I'm certain this is on Tumblr somewhere, but I haven't seen it around, so I'm sharing it myself
Claire Keane
Sade Olutola
Monterey Bay Aquarium
One Nice Bug Per Day

titsay

izzy's playlists!

tannertan36
AnasAbdin
we're not kids anymore.

Discoholic šŖ©
Three Goblin Art
he wasn't even looking at me and he found me
Sweet Seals For You, Always

#extradirty
will byers stan first human second
Show & Tell

oozey mess
DEAR READER
"I'm Dorothy Gale from Kansas"
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@hyperactiveflame
I'm certain this is on Tumblr somewhere, but I haven't seen it around, so I'm sharing it myself

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Nishimoto Ryota
a piece of wood carved to fit perfectly into a zippered plastic bag
Wow! Hereās something incredibly personal.
This is Good Bi Gender. A comic I made to express some feelings I have about my gender. I donāt really have that much else to say about it. Here it is.
[Image Description: A digital comic made with sharp, angular abstract lines and only the colors white, blue, pink, and black. The featured character is all white, except for facial features and hair colors, which changes from panel to panel. The comic reads: Cover Panel: The text āGood Bi Genderā, the words colored with the trans flag. It shows a glitchy personās face, half pink and half blue. Panel 1: White text reads: āHello. My name is apparently irrelevant. And my pronouns are he/him and she/her. But you canāt call me she/her. And hereās why.ā Someone with a half-pink and half-blue shirt looks to the side. One eye is covered with hair, and the other eye is pink while the iris is blue.
Panel 2: The character sits happily, imagining facial hair and a masculine voice. āI donāt want top surgery. I love my chest. And I dream about being on testosterone someday soon.ā The character looks at a phone, frowning. The phone shows the male symbol with an āXā through it. Text next to it reads: āPeople donāt seem to think that the features I dream of are very pretty though⦠Or they think even worse of them than thatā¦ā
Panel 3: The characterās features are all pink, and sits in a blank frame. The character reaches over to a blue frame, frowning. āI donāt like the animosity. I really despise it.ā A photo of the character shows an all-blue frame and blue hair, with pink outlines and facial features. āTo be a boy⦠I aspire to be one. I aspire to be masculine in all its handsomeness. All its prettiness.ā Panel 4: The character sits in an all blue panel, but reaches back out to the pink panel. āAnd Iām still a girl too. I was so excited to have both. To love both. To have handsome femininity. Beautiful masculinity.ā The frames break and connect, and pink and blue swirl together. The character smiles in between the frames, with one pink eye and one blue eye. āSo excited. And yet I get askedā¦ā
Panel 5: Two hands hold out two different pills to the character, one blue and one pink. They ask āMale? or Female?ā using the male and female symbols.The character, facial features an array of pink and blue, looks between the two hands, distressed. āItās both! Iām both! Theyāre not opposites. Not narrow boxes. I say Iām both despite the insistence that I canāt be. And I know what I look like. I know I look like a girl to most. I know that if I say people can call me she, thatās all I will get from most. Because itās āeasierā. It āmakes more senseā. To have my masculinity, I am often forced to be unflinching in it and it alone. To never use she. Because if I donāt, I will never get to have he.ā [The words āsheā and āheā are italicized.] Panel 6: Text reads: āIām still very happy to be so comfortable in my identity. To know, despite all that, that I am indeed a boy and a girl and both. But you know. Telling people to only use he/him for me. Guarding my masculinity all just to have it. All at the expense of the part of me who is happily and unashamedly a girl.ā The character cries from one pink eye, the other hidden. The character holds a pink girl in a sea of blue, the girl crying out. In the midst of the blue, text reads: āWell, it fucking breaks her heart.ā End ID]
Edit: @starberry-skies wrote an ID for the comic, so I added it to the og post with its permission!
I bring a real 'actually people who are pregnant do deserve some special consideration because they are effectively at least temporarily disabled if not permanently after some complications' vibe to the party that a lot of people don't seem to like
Did you play AD&D? I can't remember how old you are, so hopefully that's not too offensive. If so, was a typical game really as hostile as people say it was?
That's one of those question where the answer hovers somewhere between "no, with a couple of massive caveats" and "yes, but not in the way most people think".
