jason todd being a crier is important to me somewhere fundamental right up between my heart and my lungs.
Someone on twitter put this together but even still it’s missing my favorite Lost Days moment
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@huntedreader
jason todd being a crier is important to me somewhere fundamental right up between my heart and my lungs.
Someone on twitter put this together but even still it’s missing my favorite Lost Days moment

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Every time someone, whether in-universe or in meta tries to say that Jason's a "loner" I think about two things:
First of all, the fact that Bruce is frequently referred to as a loner, both in universe and out, as if he doesn't literally constantly have his emotional support child and a rotating cast of lovers (sometimes multiple in any given story at once). In this instance, it's used to try and make Bruce seem "cool," which whatever ig.
Batman #359, which, is so fucking funny to me because this is before Batgirl and Talia showed up in this story. Catwoman to. It was a real fucking ensemble. He's berating himself for snapping at Dick, and sending some civilians (The Todds btw) to die, against Dick's advice, because he's being bitchy about Catwoman. Like, my man, you have a mental breakdown every time you're truly alone. You're not a loner but maybe you should be.
Secondly, is Jason a loner or is he just always alone and isolated? Is he a loner or does he just not know how to be any other way? Jason consistently through both pre- and post-crisis express a lot of desire to be around other people/build connections, as well as referencing factors that isolate him from them. (I'm not sourcing every incident here but here's Jay trying to bond with Bruce right after he gets taken in, and some stuff wrt Jason at school)
Detective #527 (Pre-Crisis)
Batman#395 (Pre-Crisis. This is him being jealous of Catwoman, sure, but given how often in this arc it's referenced that he's isolated from the other kids in school- despite being on some kind of presumably sports team. I think it's baseball? I'm trying to find the exact issue that it actually SHOWS him on said team but it is referenced in the issues leading up to when they switch over the histories.)
Batman Annual #12 (This is Post-Crisis)
In Brothers in Blood Jason's trying to reach out to Dick. I'm not saying he did it the right way or that Dick was wrong for rejeting that, but he did literally expressly say that he was trying to reach out to him. in his brief period that he worked with the Titans, it's explicitly stated that he'd had to sneak out from under Batman's nose to join up with them. Jason has a sparse few interactions with mostly adult heroes in Pre-Crisis and the only hero his age he gets to meet is Kid Devil/Eddie Bloomberg and that's nebulously canon or not since Pre/Post-Crisis was a soft, slowly rolled out reboot where they changed a lot of things in retrospect but also implicitly kept others. (N52 was also like this but I get the impression Crisis was marginally more organized.)
UtH was Jason reaching out to Bruce for connection. Again, not really the right way to go about it but he pretty obviously/expressly wanted affirmation that his relationship with Bruce DID matter to someone other than himself because he felt it had been stripped from him and false.
Someone who keeps reaching out to other people, but gets rejected because they did it wrong, is not a loner.
When those attempts fail and he reaches out less and less, that's not loner behavior, that's lonely behavior, maybe even a dash of self-loathing. When he starts sabotaging his relationships further he thinks they're already fucked, that's not loner behavior, that's bad coping mechanisms for childhood trauma. I don't care that they state it exactly that he's some kind of "loner," his actions don't agree with that statement.
Is his status something of a self-fulfilling prophecy at this point? Yeah. I keep seeing people refer to him this way and, jesus. y'all wanna ostracize him so badly sometimes. You don't want him here you don't want him there. You use the "loner" rhetoric to enforce the idea that his isolation is a good thing that he wants. They use it IN UNIVERSE from the mouths of characters who have biased views about him.
If he's such a loner why does he keep going back? Why does he answer every call? Like a beaten, but unfortunately faithful dog that can't help but return to their abusive master.
Safety Off
Jason Todd Headcanons Sparring With His Crush (you)
The Setup
-Jason suggested the sparring sessions himself and played it off as "you need the practice" even if you're already perfectly capable. He needed a reason to spend time with you that didn't scream I think about you constantly and this felt plausibly deniable.
-He mentally coached himself before the first session. Be normal. Be chill. It's just sparring. He was neither normal nor chill for a single second of it.
