Hello, everyone! I guess this blog needs a re-introduction.
My name is Fortuna (chosen name), or you may also call me Q. I am AuDHD (Autistic + ADHD), chronically ill, queer and my pronouns are she/her. Being Southeast Asian comes with tumultuous journey of discovering my own folk religion due to the heavy religious doctrine.
My practice now is rooted in our local SeA oldest folk religion cosmology, henotheism and animism: the belief in Supreme Creator and Essence called Hyang while also acknowledging the existence of other deities and intermediary spirits in between heaven and earth. I also work with animal guides and elemental spirits but they come second to my ancestral veneration work, as it is central to my spiritual practice.
My interests include: folk religion, ancestral veneration, occultism, witchcraft, animism, book recommendations, astrology, cartomancy, and other divination tools.
Feel free to follow and drop me a question to chat. I am open to talk about any of the interests mentioned above.
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Magick is not separate from science, if anything they often go hand in hand. Much of what we call magick are things that science cannot yet explain, but even still the scientific explanations we do have serve to further explain how our magick works. If you reject scientific teachings in favor of magickal you are completely closing yourself off from a whole world of useful knowledge and only limiting yourself from your own power.
Botany đˇ: A biological study of plants to study their growth and structure as well as how they interact with their environment and local animals. Botany is important to understand various associations plants have and how to properly use them in herbalist remedies for minor/common ailments. We can also learn how to connect to nature spirits and grow our own plants with certain methods/accordances to imbue them with more distinct enrrgy. (Homeopathy is not a replacement for vaccines and antibiotics for more major illness/injury)
Geology đ: A way of connecting ourselves to the earth we live on by learning about the earth's natural systems and professes which shape our biosphere and ecosystems, things that support all life on earth from the tallest volcanoes to the deepest creeks. We can connect to local spirits through learning how folkloric formations such as mountains were formed, find crystals for ourselves such as quartz, understand how minerals in the water/soil support the environment, and so on. Geology helps us understand the different energy between different ecosystems and how it effects us as well from vibrations in the earth to the climate.
Neuroanatomy đ§ : From the top of our brains down to our spinal cord this is the part of ourselves which dictates our emotions, beliefs, visualization, critical thinking, memory, quite literally everything that makes us who we are as a witch and otherwise. Through neuroamatomy we can gain an understanding of how our brain functions and connects to our body, how light, vibrations, sensory inputs, sound frequencies, chemical releases, and so much more dictates our ability to feel/see/manipulate energy, meditate into a trance, commune with spirits, perform divination, many skills that apply to witchcraft by studying how different parts of the brain/spinal cord function and what impacts those parts.
Psychology đ: Similar to neuroanatomy, but psychology focuses less on function and more on behavior. In psychology there is the concious, subconcious, and unconcious which all play various roles in our identity, behavior, instincts, and more. We can learn how rituals mundane and magickal alter our state of minds and transfer between concious to subconcious to unconcious. How to dive deeper into our unconcious to unravel traumas, habits, and patterns which hold us back. How we can pick up the energy of other people or make predictions from microenvironmental signals. How we can connect our awareness to our subconcious so we can find symbolism or even predictions within our dreams, lucid dream, and astral project.
Physiology đŤ: Our vessel which we call our bodies are no less important than our brains. If we don't have a healthy body, we do not have a healthy mind. Physiology helps us understand the connection between our minds and bodies and how nutrition, exercise, environmental factors such as weather and air pressure, and so on have an effect on our bodies down to our blood pressure, metabolic rate, breathing levels, and so on and in which case effects our brain too. We can learn how to keep our bodies strong and healthy or how to hack our body - brain connection to a degree to make it easier for us to enter trance states for rituals, spirit communication, lucid dreaming, and the like.
Philosophy đ: The most important yet underutilized field of study in my opinion, philosophy is what helps us understand how to navigate nuance, develop and hone our critical thinking skills, challenge our beliefs/perception of the world, and overall continually grow intellectually and emotionally as a person. To learn as much as we can about the world, other people's perspectives, and broaden our horizons. Even if we don't agree with everything we learn (which agreement is not the point of this study), we can at least have a better way of framing such a complex world. Philosophy is what determines our morals, values, beliefs, and so much more within all of us. Philosophy provides countless answers to somehow even more questions, but none of them are necessarily the "correct" answers.
Anthropologyđ§ââď¸: One of the most comprehensive studies on this list, this subject is essentially the history of humanity across the globe. Linguistics, archeology, socioculturalism, and biological studies most notably. Anthropology is important for a witch to learn so we can study the history, stories, and changes of various cultures, religions, and practices throughout history to understand why they first developed and how they changed or died out. To decolonize our craft by understanding and respecting where our modern practices come from and why it's so important to differentiate closed practices from open. To observe how supernatural beliefs of old still impact our societies to day, why they do, and how.
These are all subjects I have personally studied, all of which I began learning within a classroom between elementary school all through college and many I continue to study on my own to this day. There are more branches of science that I did not list here that absolutely incorporates into witchcraft, so please let me know in the comments what else you may personally study!