A lot of AD&D 1st Edition's GMing practices are pretty hardass by modern standards; however, they need to be understood in the context that the game's authors were writing for a target audience who mainly played the game in college wargaming clubs, where players would frequently transfer between groups and group sizes tended to be very large ā six players per GM was considered a bare minimum, and up to a dozen player characters in a single party was by no means unheard of!
In particular, players would often bring their character sheets with them when hopping between groups, and it was considered a faux pas for a GM to reject an incoming player's existing character or request any substantive changes be made, so managing expectations could be quite challenging; even as late as 2nd Edition, the Dungeon Master's Guide contains extensive discussion of how to gracefully handle players bringing existing characters with them who aren't necessarily a good fit for the present game's tone or resource economy.
The upshot is that the culture of play these iterations of Dungeons & Dragons are targeting inherently obliges the GM to take a much firmer hand to keep things on track than a pickup game that draws players exclusively from within the GM's established friend group might ā and to be sure, some GMs abused these expectations to act like petty tyrants, but some contemporary GMs do that, too.
A big part of the modern perception that 1E and 2E were extraordinarily player hostile, meanwhile, has nothing to do with the previously discussed GMing practices; rather, it emerges from the transition away from that culture of play in a slightly unexpected way.
In brief, back when D&D was mainly played by wargaming clubs, it was fashionable to run pre-written adventure modules competitively at conventions; the competition wasn't between players, but between parties, with multiple groups running the same adventure in parallel to contend for prizes. Tournament play sometimes chose its winners based on the fastest real-time completion of the module in question, or set specific objectives within the module which would award points when completed, a bit like speed-running or achievement-hunting in a video game (though neither practice existed yet at the time).
It was the survival module, however, that quickly emerged as the most popular tournament format. In a survival tournament, each player would provide or was furnished with a binder containing a fixed number of pre-generated character sheets, switching to the next character sheet in the set as each preceding character died; the winning group was the one whose last surviving character's corpse hit the dirt furthest from the dungeon entrance.
Many of 1E's most popular adventure modules, including the infamous Tomb of Horrors, were originally written as survival modules to be run at tournaments in conventions. As such, they were designed to kill off player characters both quickly and efficiently, so as to reduce the likelihood that the tournament would run overtime and get kicked out of the convention venue. When they were later cleanup and repackaged as commercial adventure modules, their text rarely bothered to explain any of this ā who doesn't recognise a survival module when they see one?
The answer to that question, of course, is kids who didn't come up through the mentorship system of the college wargaming clubs, but taught themselves how to play D&D from first principles using books they bought at their local hobby stores ā and when D&D's popularity unexpectedly exploded in the early 1980s, there were suddenly rather a lot of them!
These kids purchased the repackaged survival modules along with all their other D&D books; having no frame of reference, they assumed that these represented what a "standard" D&D adventure was supposed to look like ā and since they weren't experienced players with whole binders full of pre-generated backup characters at their fingertips, the result was a lot of seemingly unfair total party kills, and a lot of kids concluding that the previous generation's GMs must have been objectively insane.
There is an additional amusing point of order here, which is the answer to the following two questions. I once had a discussion with someone in Gary Gygax's gaming group, who was involved in early TSR work a bit. Allow me to paraphrase my questions and his answers.
Why publish survival modules as your primary format of published adventure?
"Because that's what we had -- they were already laid out for publication. Why not publish them and make some money off it?"
Did it ever occur to you at the time that publishing adventures like these would shape the larger D&D culture's expectations of what play was supposed to look like?
"No, why would it?"
One of my favorite anecdotes about early D&D, from Blog of Holding:
"Itās hard to get that context just from reading the original Dungeons and Dragons books. If nine groups learned D&D from the books, theyād end up playing nine different games.
"Mornard told us about an early D&D tournament game ā possibly in the first Gen Con in Parkside in 1978? Gary Gygax was DMing nine tournament teams successively through the same module, and whoever got the furthest in the dungeon would win. Youād expect this to take all day, and so Mike was surprised to see Gary, looking shaken, wandering through the hallways at about 2 PM. Mike bought Gary a beer and asked him what had happened ā wasnāt he supposed to be DMing right now?