-He shows up in a compression t-shirt and sweats and still somehow looks annoyingly good and he knows it and pretends he doesn't. They’re gray sweatpants too bc he’s a lil slut.
Sparring Session
- He is so careful with you physically, in a way that's almost contradictory given that the man throws hands with supervillains for fun. His grip when he's adjusting your stance is deliberately controlled but firm enough to be useful, and gentle enough to be a whole entire thing.
- Definitely corrects your form with his hands more than his words. Moves your arm, repositions your foot, adjusts your shoulders and every single time he does it he goes very slightly quiet afterward like he surprised himself.
- He talks so much trash when you're actually going at it. It's his comfort zone. The teasing is genuine but it's also armor — if he's laughing at you he's not accidentally saying something sincere.
-"That all you got?" and "My grandmother hits harder" and "Come on, I'm literally standing still—" and then you land something good and he shuts up for two full seconds which is the highest compliment he has.
The Crush Leaking Through
- He lets you work harder for it than he'd let anyone else, because he actually respects you and refuses to be condescending but when you're genuinely struggling he finds a reason to slow things down and show you instead of just telling you, which means getting closer, which was not thought through.
- He catches you when a move goes wrong before you even fully register you're falling. Reflexive. His hands are just there on your waist. He plays it completely cool and you can see it costs him something. Jason pretends he doesn’t notice how well you fit together.
- There's a specific face he makes when you do something that genuinely impresses him: jaw tight, quick look away, something getting swallowed down before it can become an expression. He doesn't compliment you immediately. He makes you wait, like he needs a second to compose himself first.
-"...Not bad." Highest form of praise from Jason Todd. He's rotating that moment you earned it for the next week.
When You Get Close to Beating Him
- He gets competitive in a way that's almost flustered. He wasn't expecting you to be that good and he genuinely doesn't know whether he wants to win or wants to just keep sparring with you forever so he stalls.
- Does not go easy on you but may have subconsciously given you a half-second window he wouldn't give anyone else. He would take this secret to the grave.
- If you actually pin him or get your arm to his throat… he goes still. And the stillness is a completely different energy from his usual loud, sharp presence. It's very quiet and he's looking at you and the teasing is just gone for a moment.
- Then he says something like "Lucky shot" in a voice that's slightly lower and huskier than usual and gets up and rolls his shoulder and acts like he's totally fine and he is NOT totally fine. (And if he replays that moment in his head all week, so what? He is soo normal about it)
The Accidental Sincere Moments
- At some point between drills he hands you a water bottle before you ask for one. He already knew you'd need it. He doesn't acknowledge that he noticed.
- If you come in looking tired or off, he dials back the intensity without announcing it. Doesn't ask what's wrong. Just adjusts. You might not even notice he did it deliberately.
- He keeps a running mental catalog of every improvement you make and tries desperately not to bring it up organically in conversation because it would reveal that he's been paying very close attention.
- One time he said "you're getting really good" completely unprompted and with zero sarcasm and then immediately picked up a weapon and suggested you go again before you could respond to it.
Physical Awareness (He Is Suffering)
- Jason Todd is a physical person and sparring is deeply physical and being this close to someone he has feelings for in this context is a particular kind of torment he has absolutely brought on himself.
- There's a version of him that could be completely professional about this. That version is not present. That version left when you showed up.
- He doesn't let it be weird… he's too controlled for that but there's a charge to every moment of contact that he feels in his chest and processes later alone at 2am while staring at his ceiling.
- The one time you grabbed his wrist to demonstrate something back to him he forgot what he was saying mid-sentence and covered it by coughing. The fact that his face was beet red was because he was working out…. No other reason….
After the Session
- He always finds a reason to linger. Wrapping his hands, checking the equipment, some invented task. He's not ready for you to leave yet and he'd rather die than say so.
-The walk-out conversation is where the realest version of him shows up: guard down, tired in a comfortable way, a little quieter. These are the moments that are actually dangerous for his composure. (I’m sorry all I can imagine is Jason in a compression shirt drenched in sweat… DROOLING!)
-He will text you something training-related later that night. It is not about training. It is framed as training. You may or may not know the difference. (And if the two of you end up staying up all night texting who’s to say?)
-"Same time next week?" Casual. Effortless. His heart is doing something unreasonable while he waits for your answer.
