I find it deeply ironic how how Nolan called Debbie a “pet” only for him to looks like a literal puppy when she’s mad at him
so THAT'S where mark gets his fuckass puppy eyes from, it's GENETIC

izzy's playlists!
noise dept.
occasionally subtle
One Nice Bug Per Day
Peter Solarz

Kaledo Art
cherry valley forever

blake kathryn

oozey mess
DEAR READER
Claire Keane
ojovivo
RMH
KIROKAZE
Show & Tell
Misplaced Lens Cap
Sweet Seals For You, Always
he wasn't even looking at me and he found me

Andulka

❣ Chile in a Photography ❣

seen from Belgium

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@imaginovator
I find it deeply ironic how how Nolan called Debbie a “pet” only for him to looks like a literal puppy when she’s mad at him
so THAT'S where mark gets his fuckass puppy eyes from, it's GENETIC

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Pirates of the Caribbean: Dead Man's Chest (2006) IMDb Trivia
you know even if a homeless person or a starving person is in that position because of their own "bad decisions" i don't care. it doesn't matter. no supposed financial misstep is enough to condemn someone to homelessness or poverty.
Search and rescue teams do not ask if a hiker was properly equipped and prepared before they go out to look for them. EMTs do not ask if a driver checked their mirrors before they take them to the hospital. Lifeguards do not ask if a swimmer made a mistake by going into a riptide before they dive in after them. Judgement doesn't help anyone, including you, the person doing the judging. Just help people. Just shut the fuck up and help people.
Just shut the fuck up and help people.
Shut the fuck up and help people the next 1,086 days
Ideas are cooking for my pride outfit.
is this one of those "lesbians are transphobes unless they suck dick" posts?
No.
This is a "queer people should stand together" post.
Because refusing to aid in everyone having the right to their own body correlates into shooting yourself in the foot. Because when Trans people are targeted, eventually those leopards will start eating your face too. If it becomes illegal to transition and be recognized as such, your community will turn on you too. Then they'll go for your religion. And your race. And your gender. And your children.
Plenty of us remember when Asexuals were accepted as Bisexual because the Gay community said we weren't queer and didn't deserve to be acknowledged or exist. Plenty of Bi people are still treated as outsiders in the Queer community, right alongside us.
This isn't about sucking a trans woman's dick or eating out a trans man's vagina. This is about everyone having the right to do whatever the fuck they want to do to their own body.
11 for the podcast thing
11. what’s a podcast you’ve listened to more than once?
Sorry it took so long to respond! I've relistened to a TON of podcasts, because I get very into figuring out how shows tick. Here's a small sampling:
Limetown, Season 1: This is such a watershed show, and I listen to it probably on average once a year. Structurally and craft-wise, the team over at Two-Up caught lightning in a bottle with this show, and its influence on Shelterwood is massive - how the show handles investigation, interview, character interactions, and sound design are worth studying for anyone interested in the mockumentary form. The monologues on this show are brilliant.
Knifepoint Horror: Soren Narnia has been steadily cranking out some of the most chilling, understated horror in podcasting for a decade and a half. His philosophy on horror is simple and grounded: the heart of fear is loss. These stories, varied as they are, share a sense of melancholy which grounds the work (strange as it can be) in reality. I feel the same way about I Am In Eskew, but I'm still on my first listen-through. Check out the episode DNK for a really cool meta-take on documentary style horror, as the story takes the form of a directors commentary overtop a documentary.
In Strange Woods: Atypical Artists (with creative director @thelaurenshippen, go drop her a follow) pushed the boundaries of what a fiction podcast could be with this one, and it makes me cry so much all the time. I have a soft spot for media about the legitimate grievances of teenagers, and this one also features Broadway-caliber musical performances from an all-killer cast. This one plays with the documentary style by fusing it with musical theater, which is genius: both forms utilize a mix of narration and scenes to balance plot, emotional release, and personal/interpersonal motivations, and both forms have established formal tropes (the "I want" song, for example) that can be expanded/subverted by using the frame of the other. Check this one out if you like Come From Away.
That's that! I hope you check out these shows if you haven't already, they're just incredible. And feel free to send me more from the ask game here!

