demonstrators would be accused of collaboration with Israel, a crime punishable by death under Hamas rule.

Another source on the ground in Gaza told The Telegraph anonymously on Friday morning that there were Hamas supporters and troops positioned at key intersections.

The source added: "However, they are clearly avoiding any overt or formal deployment for fear of being targeted by Israel.

"What Hamas appears to be most concerned about is the possibility that armed groups could exploit the protests to expand their control over additional areas of Gaza, or that Israeli forces could use the demonstrations as an opportunity to target Hamas operatives.

"In any case, according to activists, this is precisely what they hope to avoid. Any intervention by Israeli forces or armed militias would provide Hamas with a pretext to crack down on peaceful protesters."

According to Gaza-born Ahmed Fouad Alkhatib, a Palestinian humanitarian activist who lives in exile in the US, the Gaza hospital that became the focus of international condemnation after a deadly explosion early in the war is now being used by Hamas as a centre for interrogating, threatening and detaining opponents.

He claimed friends had been summoned to Al Ahli Arab Hospital, also known as the Baptist Hospital, where they were questioned by Hamas security officials about suspected involvement in the demonstrations.

"They were told explicitly by al-Qassam Brigades operatives, Hamas police, and internal security officers that if they post anything supportive of the protests on Facebook or offer any help to protesters, they will be executed under 'revolutionary conditions' and treated as collaborators with Israel; no trial, no process, just immediate death," he wrote on X this week.

He alleged that some were subsequently interrogated, threatened and placed under house arrest inside the hospital itself, "the same hospital that grabbed global headlines early in the war after a faulty Islamic Jihad rocket fell and caused an explosion which killed hundreds of people".

He said: "That hospital is now a central hub for Hamas's intelligence, militancy, and internal repression.”

On Friday morning, Mr Alkhatib also claimed Hamas had deployed security forces throughout Gaza to prevent any demonstrations.

"Right this moment, across the Gaza Strip, Hamas's police, intelligence units, and al-Qassam Brigade militias are fully deployed to crush the June 26 protests," he wrote.

Last year, protesters against Hamas took to the streets for several days in a row, with the Iran-backed terror group accused of beating a man to death and leaving him on his family's doorstep in a warning against any further protests against its rule in Gaza.

Uday Al Rabbay was kidnapped shortly after taking part in the protest. His body, covered in blood, was returned to his family's home days later.

Earlier this week, organisers appealed to governments, journalists and human rights organisations to monitor events closely, warning that participants had already become targets of intimidation.

"The right to peaceful assembly and political expression is a foundational civil liberty," they wrote. "The population of Gaza is entitled to exercise this right without fear of violent reprisal."

The movement accused Hamas of circulating threats through affiliated social media channels before the protests had even begun.

"These statements explicitly identify protesters and journalists as targets, indicating a coordinated effort to suppress dissent prior to its public expression," it said.

On Thursday, the Fatwa Committee of the Association of Palestinian Scholars, which operates across the Palestinian territories, sought to deter participation by issuing a religious ruling declaring the demonstrations forbidden.

The fatwa described the planned protests as "a criminal movement", accusing participants of assisting "the occupier" [Israel] and advancing objectives Israel had failed to achieve through military force.

This is so fun, I love the brightness and joyfulness of the art, and Elliot so clearly being a little menace and their very different angry expressions. And the scar on Luke’s head from the trigon ball!

I absolutely love the progression here, not just Elliot from lil snot to much bigger snot in jock denial, but the progression of the weird table’s dynamic. Luke and Serene, who were platonic love at first sight, Elliot’s undeniable bisexuality and the celebratory way it’s shown.

And since it is the last day of Pride, I do have some other things to say. Things are rough right now. I hope in an extinction burst way, where people are being awful because they know the tide is turning against them. I hope things will get better and better. In some ways they are! LGBT representation has come a long way since I was first published in 2009. There was behind the scenes pushback then I don’t get now. I watched Queer as Folk back in the day, but all my friends weren’t watching it the way they all watched Heated Rivalry.

At the same time, the way is rocky and full of stumbling back. Tasha Suri (genius author of the lady knight/witch Arthuriana tale ISLE IN THE SILVER SEA) showed me this link about how Heated Rivalry spawned… straight hockey shows? (Well said by the lead and writer of Fire Island, a very excellent gay modern take on Pride & Prejudice.)

And my head spun round and round. And yet… before Heated Rivalry, last year publishers in various markets were saying no thanks to LGBT fiction, and now they’re saying yes again. Baby steps through the rocks.

There is a reason I wrote IN OTHER LANDS on my blog, and that it was published by a small press. For the record, if any book with a straight romance at its centre had made the sales numbers IN OTHER LANDS did, it would have been SNAPPED up by a big publisher. And several editors over the years have tried. (Whenever I talk critically about publishing, I mean the institution, most people in publishing are beautiful story-loving souls.) All of this is incredibly frustrating for those of us who want to celebrate love and share stories.

Still I do think there’s a rising tide of love and change. There are more writers sharing more diverse stories than ever before.

