*sighs heavily* it would be nice to have a day when every event on earth isn’t turned into this, but alas. seeing this start as a trickle of whining last night and become a deluge of rage today speaks to the place we’re in societally.
this isn’t about the wedding or the bride and groom or opinions about anything else. they simply had a handful of Jewish guests and a Jewish officiant, and that is drawing intense levels of hatred and scrutiny under the tattered veil of “antizionism.” it’s convenient that the guests being eviscerated for this are just Jews.
the underlying desire here is to stop Jews from existing in public. idc if that sounds dramatic, we’re seeing it constantly. pop culture is a wealthy microcosm, but this is no different than accosting Jews on the street because they’re wearing a kippah or banning the Star of David from Pride, no different from painting swastikas on Holocaust memorials. they do not believe that Jews should be able to comfortably exist, experience life, and be welcomed anywhere without being interrogated and forced to endure either litmus tests or slurs and dehumanization.
we saw this same commentary recently aimed at Jews who attended Knicks games. using hating on Jewish celebrities (for nothing more than being in public) to normalize it is part of the tactic to make that discrimination more palatable.
this ire at Adam Sandler and several of the other Jewish guests is the same ire that saw Scott Wiener harassed and thrown out of a Pride March despite his political record, the same ire that sees Jewish businesses vandalized, the same ire that firebombs synagogues, and ultimately the same ire that leads to Jews being hunted down on a beach or at a museum or at a music festival.
we’ve been there for a while tbh, and because there’s been virtually no pushback against it (except from the Jewish community, who no one will listen to), it’s gotten increasingly worse. seeing this go viral on every platform today is peak derangement.
the accounts driving this are violently antisemitic, and the support of it is intentional demonizing of Jews. it’s frightening how well it’s working.
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It took me about 15 seconds in to realize what was happening in this vid, but the second I did, I legit came. This is… I got chills and got so much validation for my theories about tap and pretty much any genre of music here…
They’re tap dancing, a kind of dancing typically associated with being old-fashioned and kind of silly. Personally, even tap dancing to old music is awesome in my eyes, but this is on a totally new and exciting level
The thing about tap is that it’s so often seen as a fancy, old-fashioned dainty dance that only posh (and generally white) people do in tuxedos but it didn’t used to be the case.
Way back in the early days, it was where black performers in Vaudeville were legendary for it in Jazz and Jive routines. At about 1:37, this is where the Nicholas brothers go off.
It’s such an expressive and joyful kind of dance and matches so well with hip hop beats and rhythm, which is why the modern reworking of it is so awesome.
Im sure a lot of people also watch the op video and they assume that “clap” sound is part of the music just because a LOT of modern music samples that sound and in some music it is just the sound of hands clapping, but no that is a sound being made by all their shoes at once.
I am gritting my teeth at the mere suggestion that tap is primarily associated with dainty white people.
Tap is a distinctive American art form that comes from a blending of African dance traditions with Irish dance traditions. It was developed by Black and white dancers and came up alongside and deeply entwined with jazz.
Certainly the tap that ends up in musical theater often seems old-fashioned and white but that’s a musical theater issue, not a tap issue. That is only one small part of tap, which continues to have a strong African-American tradition.
The Nicholas Brothers, above, are in a clip from the film Stormy Weather, which has an almost entirely African-American cast. Some of the other scenes in the film include Bill “Bojangles” Robinson, one of the greatest tap artists of all time. He was very well-known generally and was in quite a few Shirley Temple movies in his day. (Shirley Temple, herself, was a tap dancer – which I’ll be real is probably contributing to people thinking it’s old-fashioned and white, because it’s easy to forget the Black man dancing alongside her, I guess.)
Here’s Bill Robinson with Cab Calloway in Stormy Weather – he’s performing a variation of his famous “stair dance” in parts of this clip:
https://www.youtube.com/watch?v=VY3fbvBRiaM
Here’s probably the most widely famous version of the “stair dance”, from The Little Colonel:
There’ve been a lot of white tap dancers through the years – see, for example, everyone’s favorite clip of two men torturing a speech therapist:
… but a lot of its most famous practitioners have been Black and it’s weird to me that people don’t know that.
Today I’d like to talk a little about Savion Glover, who is one of (if not THE MOST) famous living tap artists. This is from 2002:
and this from 2014-ish:
And if you are saying, well, I never heard of this guy, I guess today you are going to learn about this guy. But I bet you know THIS guy:
Mumble’s dance is choreographed by, and mo-capped from, Savion Glover.