Jason Todd will absolutely fall for you in a gym with bad lighting while pretending he's just doing you a favor… and he'll realize it happened about three sessions too late to play it cool anymore. He has never once played it cool.
This one’s for you bby @huntedreader
Worlds best Author ❤️ your beta reader will continue to scream now because DAMN 👏🏻
Enough
Red Hood x Vigilante!Reader | One Shot
(I am trying my hand at angst- it def turned out more hurt/comfort lol)
The plan had been simple.
In retrospect, that should have been the first warning sign.
Simple plans had a way of detonating in Gotham. The city had a sense of humor about that — a mean, black-comedy kind of humor that mostly landed on the people trying to do good in it.
You had learned this.
You had really learned this and yet you had still looked at the blueprint Jason spread across the hood of the car two hours ago and thought: yeah, okay, this could work.
Marcone was a mid-level weapons trafficker who had recently made the mistake of moving product through the East End, which put him squarely in Red Hood's territory and, by extension, yours.
The job was a two-person operation:
Jason would take the east entrance, you would take the west and you'd both box Marcone's men in from your sides, grab the manifest from the office on the second floor, and then be back at the safehouse before midnight.
Clean. Contained. Simple.
What had actually happened was that Jason had called you twenty minutes in — his voice clipped and controlled, which was how you knew it was bad — to tell you that; the east entrance had been a decoy, that there were twice as many men as the intel suggested and that he was pinned down three blocks away dealing with a situation that was developing.
"Go back to the car," he'd said. "Wait for me."
You had said, "Copy that," which was technically not a lie, because you had understood the instruction perfectly.
Then you had gone inside anyway.
The reasoning had seemed sound at the time. Marcone was in the building. The manifest was in the building. If Marcone got spooked and ran before Jason got clear, six months of work evaporated, and more weapons ended up on more streets and into more hands that would use them on people who hadn't signed up for any of this. You were good. You had trained hard and been trained well, in part because Jason had an almost pathological need to make sure the people around him could handle themselves.
You can handle this, you had told yourself.
Three of Marcone's men were already down in the corridor behind you, which was evidence in your favor. The problem was what was in front of you.
Viktor Renn was not what the file had described. The file had called him personal security, which conjured something in a suit with an earpiece. Viktor Renn was six-foot-four of Eastern European muscle with hands that looked like they'd been assembled from spare parts and eyes that registered your presence the way you'd register an inconvenient weather pattern — something to get through, not something to worry about.
He had hit you twice and you had felt both of them in places you didn't know you could feel things.
You were in the second-floor office. The manifest sat on the desk ten feet away. Renn stood between you and every exit, which was a layout problem you were working on solving while simultaneously trying not to get your skull caved in.
Your earpiece crackled. "—still there? Talk to me." Jason's voice, lower than usual, strained at the edges.
You ducked a swing that would have taken your head off your shoulders and came up behind Renn's arm, going for the joint, but he was faster than he looked — they always were, the big ones who had survived long enough to be good at this — and he pivoted and caught you by the vest and threw you into the wall.
The drywall cracked.
You didn't.
Margin.
"Still here," you managed, pushing off the wall. Your left eye was swelling. You could feel your ribs complaining about the evening's events, "Minor complications."
"What kind of complications."
"The large kind. Don't worry about it." You spit blood. "Where are you?"
"Two minutes out. Maybe less. Stay on the line." A pause, and under his control there was something rawer... something that sounded like worry wearing a thin disguise. "Tell me you went back to the car."
You didn't answer that.
"Tell me you went back to the car."
Renn came at you again. You had been reading his pattern — three exchanges now, enough to see it — and you knew the move he was building toward, the overhand right that was his finisher, the one he'd been setting up with body shots. You also knew you couldn't take another two minutes of this the way you'd been taking it. He was bigger and stronger and fresher, and time was not your friend.
You thought about what Jason had taught you once, months ago, when you'd asked him how he thought about a fight he couldn't win clean.
I don't fight to win, he'd said. I fight to make sure the other guy loses. Those aren't the same thing.
You hadn't understood it then but you understood it now.
Renn threw the overhand right.
You didn't dodge it.
You stepped into it.