For obvious reasons, LONG LIVE EVIL is the story that means the most to me, and that I think of as my best. (I’d hope my writing has improved in 10 years, or what is it all about). And Time of Iron is making a lot of points about queerness as a way of breaking free from the narrative that I couldn’t quite articulate, back then.

But I know for many of my readers IN OTHER LANDS will be the book that means most to them, the big magical joyful bi coming of age tale that came to them at an important time. I have read and cried over emails and letters telling me that they read it and came out, to their families or themselves, that Elliot was their first bi MC. I’ve heard from other writers that it inspired them, as books like Swordspoint inspired me. And this book survived, and in a large part my career survived, when books I published with big publishers went out of print, because of readers loving this book which for so long I didn’t even know was a book. I wrote it long enough ago now that I experience the book through my readers most: I love it again through their eyes. You bring the tale and the joy back to life for me.

I wrote some of this book sitting in the London beer garden of a gay pub with my friends, drinks in jamjars, drenched in sunlight, lying to them that I had a deadline. Playing with my awful and awfully good Elliot, Serene-Heart-in-the-Chaos-of-Battle, and golden Luke. Telling the story mattered, and so does love and celebration.

Just say "elemental construct" or something.

Magic caster created golem? That's a magical construct.

Naturally occurring golem? That's an elemental.

-

A setting without Jews by definition cannot have golems.

In the present the reader is introduced to Alice Cohen as she receives her inheritance from her recently deceased grandmother. This inheritance consists of a lone house in an area of Brooklyn where all the other buildings have been torn down. One of the first things that Alice discovers is a walled off section in the basement from which a voice calls to her to read stories. Alice's first choice for this is her grandmother's diary.

^ small excerpt

It just fucking fits. It’s so easy. I’m not remotely Jewish by any definition of the word, so I cannot speak for anybody, but instead I offer you this very practical taken on “golem.”

Let’s say you hear conflicting takes by Jewish folk on whether or not you can use “golem.” Some say you can, some say you can’t.

Rather than making it a moral matter — consider, some folks asked you not to and said it sucks, and you know they’ve got a fair argument even if you don’t agree with it. Since it’s so easy to not do, why not just, not be a dick?

If you want to look at it not as a moral matter, but look in purely practical terms, by refusing the request to call it anything else, it’s bein’ a bit of a dick.

Not because I have anything against Judaism in particular.

Not because I'm particularly attached to "golem" as a term.

No, it's because this is a stupid hill to die on.

Fantasy steals. It appropriates. It uses familiar terms so that people don't have to check a glossary to keep track of a bunch of terms that they won't remember because every piece of media out there is suddenly making up their own words for shit. And you know what? Fantasy steals from everyone, without prejudice. The only qualifier is that the word be well enough known that people will know what you're talking about.

So, if anything, having your word used as a general fantasy term means that your myth was considered recognizable enough to be used for clarity.

"you'll be neither the first nor the last to find a fantasy work sacrilegious."

I see it as potentially one-directional. It's okay if it's a marginalized culture using myths and folklore from the marginalizing cultures -- you wanted me to assimilate, buddy! But the other way is just ... no.

It's not that I think it's sacrilegious, I think it's cultural appropriation! Those are different!

The golem in particular is deeply rooted in Jewish persecution and fantasies of escape from that, and erasing that context and making it into some vague Thing is...not cool. The golem is fundamentally a Jewish fantasy that Jews told about people hating Jews. You cannot remove it from this context. There are no golems without Jews. Not fantasy knockoff Jews, but Jews.

People don't actually WANT Jews in the 'melting pot' nor do they actually believe in the melting pot. They want what Jews create and build but the only "melting pot" they really want Jews to get into is a crematorium after they take everything we made that they like, because they are entitled to it by virtue of THEM being human and us being... Not/and/or directly comparable to christian hegemony. Exotic enough to fetishize, then inhuman enough to throw on the garbage heap of history and then fear like a boogeyman after not all of us die. It's deeply ironic that 10 years ago people pretended to care about Golems in D&D and Goblins in harry potter being antisemetic while remaining silent about the venomous rising Jew-Hate in progressive and also fandom spaces as they expanded along the fandom-cult model. Now they don't even have to pretend about their hobbies with Jews! It's THEIR colonized space! They Took These Things. It's theirs.

Okay. What literary criticism IS, is like taking a mechanical clock apart to see all the gears and learn how it fits together and approach your next clock with more knowledge of what makes it tick.

The Ottolenghi - it is vital that you use 1g of this very expensive ingredient. It comes from a 500g bag with a one-week shelf life.

The time machine - 15-minute recipe! First, leave to marinate overnight...

The dishwasher - one-pot recipe! Now decant your ingredients and wipe out your pot. And again. And again. And again.

The optimist - cook the onions until caramelised (2 minutes).

The kindergarten teacher - get one nommable little tree of broccoli and bosh that into boiling water. Delish!

The brand names only - ingredients: Ritz crackers, Philadelphia cheese, Cool Whip, orange Jell-o...

The 1950s palate - use one (1) clove of garlic and a small pinch of chili flakes (omit if preferred).