need to beam this tweet directly into everyone's minds right now

ellievsbear
macklin celebrini has autism
RMH
Keni
YOU ARE THE REASON
KIROKAZE
let's talk about Bridgerton tea, my ask is open

Kiana Khansmith
𩵠avery cochrane š©µ
Monterey Bay Aquarium

Discoholic šŖ©

pixel skylines
we're not kids anymore.
Aqua Utopiaļ½ęµ·ć®åŗć§čØę¶ćē“”ć
sheepfilms
cherry valley forever
Mike Driver

Love Begins
taylor price
he wasn't even looking at me and he found me

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@hmantegazzi
need to beam this tweet directly into everyone's minds right now

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how is this not a conner o'malley video
According to fox entertainment this is who we should be afraid of. I didn't know who Francesca Hong was 10 minutes ago but thankfully now I'm aware of this monster and her monsterous policies
darkest timeline where data is chatgpt and therefore stupid and bad
academic writing these days is always like ābe/longingā āre-memberingā ā(under)standingā
STEM academic writing is like "we present the results of the ACRONYM project (A ContRived mnemOnic is NecessarY Material)"

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academic writing these days is always like ābe/longingā āre-memberingā ā(under)standingā
STEM academic writing is like "we present the results of the ACRONYM project (A ContRived mnemOnic is NecessarY Material)"
couple days ago i tagged along with my brothers and sister who were watching Spider-Man 3 (2007) and watched like, the whole thing except for the first 30 minutes of it.
Who told me that this movie was bad??? It was fantastic. Masterpiece
I mean it wasn't a good movie but it was amazing
What am I saying
In some ways that are very noticeable it was not a "Good Movie", but according to an idea of a "good movie" which is based around how embarrassed you are to be watching it
The action scenes were very creative and engaging, and interacted with the surroundings in interesting ways. All the character arcs were really well done. It had real emotional depth and drama. It was tightly plotted as well.
There was A Something that is definitely missing from MCU and I'm struggling to put my finger on what it is.
I had the same experience when I watched that spiderman trilogy a few years ago. The conclusion I came to is that what the MCU is missing is Saving People as a general motivation.
like, this is most obvious in Homecoming, where Peter wants to upgrade from the baby heroing of stopping street level crime to fighting space gods, and the progression of his arc is him gaining the experience to get that āpromotionā. The implication is kinda that stopping a bus from crashing is kinda lame, cuz you only save like, what, twenty people?? And if you fight a space god, you save millions of people. Thereās no point in helping someone carry their groceries or saving people in a burning building, because the numbers are too small to mean anything. Whatās the point of saving anyone if you canāt save everyone? If youāre not incredibly powerful, you canāt make a real difference.
And I think this is the MCUās disconnect from the superhero genre. Weāre not watching people who have a passion for helping others and using their abilities to alleviate sufferingāweāre watching people win glory in their personal epics. The soap opera of gods and giants. Thatās not a bad type of story, but it lacks one of the core emotions of superhero storiesāthe fantasy of being able to make a tangible difference. This extends into the MCUās unwillingness to disrupt the status quo, as described in this excellent video by PopCultureDetective. (One example of his that really stood out to me is how in Age of Ultron, Stark and Bannerās attempt to use their superhuman genius to create something that will benefit all humanity is framed as foolish, dangerous hubris.)
This incongruence is most obvious when comparing Spiderman movies, because the core of Spider-Manās character is āgreat power, great responsibilityā. The thing that makes Peter Parker stand out is how no matter how broke, lonely, or even powerless he is, he still tries to use what he has to help the people he can.
I think itās also noticeable how the MCU superheroes donāt really have Helping People as their Job. Like, whatever theyāre doing in between movies, when weāre not watching, when there isnāt a massive problem to solve, they donāt have Rescue as their day to day Job the same way most superheroes do. Plenty of them have Beating Up Bad Guys as their Job, but that makes them moreā¦ā¦soldier than superhero. More military than first responder.
Anyway, thatās a huge ramble, Iāve just been thinking about this for like years trying to figure out why the MCU made me so uncomfortable.
Yes! This!
THIS IS WHAT OSP's Superheroes in Empty Worlds VIDEO IS ABOUT! SUPERHEROES ARE SUPPOSE TO SAVE PEOPLE!
And its not something that like, breaks the movie in the moment- it just sits in the back of your mind, kinda itchy feeling. And then you hear Tony Stark say "isn't that the point? that we get to go home?" And you're like, why would a superhero say that the point of heroing is to stop heroing?
There's always gonna be people in a burning building that need someone who can walk through fire.
This is why I LOVED 2025 Superman. He's constantly saving people. He's always checking in and caring about those around him. And even when he's busy, the world is still lived in! Its so busy; you can believe that Metropolis gets attacked by something at least once a week and thats why the other heroes are there.
Right, right.
I didn't elaborate earlier because the humidity and other arbitrary stuff are making me super depressed and I did not have the energy, but this is exactly it.
There was some of this in the first Avengers movie, but you're right, MCU really dropped the ball on superheroes saving people.
Like, I remember, a few years back some rando on tumblr said something about super heroes being a fascist genre because their purpose is to collaborate with and enforce the power of the State, and this argument makes sense to make about the MCU.
But it's not what superheroes are about.
There's a lot of things superheroes could be, but one of the most important things is a vision of "What if there was a person with power to help people and that person was GOOD?"
And "using powers to help people" doesn't mean "collaborating with the government" or "fighting crime in collaboration with the cops" or even "vigilante justice" even though all of those things have come up a lot in superhero stories to the point that people can have a hard time thinking of alternatives
But there are plenty of alternatives. Saving people from natural disasters/accidents? Taking care of and protecting people the system doesn't help? Protecting civilians in a warzone? Shielding people at protests? Oops, now your superhero is considered a " terrorist... "
That's the thing, a superhero advancing the cause of good would have a hard time not getting into conflict with the government. A superpowered individual that collaborates extensively with the State might not even be a superhero. There's another archetype we could look at, that of the supersoldier. A superpowered person who is either created by a government's military or appropriated by it to advance the goals of the State.
Supersoldiers and superheroes are pretty different, and in some ways, non-overlapping things, and MCU ended up conflating the two.
I feel like any kind of satisfying arc for Captain America would have had him STOP being a supersoldier and start being a superhero, and of course MCU shat the bed on that one.
Once again, Captain America: The Winter Soldier was the best MCU movie, showing Cap's depression and then existential crisis as he realizes the government he was working for is evil and corrupt, and as with every other aspect of that movie that made it so great, the creators were like "UH OH" and never did it again.
California quail we're unforgettable,
Black head with big feather on top
āugh these characters just feel like someoneās OCs :///ā
buddy i have some news about all of fiction
lmao