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why the fuck does no one write no lube, no protection, all night, all day, from the kitchen floor to the toilet seat, from the dining table to the bedroom, from the bathroom sink to the shower, from the front porch to the balcony, vertically, horizontally, quadratic, exponential, logarithmic, while I gasp for air, scream and see the light, missionary, cowgirl, reverse cowgirl, doggy, backwards, sideways, upside down, on the floor, in the bed, on the couch, on a chair, being carried against the wall, outside, in a train, on a plane, in the car, on a motorcycle, the the bed of a truck, on a trampoline, in a bounce house, in the pool, bent over, in the basement, against the window, have the most toe curling, back arching, leg shaking, dick throbbing, fist clenching, ear ringing, mouth drooling, ass clenching, nose sniffling, eye watering, eye rolling, hip thrusting, earthquaking, sheet gripping, knuckles cracking, jaw dropping, hair pulling, teeth jitterbug, mind blogging, soul snatching, overstimulating, vile, sloppy,moan inducing, heart wrenching, spine tingling, back breaking, atrocious,gushy, creamy, beastly, lip biting, gravity defying, nail biting, sweaty, feet kicking, mind blowing, body shivering, orgasmic, bone breaking, world ending, black hole creating, universe destroying, devious, scrumptious, amazing, delightful, delectable, unbelievable, body numbing, bark worthy, can't walk, head nodding, soul evaporating, volcano erupting, sweat rolling, voice cracking, trembling, sheets soaked, hair drenched, flabbergasting, lip locking, skin peeling, eyelash removing, eye widening, pussy popping, nail scratching, back cuts, spectacular, brain cell desolving, hair ripping, show stopping, magnificent, unique, extraordinary, slendid, phenomenal, mouth foaming, heavenly, awakening smut about any of jesse einsenberg’s characters. LIKE WHAT.
my fav hazbin (x reader) writers ! ( all 18+ )
@owoducks
insanely good writing, really good hooks. really detailed — smut writing
@6esiree
i love their blurbs. like, really, so much thought put into hcs and the stories. wondrous.
@9kaytor7
more into dialogue-writing! au readers will definitely love ‘em. also very detailed, and i really appreciate the amount of facts and research put into their works!
@wysteria-bloom
my gosh their fics make me laugh out of pure joy, especially during dialogues. fav line is definitely ‘flashbang your ass into next week’. descriptive, but more with writing actions.
@duratschka
adam fics. period. if you’re a kinky one, you’ll be in love. trust me.
Ty twin ❤️
✎﹏ saw an edit with him on this song and yeah...
i said i'd catch you if you fall
✧ cn warning: dom/sub undertones, manhandling, fuckbuddies-with-feelings, overstimulation, oral(both receiving), degrading/praise kink, breeding kink, size kink, deep emotional undercurrents, fluff
⁀➷ Gojo Satoru wasn’t an easy man to decipher—always grinning, perpetually untouchable, radiating that insufferable, all-knowing arrogance. But you? You knew him in ways most people didn’t.
You knew the sharp tang of adrenaline on his lips when he kissed you too hard after a mission, the way his voice dropped into something lower, smoother, still arrogant. Even when his hands tremble, marionettes of something raw and unscripted. You knew the intimacy of him shutting off his Infinity just for you. Not that you are the only one but the impossible contrast of power and vulnerability, how effortlessly he let you touch him when no many people could.
And that? That pissed you off more than it should.
Because what were you supposed to think? That you were special? That you meant something to him beyond a way to let off steam? No. You weren’t going to fall for that. You weren’t going to be another one of his playthings, just another moment of reckless indulgence before he threw himself back into the world that demanded too much of him.