Fifteenth century tarot cards, possibly the oldest known deck. Look how beautiful they are! These are from way back before they were used for cartomancy.
I think people often forget, or perhaps donât realize, that Tarot cards started out as a game. Itâs still played, in fact. My sister, good Christian girl that she is, has a deck that she had to buy for one of her masterâs classes. Sheâs said itâs a fairly common game where she studies in France.
Cartomancy existed long prior to the creation of the modern Rider-Waite Deck, often with whatever playing cards happen to be around. Historical records, if you want to dig into them, are pretty extensive. The practice persists into present day too though. An exâs of mine for example â his mom would use playing cards to help diagnose peopleâs illnesses (something I donât generally recommend). Iâve heard second hand of grandmothers who read playing cards at kitchen tables in the evenings at family gatherings.
I can also personally vouch. I had a stretch where I lost my only deck I had at the time, didnât have a dime to my name, and took up doing readings with a random deck of playing cards I scored somewhere. They were perfectly accurate, if a bit harsher.
I know lot of witches are still in the closet and prefer to read with playing cards instead of proper tarot cards â and I just want those witches to know theyâre carrying on the time-honored tradition of divining with whatever you have on hand and thatâs kickass. Money should (hopefully) never be a barrier to a personal divination practice.
Here are some tips for what helped me
Vertical Reading + Elemental Associations
The key to reading playing cards, to any divination really, is building the system youâre reading with well.
Vertical reading is great for learning tarot, but itâs downright necessary in my experience for reading with playing cards. Vertical reading just means having a meaning or theme associated with each card of the same number.
When reading cards, you can look to the same themes that would exist if they were tarot cards, use another existing system like numerology, or create your own. Just make sure to write it down.
The next step in tarot would be to read narratively â considering where in the story of the suit the card youâre interpreting falls â but since thereâs no imagery on playing cards, youâre either stuck trying to memorize a bunch meanings with no imagery to cue meanings or you can develop another set of meanings to pair with each of suits that you can draw unique interpretations from when paired with your vertical meanings.
The latter is actually what I recommend â I use elemental associations with each of the suits. Spades are Swords/Air, Diamonds are Pentacles/Earth, Hearts are Cups/Water, and Clubs are Wands/Fire. Since elemental divisions are so strong in various pagan paths, theyâre an easy way in to this division but any set of four meanings will do. And again, make sure to write down these meanings too.
So say you draw the Ace of Spades in a reading. You take your associations with aces (maybe itâs beginnings) and add it to your associations with Spades (Air, Intellect, Anxiety, Academia) and you might come up with âBeginning of an intellectual or academic endeavorâ.
Playing cards basically requires you memorize meanings. Additive meanings â adding a vertical meaning to the meaning of a suit â means you learn 18 meanings instead of 52 unique ones. You can, by all means, come up with 52 different meanings if thatâs your style â I support you in that. I just know the memorization factor is what tripped me up and this is what helped me.
The Jack Problem
The other challenge with using a playing deck is deciding how youâll read Jacks. I personally align them more with pages and read them as âgeneral court memberâ with specific association with that. But Iâve recently started liking the framework of Jacks as âheir to the throneâ which comes with a lot of associations with potential and power and usurping. Jacks donât align perfectly with anything in tarot proper so even if you work within an existing tarot inspired framework, youâll have to decide ahead of time what theyâll mean to you.
Tone
This is probably just a personal thing but Iâve found that the tone of playing cards can be a bitâŚharsh. I sometimes liked to soften it with dice or another form of divination. Other times I just sat back and basked in that salty salty feedback. Playing cards donât âtalkâ the same way tarot cards do because their design doesnât allow them too. So if youâre used to tarot cards, understand that you wonât get the same information or conversation from them. Thatâs fine honestly, they have their own style and charm and I really appreciate them for that.
Itâs especially important to keep in mind when doing shadow work though. Since they canât (easily) speak to broader life cycle themes the way Tarot can, you might find that either you need to pull more cards, pair it with another system like dice, or tailor your questions to fit what you find your playing cards speak best to.
Conclusion
Be wild, be free, donât let yourself be bound by Tarotâs image as True Divination Systemâ˘. Cartomancy is a tried and true divination tradition and playing cards honestly work just as well. It also doesnât have to just be for divination proper. When I picked them up, I was using them for shadow work mostly and had great luck. They just take some practice to get used to. In retrospect, rather than from experience, Iâd try pairing it with SOAP Journaling as I think itâd give the best result but Iâd love to hear other peopleâs experience with other shadow work systems!
As always â hope this helps and if you have any questions please let me know!
*I never claim my way is the one true way. Take what is useful and leave the rest.
**If you wind up using this stuff in another setting, Iâd really appreciate it if you could cite me. This is my art. Donât steal, please credit.
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Friendly reminder that spirituality isn't a replacement for science, technology, and modern medicine but something that coexist with it in beautiful ways.
I am at this point in my spiritual work where I could hear my spirit team speaking to me about taking notice of specific people irl throwing negative energy towards me, especially people that I deemed as friends and trustworthy.
Confusing? Yes. Heartbroken? Yes.