The impact was spectacular and white-hot and briefly took the room from you — but you were inside his reach now, too close for the power strikes, and you drove your elbow into his throat with everything you had. You felt him choke and reel, and followed it with a knee to the inside of his thigh that buckled the joint, and when he went down you went with him and you didn't stop, because stopping was losing, because you hadn't come here to win, you had come here to make sure he lost —
"Hey." The voice in your ear was different now. Closer. Real. "Hey, stop. I've got him. I've got him."
Hands. On your shoulders. Pulling you back.
You fought them on instinct — one hard backwards elbow — and heard a sharp exhale and a familiar goddamnit that cut through the static in your head and made you stop.
Jason.
He was behind you, both hands gripping your arms now, solid and real and here, and Renn was on the floor in front of you, not moving in the way that meant unconscious rather than dead. You registered that slowly. You registered a lot of things slowly.
"I've got him," Jason repeated gently again, quieter. Directly in your ear, not through the comms. "It's done. You can stop."
You stopped.
Your hands were shaking. You hadn't noticed until now.
Jason turned you around and even through the helmet you could feel him looking at you; taking inventory, doing the rapid damage assessment he always did when things went wrong, cataloguing everything he'd have to account for later.
"You didn't go back to the car," he stated shakily.
"The manifest—"
"I don't care about the manifest right now."
The words landed oddly.
Jason cared about every mission component. He drilled contingencies for contingencies. Hearing him say I don't care in that flat, quietly angry voice was more alarming than shouting would have been.
"I'm okay," you rasped out.
"You're bleeding from your ear."
"That's probably fine."
"It is not probably fine."
He had one hand on the side of your face — gauntlet off, bare hand — tilting your head toward him. His thumb brushed your jaw just below the worst of the swelling and you didn't mean to, but you leaned into it slightly, because the room was still tilting and his hands were steady and you were tired in a way that went deeper than muscle.
"What did you say to him?" Jason asked. His voice had shifted again — something underneath it that you couldn't read yet, but that felt important. "Before I got here. I heard part of it on the comms."
You winced as you thought back. The last thirty seconds before he'd arrived, when you'd stepped into the punch and Renn had grabbed you by the jacket and you'd looked him in the face and said —
"I said I didn't need to win," you said. "I just needed to make sure he lost."
Silence.
"Those," Jason replied carefully, "are not the same thing."
"I know. You taught me that."
Another silence, different from the first. His jaw worked behind the helmet. He looked at Renn on the floor, then back at you, and when he spoke again his voice was very quiet and not entirely steady.
"I taught you that so you'd know how to survive, not so you'd know how to—" He stopped. "You were willing to take that hit."
"It was the only angle I had."
"You were willing to take that hit," he retorted again, like you hadn't spoken, like he was still processing the shape of it. "You stepped into it. I saw the replay from your camera. You stepped into it."
"It worked."
"It worked," he repeated, and there was something in his voice that you had only heard a few times before... not anger, exactly, and not fear exactly, but the space where they overlapped, the particular frequency of someone who had looked at a moment and understood how differently it could have ended.
"You have a concussion and two cracked ribs and you're bleeding from your ear and you want to tell me it worked?"
"I got the manifest."
He made a sound that was not a laugh. "You—" He stopped again. His hand was still on your face. He hadn't moved it. "Yeah. Okay. You got the manifest."
"Jason."
"What?"
"I knew you were coming."
He went very still.
"I heard you on the comms," you reasoned. "Two minutes. Maybe less. I just had to make sure he wasn't operational when you got here. I wasn't trying to—" You paused, picked the words carefully. "I knew you were coming. I just had to hold the line."
The room was quiet except for Renn's unconscious breathing and the distant sound of sirens starting somewhere below, which meant you needed to move soon.
Jason's thumb moved again, a small careful motion along your jaw, like he was checking for damage or like he needed to confirm you were real and present and still here.
Maybe both.
"Next time," he started, and his voice had come down from that dangerous quiet to something rougher and more honest, "you wait for me."
"Next time don't get held up."
"That is not the takeaway I—" He exhaled hard. "You're impossible."
"You already knew that."
"Yeah," he agreed with a sigh. "I did."