āItās over!ā replied a stunned Gary Gygax.
"Gary described how the first group had fared. Walking down the first staircase into the dungeon, the first rank of fighters suddenly disappeared through a black wall. There was a quiet whoosh, and a quiet thud. The players conferred, and then they sent the second rank forward, who disappeared too. The rest of the players followed.
"The same thing happened to the next tournament team, and the next. Players filed into the unknown, one after another. And they were all killed. The wall was an illusion, and behind it was a pit. Eight out of the nine groups had thrown themselves like lemmings over a cliff; only one group had thought to tap around with a ten foot pole. That group passed the first obstacle, so they won the tournament.
"Gary and his players couldnāt believe that the tournament players had been so incautious. But, to be fair, none of those tournament groups had played in Gary Gygaxās game. They had learned the rules of D&D, but they had no experience of the milieu in which the book was written. Of those nine groups that had learned D&D from a book, only one played sufficiently like Garyās group to survive thirty seconds in his dungeon."

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rip king, truly nobody was doing it for weird sci-fi and fantasy obsessed nerds like you š
https://www.bbc.co.uk/news/articles/cd0p0rz4n0mo
if you are a parent, or may become one, or you are otherwise likely to arrive in the situation of caring for a child while they eat, promise me this: if a child doesn't like a certain food or food group, you will ask them WHY. and specifically, you will pay attention to either confirming or ruling out "it makes my mouth itch" or "it makes my stomach hurt," both of which are medically important info that children may not provide unprompted. which i know because this PSA has been brought to you by "i spent my entire childhood and much of my early teens eating peas and lentils while wondering why everyone else liked the Violently Itchy Mouth Sensation so much, like were they a bunch of legume masochists or something, before i finally realized that Violently Itchy Mouth Sensation was in fact a sinister demon appearing only to me, and her true demonic name was: Legume Allergy"
Do not let your child suffer from spicy bananas!
always almost
ok so, I approached my local library with a proposal to donate a mural as a way to A: build portfolio/gain practical experience and B: give back to a beloved public institution. The director was very enthusiastic about it and i've been working on it since the beginning of March. Come with me as I endeavor to paint what is in all honesty an excessive amount of birds
I wanted the birds to look like they were actually in the space so first thing after doing the draft was to do a lighting study
after that I covered the walls in letters in lieu of a projector/vr headset bc i have neither of those :) Then i take a picture of the section of wall and superimpose the lineart over top of it so I can pencil in the lines
et voila
and that was a whole week on it's own so next comes the paintin' >:)
and now, the birds
Birds 1 and 2/14: Red Winged Blackbird, Male and female, Agelaius phoeniceus
Bird 3/14, American Robin, Turdus migratorius
hoo boy, ok *out of breath*
GIVE IT UP FOR BIRD NUMBUH 5, THE CANADIAN GOOSE, Branta canadensis!!!!
this guy took me about 4 days to completely finish, all of those freakingk coverts were a bear to render
speaking of obnoxious coverts:
bird 5/14, Bluejay, Cyanocitta cristata
the friggin stripes almost got me chat, i may not make it
Madam....
birds 6 and 7: American Goldfinch, Spinus tristis, male and female
pleasantly simple to paint! next is the flickerrrrr
*melts into goo*
BIRD NUMBER 8, (yellow shafted) NORTHERN FLICKERRRRR, Colaptes auratus
genuinely made me start questioning my sanity around day 3, it's half the size the of the goose, WHY did it take me 4 days to finish??
nothing but pain and suffering, i'm sure hope the next bird will be much easier and with FAR less barring :)
in other news, I am losing my mind hairline
SHE'S DONE!!
Bird number 9: Red-tailed hawk, Buteo jamaicensis
my chains are broken i am FREE. although i did have a great deal of fun with this, the barring on the wings itself took me like four days and i am READY to move on
this was a week and a half of continuous work so please excuse me for getting a little emotional in the bg š
*does a little jig*
BIRD NUMBER 10!!! The Male Mallard Duck, Anas platyrhynchos
the male and female ones are gonna be posted separately bc they're taking a lot longer lol but yea! super happy i was able to capture the iridescent green of the head, i found metallic green and blue paint at a craft store that really made his head POP. it looks better in person i promise
ALSO!! As this is the 10th one, BIG announcement. The end is in sight!!!!! I plan to finish within the next 3 weeks and there will be a small dedication ceremony/ unveiling happening at the library to commemorate its completion on the 16th of May. If you live in the Western New York region and want to check it out for yourself shoot me a dm!
