i love tma s2 itâs like âend recordingâ [click] [click] âsupplement: I have gone entirely off the railsâ
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I'd rather be in outer space đ¸
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i love tma s2 itâs like âend recordingâ [click] [click] âsupplement: I have gone entirely off the railsâ

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wdym Andy Weir hid the name of every Beatles album in the text
hey come back what do you mean
oh my god
I might kill him for the magical mystery tour one 'cause "magical" and "mystery" never show up together at all, "tour" only appears once in the book and nowhere near "mystery" or anything similar, I was trying to figure out possible word play but "to her" also doesn't show up near any similar words, and "tore" isn't in the book at all. I hate him so much I need to blow him up
Total Solar Eclipse 2026
Palma de Mallorca, Spain / NASA
me: isnât it funny how captain kirk was supposed to be the sex appeal of star trek but it ended up being spock
my dad: i thought it was bones
me:
my dad: i thought bones was supposed to be the sex appeal
prev youâre the only person here that gets it
how the fuck did you figure him out this fast
Spock is a character who lives in my mind to such a degree that I have headcanons I will fully forget if I've posted about before or are canon or widely accepted fanon or not because to me it's just a given. It is known. <- made it up
Anyway one âď¸ of which is that Spock's a little extra telepathic (melding with anything, melding through walls, mind controlling someone from across the room in that one episode everyone ignores because it was bad) Specifically because of his human ancestry making him lack some sort of inhibitor gene Vulcans usually have. Like ligers for psychics
I came to this conclusion like years ago because of the number of "what the fuck? Spock can do that?" Moments that happen in tos when the plot demands it & because it frequently goes against more established Rules for how Vulcans work it has to just be a Spock thing. From there the answer to "why is Spock built different" is kind of obvious. "Why does being half human make you more telepathic" is where the real specbio fun starts
Also! Implies the mechanism for Vulcan telepathy is different from Betazoid telepathy, as Deanna has weaker telepathy than average, also because of having a human parent. OR it depends on which parent is human. But I think the former makes more sense than having the genes divided up by chromosomes in the same way when they may or may not even Have the same chromosomes
That being said âď¸ if it's ligers for psychics (lion/tiger hybrids continually growing larger because they miss the Stop Growing gene) the Vulcan telepathy off switch would have to be carried on whatever Vulcan female typical chromosome Spock didn't receive from his mother. So. Keeping our terminology simplified so we're not here all day getting distracted by potential differences in sexual development, let alone Gender, this wouldn't happen with a Vulcan mother & human father. So even future mixed aliens may or may not be Like That, making it still Just Spock, depending
If a (m)vulcan/(f)human makes a Spock, a (f)vulcan/(m)human could be either telepathically normal or possibly stunted by Vulcan standards. And I just think that's neat
Personally I think humans have telepathy genes of our own, which are just deactivated in most of us. There are human espers like Gary Mitchell.
Say we've got one broken gene keeping us from being active telepaths. In some humans, a mutation can make us espers. In hybrids, with the repaired gene coming from the other parent, human telepathy can be expressed.
Human telepathy is not well understood because of this; other species are aware it can result in strange and unexpected talents. So Spock has the ability to influence minds over a distance, and Troi has no telepathy but extreme empathy, I think actually more than a full Betazoid and from a longer range. Nobody can predict how those weird human genes are going to pan out.

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MB should be allowed to just pick Gurathin up like he is a sack of potatoes and put him where it wants him. Yes this man is over 6ft and not exactly small but that does not matter to MB. It's bed time now and I am putting you to bed and you...
can have whatever weird reaction you want. I don't care. I don't like you
(Liar)
(Gurathin would be mad but)
(Well)
there are some things a character should not be able to tell us about themselves EVEN with a gun to their head. depending on the character that could even expand to include "most" things
i'm talking "you can lead a horse to water but you can't make them drink" territory. "i've constructed an elaborate rube goldberg machine of plot to force this character to have precisely the realization about themselves that i want them to, and i'm only maybe 60% sure it'll work" territory. "the deity of their choice reveals it to them in a dream and they wake up and say, 'no, that can't be right,' and promptly forget about it" territory.
What Elizabeth says:
Elizabeth Bennet: I like going to this specific place at this specific time to wander around a bit-I am telling you so that you get the message and start avoid this specific place when I am walking, since coming out and asking you to get out of my way would be extremely rude.
What Mr Darcy hears:
Elizabeth Bennet: *twirling her hair* if you want to meet and walk together in a Regency proto-version of a date you just have to come at this specific place at this specific time! You will find me! I am telling you so that you get the message and start putting the moves on me, since coming out and telling you that I am interested would be extremely forward!
It is really important to me that all of you learn about Al Bean, astronaut on Apollo 12 and the fourth man to walk on the moon, who after 20 years in the US Navy and 18 years with NASA during which he spent 69 days in space and more than 10 hours doing EVAs on the moon , retired to become a painter.
