SUCCESSION 4.5 "Kill List" (2023)

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@highladyvanserra
SUCCESSION 4.5 "Kill List" (2023)

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sepideh moafi saying baran al-hashimi may be on the spectrum healed me
Taylor Swift for "I Knew It, I Knew You"
(June 5, 2026)
Oh im fucking sick to my stomach. Chill
c: latimes

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Favourite 2026 releases -> FLORESCENCE by Maisie Peters
I know HR stays on standby with these two
i want to see whitsantos fight like this. just once
i love you trinity santos. i love you victoria javadi. i love you cassie mckay. i love you samira mohan. i love you melissa king. i love you dana evans. i love you baran al-hashimi. i love you emma nolan. i love you joy kwon. i love you parker ellis. i love you heather collins. i love you perlah alawi and princess dela cruz and yolanda garcia. i love you women of the pitt. if you have no fans im dead

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robby chasing langdon.gif
That's his daughter. I won't be convinced otherwise.
people talk a lot on here about wilson accepting house in his whole messed up neurotic entirety but not enough people talk about the inverse. wilson is an incredibly neurotic personality, and although house jibes him constantly for it, in practice he is actually very touchingly accepting and accomodating. i just watched 6x19 which is the episode house tries to break up sam and wilson by doing all of wilson's pet-peeves like stacking dishes in the dishwasher wrong so he'll blame sam and resent her. which yeah is hilariously possessive on the surface. but it also implies that 1. house is aware enough of wilson's eccentricities that he can immediately spot when something is going to irritate him, such as the whole milk-in-the-fridge-door thing, and 2. that house is not only reflexively aware of these eccentricities, but also that he accomodates them enough in their everyday lives that a re-emergence of these annoyances is noticeable to wilson. to the point he correalates it with sam re-entering his life instead of house meddling. and also maybe 3. that house is aware enough of wilson's behaviour and body language that he picks up on what annoys wilson without wilson having to tell him, because wilson hates doing that, or that wilson is comfortable enough around house that he doesn't mind sharing these pet-peeves with him even though he doesn't like sharing them with his romantic partners.
house hates things he veiws as illogical or pointless, he rags on wilson for his obsessiveness about health and appearances, but he also cares enough about wilson to actively change his behaviours to accomodate the things that irritate him. he puts the milk in the body of the fridge instead of the door, not because it's suggested he cares at all about prolonging its shelf life, but because he knows wilson cares. sam balks at wilson and disdainfully suggests he has ocd (which i consider a win for my personal projection onto wilson, but that's besides the point) when wilson brings up his own perfectionism. but house accepts wilson in his neurotic entirety, and accomodates him so that they can live together relatively happily. to me, that suggests that house understands wilson's obsessive tendencies better than most 'regular' people, probably because of his own obsessive tendencies, which makes them complement eachother quite well. wilson is the exception for house, house would give up his crusade against pointlessness and his desire to push people's buttons if it meant keeping wilson around. he'd do it all the while complaining, but he'd still do it. this is the kind of thing that really strikes me bc it shows how comfortable and routine house's love for wilson is. it's domestic, it's relenting, it's just who they are. house's love for wilson is lived-in.
finally found the full extended version of the pic and it feels like i jist did cocaine sjsjsjjshs
They could never make me hate you, complex female character whose reaction to trauma was not pretty and digestible like how people think it should be.

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i really love the way jack and robby worry about each other, because the way they both express it is so completely in character for both of them and manages to build so much history between them with very little exposition.
jack seems to understand how far is too far with robby intrinsically, that if he wants to get past robby's own stubbornness he needs to tread lightly. jack doesn't push with robby until he has to, until there is no choice, until robby has forced his hand and he's out on the ledge a little too close to the edge. before that it's soft, non-confrontational offers of implied care, not 'don't go' but 'go, but call me if it gets dark', it's watching him to figure out where his heads at and knowing when to tell him to take a break or to keep him busy, it's checking on him but never directly, it's sticking close and keeping him level. until all of that fails. the direct confrontation is always plan c, the break-glass-in-case-of-emergencies option, the one that always feels a little off-kilter because jack's never really ready for it, but once he's there it's direct in your face rambling mixed metaphors about bees and the beauty of life, it's eye contact and physical touch and telling robby to his face that he is good and cared for and that nothing his head is telling him is true, that he didn't break and even if he did it doesn't matter, that the hospital needs him, that he needs to come back.
meanwhile robby never worries about jack out loud and certainly never to his face. he holds the worry close to his chest, and he just tries to fix it. he talks jack off the ledge but he doesn't face the why head on. instead he's passive aggressive about his worry, joking about nightmares and suicidal tendencies and oh so casually patting jack's bullet wound (that jack didn't tell him about, mind you). it's not till he's frustrated with jack, till he's cornered and his emotions have no where to go but out, that it spills out of him and then suddenly all the things he's tucked away are out in the open. he can't help it, because it's always been there, and yeah jack, getting shot at by choice is fucked up, and yeah jack, you are also working yourself to death and i've noticed these things about you too okay? robby is so quick to volley back, it's almost instant and sure, part of it is robby being an asshole to get jack to leave it alone, but it's also so close to the surface robby doesn't have to reach for them. kind of a "you're a hypocrite, because i'm worried about you too but you don't see me bugging you about it".
it is just so clear they know each other well enough to anticipate each other and have such clearcut ways they handle one another. dana tells robby that abbot had a rough shift is getting air, robby knows he's on the roof and goes to get him. dana tells jack robby isn't doing well, so he watches robby like an apex predator to confirm it with his own eyes, and after he knows, jack tries to ground him in the work by pulling him into cases he thinks will show robby how essential he is.
their dynamic is just so endlessly fascinating because there is just so much lurking beneath the surface and every crumb we get just makes me more and more curious about their history đ
don't even get me started on the emergency contact of it all, oh man
you know what is so funny about this picture? Both of these bitches are going THROUGH IT one of them is actively suicidal and the other has a scalpel in her pocket. and yet they stay silly.