He looked at you for a moment longer — really looked, in the way he rarely let himself, in the way that made you feel accounted for in every particular — and then he pulled his hand back and reached past you for the manifest on the desk, tucking it into his jacket.
"Can you walk?"
"Obviously."
"I'm going to ask you that again in thirty seconds and I want an honest answer."
"Still obviously."
He made the not-laugh sound again, and this time there was something almost warm underneath it. He got his arm around you as you moved toward the door — supporting without making a production of it, the way he'd learned you preferred — and you leaned into the solidity of him and didn't comment on it, and he didn't comment on you leaning, and that was its own kind of conversation.
"Two cracked ribs," he said, in the stairwell.
"I've had worse."
"That doesn't help."
"It helps me."
He said nothing to that, but his arm tightened slightly, and that said enough.
The car was where you'd left it. The city hummed its indifferent nighttime hum around you. Somewhere in the east end, three blocks over, someone was probably dealing with the situation Jason had left in his wake, and you found you didn't have the bandwidth to care about that right now.
You sat in the passenger seat while he drove and let yourself feel the full inventory of the evening — the ribs, the eye, the ear, the shaking that hadn't fully stopped — and decided that all things considered, you'd take it.
"You scared me," Jason admitted. Just that. Flat and honest and not dressed up.
"I know," you answered smally. "I'm sorry."
"No you're not."
"I'm sorry you were scared."
A pause.
"Yeah," he said. "Okay. That one I'll take."
The city moved past the windows. You didn't fill the silence, and neither did he, and it was the kind of quiet that didn't need filling — the kind that meant something had been established between you, some new notation in the ongoing document of what you were to each other.
I knew you were coming. I just had to hold the line.
He had heard that. You had meant it. And now it was in the air between you, settled, real, permanent.
You'd deal with what it meant later.
For now, you let your head tip back against the headrest, and you breathed, and the car carried you home.
Jason, my baby 😭
Hak as a Boyfriend Headcanons
He is so the "I don't care but actually I care SO SO SO much" type
Protectiveness
Hak has a very instinctual, almost primal need to put himself between you and any threat. He won't make a big deal of it, he just does it, and if you point it out he'll shrug and say "don't read into it."
He's hyper-aware of your surroundings at all times. You could be at a festival and he'd already have mentally clocked every exit and suspicious person before you finished your first bite of food.
He won't smother you though. He respects your ability to handle yourself, but the moment something feels off, he's right there.
Teasing & Affection
His love language is absolutely acts of service wrapped in a thick layer of sarcasm. He'll carry everything you're struggling with while making fun of you for struggling.
Expect constant teasing nicknames. He uses humor as armor, so if he's roasting you, it means he's comfortable. Andthat's basically intimacy for him.
Genuine, soft compliments from him are rare and hit different because of it. When he quietly says something sincere, no jokes attached, your heart stops a little.
He's not big on PDA in front of others but in private he's surprisingly tactile: a hand on your back, pulling you close without explanation, resting his chin on your head.
Communication Style
He's terrible at saying "I love you" with words, at least at first. He says it by staying up to watch over you, by memorizing your preferences, by showing up every single time.
When something actually bothers him emotionally, he goes quiet instead of talking about it. You'd have to learn to read him : a tightened jaw, a shift in his eyes.
Once he actually opens up though (and boy does it take a while), he's unexpectedly thoughtful. He's been observing you closely this whole time.
Day-to-Day Boyfriend Things
Hak absolutely will steal food off your plate and dare you to say something about it.
Incredibly reliable. "I'll be there at noon" means he's there at 11:50.
Falls asleep easily around you because you're one of the few people he genuinely feels safe with… even if he'd never admit that's the reason.
Competitive about everything, even stupid little games. He cannot let you win and you'd have to accept that about him.
His idea of a perfect date is probably something active, sparring, hiking, exploring, but he'd sit through something boring you love without a single real complaint (just fake ones, for the bit).
The Deeper Stuff
His devotion runs incredibly deep. He's the type who has already decided on you completely and just... acts accordingly, quietly, without needing it acknowledged.
Hak has a hard time believing he deserves softness, so if you're gentle with him he genuinely doesn't know what to do with it at first.