But still, gotta up the protection and transmute all the negative energy into something beautiful.
coming from a closed practice also means having a strict spirit team that vet other practitioners closely
it also looks like them not giving the accurate information and refusal to participate when being called upon during a reading when they donât agree to be divined by certain practitioners
Unpopular opinion: You don't need to know the "traditional" way to practice witchcraft
There is no one traditional way.
Every culture, every region, every time period, every family lineage did magic differently.
The "you must do it this way or you're not a real witch" crowd? They're gatekeeping based on their own narrow experience or the one book they read.
Celtic witchcraft isn't more "authentic" than kitchen witchcraft.
Wicca isn't the default (it was literally invented in the 1950s).
You don't need to work with deities.
You don't need an altar.
You don't need to celebrate the sabbats.
You don't need to memorize correspondences.
You don't need to buy expensive tools.
You don't need to call yourself a witch if that word doesn't fit.
You need intention. That's it.
The rest is personal preference, cultural connection, aesthetic choices, or what makes your brain feel like magic is happening.
All valid. None required.
If your practice works for you, harms no one, and doesn't appropriate closed practices, you're doing it right.
There is no witch police. There is no cosmic authority checking if you're doing it "correctly."
Magic is older than any tradition trying to claim ownership of it.
Do what works. Ignore what doesn't.
End rant.
(If you want accessible, practical magic that doesn't require expensive supplies or gatekeeping knowledge, I have 100+ free spells at app.edgeandaltar.com. No "you're doing it wrong" energy. Just spells that work.)
Gods of my Ancestors, Spirits of Justice, Mercy and Wisdom, guide me to understand the best ways to help and protect my friends and neighbors where I can. Help me to discern the best course of action wherever action is made available to me. Let my door be a safeguard against harm for all who need it and let me know to open it when the time is right. Help me to be a light where there is darkness. Guide my hand to provide aid where I am able. And empower my efforts that they may do the most good possible.
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⢠Welcome Back, Seekers! Within my local coven, weâve turned our focus to warding and protection magick as we prepare for the year ahead. I adore transmutation magick for warding! Itâs one of my favorite ways to craft shields for myself, my work, my growth, and my success. Instead of constantly bracing for every hex, evil eye, or ill wish, this approach flips the narrative. Transmutation wards work proactively, taking any negativity sent your way and alchemizing it into fuel for your growth and power. Why waste energy defending against haters or uncovering their identities when you can let their spite feed your fire? Let them send their maliceâitâll only make you more powerful.
As always, take what resonates with your spirit and weave it into your own unique magick! My spells and workings are here to spark your creativity and inspire your craft. â¨
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Tools & Ingredients:
1 black candle (to absorb negativity)
1 purple candle (for transmutation and spiritual power)
Thread or Cord (any color)
A mirror (to summon your Fetch Spirit or reflect your essence)
1 clear quartz crystal or any charm youâre called to that can be left on your altar or within your space - Â As a subtle sentinel of the wardâs power, clear quartz is a cherished ally in magick. Its ability to be easily programmed makes it a perfect vessel for your intention, while its amplifying nature ensures the energy of your working radiates far and wide. To the untrained eye, it appears as nothing more than a beautiful crystal resting upon your altar or within your sacred spaceâa discreet guardian cloaked in plain sight, silently weaving its protective spell.
Optional: Chalk or something to draw a circle (for creating a sacred boundary to hold the enchantment of your crystal or charm. If chalk is unavailable, let your finger become the wand. You can also use salt or any symbols you would like to use to draw out a circle.
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Preparation:
Cleanse your workspace and tools with smoke, salt water, or another method of your choosing.
Candle preparation, take your black candle and anoint it with a neutral oil, something simple like canola oilâor any oil you feel connected to for protection. Once itâs dressed in oil, sprinkle it with herbs known for protection, such as basil, bay, black pepper, cinnamon, or cloveâor any protection herbs that resonate with your magick. For the purple candle, I like to use a neutral oil as well, then dress it with herbs that are perfect for transmutation, like ladyâs mantle and yucca. Along with those, I often add a pinch of herbs that represent success and abundanceâand donât forget to include a bit of your hair, fingernail clippings, or something from your person to taglock the magick, connecting the work directly to your energy. Then bind the candles together with some thread or cord.
Binding the Candles:
Take the black and purple candles and begin winding the thread around them, chanting this, or create your own:
"I bind these flames, black and purple entwined,
Protection and transmutation, powers combined.
Through thread and flame, my will takes hold,
To guard my essence, fierce and bold."
You don't have to go all out like I did with those massive candles. Honestly, a couple of chime candles will do the trick if you're short on time.
3. Place your mirror above the center of your altar or working space, positioning it to reflect either yourself or the flickering flames of your candles (refer to the caption below the next picture for more context). Let it serve as a portal, amplifying the energy of your work. Arrange your candles in a fire-safe dish at the centerâI often favor a trusty aluminum pie pan for this purpose.