This guy. This guy is SKILLED, ok? He’s in his 50s now; he’s been a professional tapper for over FORTY YEARS – he made his Broadway debut at age 11. He’s in that movie, Tap, that I linked a clip from above. Sometimes his tap seems a little old-fashioned – other times it is like nothing you’ve ever seen before. This is intentional – he’s paying tribute to his teachers and tappers of the past by learning and performing their signature moves, but also he’s got his own style.
It is absolutely worth going through whatever you can find on YouTube. Look for “Bring in da Noise, Bring in da Funk” – he was Tony nominated for the choreo & his performances in this musical. (The MDA telethon performance above is an excerpt – he did these for several years on the telethon.)
I like this one, because you can watch modern African-American tap alongside modern-traditional Irish dance and you can see that these are related, but distinct, art forms. They share a common ancestor, but they’re also so different. Right around 4 minutes, Colin Dunne (the man in the cover image below) and Savion Glover start dancing together, trading off, and it’s AMAZING.
Sidenote, if anyone ever hears of a revival of “Bring in da Noise, Bring in da Funk,” please tell me, I want to see it liiiiiiive.
Let’s finish off with Glover’s special guest performance at the Stockholm International Tap Dance Festival last year:
on another note, watched The Mummy (1999) the other day and I couldn’t help feel like the O’Connells and the Addams (Addams Family Values (1993) would get on really well ya know? The O’Connells are basically the pastel adventure version of the Addams, surely they would just be vibin’ over tea and crumpets in an extremely haunted mansion having a ball of a time
*Rick and Gomez, still frantically sword fighting*
Rick: Have I mentioned how wonderful my wife is yet, I really feel like I haven’t really expanded enough on how wonderful she is
Gomez: do go on, I would be delighted to hear about how wonderful your wife is, I strongly encourge all men to extoll the virtues of their wives with rapturous praise, however I should perhaps mention my wife is in fact better
*sword fighting intensifies as both men rapturously extoll the virtues of their wives*
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Rosalies Medieval Woman, one of my favorite online historical resources, is no longer active as a historical/reenactment resources, as Rosalie Gilbert has stepped back from reenactment. The site-as-was is fortunately still viewable via the Wayback Machine (some pictures are missing).
Reached for comment, Carmella Charrington defended sharing antisemitic conspiracy theories and repeatedly told JI to ‘get your rabbi’
Posting the whole text of the article so people don't have to join a mailing list, and putting in bold the responses from Charrington and her DSA defenders that I thought were most absurd and hypocritical.
An activist that two politicians from the Democratic Socialists of America helped elevate to a leadership position in the Brooklyn Democratic Party on Tuesday posted a vitriolic antisemitic screed to her Instagram last year — declaring as “the truth” a notorious work beloved by Adolf Hitler that describes a Jewish world conspiracy.
Carmella Charrington was part of an army of left-wing insurgents who captured office on Tuesday: in her case, the role of district leader in the Brooklyn Democratic Party, an unpaid but important position that elects the party’s influential chairperson and plays a significant role in nominating judges and filling jobs at the city Board of Elections.
Although the DSA itself did not formally endorse Charrington for the post, two of its most important local figures campaigned with her and helped her make the ballot: state Sen. Jabari Brisport and state Assembly candidate Eon Huntley, who defeated an incumbent lawmaker in a closely watched race earlier this week.
Charrington’s candidacy was part of a broader campaign to depose the present centrist leadership of the official party organization. But in November 2025, Charrington shared a video to her Instagram account — which features various photos and videos of herself at Brisport and Huntley’s joint campaign headquarters — promoting the “hidden history” in industrialist Henry Ford’s notorious 1920s series of conspiracy pamphlets, The International Jew.
“This better be the topic at the table#dad #deedtheft #ceo #love #ericadams #brooklyn #lovers #lovers #corruption #diddy #nyc ##cardio#cardib #trump,” Charrington captioned the since-deleted post, adding in the comments: “The only way to change is understanding the truth!”
The video itself is a summary and update of Ford’s century-old conspiracy theories, presented by a wellness influencer.
“You find out who owns all the social media, and then who also owns the tobacco industry, the cotton industry, the banking industry, the theater, the newspaper, the radio, and then we can clearly see who owns the government as well,” the speaker in the video says. “This is why in school things like reading the Bible, praying, celebrating Christmas, got to get rid of all that. Then it gets deeper when you find out who brought in all the liquor and all the drugs, and also made people into drunks during the Great Depression, because the same people caused the Great Depression.”