Also thank you everyone for your kind words and support throughout this whole process, it's been a genuine treat thinking there are potentially thousands of you out there cheering me on while I paint this š„¹
aaaand another one bites the duck,
we're movin right along with bird numero 11!! The lady Mallard!! Anas platyrhyncos
the 16th is looming in the distance so i'm trying to get thru these as quickly as i can so i can have as much time for the GBH as possible. i still need to do the names next to all of them so i've got about a week and a half to finish everything which is GREAT because i have adhd and nothing gets my ass in gear like a fuckin deadline, let me tell you
power couple that they are, here's bird number 12 and 13,
the Northern Cardinals, Cardinalis cardinalis
and NOW that they are complete, ITS GO TIME, in the next five days (library's closed for mother's day šš) i need to have the GBH fully rendered, the names of the birds vectored, weeded, masked, applied to the wall, and then painted, plus additional cattails throughout. I may be able to get away with just getting the GBH done in time for the unveiling and then just have the names and cattails added later, but i'm gonna really try to get it all done in time. BUT, i have a plan. Part of why i take so long on these is because i really am just figuring it out as I do it lmao. there have been many a time where i am sitting on top of the ladder googling "how to paint birds" but I think if i take the time tomorro to do all that figuring out how to approach it beforehand, this will go a lot faster. I may also recruit some of my artist friends to help with the placing of the names... hrmm we'll see.
Anyways, shout out to the librarian who tracked down exactly the thing i needed so i could figure out where to place the highlights in my birds eyes, ur the real mvp
thanks for the reminder, kid
at long last, we've reached the end...
Bird number 14 out of 14,
The Great blue heron, Ardea herodius
thank you to everyone who reached out or got excited about this project, it genuinely gave me the fuel i needed to keep going. In total, the 480+ total hrs it took me to cover this wall pales in comparison to how long its expected to spend on there, hopefully imparting a sense of beauty and love for the natural world to the next generation and here's hoping i'm only getting started with these.
i'll see y'all soon :')
Very excited to finally share some pictures of my Dread Pirate Frogerts build! I've been thinking about making this outfit for my Kermit for a while now, but the proper motivation to actually get this done was hearing that Cary Elwes was announced as a guest for my local comic convention! So with any luck Dread Pirate Frogerts will be getting to meet the real Westley very soon.
A shocking amount of work went into making this little outfit... I completely underestimated the amount of time I would need to put all this together. Though a good chunk of that was me getting way too wrapped up in perfectionism... ask me how many times I re-did the smocking on the sleeves (On second thought, don't, it's embarrassing). Here I thought I had been con-crunching with Piggy last year... technically, I only just finished Kermit today, and the convention starts Thursday. Lots of internal (and external) screaming was had with this build. I did film the majority of it, with plans to turn it into a full video and reel in the future... maybe once I've had a chance to recoup from aforementioned con-crunch.

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according to An Immense World, apparently giant squid eyes are, like, UNREASONABLY large, even for something their size living at those depths. the next largest eyes on earth, blue whale eyes, are less than half the size, and swordfish, who live at similar depths as giant squid and have the largest eyes of any fish, have eyes that could fit inside a giant squid's pupil.
eyes hit serious diminishing returns wrt resource costs vs vision quality as they get bigger, so the question became: what the FUCK do giant (and colossal) squid need to see so badly that they couldn't see with swordfish-sized eyes that's justifying that massive energy cost? that nothing else in the deep ocean needs to see so fucking badly??
turns out the one strength eyes that big really have over much smaller eyes is: seeing large glowing objects in water deeper than 500 meters from an appreciable distance.
