Look, if you’re looking for an organized scheme and clear cut boundary’s on what topics I post about, I am not the blog for you. This is a hodgepodge of political activism and fandoms. And musical theatre. So... good luck with that
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under US law, it's illegal for anyone who's not a member of a recognised native tribe to own an eagle feather. the penalty is a $100,000 fine.
14 years ago when I had recently moved to Alaska, I went hiking with an Aleut friend, and she pointed to a feather lying on the ground and said "hey that's a bald eagle tail feather, you should grab it!" and I was like "uhh I'm very white and that's very illegal" and she went "they're fuckin everywhere up here man. I have 20." so she grabs it off the ground and hands it to me and says "there, now it's a ceremonial gift from an indigenous person."
and I'm like, okay, cool, I guess this is how we do things in Alaska. nice.
so I keep this bald eagle tail feather around for years. display it in my home among other cherished memorabilia from places I've lived and visited, etc.
on a whim, I have just now looked it up. there is no exemption to that law for a ceremonial gift from an indigenous person. the last 7 years I lived in the US, I was technically a bald eagle poacher.
probably a good thing I don't intend to move back there anytime soon. I wonder what the statute of limitations is on bird crimes.
@freedomisscaryshit I'm fucking dying I think you forgot the word "feathers" in your tags?? or do you just wish you could grab whole ass eagles that land in your yard??
As an Indigenous person, it continues to astound me that there are such strict laws (written by White people) in our name, laws against...picking up things just found on the ground. Like, stop pretending this is "for" us. We don't want this.
so, for clarity, that's not what this is. the law against possessing feathers is an anti-poaching measure, derived from a North American treaty protecting certain migratory bird species from hunting. that treaty has an exemption for indigenous people to allow tribes that use eagle feathers in ceremonial or religious practices to continue doing so.
i used to collect feathers (illegally) as a teenager and the thing is that it's incredibly important for feathers from wild birds to be illegal to possess because it ensures that they never become fashionable to wear. the reason we passed the migratory bird act was because the american and european fashion industry was driving species to extinction in a timespan of years. not just decades. the ecological devastation of exporting birds for hats was absolutely insane and people were watching wetlands and forests and meadows just empty out in realtime. look at the wikipedia article for the plume trade.
the law against 'picking feathers up off the ground' means that you can't go shoot an eagle then sell the feathers on etsy by saying you 'just found them'. you can't own them no matter where they came from, which makes sure that they're not going to come from any birds killed and then secretly disposed of.
these laws, as harsh and ridiculous as they seem, saved flamingos, spoonbills, egrets, and all kinds of hawks and eagles from extinction. the minute these laws weaken and people can make money off killing them again, they're fucked.
this is one of those "no actually this regulation exists for a reason" laws much like work place safety and building fire codes (that Republicans keep trying to roll back) and is written in blood just like them as well. it's just not human blood this time, and the fact that people actually cared enough about long term future over short term profit to get it put in place is nothing short of astonishing. That it didn't get put in place in time to save several species is heart breaking.
guys i have to show you my favorite house of all time. words cannot describe. have you ever wanted a house with a pool because do i have the house for YOU
2 bedroom, 2 bath, a nice exterior. i like the red door and red chimney!
the kitchen, i thought, opens up to the backyard/pool. it's not quite my style but i think they were going for some 70s futurism and i don't hate it, you can work with it!
huh, the living room seems... small.
not a huge fan of the bathroom and second bedroom, but...
wait, this is the master bedroom? can i get a layout on this thi--
This house was not originally a house. That's why it's weird as shit. It and the house next door were built as a single property in 1948. The 'Master Bedroom' was a glass enclosed hallway connecting the two. See this plan from when the properties were subdivided into two in 1992
Previously, both buildings - which were really one building - were owned by a Robert H Belsky. He sold the building on the left (the main house) in 1992 and retained this weirdo building.
This is the main house (left) with our Weird Fucking 'House' sort of of behind it to the right. There's no listing photos of the main house as the person who bought it in 1992 still owns it, so it's never been listed on the internet.
The Main House is ~3,000 sq ft and has 4 bedrooms and 4.5 bathroom. It sits on just over 3/4 of an acre and is valued at about 600k
This was a BIG house for 1948. I mean it's a big house for now but it's an enormous house for 1948 (assuming none of tat square footage is from later additions)
Martina McBride didn't win Country Music Association Song of the Year for a song about how burning your house down with your abusive husband still inside it is good, noble, and an allegory for the American Revolution for people to act like the genre belongs to bootlicking fucks
how the hell did I leave Morgan Wade off this list. wrote a song about being depressed, alcoholic, and suicidal and how mental illness stigma sucks, saw how much people connected with it, wrote a Part II of that song about how she's doing better now but you're never totally free of the risk of relapse. fucking icon.
