Ch👏
I really appreciate seeing it without the lion costume, so you can see what an AMAZING feat of athleticism it truly is.
Wushou dancers are 100% drift compatible
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@inkinhart
Ch👏
I really appreciate seeing it without the lion costume, so you can see what an AMAZING feat of athleticism it truly is.
Wushou dancers are 100% drift compatible

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having read some Martha Wells interviews it does really tickle me to imagine that when Murderbot asks for a ride, ART is basically doing that thing where you decide to entertain an obvious scam artist for a bit. Like, "Well, this is most likely a corporate spy, but I guess I am spying back on corporates right now so sure LOL let's see what the humans told it to do to trick me"
And then said 'corporate spy' spends 8 straight hours curled up on a chair watching TV and ART is like, "Oh shit you're like, a real person with no agenda. Let's hang out actually"
try a Tangbyrd from Super Princess Warrior?
SENSE AND SENSIBILITY (1995) dir. ang lee
the lesbian computer from portal was right. given the circumstances ive been shockingly nice
insane like/reblog parity on this post btw
“Whenever this appears on your dash, we at Aperture request that you like AND reblog to preserve the insane like/reblog parity. For science.”

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I'm always seeing this sentiment of "I have got to make my art weirder" or people begging for weirder art but here's the thing, Weird is not a brand. You cannot rack your brains trying to figure out the "Weird" formula. You don't get weird art by artificially forcing whatever you think is "weird." You get weird art (and I think "weird" is sometimes people groping for a way of saying non-corporatized) by figuring out what you like, deep down, even (especially) if you think it's embarrassing and wallowing in it like a pig
“they never explicitly looked at the camera and said ‘i am experiencing immense grief’ so how was i supposed to know??” i don’t know what to tell you, man. if a story doesn’t spoon-feed you the character's internal emotional state like a jar of mashed peas, you guys just willingly starve. subtext is not a myth, i promise it won't bite you.
Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed it—her husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"—essentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gage—a 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick.
Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomes—received little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.
This is an important concept, but the piece is written by AI.
There are a number of tells, but this is an excellent example to talk about em-dashes, which people often either take as permanent AI tells or run the other way and say "humans use em-dashes and that's why AI does, too! they're not tells!" Both are kind of right and both are kind of wrong.
What you'll see if you look closely at this text is that it ONLY uses em-dashes. Every time it needs to put in some kind of break or set off some text, it goes for the em-dash. There are no phrases in parentheses. There are commas, but only in places where the absolute rule is to use a comma (like in a series, for instance). There is one colon, again placed where the absolute rule is to use at (at the top of a list). Whenever there's an option, where a human writer would be actively making a choice about what punctuation to use, the AI defaults to an em-dash.
On top of that, look at the content. The AI bot people are obsessed with feminism, ironically. I suspect it's because very basic feminist narratives about women pushing back against barriers or doing something heroic are popular and gets shared widely. So, first of all, you should be on your guard when you see a "what this woman did CHANGED HISTORY!" kind of piece. (I wonder if the twitter/tumblr trend of BUCKLE UP history posts has affected the AI ...) And then you should check out the specific claims.
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
I can't find this anywhere else. The paper "The Matthew Matilda Effect in Science" doesn't talk about photos! The Wikipedia page doesn't talk about photos! This Smithsonian article doesn't talk about photos! Her piece on her career in Writing and Revising the Disciplines (2002) (good read) DOES mention photos, in that she got the Mount Holyoke archivist to send her a few from the 1880s showing women doing scientific work as a nice illustration that "epitomized" what she was already aware of.
Rossiter started with textual primary sources that documented women as named individuals contributing to scientific discoveries. The idea of her being confused by photos is a hallucination.
Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There's definitely something to be said about the framing of this bit as shocking!!! but since I'm talking about facts and sources, it's clear to me that the AI recognized the botany-Wellesley connection from the paper but could not parse that the reference was to a female botanist who taught at Wellesley. There is also nothing in the paper about Vermont geologists, so I have no idea where the AI got that; I would suspect it's another hallucination attempting to create a pattern from the first reference.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing. Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams. But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
Again, back to the mysterious photographs. But the rest of this text is an issue as well: what Rossiter describes in the paper is not a complete absence of these women in any official documentation, but that these women were amply documented and known to be working within the scientific community and yet did not receive public credit or awards. It's not a complete smothering out, but a sort of complacent back-burnering, which is too nuanced for the AI to be able to handle when told to "write a post about the Matilda effect that will get engagement on social media". She didn't prove that discoveries attributed to male authorship actually had women involved and only she knew their names: she collected many stories that people already knew of overlooked/underplayed female scientists and put them together to say, "This is a pattern and we should have a name for it." Some of her examples were even recent enough (1970s-80s) that she was able to point to a feminist backlash.
And again ironically, the AI itself engages in the Matilda Effect by presenting this whole thing as utter silence -> Rossiter gets curious -> the case is blown open. Rossiter actually refers to the work of other female historians and social scientists! In fact, she started this line of research after noticing the female biographies in American Men of Science when her housemate, Cynthia Thompson, recommended that she keep track of them.
Her research helped restore recognition to scientists who had been erased: Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick. Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize. Nettie Stevens, who discovered sex chromosomes—received little credit. Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed. And countless others whose names had nearly vanished.
Rossiter did not claim to be rediscovering these women. She refers to Franklin and Meitner as having been famously denied credit, in fact! Meitner specifically is "one of the best-known examples of the phenomenon". Stevens she uses as one in the list of examples in the paper, and Payne-Gaposchkin actually just gets a reference at the end that's doesn't even tell you the specific field of scientific study. (To be fair, there may be more about them in her other publications.) This was not about Badass Historian of Science Tells the Establishment What's What. Everybody knew about the concept of female scientists being publicly ignored as collaborators by 1993 — and women's history as a field had been around for 15-20 years. She was not working in a vacuum where nobody else thought that it was important to study these topics until she forced them to see the light.
Please, please, everyone, be on the lookout for bad feminist history written by AI. If you're not with me on the tells and hallucinations here, then at least be on the lookout for bad "feminist" history regardless of the source. If it sounds like it's sensationalizing, it probably is.
Imagine being a civilian on a Starfleet starship.
"How was your day, honey?" "Not great. Had to pick the kids from school early because the ship went back in time. There's a confused Roman centurion in the living room, btw. How was your day?" "Couldn't get much work done because Jerry got taken over by a space parasite." "Again?" "I think at this point he's doing it on purpose."
Child in the Enterprise daycare, drawing a picture entitled My Family: "This is me and this is my daddy and this is my daddy's transporter duplicate and this is my mommy and this is the subspace entity that poses as human that used mommy as it's template that calls itself her sister and this is our dog and this is the shape-shifting salt-vampire that snuck on board disguised as our dog but decided it likes dog food better than salt so now we have two dogs."
"And this is my brother Jacob."
"Why is he gray?"
"I tried to make him transparent to show how he doesn't fully exist in this timestream."
CAPTAIN JANEWAY JUST SAID RPF IS FINE???
I'm crying she basically just said