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It's incredible how all of the censorship on the modern internet doesn't actually seem to be making society kinder or more wholesome hmm maybe there's a lesson in this
"Is this movie actually bad, or does it just have a female protagonist?"
"It's actually bad."
*I watch the movie*
*it has a female protagonist*
Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papersāand every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed itāher husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"āessentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official historiesāthose same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gageāa 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structureācredit went to Watson and Crick.
Lise Meitner, who explained nuclear fissionāomitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomesāreceived little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogenāinitially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.
source
i wish we were able to talk about women's rights without someone mentioning how much they do or don't want to have sex with them. i don't care if you're a lesbian Stop finding worth in women purely from their perceived attractiveness
"I think women should not be expected to shave for societal respect / to avoid discrimination" "yeah𤤠i love bush" ok well that's not what we're talking about is it.
i hate how many posts about trans women deserving respect always devolve into "I love girldick" or "trans rights but I don't want to date a trans person" because that's entirely unrelated to the topic at hand. you should not respond to feminism with "YESSS I loveeee you because I see you as nothing but a sex object" you people sound like other men I get stuck talking with that end up saying "free the nipple so I can see boobies in public" and thinking they're feminists. why can't we just respect women regardless of your attraction to them or not. why does it need to be brought up in every conversation regarding their rights

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I really like this website because somebody will be like āthereās nothing wrong with darting out from behind a parked car into traffic, bootlickerā and you can be like okay this clearly evolved from a valid point about how the US is too car-centric. But something happened to it.