And yet…
There were moments. Small ones. Moments when you wondered if he cared.
Seeing Stars
summary: after a bump on the head, you wake with your head on the shoulder of a beautiful stranger (who isn't really a stranger)
cw: hospital setting, concussion, memory loss, mention of vomit
Sirius Black x fem!reader ♡ 1.1k words
You wish the drone of all these people would quiet down so you could sleep better. You’re so tired, and conditions are perfect for it otherwise, your body heavy and a warm pillow of ideal firmness beneath your head. There’s a gentle brush of something against your forehead every now and then which feels inherently comforting. It does it again now.
“That’s nice,” you murmur.
A low chuckle. “Happy you think so.”
You tilt your head towards the voice, startled to see a rather breathtaking man looking back at you. He’s close enough for you to count the long, dark lashes fringing his grey eyes and to catch the little tick his mouth does, as though he’s pleased to be looked at by you. Your warm, ideally firm pillow seems to be his shoulder.
You sit up. Flashes appear behind your eyes; you blink to dispel them. “Sorry,” you say.
“Hey, it’s alright,” the man says. He’s frowning, suddenly, brows sewn together in apparent concern. Every movement of his face only serves to make him lovelier; it’s dizzying. “What’s the matter?”
“I didn’t mean to fall asleep on you.”
The brow situation worsens. “Don’t be sorry for that, lovely. I hardly mind. Come on, why don’t you come back?” He folds a hand around the side of your head very carefully, as though wary of hurting you, to guide you down again. “The nurse said it’ll be good for you to rest while we wait.”
You don’t argue, because he seems to know things. You trust him. Maybe it’s foolish, but who wouldn’t trust someone treating them so kindly, who presses his lips to your forehead as you settle and covers your ear with a hand when the wail of a passing siren cuts through the room and you wince.
“I know,” the angel-man murmurs, sounding woefully compassionate to your plight. “We shouldn’t have to be here much longer. Are you feeling okay?”
Dating Loki Would Include…..
• He flirts like it’s a weapon—sharp smile, silver tongue, every word tailored to make you flustered.
But when you call him beautiful? He gets quiet. Almost shy. Like he doesn’t believe it yet.
• You’re the only one allowed to see him undone—crown off, hair loose, voice low. When he’s with you, he’s just Loki.
• He gifts you enchanted trinkets: a ring that glows when you’re in danger, a pendant that warms with your heartbeat, a mirror that always reflects your true self.
• You find out he leaves glamoured illusions of himself to follow you when you travel alone—not out of control, but out of protection.
“You think I’d let you walk Midgard alone without a shadow watching your back?”
• When he’s thinking deeply, he braids his fingers into yours absentmindedly. You’ve become his grounding spell.
• Arguments are… intense. Words like daggers. But apologies are poetry. He will kneel, kiss your palm, and whisper,
“You are the only soul I kneel for willingly. I’m sorry, my storm.”
• Midnight conversations often spiral into things he’s never told anyone:
how the stars whispered to him as a child, how Asgard never quite felt like home, how you do.
• He keeps a journal. You find it once—full of sketches of your eyes, notes about your laugh, a spell for keeping your dreams sweet.
• When you fall asleep beside him, he traces constellations on your skin with his fingertips. And sometimes he says,
“Even if the Nine Realms fall, I would still choose you.”