4. Hold your crystal or charm in your hands, letting your energy flow into it. Visualize your purpose, your will, and your desire imprinting itself upon the object. Once your intention feels vibrant and alive within the crystal or charm, move it in a clockwise circle around the candles, envisioning it connecting to the fiery energy of your workingâlike a thread weaving them together.
5. When the circuit feels complete, place the charged crystal or charm before the candles. Now, cast a circle around the entire space, sealing in the energy. You can do this energetically, feeling the boundary forming with your will, or use chalk, salt, or symbols drawn ahead of time to anchor the space. This sacred boundary holds the power of your work, ensuring that your charm becomes fully and beautifully enchanted. And now, it's time to spark the flame on them candles.
I used a selenite tower in this picture as a stand-in to show where your crystal or charm should be placed. This isnât the actual charm I used, but it gives you an idea of the setup. Youâll also notice my altar mirror hanging just above the space, perfectly positioned for the energy work. If hanging a mirror isnât an option for you, no worriesâsimply place one in front of your working area instead. The reflection is what matters most!
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Casting The Ward:
Lighting the Candles:
With the bound candles before the mirror. Light them, starting with the black candle, then the purple, and then chant this, or create your own:
"Black flame of shadow, guard and protect,
Purple flame of spirit, energy redirect.
Before this mirror, realms align,
My (Fetch Spirit/Reflection) carries this spell through time."
Incantation of The Ward:
Face the mirror and focus on your reflection, summoning your Fetch Spirit or the reflection of your empowered self. Chant this incantation, or create your own:
"Anyone who cannot honor my essence,
Respect my growth, or stand in my presence,
Be it through disdain, envy, or intent,
Their fate is sealed, their malice spent.
Their energy flows to me, transformed,
Into strength, abundance, success reborn.
As I feed upon their misguided spite,
They are drained by their own blight.
Across all realms, my shield is spun,
Now and forever, this spell is done."
Seal the Energy:
Visualize the mirror reflecting the power of your spell into the cosmos, spreading the ward across all realms. Allow the candles to burn fully if possible, or snuff them out respectfully.
I love this picture! The flames intertwine perfectly, mirroring the energy I was aiming for in this ward of protective transmutation.
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Aftercare:
Charging your crystal or charm: Leave your charm on your altar or in your space as a representation of the ward. Each full moon, place it under the moonlight to recharge its energy, visualizing the ward growing stronger with every cycle.
Mirror Care: Cleanse the mirror after the spellwork with smoke or moon water to ensure it remains a neutral tool for future workings.
Final Words:
Maintain your crystal or charm as a talisman of your protective transmutation ward and remember that this ward will work continuously as long as you charge it and feed it with belief and intention.
Using games as a conduit to capture images for spellcraft
Crafting systems to cast spells and charms
Avatars as astral forms
Skill trees as improving powers
In-game altars for the spirits or gods
Capturing in game allies as spirits (Pokemon Go, for example)
VR temples as places of worship
Simulators (Sims 4) as poppets
Audiomancy (Audio magic)
Using playlists as potions
Using binaural beats as meditation music
Audiobooks as audio-bibliomancy/channeling
Devotional playlists for honoring the gods and spirits
ShufflemancyÂ
Videomancy (Entertainment video magic)
Using Tv shows, movies, cartoons and videos as conduits for channeling powers
Using visual media to perform divination and scrying
Summoning spirits from tv shows (Via incantation)
E-Bibliomancy (Digital book magic)
Summoning characters as spirits
Summoning powers out of books
Using e-books as grimoires
Using e-comics to borrow powers
Social media feeds as bibliomancyÂ
Wordcraft (Word magic)
Crafting poems as spells
Creating typed out or handwritten digital paper charms
Digital sigilsÂ
Pseudocode Spells
Email spells and enchantments
Automatic writing to commune with spirits
Written Prophecy
Incantations (Spoken Spells)
Grimoires as text documents
Familiar creation as character sketches
Text based astral projection
Digital Divination
Apps for tarot and runes become conduits for tarot and runic magic
ZenView becomes a scrying tool
Imagomancy (Image Magic)
Images as spell ingredients
Trading card images as talismans and charms
Gifs of candles representing actual candles
Tools of a Digital Witch (Basic)
Smartphone: This will serve the digital witch well as all of the stuff above can be done via a smartphone.
Headphones or earbuds: Noise-canceling is preferred, not required.
Charger: To keep the devices charged
Wall plug: To charge the charger
Stylus: For handwritten sigils and digital paper charms (not really required)
Tools of a digital witch (Extended)
Tablet/Laptop: For more extensive practices or larger screen
VR Headset: For astral travel and more immersive experiences
Bluetooth Keyboard: Turns the vr headset and tablet into an easy workstation
LED Candles: For offline digital candle magic
Projector: For immersive experiences without the need for the headset
Streaming stick: For access to Fire Tv or some other way to access tv on the projector
Virtual Gaming laptop: ShadowPc is my preferred version, it allows for access to a full gaming laptop on my phone and my laptop and my tablet and even on my projector. Can also be used on my headset if I chose to sideload it.
Smartwatch: Useable as a voice activated bracelet of spells. Using the notes app on my phone, I can write a pseudocode spell and trigger it by my voice via the trigger phrase.