I specifically curated this list so people couldn't be like "ah yes but you see here is my simple binary of good and bad country music which always works", I made sure to add different genders, eras, subgenres, etc and y'all are still pulling that shit in the tags!
listen. Alan Jackson, the archetypal mister big hat man sitting on a tractor singing about a pickup truck, wrote a shockingly normal song about 9/11 that was like "yeah I don't know jack shit about politics but my copy of the bible says we're supposed to love everyone" and then went on the radio and explained how he specifically wanted to write a song about that day that "wasn't vengeful". Miranda Lambert took the southern leftist slogan "y'all means all" and made it the title of a corny ass pop-country song for the Queer Eye soundtrack. Kenny Chesney stole a horse from a cop and Tim McGraw put the cop in a chokehold defending him, and I know that's not about their music but it is, and this is very important, fucking sick as hell
it's fine if you only listen to female country artists or pre-1990 country artists or whatever the fuck you want but stop acting like you've cracked the secret code to dividing a whole genre of art into good pure anti-establishment folk songs vs bad corrupted right-wing sellout pulp
Luke Combs covering Fast Car and keeping the line "I work in the market as a checkout girl" and doing an interview about how he couldn't change a single word because it's not his story. king shit
Morgan Wallen doing I Had Some Help, literally the first song that spoke to me as a male survivor of domestic abuse. also shoutout to the guy for getting caught saying a racial slur and responding by specifically telling his fans not to defend him and raising a bunch of money for the Black Music Action Coalition. bro had an engraved invitation to the culture war and said "nah I'd rather be normal"
Shaboozey just absolutely obliterating the drunk roadhouse anthem glass ceiling
Maren Morris and Brothers Osborne with a song that okay, released in 2019 but I didn't hear until recently, about how good friends mind their own business and let you love whoever you want and also get high with you when you're broke
Kimberley Perry! If I Die Young Part 2!! "actually I'm glad I lived, bitch" ass song that I bet is gonna mean a LOT to kids fighting depression
Kelsea Ballerini and Noah Kahan with Cowboys Cry Too. okay it's shallow and corny but genuinely a shallow and corny song about how men shouldn't be afraid to have feelings is what a lot of men need
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One of my favorite things about having a degree in biochemistry is going undercover at a store like Sephora. I can read the composition of the cosmetics and actually understand them. There’s no words to describe how great it feels. It’s like being in on an inside joke or secret
The main thing I observe is that a lot of employees recommend makeup that is chemically incompatible. For example, if you ask them to recommend you a foundation and concealer, a lot of times they’ll pick two products that are chemically immiscible, so they’ll NEVER blend together successfully.
Generally foundation/concealer is either water or silicone based. There are upsides to each based on your needs. However, water and silicone are immiscible, and so if your foundation is water based but your concealer is silicone based, you will never get a good blend between these products. You’ll have to go back to switch to something that works.
If you want to test for this in-store, mix the two on the back of your hand. If they form a uniform mixture, they’re miscible. If they separate, they’re chemically incompatible, and should not be used together. You can do this for any number of skin products. Primers, moisturizers, foundations, concealers, contour sticks, etc etc. Anything that comes in liquid or paste form.
You don’t need to understand all the chemicals on the label to run this experiment!
"This week I discovered the same pattern, executed by Google. Google Chrome is reaching into users' machines and writing a 4 GB on-device AI model file to disk without asking."
Google Chrome is downloading a 4 GB Gemini Nano model onto users' machines without consent, with no opt-in, no opt-out short of enterprise t
Apparently it will also redownload in the background automatically without your consent, even if you delete it once. Here’s a good, detailed article about it I saw earlier:
Google Chrome is downloading a 4 GB Gemini Nano model onto users' machines without consent, with no opt-in, no opt-out short of enterprise t
tbh a lot of my advice boils down to “hey you know that terrible horrible looming thing you’re doing your best to avoid and distract and escape as much as possible but no matter what you do it just keeps looming and looming and ruining your life”
So with the disney series on the way and one of my friends currently in a production of the lightning theif musical I've been getting back into pjo, and I've been listening to the newest olympian podcast (guy named mike who's never read pjo reads pjo and talks about it chapter by chapter with longtime fans), and in episode 8 he talks about how the cosmic threat (gods) is really different from the malicious threat in other books (eg voldemort) and it makes the stakes have a really different energy because it's not someone evil intentionally hurting people for personal reasons, it's larger powers at play who don't really care if they hurt people because to them it's just collateral damage.
Now of course mike is still early enough in book one that the cosmic threat is the only threat and we all know that changes as the series goes on, but it made me think about the difference between the godly antagonists and the human antagonists in pjo and how they're portrayed, and I sort of realized for the first time that, in the case of the fate of humanity, pjo doesn't have "bad guys".