He is my favorite astronaut for any number of reasons, but heâs also one of my favorite visual artists.
Like, look at this stuff????
Itâs all so expressive and textured and colorful! He literally painted his own experience on the moon! And that's just really fucking cool to me!
Just look at this! This is one of my absolute favorite emotions of all time. Is Anyone Out There? is like the ultimate reaction image. Any time I have an existential crisis, this is how I picture myself.
And then there's this one:
The Fantasy
For all of the six Apollo missions to land on the moon, there was no spare time. Every second of their time on the surface was budgeted to perfection: sleeping, eating, putting on the suits, entering and exiting the LEM, rock collection, setting up longterm experiments to transmit data back to Earth, everything. These timetables usually got screwed over by something, but for the most part the astronauts stuck to them.
The crew of Apollo 12 (Pete Conrad, Al Bean, and Dick Gordon) had other plans. Conrad and Bean had snuck a small camera with a timer into the LEM to take a couple pictures together on the moon throughout the mission. They had hidden the key for the timer in one of the rock collection bags, with the idea being to grab the key soon after landing, take some fun photos here and there, and then sneak the camera back to Earth to develop them. They had practiced where they would hide the key and how to get it out from under the collected rocks back on Earth dozens of times.
But when they got to the moon, the key was nowhere to be found. Al Bean spent precious time digging through the collection bags before he called it off. The camera had been pushing their luck anyways, he couldn't afford to spend anymore time not on the mission objectives. Conrad and Bean continued the mission as per the NASA plan while Dick Gordon orbited overhead.
Fast forward to the very end of the mission. Bean and Conrad are doing last checks of the LEM before they enter for the last time and depart from the moon. As Bean is stowing one of the collection bags, the camera key falls out. The unofficially planned photo time has come and gone, and he tosses the key over his shoulder to rest forever on the surface of the moon.
This painting, The Fantasy, is that moment. There have never been three people on the moon at the same time, there was never an unofficial photo shoot on the moon, this picture could never have happened.
"The most experienced astronaut was designated commander, in charge of all aspects of the mission, including flying the lunar module. Prudent thinking suggested that the next-most-experienced crew member be assigned to take care of the command module, since it was our only way back home. Pete had flown two Gemini flights, the second with Dick as his crewmate. This left the least experienced - me - to accompany the commander on the lunar surface.
"I was the rookie. I had not flown at all; yet I got the prize assignment. But not once during the three years of training which preceded our mission did Dick say that it wasn't fair and that he wished he could walk on the moon, too. I do not have his unwavering discipline or strength of character.
"We often fantasized about Dick's joining us on the moon but we never found a way. In my paintings, though, I can have it my way. Now, at last, our best friend has come the last sixty miles." - Al Bean, about The Fantasy.
The Alan Bean Gallery
To be honest, this one
Almost made me cry right now.
I love it. Something about it feels so incredibly human. The emotion on display, even without a face to show it. This is magnificent. Truly magnificent. I feel it in my soul.
Oat milk was discovered much more recently than you may have known. Like many now-familiar technologies, it was found by accident during the Apollo program when NASA learned what a zero-g environment does to goat milk.

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will die on the hill of âdead dove: do not eatâ DOES NOT MEAN âthere are various unspecified things in here that might disturb you, so be warnedâ
it means âi know the contents of this bag (a dead dove) may be upsetting, so i have labeled the outside very clearly with what is inside (a dead dove), and if you look inside, you should not be surprised to find a dead dove, because thatâs what the label very explicitly says is inside the bagâ
i realize this is a losing battle because enough people have made it mean the other thing as to make the tag totally useless, but seeing people argue over what it should mean gives me a headache because it literally could not be clearer
The rest of the thread is here.
tl;dr: Donât monetize AO3, kids. You wonât like what happens next.
read this thread. this is by far the most concise explanation of a lot of different issues that iâve seen in fandom spaces in a while. cosigning both the linked thread and the thread about aus/uk/can law thatâs linked in-thread.
AHDHXHEBSG TWITTER WRITERS DID WHAT NOW???? AND PEOPLE PAID THEM????
If someone has never taken a class that includes copyright law, they may not know this stuff, so I donât necessarily blame random people for not knowing what copyright is, but like⌠maybe just maybe itâs something that should be taught????
Just another reminder, because this always drives me crazy, but even if monetizing your fic was 100% unambiguously legal and protected, AO3 would still not let you do it because AO3 was founded and is supported by people like me who want a fandom community that is completely divested from making money off of fic.
Yes, this. Lots of fanworks on AO3 are unambiguously legal. Fics based on Shakespeare plays and fairy tales and Greek mythology and The Great Gatsby and your original character from your D&D game are not violations of copyright, because no copyright applies to those things.
AO3 still doesnât let you monetize those things on the site, because we donât want the site to be commercial! Because thatâs not what itâs for!