Usb drive (1Tb): my amulet and spell vault. Also the way I carry my familiar spirit with me at all times.
This is a return to basics as I am helping a friend of mine learn to practice magic via technology. I figured I would share it all with you guys too.
đď¸đŻď¸đ ancestor work mini-survey đđŻď¸đď¸
Sorry, I just saw this and feel like doing it. Tagged by @ironandrue & @sheydmade for this fun ancestor work mini-survey!
Answer the questions below (as much as youâre comfortable sharing!) and then tag a few other members so we can keep the conversation going.
Questions:
Do you work with, honor, venerate, or worship your ancestors? Do you observe a distinction between these four modes of interaction? I do venerate my ancestors in a way that my spiritual practice centralises honouring and working with them. I honour them by giving them offerings from time to time, and I work with them to be guided on my spiritual path.
Do you communicate with your ancestors as a collective group, recognize them individually, or some combination of both? It's a combination of both. I communicate with my ancestors as a collective group, I also recognise them individually especially the ones who just passed recently (immediate family members).
What things do you do in your ancestor-focused practice (that you are willing to share)? I have an altar dedicated to them. I also pray to them and communicate with them daily. When I have a petition to make, I will offer a libation. I don't worry about immediate ancestors who don't agree with my spiritual practice, as I come from a heavy religious background. Instead, I reached out to ancestors in my heritage, from the oldest religion, who are willing to work with me to guide me on my spiritual path. Working with far-ancient ancestors, I also place some items that symbolise their origins and cultures on my altar, too.
What are some lessons you have learned from your ancestor work? Plenty I'd say. But the most significant ones I'd say is to lean in to the music as it is the oldest language of the world, and my ancestors communicate with music too. So I learn to pay attention to music more when I start to deepen my practice, and understand that a part of trance work starts with getting lost in the music.
đâ¨Tagging: @queerkagome (because you're the only online friend I constantly talk to, so I'm curious to know more about your ancestor work, but absolutely no pressure! You don't have to share if you'd rather not!)
If any of my followers or members from #PathandPractice would like to join in and share their own answers to these questions, feel free to do so and say @heyfortunae tagged you! Feel free to answer in as much detail as youâd like or to ignore this if you don't feel like it (no pressure!).
Ancestral work or ancestor work is a term and concept that Iâve been questioned about a fair few times within the last year. As someone who has always been overwhelmingly approached about divinatory practices, strengthening oneâs psychic abilities, and developing oneâs magical craft in general, it was impossible not to notice the uptick in public interest in ancestral work and practices. I have to say, Iâm quite excited at the prospect of so many stepping into this field because ancestral work is important when it comes to individual spiritual growth and exploring, understanding, and building oneâs own unique world of magical craft.
So, what is ancestral work? What does it entail, what are its benefits, and what can it mean for the practitioner? And how can you incorporate it into your life and practice? I aim to answer these questions and more in this piece, but I want to state, first and foremost, that ancestral work can be what you want it to be. This article is intended to explore the concept of ancestral work and help readers understand and plan how to start their journey into this practice or how to expand upon their ancestral work in new ways.
Ancestral work is, at its very root, incredibly personal. No two practices will be exactly the same. Itâs a journey, one that never truly ends. Youâll be shifting within your practice, finding what feels right and comfortable at that point in time and growing within that space; until itâs time to expand the space and broaden the practice. Then you shift and dabble and explore some more, incorporating new ideas and new methods, getting comfortable there before again growing, moving, changing. All the while, strengthening the connections and bonds with your ancestors, deepening your understanding of the self, and building a magical and spiritual craft that is entirely your own.
WHO ARE OUR ANCESTORS?
There are different sides of ancestral work, the two main sides being rooted in genealogical ancestry and spiritual ancestry. What is the difference between the two?
A genealogical ancestor is someone from whom you are genetically descended, someone who is a member of your flesh and blood family. This can be a relative as recent as a parent, aunt, uncle, or grandparent or as far back as your 13th great-grandfather, your 22nd great-aunt, and so on.
A spiritual ancestor is someone connected to you, your practice, or your religion, faith, or spiritual path in some way who is not necessarily connected to you in a genetic sense. This can be a deity or spirit that you worship or have a link to. It can be a practitioner whose work inspired or impacted your own craft. It can be a spirit, notable person, or folkloric figure that is tied to your culture or to the land on which you live or the land of your ancestors. It can be someone to whom youâve always felt a strong connection or who personally inspires you in some way.
Sometimes your spiritual ancestors are also genealogical ancestors. Some practitioners only work with genealogical ancestors, some only with spiritual ancestors, and some work with both. As I said before, your ancestral work can be whatever it needs to be for you.
WHAT IS ANCESTRAL WORK?
Ancestral work is:
Honoring and preserving the legacies and work of those who have come before you.
Communicating with those ancestors, sharing in their wisdom, and making room for the ancestors in your life and practice, sometimes creating a mutually beneficial arrangement of you helping or honoring them in exchange for their help and guidance.
Engaging with, honoring, and preserving ancestral familial and cultural practices and traditions.