There are two types of antagonist in pjo. The first are the gods/titans/other mythological beings who don't care about humans beyond what they can do for them and are mostly just fighting amongst themselves. Yeah, big bad villain Kronos isn't really a fan of humanity, but destroying humans isn't his main objective in the war. His objective is destroying the gods and taking back control. Destroying humans is a happy bonus for him, but even if he knew he wouldn't be capable of that he would still be fighting the gods.
The second type are the half blood traitors, and this is what I really care about, because Luke is an antagonist but he is NOT a villain. He's a victim. And that distinction is the entire point.
Throughout the entire series Percy shows he understands this concept. Our first minor human antagonist is Clarisse. Percy doesn't like Clarisse, but he understands she's a product of her situation and he treats her with genuine compassion even when he's not being very nice to her. He knows how important her quest is to her, that her anger stems from insecurity, and he makes sure she gets to take the fleece back even though he won't get any credit.
As the books go on we see more significant demigod antagonists who don't just bully Percy but actually betray him. It would be easy for Percy to hate them, to write them off. But he doesn't.
Nico turns on Percy several times throughout the series, always for the same reason (seeking information on his family/bianca). Someone else might see that repeated betrayal and be furious, and yes Percy is a little pissed, but his first conscious reaction is guilt that he wasn't there for Nico and his first instinct is to try and help him. He continues to trust Nico despite everything. And Nico fights alongside Percy in the very end when it counts.
Silena doesn't just betray Percy, but all of camp and by proxy all of humanity. And instead of seeing a traitor Percy sees that, just like Clarisse, just like Nico, Silena is a victim of this life they've all been forced into by their godly parents. Percy understands that the human threat has been created by the cosmic threat, and Percy turns around and says "no." He has Clarisse's back. He forgives Nico. He makes sure Silena is honored as a hero. He gives the knife to Luke.
And this is what sets pjo apart. This is why the story is so important. Luke is the ultimate traitor. He was Percy's first friend at camp after Grover, and at the end of book one he tries to kill Percy and nearly succeeds. He turns his back on the gods, offers himself to Kronos, and forsakes all of humanity. And instead of building up that animosity throughout the series and culminating with Percy killing Luke, Percy spends years trying to help him. He learns Luke's backstory. He meets his parents, the godly and the mortal. He sees Luke's experiences as what they are: trauma. He finds him and asks him to come back. He offers him his trust. Luke declines, multiple times. But Percy doesn't stop trying. And at the very end, when killing Luke is the only way to stop Kronos and Percy has the opportunity to do so, he doesn't. He is not the hero, and he knows it. Instead, he forgives Luke. He gives him the knife. He offers his trust. And Luke finally accepts.
So Luke dies, Kronos is defeated, and Percy is not victorious. He sees it as a failure that they all let it get far enough that saving Luke wasn't an option. The gods offer to grant Percy one wish as a reward for his heroism, with immortality as the implied correct choice. And Percy shocks them all and says "no. This isn't about me. It was never about me. I don't want to be a god. I want you to make sure that what happened to Luke never happens to anyone ever again."
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when introducing himself to Father Jud, Blanc says "my mother is—was very religious" which is not a slip you make if your mother has been dead for a long time (compare to Knives Out where he says "my father was a police detective" with no hesitation)
his litany against Christianity in that same scene feels very personal, which could be for any number of reasons, but I think the line I mentioned in the previous bullet point is meant to provide context for it; he's expressing anger towards his mother and her loyalty to the church during her lifetime
similarly, when Blanc has his "road to Damascus" moment and his speech about giving grace to those who deserve it the least but need it the most, he's not really (or at least not only) talking about Martha; he's realized that he needs to find forgiveness and grace for his mother as well
Blanc's mother being dead would make him a thematic parallel to Monsignor Wicks, whose own unresolved trauma with his deceased mother informs his hyper-religious worldview (which stands in opposition to Blanc's hyper-rationalist one)
it also seems very intentional that when Father Jud prays for Louise, it's because her mother is dying and she doesn't want their last words exchanged to be in anger
From Snow White’s cherry-red lipstick to the balloon sleeves on Ariel’s wedding gown, every Disney princess reflects the trends of their debut era, even though many of them take place during some nebulous history period.
making the radical claim "11 year old children should be taught how to make extremely simple food" has resulted in people making arguments like "I wasnt allowed to plug in electronics until I was 16 and I think this is super normal actually" and "children dont know what ratios are so its unfair to expect them to be able to comprehend the idea of adding equal amounts rice and water to a rice cooker" and I gotta say originally I thought maybe I was being too judgy but now I feel very secure in my opinion because what the fuck
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