Itâs not there for you (generic you) to make money off the efforts of the people who build and maintain the site for free! We arenât getting paid for the work we do to give you a nice site to use, just like you arenât getting paid for the work you do to create whatever art you share there. Because fandom is supposed to be a community where we share with each other, and therefore we all benefit.
The deal is, we give you a free, stable, safe platform to host your works. In exchange, you get a site that isnât covered in ads and tip jars and links to gofundme and âread the next chapter at my patreonâ. You get one goddamn place on the internet that isnât trying to make money off you. And we will defend that space and keep it non-commercial.
If you want to make money off your fics, you can instead post them somewhere like royal Road. âOh, but Royal Roadâs culture is so much more negative and stressful and lacks the supportive norms of AO3!â Yeah, because people are trying to make money there. Half the userbase is treating it as a storefront and hustling is the natural social consequence of that. AO3âs culture can only exist because itâs not commercial.
sometimes i wonder if we have forgotten that sharing creative work is, fundamentally, a bid for human connection. like I'm not posting art or fic for 'engagement' i'm posting it looking for other sickos to play with! i'd be making it anyway for my own gratification because there's something wrong with me, i'm sharing it hoping we can have something wrong with us together <3
Sometimes I think about how so much of what makes Murderbot who it is comes down to it being a rental SecUnit. When Leonide tells Arada in Network Effect that Company Units have a reputation for being dangerous, she's probably 100% correct. Because of their nature as plug-and-play security for anyone, they have to be designed to be far more versatile than the SecUnits a corporate like BE owns. Three has to be able to secure salvage operations and mining outposts and work with BE's systems and that's kind of it. BE might need its security to fend off hostile takeovers and workplace uprisings, but Murderbot has to be able to do all those things and planetary surveys with unknown hostile fauna, and asteroid mining belts, and whatever the next client might need it to do, and it has to be able to work with whatever other proprietary software the new clients have every single time. It's better at adapting to new situations than Three partly because it's older and more experienced, but also because that's a big part of its function.
And at the same time, Company SecUnits are treated much worse than Three by virtue of being rentals. Many--if not most--of Murderbot's clients didn't want to have any SecUnits, but were required to take them per Company rental agreements for other equipment. Even the ones who specifically did want SecUnits didn't have any investment in what happened to them. They were the equivalents of the U-haul you'd rent to move your couch across town. They just needed to do a job briefly and hopefully be in good enough shape to get their deposit back at the end, but if not, eh. No big deal. Murderbot has never had the same clients for very long, and it's never had to work with the same SecUnits for very long. Every contract changes. Nothing lasts.
No wonder MB loves fiction while Three loves nonfiction. Three has seen basically nothing about reality outside of its job and wants to know what's out there. MB has seen way too much reality and would like some breaks from that shit now, please.
Op why did you sentence this comedy gold to the tags
hey did you know that uhh
i. the monster's body is a cultural body
ii. the monster always escapes
iii. the monster is the harbinger of category crisis
iv. the monster dwells at the gates of difference
v. the monster polices the borders of the possible
vi. fear of the monster is really a kind of desire
vii. the monster stands at the threshold⌠of becoming
oh shit i didn't expect this to actually get notes lmao
these are all direct quotes from jeffrey jerome cohen's "monster culture (seven theses)" (full pdf linked) i highly encourage you to read it yourself!
that said, while i think cohen's writing is evocative, it can be a little dense, so while i'm here, here's my capsule summary (you can also hear me talk about this in the first episode of my podcast) (listen to @ghostswerepeopletoo)
i. the monster's body is a cultural body - The monster is a work of fiction to be analyzed through tools of literary and sociological theory.
ii. the monster always escapes - As long as the cultural fear from which the monster stems persists, the monster will reappear in retellings, reimaginings, and sequels.
iii. the monster is the harbinger of category crisis - Monsters defy binaries and challenge easy comprehension or categorization.
iv. the monster dwells at the gates of difference - The monster represents the Other.
v. the monster polices the borders of the possible - Tales of the monster exist to discourage unacceptable or taboo behaviors.
vi. fear of the monster is really a kind of desire - Subjects can vicariously participate in the disruption of the social order through the monster.
vii. the monster stands at the threshold⌠of becoming - Within the monster we find information about the self.

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I love that there's a story that Murderbot is simultaneously telling and retelling and also pretending isn't important at all about how it 100% got run over by a haulerbot once. Might not even officially remember it, but knows it happened. Probably not that big a deal. Definitely doesn't have any trauma about that, that'd be silly. Fuck those things though. Runnin into shit all the time. Can't trust 'em.
i DESPERATELY need a Three POV of platform decay holy shit. it gets tapped to go on a mission and its instructions are âcause a distraction and then go back to the shuttle and wait for meâ and it instead decides to cause the distraction and then go on a day-long speedrun freeing as many secunits as possible. and then it gets yelled at by everyone. âcan it be a we problemâ âno. get in the shuttleâ secunit three i love you so much