Healing ancestral wounds and repairing ancestral trauma.
At its core, ancestral work is all of this in one. This is the root of the practice. So, where does one begin?
FIRST STEPS & FOUNDATIONAL WORK:
Research:
When it comes to genealogical ancestral work, your first place to start is with learning about your background. Some of you may already have access to your genealogical information and that makes this a little bit easier for you, but there are many who donât yet (and may never) have access to that information. Still yet, there are those who may know names of ancestors but nothing more than that. My advice is to start with what you have and build from there.
You might have living members of your family that can assist you and answer questions, or you may have no knowledge of specific ancestors but at least a general idea of where they were from. For those who were adopted and may have little to no link to their genetic heritage or family, I have friends in this same situation who work with ancestors of their adoptive family and within the culture of their adoptive family because thatâs the culture they were raised in and the family they feel most connected to, or they work exclusively with spiritual ancestors within their practice and faith or connected to the land on which theyâre from.
If you do have family you can speak to about your ancestry, thatâs a great starting place.
Take notes on names and whatever information is given you and start hunting down what information you can online.
There are a number of websites that provide assistance with these sorts of quests.
There are also government and historical archives through which you can access birth, death, and marriage certificates, census records, military records, and the like. Historical archives have been a great help to me in tracing the dots of some of my ancestorsâ lives. You may think that this limits your work to only recent ancestors, but in my personal research Iâve been able to find useful documents from as far back as the 11th century detailing records of events and persons throughout the 9th and 10th centuries (thank you, museum and library archives that grant public access).
If you donât have any way of accessing information about your familial ancestors or are not comfortable doing so through family, all is not lost. Remember, start with what you do have. You have spiritual ancestors regardless, ancestors and elders that are tied to the land youâre from or the religion you practice, ancestors whose work shaped your practice, and so on. In many cases these ancestors can be even more present in ancestral work than a genealogical ancestor might be because you may simply be more deeply connected to this side of your life than you are to any genetic link.
Exploring Your Culture:
Once you come to know (at least a bit) about your cultural heritage, itâs time to explore that deeper. Doing so is a fantastic way to start working on or strengthening the foundation needed to build our ancestral connections. Practicing your cultural traditions and keeping them alive is an extremely important task in general, but itâs also an act of living remembrance or active remembrance. By participating in traditional cultural practices, by celebrating your culture(s) and the culture(s) of your ancestors every day, you are performing a sacred act. This is a part of ancestral work in and of itself. It not only keeps traditions alive, but it also brings you closer to your ancestors who practiced these traditions themselves.
Exploring your culture may sound intimidating, but it can be so simple. Listening to folk music, learning traditional recipes and incorporating them into your diet, researching history and folklore and mythology from your ancestral homelands, and learning the languages which your ancestors spoke â these are all great for connecting with your culture, for learning more about the worlds that your ancestors came from, and for starting to build that bridge between you in this modern existence and those who came before you.
I am of mixed race and mixed cultural background, but I was raised more within one culture than the others. Iâve made it a point to expand my understanding of my heritage and to learn more about all the cultures that make me⌠well, me. In actively learning about and immersing myself in those cultures, I came to feel more rooted, more balanced, more connected to myself and the world around me. I came to understand who I am better than I ever had before, and that understanding was fundamental in my journey with my ancestors.
But some practitioners of mixed race and heritage prefer to work within one culture exclusively, and thatâs completely fine as well. Remember, this journey is entirely personal and the ancestral practice youâre building is exclusively for you, so do whatever feels right to you.
Establishing Intent:
Determining the purpose of why youâre taking up ancestral work is important. You may have done this before you ever started the research portion of your work. In some practices, religions, and cultures, ancestral work is a sacred duty, a respect we owe to those who came before us. Itâs about honoring those ancestors, not about getting anything in return (though I believe that there is a sense of fulfillment that comes with simply paying our respects and keeping those memories alive, and that sense of fulfillment is a blessing and a reward in and of itself.)
If you intend to seek guidance, aid in your craft, or a connection that assists you in divinatory practices, you might go about making your connections a little differently than someone whose sole intent is to preserve practice and tradition. When itâs time to go about reaching out to those ancestors, your intention in doing so should be clear and stated because, honestly, theyâre probably going to know anyway, whether youâre straightforward with them or not. Itâs always best to start things off with an honest, sincere approach.
Itâs also important to remember that, as you grow within your ancestral practice, your intention for maintaining this practice may change. Thatâs completely normal.
REACHING OUT & MAKING CONNECTIONS:
With your research started (this is a process that is ongoing and will probably never be completely concluded), your intention clear to you, and a better understanding of your cultural heritage under your belt, itâs time to start reaching out to ancestors. There are countless ways to do this, and how you choose to do it is entirely up to you. There may be a specific method for doing so within your religion or practice, or beliefs within your culture that would influence how you might go about this. Here are a few general recommendations for where to start that you can easily alter and expand upon to fit your personal needs.
