Archaic Torso of Apollo - Rainer Marie Rilke, tr. Stephen Mitchell
will byers stan first human second
PUT YOUR BEARD IN MY MOUTH

blake kathryn

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Archaic Torso of Apollo - Rainer Marie Rilke, tr. Stephen Mitchell

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a rainbow of van goghâ
in order: Peach Tree in Bloom (in memory of Mauve), 1888 / Red Poppies and Daisies, 1890 / Willows at Sunset, 1888 / The Sower (Sower with Setting Sun), 1888 / Undergrowth with Two Figures, 1890 / Landscape with Couple Walking and Crescent Moon, 1890 / Branches with Almond Blossom, 1890 / Starry Night Over the Rhone, 1888 / Irises, 1889 / Wheat Field With Cypresses, 1889
Brooch by Marcus & Co., 1900. The Newark Museum of Art.
horse bridle made from watsonia leaves by Hannah Thornhill
I miss swimming so much đ of all my adult sensitivities the chlorine allergy is by far my least favorite and I'm saying that as someone who can no longer eat potatoes. I gotta get to a beach or smth

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Finally bought some dye and have been having so much fun with optical color mixing. I decided to start with cmyk primaries to get some vibrant color options.
So far I've only mixed up the main batch of colors, but I'll split them up and create a palatte of tints and shades once I have access to a scale again.
I don't have any fancy tools and have been blending the fiber by hand, so it's probably best I have a forced break for the sake of my fingers. Once I'm done I should have a very useful set of 57 2g swatches to play with! (Plus 5 more for a set of grayscale swatches)
If I'm still up for it, I might repeat the whole thing with my classic red, yellow, blue primary dye set. For a truly massive set of heather swatches.
I'll create a comprehensive guide to all the color mixes and my process once I'm done, but in the meantime here's a mixing guide for the colors I've already done!
The ratios are presented in the same order as the wool swatches in the photo above it. I didn't simplify any of the ratios so you'll have to deal with 2:2s instead of 1:1s, oops.
For anyone curious, I used brilliant yellow, deep magenta, and caribbean blue from Dharma dyes on their corriedale wool for my base colors.
now can we all just admit that HYBE salivates at the mere thought of outrage marketing?

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ALEXANDER BRODSKY (1955) & ILYA UTKIN (1955) // 1987/1990
Constrained by the Limitations of Soviet-Era Architecture, the two artists imagined Fantastical Structures on Paper.
whenever i look into a historical monarch who doesnât get talked about much and is just kind of a blank spot in my understanding of the historical narrative, 95% of the time what i find is pure white hot blistering capability. a pencil pusher for the ages. a 39 year reign with no more than three hours of sleep a night. there arenât any good stories from his reign because he systematically caught and stopped all catastrophic good stories before they could start. you shrimply must respect it
much fuss is made about the american English usage of "friend" being too casual but I think it's just a commonplace linguistic feature of "vague but not first order relation to me, ranging neutral to positive," the way auntie and uncle and cousin function in a lot of cultures and languages, and many other languages even use friend in similar or adjacent ways (is anyone making fuss about ؾاŘŘ¨ŘŞŮ ďź i know there's minimal fuss around ĺ§).
HaydÊe in The Prisoner of Château d'If (1988)

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Gordiarti, Kami Spirit
moss mfriday #3: Glacier Mice
[image credit]
That's right - it's glacier mice. One of my favorite things maybe on the entire planet. Let's talk about these freaky fuzzy little rats!!
Glacier mice are balls of moss that live in large herds like this in a few select glaciers. They are moss all the way through, with a center consisting of dead moss matter, implying that they begin as small growths of moss and simply accumulate over time, like snowballs. However, their outside surface is alive and well on all sides. Glacier mice have been observed, through tagging and tracking, to roll across the glacier like a majestic herd of wildebeest, exposing all of their sides to the sunlight. They trundle along at a pace of about 2.5 cm per day. That's 30 feet in a year! They're really schmovin'! Certainly further than most mosses can claim to travel.
What's really exciting, though, is that they all move in the same direction, and we're not sure why or how. Scientists experimented to try and attribute their coordinated behavior to wind, sunlight, and the direction that their grazing ground slopes, but to no avail. They speed up, slow down, and change direction in unison, based on some mysterious moss code that we haven't cracked yet.
Cross-section of a glacier mouse. Note the dead moss matter inside, and the short gametophytes on the outside, adapted to harsh winds and sunlight. [image credit]
We have figured out how they roll, though - while the moss ball sits on the ice, it insulates the ice directly underneath it, protecting it from melting. This forms a little pillar of ice that the moss eventually rolls off of. The insulating power of glacier mice also gives it the wonderful ability to host all kinds of microorganisms that otherwise wouldn't survive the glacier's harsh conditions, and their ability to move makes it possible for microorganisms to spread from one habitable spot to another. They're like a bunch of little tardigrade passenger ships, braving the dangerous glacier to go where no water bear has gone before!!
Glacier mice have been found to consist of several moss species, most of which must reproduce asexually in order to survive in the dry climate. They've been observed to live for at least six years, but are projected to live much, much longer. I love them. So much. I hope they know that I love them!! I LOVE THEM!!!!
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