The video further asserts that Jewish people created plastic surgery to “blend in,” “brought the slaves” to America, established the gay rights movement and plotted the infamous 1921 massacre of Black residents of Tulsa, Okla. It asserts Jewish people are “always changing their names” and variously call themselves Zionists, Communists and Bolsheviks.
It then pivots to the issue that propelled Tuesday’s socialist sweep: Israel.
“It gets deeper when you talk about Palestine and the takeover of that with the Rothschilds, same people, and the whole Palestine thing connects back to the Rothschilds, who are the bankers, who then control everything, including the schools,” the speaker continues. “All the media and the newspapers and the radios are owned by a small group of people who control everything.”
The video concludes with an image promoting the Swedish neo-Nazi film series “Europa: The Last Battle,” the conspiracy tome The Curse of Canaan: A Demonology of History, the Holocaust denial tracts of Fred Leuchter and the anti-Israel pamphlet Zionism: The Terrible Secret of the Cold War.
Reached by Jewish Insider, Charrington maintained that she was not prejudiced, but also insisted the video “was some facts.” She repeatedly told the reporter to “get your rabbi,” as she intended to hold a future “roundtable” on what she called a “bullying community.”
“There’s so much harm that your community has done to me,” she said. “It’s a problem in our community and it needs to be addressed.”
Charrington rose to prominence as part of a legal fight over possession of her family’s brownstone in the historically Black but fast-gentrifying Brooklyn neighborhood of Bedford-Stuyvesant. She alleged in numerous media appearances that she was the victim of deed theft, a form of fraud, but New York state Attorney General Letitia James’ office determined it was a complicated but legal inheritance dispute.
In one of several phone calls with JI, Charrington railed against Jewish investors she accused of gaining access to her home and a Jewish judge who sentenced her to six days on Rikers Island for contempt of court.
Helping to promote her cause has been another leading DSA official: New York City Councilman Chi Ossé, who was arrested demonstrating outside the home in April. The incident inspired New York City Mayor Zohran Mamdani to create a new Office of Deed Theft Prevention.
Ossé, for his part, stressed in a phone conversation with JI that he had not endorsed Charrington for district leader and was unfamiliar with her posting history.
“We condemn this antisemitism and bigotry in the harshest possible terms,” Ossé said in a subsequent written statement to JI. “There is no room for this kind of hate in Brooklyn. I reject it completely.”
Brisport similarly said he was unaware of Charrington’s views but repeatedly refused to answer whether he would have supported her for party office had he seen the video she shared — or if he considered such beliefs disqualifying for a person to hold power in the Democratic Party. Huntley, the nominee for Assembly, did not respond to repeated calls or emails.
However, the two DSA leaders subsequently sent a joint statement denouncing the content of the video, and harping on the right-wing elements of its message.
“The antisemitic post that Carmella shared has no place in our movement. This incident illustrates exactly what antisemitism does — it misdirects the justified anger of working people and oppressed communities away from systems of power and onto Jews,” they wrote. “We are committed to working with all constituents and fellow electeds alike to unlearn and dismantle these deeply antisemitic, anti-LGBT, and anti-communist narratives which hurt and divide our communities.”
JI also contacted Mark Hanna, a Mamdani ally and Brooklyn district leader who served as election attorney for the insurgent slate on which Charrington ran. Hanna is also the treasurer of American Priorities PAC, a committee dedicated to combatting the influence of AIPAC and uplifting anti-Israel candidates.
“Any kind of antisemitism or Islamophobia or hatred I’m not going to be supportive of,” Hanna said in an initial phone conversation.
After JI sent him the video, he wrote back that he hoped the post “can be a teachable moment.”
“I will have to speak with her about it,” he wrote. “I want to work with Carmella on issues related to deed theft and the other concerns she has in her community, and I think calling her in to learn and ensure inclusivity, rather than calling out for a repost, will be more fruitful.”
Hitler reportedly kept German translations of The International Jew in his office, where he also displayed a portrait of Ford. He praised the American industrialist in Mein Kampf, and in 1938 awarded him the Grand Cross of the Order of the German Eagle, a medal the Nazi leader created to honor foreign allies of his genocidal regime.
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remember when progressives used to condemn conspiracy theories about jews being behind 9/11 and jews running the banks and jewish lobbying groups controlling US politics and jews eating children and jews poisoning the wells and jews being the effigy of evil?
does anyone remember
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