Building an Ancestral Altar or Shrine
Building a shrine or altar is a great place to start with stepping into your ancestral work. Whatâs the difference between an altar and a shrine? Generally, a shrine is for remembrance and making offerings. An altar can be used in the same way as a shrine but also includes the act of worship or veneration (be that worship of the ancestors aside from or as your religion) and/or working magical craft.
Your altar or shrine can be as simple or as elaborate as you want it to be. Some elements that are generally a good idea to have on this altar are:
Candles â You can light candles in memory of your ancestors (both symbolically and physically kindling the flames of ancestral traditions), and you can light them in invocation of your ancestors in ritual or in communication with them. Candles also make great offerings to our ancestors.
Photographs of your ancestors / artwork, items, or symbols representing your ancestors â These serve as a physical representation of those ancestors and as a physical link between where they are now and our realm. If you have photographs of family members youâd like to use, either as symbols of the family in general or to reach out to that particular person, include these on, around, or above your altar. You can also use artwork, items, or symbols important to the culture of your ancestors to serve as representation and reminders of them.
Significant or sacred plants â In your research into your cultural heritage, were there any plants of significance to the land or practice of your ancestors or the cultures from which they came? If you have access to those plants where you are now, itâs a great idea to keep some on your altar or shrine as a link between you and those ancestors. You can keep them freshly cut and replace them whenever they wilt or dry, or you can place dried ones instead. You can also grow them in pots either on or nearby your altar or shrine. These plants can also be used as tools within your craft.
Incense or oils â Incense and/or oils derived from those plants sacred to the culture of your ancestors make a great offering and can also be useful in your ancestral practice. Some practitioners burn incense during ceremonies, rituals, holidays, or when reaching out to commune with their ancestors. Some use oils as a part of that work. Both can be used as invocational tools. When it comes to incense itâs also incredibly useful if communication and/or divination via smoke is part of your practice.
Offering bowls, trays, or plates & offerings â Making offerings to the ancestors when weâre able is a great way of showing them that we are keeping their memory alive, that they are still a part of us, and that they can still have a place with us and through our practice in this realm. Many make offerings of food and drink, of jewelry, of crystals and stones, and of items found in nature (flowers, leaves, nuts, etc.). You can make offerings exclusively of items that would have been valuable or significant to those ancestors, or you can make offerings of anything that you feel moved or called to offer, be that even a portion of the juice youâre drinking or a slice of the cake you made. A few traditional offerings across many cultures include alcoholic beverages, tobacco, and sacred herbs or flowers.
Once youâve started your altar or shrine (this is, again, generally a constantly changing and growing piece of ancestral practice), youâve already shown that youâre making an effort to establish connection and opening yourself to communication from those represented within the space youâve created.
What Next?
Now that you have a space â be that space big or small â dedicated specifically to your ancestors, you can use it as a place of meditation, a space for remembrance, and a space for communication. Know that you can communicate with your ancestors anywhere at any time, but many people who have never done so before and who arenât sure where to start find it easier to utilize the altar or shrine theyâve crafted as a means of directing their focus.
The next step going forward is as simple as this â just ask.
If youâre not sure what to do or how to better honor and connect with your ancestors, ask them. Many practitioners do this by lighting their shrine/altar candle(s) and taking a moment before this space to speak to those the shrine/altar was built for. You can do this by prayer or just by speaking to them. You can ask/speak to them about anything at all. I speak to my ancestors all the time, sometimes just catching them up on the recent family goings on. The act of communicating in and of itself is seen as an offering by many, as that act alone can mean so much.
Maybe youâre stuck here and youâre wondering, how do I go about asking? Some examples:
âHow would you like to be remembered by me?â
âIs there anything youâd like as an offering?â
âIf you feel comfortable doing so, would you walk with me and guide me through this practice?â
âIf there is anything you would like me to do for you, can you give me a sign or speak to me?â
Taking a moment to directly speak to them and invite them into your life and practice further displays your commitment to connecting with your ancestors.
I would like to mention now that itâs perfectly fine to establish boundaries with your ancestors as well. You may not feel comfortable doing something theyâve asked of you. Tell them so and make that clear and establish that boundary moving forward. Establishing and maintaining boundaries is necessary for some, and thereâs absolutely nothing wrong with that.
What happens after youâve reached out or asked for communication? Chances are, there have already been times in your life when those gone before you have presented you with signs and messages. Maybe you never noticed them. Maybe you shrugged them off because you werenât sure what to make of them or because you werenât yet open to the idea of communicating with ancestors, elders, and spirits. Now that youâve opened that door and reached out to them, you can expect them to reply.
Seeing Signs from âthe Other Sideâ
Sometimes our ancestors canât communicate with us with direct words. This can be the case because they simply arenât capable of that form of communication, because they choose to use another form of communication, or because youâre not yet bonded enough with them to communicate in such a way. There are many ways that our ancestors can communicate with us, and no method is any less valid than another.
Dreams â Itâs common for the ancestors to speak to us in our dreams, especially genealogical ancestors. This can be in a very direct way (seeing that person in your dream, hearing that personâs voice, reliving a significant memory with that person, that person clearly and directly speaking to you) or it can be more indirect (speaking through signs and symbols, delivering a dream that presents a feeling more than it does actual words or actions, etc.). As a general rule, we should never disregard our dreams anyway, but we especially shouldnât once weâve taken up ancestral work and ancestral communication.