sperm whales are the primary predator of giant squid. sperm whales don't glow. BUT! water that deep is full of bioluminescent creatures-- these creatures light up when bumped into. something a sperm whale's size is continuously bumping into those critters, it's just surrounded by a glowing field all the time when it's swimming at those depths, visible from a distance-- if you have the right eyes-- as a massive glowing shape. so basically the only reason to have eyes the size of soccer balls is if you live in the deep ocean and your life depends on having a heads up when a hungry sperm whale lurking around
and also I gotta say, the imagery... the huge lurking threat betrayed only by the ambiguous glowing shape of its movements through the water, is really evocative, if spooky deep-sea games aren't already using that to make things extremely ominous then they should really start
Strange racists and homophobes on the internet seem to have access to an alternate way cooler version of TV than me. "every white character on TV is in an interracial relationship" "every show has a gay couple in it" "main characters keep having to secretly be bisexual and nonbinary" "every show has gratuitous full frontal nudity" like damn promise?? What channel???
as a black gay person real like where y'all be finding this stuff pass the name
for real though, those DO NOT WATCH OR YOU'LL CORRUPT YOUR CHILDREN lists put out by conservative christian family groups is where I find all the stellar tv shows. Like, shit I didn't know half of those existed, thanks for finding them for me, gonna go watch 30 hours of gay tv now!
I think I know how this works.
For personal context, before I went to the '98 Burning Man festival, one of the things I'd read from a couple different journalists was that "everybody" runs around naked. Which, fine by me, I'd already spent a lot of time in clothing-optional spaces, I'm not fanatic about it but it's nice.
So I got there early and set up a public shade structure on one of Black Rock City's main roads and spent most of each afternoon just watching the crowds go by. I don't remember seeing more than one actually naked person the whole week. I think a topless woman passed by my intersection maybe every half an hour, sometimes once an hour. So why in the hell were people, normally pretty smart and observant writers, coming away with the impression that everybody was naked?
Then I remembered an unrelated passage from Joel Garreau's great book about the history of the outer-ring suburbs, Edge City. Mall developers told him flat-out that they tried to keep the crowds in their malls less than 5% black. Not because they themselves were racist, but because they had determined, experimentally, that if more than 5% of the people in the mall are black, the median white shopper will wrongly describe the mall as at least half black, as mostly black. And not a few of them would describe it, at 6% black, as a mall where "only black people go." Why?
Because, emotionally, they were still upset over the last one when the next one came into view.
Same as the journalists describing Black Rock City as all naked. Same as the right-wing religious culture warriors describing television as entirely mixed-race and gender non-conforming. Not because it's even vaguely true, we know that, but because they haven't gotten over their discomfort over the last one by the time the next one comes along. The anger, not the stimulus, is the part that's continuous, so their mind lies to them that it's "all" the thing they can't get over.
Similar effect for the presence/proportion of women in things, by the way: https://health.howstuffworks.com/mental-health/human-nature/perception/how-17-equals-496-the-amazing-multiplying-women.htm
Whatās the solution then? Or if thereās no solution, should we make things even queerer and more diverse?
excerpts from erin in the morning's article on the ioc's ban on transgender women and sex testing policy
hi!! sorry if you've been asked this question before, but as someone who wants to be a lawyer, how do you deal with defending people that morally you really don't agree with? thanks!
I get a lot of versions of this question, and I answer it seriously every time, because itās both important and not important at all. Anyone who asks respectfully gets my whole ass answer.
Itās just not really about that. My job isnāt about defending the idea of hurting someone else. Itās about stopping the state from inflicting further hurt, torture, pain. Itās about pushing back for some fairness against a monumentally stacked system. And itās about stuff thatās normal human stuff that counts as crime for some reason.
Yeah, itās hard to do a sex abuse case. Sometimes the images stick around and it bothers me. But honestly? Mostly those cases have real plausible theories of innocence or theyāre cases that I will lose because the evidence is there, and the question is not whether the perpetrator will go to jail but how long.
Those cases are so rare, though. I get so much pointless bullshit. Felony of a teen taking momās car without permission. Two kids that try to break into a car and get so scared by the alarm that they run away. Trespassing on dadās house because his new girlfriend wants you to stop coming around. Itās just human stuff, and the violence of the state is not necessary or helpful.
I also reject the idea of punishment completely. The state has a responsibility to stop people from hurting other people again. But inflicting pain doesnāt do it, we know this by now. So I argue for mercy and for real solutions to real problems. Iām here to build a future, not get caught up with doing violence to someone because of the past.