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detective activities
i love tma s2 it’s like ‘end recording’ [click] [click] ‘supplement: I have gone entirely off the rails’
wdym Andy Weir hid the name of every Beatles album in the text
hey come back what do you mean
oh my god
I might kill him for the magical mystery tour one 'cause "magical" and "mystery" never show up together at all, "tour" only appears once in the book and nowhere near "mystery" or anything similar, I was trying to figure out possible word play but "to her" also doesn't show up near any similar words, and "tore" isn't in the book at all. I hate him so much I need to blow him up
Total Solar Eclipse 2026
Palma de Mallorca, Spain / NASA
me: isn’t it funny how captain kirk was supposed to be the sex appeal of star trek but it ended up being spock
my dad: i thought it was bones
me:
my dad: i thought bones was supposed to be the sex appeal
prev you’re the only person here that gets it
how the fuck did you figure him out this fast

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Spock is a character who lives in my mind to such a degree that I have headcanons I will fully forget if I've posted about before or are canon or widely accepted fanon or not because to me it's just a given. It is known. <- made it up
Anyway one ☝️ of which is that Spock's a little extra telepathic (melding with anything, melding through walls, mind controlling someone from across the room in that one episode everyone ignores because it was bad) Specifically because of his human ancestry making him lack some sort of inhibitor gene Vulcans usually have. Like ligers for psychics
I came to this conclusion like years ago because of the number of "what the fuck? Spock can do that?" Moments that happen in tos when the plot demands it & because it frequently goes against more established Rules for how Vulcans work it has to just be a Spock thing. From there the answer to "why is Spock built different" is kind of obvious. "Why does being half human make you more telepathic" is where the real specbio fun starts
Also! Implies the mechanism for Vulcan telepathy is different from Betazoid telepathy, as Deanna has weaker telepathy than average, also because of having a human parent. OR it depends on which parent is human. But I think the former makes more sense than having the genes divided up by chromosomes in the same way when they may or may not even Have the same chromosomes
That being said ☝️ if it's ligers for psychics (lion/tiger hybrids continually growing larger because they miss the Stop Growing gene) the Vulcan telepathy off switch would have to be carried on whatever Vulcan female typical chromosome Spock didn't receive from his mother. So. Keeping our terminology simplified so we're not here all day getting distracted by potential differences in sexual development, let alone Gender, this wouldn't happen with a Vulcan mother & human father. So even future mixed aliens may or may not be Like That, making it still Just Spock, depending
If a (m)vulcan/(f)human makes a Spock, a (f)vulcan/(m)human could be either telepathically normal or possibly stunted by Vulcan standards. And I just think that's neat
Personally I think humans have telepathy genes of our own, which are just deactivated in most of us. There are human espers like Gary Mitchell.
Say we've got one broken gene keeping us from being active telepaths. In some humans, a mutation can make us espers. In hybrids, with the repaired gene coming from the other parent, human telepathy can be expressed.
Human telepathy is not well understood because of this; other species are aware it can result in strange and unexpected talents. So Spock has the ability to influence minds over a distance, and Troi has no telepathy but extreme empathy, I think actually more than a full Betazoid and from a longer range. Nobody can predict how those weird human genes are going to pan out.
MB should be allowed to just pick Gurathin up like he is a sack of potatoes and put him where it wants him. Yes this man is over 6ft and not exactly small but that does not matter to MB. It's bed time now and I am putting you to bed and you...
can have whatever weird reaction you want. I don't care. I don't like you
(Liar)
(Gurathin would be mad but)
(Well)