Tarot & oracle cards - Tarot and oracle cards can be a method of communication with your ancestors. In fact, many diviners (myself included) have spirits and ancestors that aid them in divinatory practices and that reach out to give them answers through these methods. If youâre already a reader of tarot and cards, you may notice a change when you sit down to perform your reading now. It might be a new feeling or a shift in ambience. You may feel a presence. You might hear or sense a voice in the back of your mind. Pay close attention to these changes. Feel them out. You may notice over time that your readings have since become more accurate or better detailed, more direct. This is but one of the many advantages of ancestral work and of welcoming their guidance in our lives.
Seeing signs â Many times, spirits and ancestors will communicate through signs. This can be through animals, weather, plants, acts of nature, or even through manipulating items within your home, such as moving items or hiding them. Sometimes, Iâll have dreams about my great-grandmother, or sheâll just pop into my mind when Iâm falling asleep. The next day, there will be fresh, open blooms on the rosebushes outside. Roses were her favorite flower. I know that those roses are a sign from her that sheâs reaching out and letting me know that sheâs with us.
The signs that the ancestors deliver us can be something like that â flowers blooming in our yard â or it can be something like a particular animal or insect crossing our path. Usually, the signs come in the form of something that has particular significance or meaning within your culture or family, so pay close attention for anything like that or for anything the just feels like it was something more than a mere animal encounter, bird sighting, or whatever it may have been.
Recording our dreams, our tarot and card readings, or anything we may feel was a sign or communication from the ancestors can be a great way to help you recognize the patterns of communication. Perhaps you look back through those notes and find that youâve seen a certain bird in your yard on the same day youâve lit candles or made offerings on your altar/shrine consistently over the last month. Now you know that there may be more to that bird, and that it may be a sign from the ancestors themselves, if not a borrowed body theyâre using to pay your home a visit. When it comes to learning how to understand these methods of communication with the ancestors, the most helpful things we can do are keep our eyes peeled and our minds open, take notes, and be patient.
Remember, ancestral work is a long journey. Youâll be constantly growing within this practice, evolving, and exploring new aspects of the work. At the start, it can seem incredibly daunting. Youâre very much standing at the edge of a whole new world, a whole new self. The unknown that lies before you can be overwhelming or intimidating but remember that youâre not alone in that feeling. Many a practitioner before you, possibly even the ancestors you seek to connect with, have stood exactly where you stand now and felt as you feel. Lean into the unknown, embrace the free fall into this essential and incredibly rewarding practice, and prepare to understand yourself in a way that you never have before, because connecting with our ancestors and performing ancestral work is, in part, connecting more deeply with ourselves. We are, after all, the living and breathing embodiment of those who have come before us. Without them, we would not live. And without us, they would not live on.
SOURCES & FURTHER READING:
This piece is the author's own opinion, written from their own lived experience. Readers are welcome to conduct their own research.
"We do have funerals for the living. They're called birthday parties."
My birthday always brings forth a deep sadness. Even as a child the joy for the day felt performative, forced for the comfort of others.
So this year I've decided to try and create something to help me get through the day without forcing the positivity that I just don't feel.
MATERIALS:
Slips of paper
Writing utensil (pen, pencil, etc)
Birthday candle (or any other candle)
Fire starter (matches, lighter, etc)
Safe place to burn paper slips (see fire safety)
Food offering (optional, bonus if you can stick the candle in it)
INSTRUCTIONS:
If using an offering, set it out and stick the candle in it/place it close by.
Take time to write down the personal things you want to "die" (metaphorically). They can be bad habits, negative traits, etc.
When ready, light the candle and commence safely burning the slips. (My practice is mostly nonverbal, but if you have some words of banishing, now's the time).
If using a birthday candle, let it burn out completely. Slower burning candles can be blown out whenever you're ready.
Collect the remnants (ashes, offering, candle wax) and dispose* of away from your home.
*If burying DO NOT bury the candle remnants or any food offerings that would be harmful to nature. Disposal in a public garbage can or in your own home garbage is fine. Just be sure it leaves your house shortly after the spell is complete.
ALTERNATIVELY:
You can create a biodegradable poppet to represent your past self and stuff it with the slips OR write directly on it the things you wish to "die" (metaphorically). Then you can bury the poppet and as it decays, so will those bad habits, negative traits, etc.
Paper poppets can also be made, written upon then burned as whole.
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Man made crystals are so cool itâs so sad everyone who likes rocks is out for blood if you post man made crystals. I love you opalite I love you lab created opal I love you bismuth I love you HTA citrine I love you goldstone
Manmade rocks have their own cool appeal cause humans literally figured out how to put the right ingredients together to get a good looking rock, how is that not cool?
The downside of living in a city is living in a high rise apartment where you donât have backyard.
But we do have balcony where we are raising three plants. And I dedicate all of the leftover from my rituals into the soil (whatever that can be recycled/broken down).
I also see these plants as important ecosystem to my spiritual life.