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just realized something really fucking sad about mizu and how she parallels/contrasts fowler.
one of the things that makes abijah fowler such a fantastic villian is that he isn’t uniquely evil when compared to other people in the show, right?
he’s racist? so is nearly every other character.
he’s abusive to women? so was boss hamata, hachiman the flesh trader, heiji shindo, and plenty of other men because their society was disgustingly misogynistic.
he killed his bastard children? society didn’t even consider them human in the first place.
he overthrew the shogunate? he didn’t work alone.
he’s a sadist? madame kaji says it herself- “if you killed every man i’ve seen who couldn’t cum til someone bled, you’d wear your blade to a stump.”
he murders, he abuses, he lies and manipulates, he gets off on seeing others suffer. the only uniquely awful thing about him is that he doesn’t hide it. we can find all of his abhorrent behavior in the words or actions of other characters. which, tragically, includes mizu for one specific reason.
if you remember during fowler and mizu’s fight in episode 8, fowler tells mizu that her “bones break like a woman’s”, which carries the terrifying implication that fowler has killed so many people with his bare hands that he knows the difference between the feeling/sound of men’s and women’s bones snapping.
and i realized what makes this line worse is that mizu is the only other character we know of who has killed a women with her bare hands- when she snapped kinuyo’s neck. of course the difference is that abijah is just evil while mizu did it as a mercy killing on madame kaji’s behalf, but it’s still so tragic to me that kinuyo’s death unintentionally brought mizu closer to abijah in a way.
they are the only ones who know how it feels to break an innocent woman’s bones.
something that i really like about blue eye samurai, now that im thinking about it, is that it discusses violence against women without becoming torture porn. like, in a lot of media that portrays women's issues, they show you that scene. like they give you this extended visual of a woman experiencing something traumatic and then laud themselves as feminist for doing so.
blue eye samurai doesn't do that. the whole show is set in a world that is extremely antagonistic toward women, and it makes a point to tell you that being a woman right now sucks, because they are property and are used sexually. but even though it doesn't shy away from this, it doesn't show you the violence itself, which you would almost expect it to because of how graphic the rest of the show is.
im thinking specifically of kinuyo. they very well could have shown us a scene of her being abused, but they didn't. they didn't show the abuse itself, but they did show how it affected her. they showed her seeing a doctor for her sores. they could have made this incredibly traumatic and grotesque scene a spectacle, showing us exactly how powerless she is and how powerful he is. they could have shown us this incredibly triggering event in full detail for our entertainment, but they didn't. they chose not to. and i think that's how it should be.
it is not necessary to have an extended visual and auditory reenactment of violence against women. we the audience understood the gravity of the situation and were able to empathize without needing that scene. having that scene would have completely detracted from the point they are trying to make. it would have turned something completely reprehensible that women everywhere fear because it's a very real issue into entertainment.
Mizu, femininity, and fallen sparrows
In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.
If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.
So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.
I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?
However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.
Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)
And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.
Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.
It does not mean she doesn't hurt for them.
Back to Mizu and collateral damage, remember that sparrow?
While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:
She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.
You see where I'm going with this.
When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:
And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD
When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.
MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS
No wonder Mizu is as stoic and cold as she is.
And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:
Speaking of Akemi - guess who else is compared to a bird!
The plumage is more colorful, a bit flashier. But a bird is a bird.
And, uh
Yeah.
I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.
But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.
Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:
But softness and mercy haven't gotten Mizu anywhere good, recently.
There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.
After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:
"LET" her die. Because as Ringo points out, she doesn't "know how" to die.
Kind of like another bird in this show:
THEY'RE SO STUPID GOD I LOVE THEM
when the character has issues with food
when the character has issues with sex
when the character has issues with intimacy
when the character has issues with bodily autonomy

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Personality hire
Working Cats
Sometimes you really need a good personality on your staff.
I swear to fucking god. I would claw out OneDrive from my computer if I could. I would burn down their servers if I could. I would run down their stocks to the ground if I could. I hope every single one of their workers gets a better offer from a competitor in the next 24 hours. I hope every single one of their light bulbs explodes at the same time. I hope every single carton of milk in their fridge will always be expired.
Stop backing up my fucking files.
Stop asking me to back up my fucking files.
Stop taking my fucking files off my fucking computer.
I don't want a fucking reminder in three fucking days. Let me fucking say no.
Fuckers.