He would never ask you to choose between him and your own goals or dreams. He'd follow you into chaos and call it just another day.
You'd always feel like the most protected, most seen person in the room… even when he's pretending not to pay attention to you.
Bottom line: dating Hak is being loved fiercely and quietly by someone who shows it in every way except the obvious ones… until one day he does that too.
A special post for the world best Beta Reader ILYYY @huntedreader (also a hak fic is coming soon... :p )
BEST HAK SHIT EVER

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Splitting my free time between reading No Man's Land and playing Tomodatchi while listening to EDM for Accountants/Big Bang Theory/Bob's Burgers while the world is burning seems pretty apt for a millennial such as myself
It's a canon event
JASON TODD FELL IN LOVE WITH MY MII ON SIGHT IN TOMODATCHI LIVING THE DREAM
I REPEAT. JASON TODD IS IN LOVE WITH ME
I really am living the dream
Jason Todd deserved better.
April 27th, the day boomers and gen X killed this little baby.
Jaybin is too cute.
It just says so much about them that they killed him. How? He just wanted love. HE WASNT A PROBLEM CHILD, HE WAS JUST CHILD WITH PROBLEMS 😭😭
My daily reminder that I'll never stop being mad at boomers fully for multiple reasons
Well, after a few edits on the serious side, have a completely unserious edit of Jason Todd and his fav comfort food. 😆
As an avid Hamburger lover myself, I getcha Jay, I totally getcha... 🍔🍔🍔
I love my man in red
Ariel & Eric effortlessly serving husband & wife goals in The Little Mermaid 2.
Easily one of my favorite couples EVER that I draw inspo from when I write even to this day

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Reblog with your animal. It’s toucans for me
Alright the fact that I turn 30 in two months and people only know my boyfriend and I by "the giant German shepherd owners."
I've peaked haven't I
Starting my read of Road to No Man's Land and it's the beginning of my quest through the entire gigantic event that is No Man's Land. I am so FUCKING READY to get into this entire beast of crossover events
My Invincible Bible is calling to me, tho. It's begging me to hurry up but Mark has to wait a minute, I'm easily about 3,000 pages from finishing everything having to do with No Man's Land.
I think I finally found my sparkle again
I love my burger eating babies that can kill someone at the drop of a hat 🥰
Will I get flagged as a mature post if I say they could eat something else too?
I'm back bitches and I'm here to tell you all IM READY TO POST MY DC AND INVINCIBLE LOVE
REBLOG IF IT'S OKAY FOR ME TO BOTHER YOU IF YOU'RE MY MUTUAL
the crime alley kids love their protector :) I headcanon that the kids are somewhat wary of the other bats and are only truly comfortable with jason. they ask to try on his helmet while jason tries to calm the little ones and distribute snacks and supplies to them. All the kids in Red Hood's area wears a red bat symbol in the form of keychains, painted on their items, etc as a sign that they are under jason's protection. Whoever messes with them will have to face the wrath of Red Hood 🙏
JASON 😭 he just needs us to be his writers it's okay all of us can band together to create THIS IN THE COMICS THEMSELVES
10000/100 LOVE THIS

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That's okay I'll go cry now
So here's a 4 am announcement like before!
I have been stuck in the WORST writers block I've ever had in my life so far and I am so damn close to pulling my hair out to see if it shakes some ideas out.
So, I've started to read comics. I've always wanted to read any comics I could get my hands on and had wanted to since I was a kid, but my mother told me that comic books "aren't for girls," so I guess I kinda just...had her voice in my head you know? It's hard to know that I love something, to realize it was kept from the fact that it was my mother's weird antiquated beliefs, but the good part is that I have literal DECADES of content to read.
While I was in college I read that the best way to beat writers block was to read other people's works, pick up something you haven't read before. Basically, I'm hoping comics jumpstarts my brain
I'm reading Justice League Dark right now and it's fantastic. I fully believe that Jason Todd should have been on that team. We need more in depth looks at the Magic he has and not just like "oh I have these swords I can summon from my soul no biggie" LIKE? DC SAVE MY BOY
Just like I did my manga stuff I'm gonna be posting the comics I read so stay tuned everyone, Justice League Dark needs more love
Thank you for coming to my 4 am rant