So yeah, sometimes itās hard, but mostly my conscience is dead clear: Iām not responsible for the crime. The damage has been done. I want to start the healing process, and I want it for everyone involved. When thatās not possible, I just want to tell the authorities they donāt get to just Do What They Want.
The more I do this job, the more I am a genuine pacifist who is against violence in all forms, and actually I donāt see a contradiction between that and what I do for a living. State violence is a pervasive evil that tears apart families, communities, and countries, and itās far more damaging and awful than any individual crime. The average prosecutor has more blood on their hands than a serial killer, but itās invisible: people who died in jail, who froze to death on the street, who were shot in a drug deal. Their violence begets violence.
When I get blood on my hands, itās because I put my hands over the wounds and try to stop the flow. Iām okay with it.
Also: people donāt ask doctors how they can stand to treat bad people. Why ask me?
#i find people have such an inherent misunderstanding of the roles of defense attorneys (understandably but still)#in that most people i talk to seem to be envisioning me personally defending the right of people to commit crimes or that like. Crime Is#Good Actually#āyeah this person did X but they should never face any consequences ever please and thank you judgeā#(and people think this would WORK??? a different tangent on a lack of legal education and cop shows being awful etc)#meanwhile i am simply protecting peopleās rights. yes even those peopleās#idk i could write my own post but op Gets It and also a prosecutor just filed the DUMBEST motion ive ever seen and i need to respond to that#instead lmao (via @anixit26)
The number of people who respond to my post about how even the guiltiest person in the world deserves rights with "but not [crime I think makes you undeserving of rights]!" is truly insane. People really truly think that being accused of a crime makes you irredeemably evil and protecting the rights of those accused means you are also evil.
The “criminal justice reform” movement is in danger. Efforts to change the punishment bureaucracy are at risk of being co-opted

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Something I donāt see talked about much is how predatorjacketing is a very common experience for trans men and mascs, especially from within our own community.
Our proximity to manhood and/or maleness is seen as a de facto link to predatory behavior, and in fact, is seen as somehow affirming to be called as such because man = predator. We are constantly told we must be held to account for the actions of (overwhelmingly and primarily) cis men, because otherwise weāre saying weāre not really men (ignoring that many of us arenāt, but thatās an exorsexist tangent for another day) because thatās what masculinity is. If we donāt identify with and apologize for it, weāre accused of not really being trans. It quickly becomes clear that a lot of these supposedly āwokeā and āgender liberationistā people still subscribe to the idea that men will always be the predator and women the prey, so in their eyes when a trans man says he is a victim he is basically calling himself a woman, and when a trans woman is accused of assault people are basically calling her a man. This outdated view of gender dynamics being transposed onto trans people isnāt altogether surprising, but itās incredibly frustrating how often itās used to categorize people with the insistence that itās just the way things are.
My brother randomly told me something that really made me think.
About what "Protect the youth" has become. Idk what it was like in other countries and I know that it very likely could have been stricter than it was in my country back then. But generally:
He was like "When I was 16, there were two kinds of adult content: Horror movies and explicitly depicted sexual content. The first made me have nightmares, the latter generally wasn't of much interest to me because it wasn't something I, as a 16 year old, could relate to. And other sexual content that was helpful and interesting WAS freely accessible. So whenever I saw an "18+" label somewhere, I just completely ignored that content because I knew it wouldn't be interesting at all to me.
But NOW, what's declared 18+ is even an excessive amount of swear words in streams! NOW, when I see an "18+" label, I don't know if it's horror movies that'll give some 16 year olds nightmares, if it's completely unrelatable porn, OR if it's educational sex ed, a 20 year old talking about their really healthy relationship with their partner (that includes intimacy), education about consent in BDSM (which affects 16 year olds as well, there's no age limit to curiosity), a live stream of wholesome musicians who happen to drink a couple of beers during kind of therapeutic talks, or simply people who aren't puritans and say "fuck" a lot! An 18+ label isn't worth anything anymore!"
And yeah... That's just it.
People who talk about body changes during their (first!) puberty are even labelled adult content. Even though puberty very much happens BEFORE adulthood. It's helpful content for minors. And it's labelled "adult" to "protect the youth".
Nothing means anything anymore.