such a sanji song!!
The Stonewall Inn

oozey mess
he wasn't even looking at me and he found me
Fai_Ryy

shark vs the universe
Aqua Utopiaď˝ćľˇăŽĺşă§č¨ćśăç´Ąă
icyghini twinkie
cherry valley forever
đ

romaâ

Andulka

ellievsbear
Lint Roller? I Barely Know Her
"I'm Dorothy Gale from Kansas"
RMH
almost home
Show & Tell
đŞź
occasionally subtle

seen from TĂźrkiye

seen from United States
seen from Malaysia

seen from United States
seen from Argentina

seen from Malaysia
seen from Ecuador
seen from United States
seen from Mexico
seen from Mexico

seen from United States

seen from Canada
seen from United States

seen from Brazil
seen from United States
seen from Russia
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@hatingfromacrackedscreen
such a sanji song!!

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HEYYYYY I'M SO HAPPY TO SHOW YOU THIS PROJECT! 9/15 pages of first chapter
15/15
âłđ remain as you are, forever đâł
shygirl :: CLUB SHY ROOM 2
by ä¸ç´Ťĺ¤Ş

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All kinds of shit is always happening to Sailor Moon in broad daylight on the sidewalk
Hi mom,
do you remember me?
havent properly drawn these guys in a while so heres my first animorphs art of the year! ive missed them so much ďźďźďźżďźďź
animorphs does not get enough credit for its innovation in the field of platonic willing-manipulation dynamics⌠making peace with being used, using your friends right back, doing it because itâs the only way, doing it because youâre desperate, doing it because you love them, accepting it when and because you trust them, accepting it when and because you donât trust yourself⌠strengthening your connection through it like a really disturbing friendship bracelet⌠loving each other fiercely in and between these moments, caring so, so much for each other, seeking each otherâs company to laugh and play and rest... ignoring the weight of it when you can, feeling it full force when you canât, wearing you down, wearing you down all the time, just another pane of plexiglass separating you from notions of normal, living in that violent dissonance, your whole adolescence in it.
also i just finished rereading #29 the sickness and if you dont love cassie i hate you i hate you i hate you i hate you i hate you i hate you i hate you i hate y

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where's that picture that ruined my life
found it
this comic did the same thing
I donât do drugs cuz I like them I do them 2 cope with the pain of nevar having anyone appreciate all the things I do even though I make more toys than anyone else and my holes r available but thatâs not enough for some people
tobias and ax
WARNING do NOT start reading books and comics or watching movies or looking at art!!! you will start wanting to create art yourself. or god forbid. writing.
Sudanis have been saying this so posting it here, please stop saying Iran is freeing Sudan. Yes you can be happy that the UAE is being bombed but that is not stopping the UAEs genocidal proxy, the RSF, from continuing their massacres.
Anyway open ur wallets
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a lot of people have already pointed out how totk has a lot of themes of imperialism and generally leans conservative ideologically, but what i think is interesting is how totk subtly redefines what a âresearcherâ is.
zelda wants to be a researcher in botw, and what this means in the context of botw is largely someone who works with sheikah technology. she wants to figure out ancient sheikah tech, she has an interest in botany and otherwise nature and biology (the whole silent princess and the frog thing), robbie and purah, the two characters who are the closest to us seeing what a researcher in the context of botw is are basically inventors. in totk, however, the main researchers who are presented to us are all historians.
this is an interesting pivot, because in botw zelda is not really interested in history. if anything, the one whoâs deeply concerned with history is rhoam, wanting to preserve historical tradition and his uncritical reliance on said tradition and historical precedent is what leads them to their doom. in botw, zelda is narratively opposed to history, if anything, all the ancient tech backfires on them and traditions fail to awaken zeldaâs power. zeldaâs urge to be a researcher is in wanting to understand the world around her, not just blindly follow ancient plans but rather have agency within them.
totk, however, is obsessed with ancient plans. the only real moment where zelda gets to geek out in totk is her getting all giddy about finding out more about the divine origins of hyrule. all the researchers in the game are concerned with finding out more about the zonai. since all the mentions of ancient sheikah technology are scrubbed from the game purah and robbie read more as strange outliers, the sheikah slate is no longer, now itâs the purah pad, a product of purah rather than something larger. the whole game is literally about following an ancient plan, a plan most characters donât fully understand as they sign up for it. totkâs main story is built on confusion, on the characters not knowing whatâs fully going on but having faith in ancient sages telling them what to do. in botw, following ancient plans you donât fully understand was the thing that doomed you. in totk, following ancient plans you donât fully understand is the gimmick.
that juxtaposition between the two games has an ideological through line: botw posits that progress is necessary. mindlessly relying on tradition doesnât work. prophecies are omens, not instructions. history must be learnt from, not repeated. the ancient sheikah arenât a group to be emulated, but rather to be learnt from, considering their machinery backfired and the royal family betrayed them. totk, however, is obsessed with the mythical history of hyrule, a time where everything was idyllic until one bad man showed up, a time we must emulate in order to win. i already talked about how the past in totk is zeldaâs life pre calamity but better here, but that also plays into the idolisation of that era and its royalty. in botw, even the myth of the first calamity preserves the fact that the yiga clan has origins in the royalâs family persecution of the sheikah, even the time when they successfully held back the calamity is tinged with mistakes that still affect the world ten thousand years later. in totk, ganondorfâs origins are nebulous. nobody provoked him, nobody did anything wrong, heâs just evil because he is.
a lot of right wing ideologies are hinged on preservation, but more than that: the belief in the nebulous mythical past in which everything was better. âmake america great againâ, the fascistâs idolisation of ancient rome which is represented largely inaccurately, look at any conservative rhetoric and youâll see people complaining about how things nowadays are ruined or are being ruined, how in the past things were this way and theyâre not anymore, which is bad. the belief in the fact that in some past period we were great and are not anymore, and the strive to emulate that past is a trait highly typical of right wing ideologies. and in totk the past as a great era is an idea presented completely uncritically, the narrative is entirely controlled by the game and doesnât dwell on any of the inconsistencies in this idea.
now, obviously, not every story in which a great ancient era exists is fascist, right wing or conservative. but to me whatâs interesting specifically in totk is this shift between the two games: botw is critical of the past. itâs critical of arrogantly repeating history, itâs critical of having blind faith in great relics of the past. totk isnât. totk idolizes the past, totk tells legends and tells you to believe them without any doubts. botw believes researchers are those who seek to understand the world, innovate it and solve problems without relying on ancient ways. totk believes researchers are those who discover ancient instructions, ancient ways and relay them to great men in the present to be followed. the four mainline regional quests in botw are about discovering four ancient relics that are terrorising the land and fixing the mistakes of the past. the four mainline regional quests in totk are about discovering four ancient legends are true, and receiving instructions from an ancient sage on what to do.
totk is not simply neutral, it is ideologically conservative in stark contrast to botw, because of the things it chooses to leave uncriticised, notably the things botw was very poignant about examining critically. the way totk redefines what is a researcher is indicative of this, indicative of the way it chooses to idolize or present as an unexamined good that which was nuanced in botw. totk isnât just conservative in the sense that it presents uncritically a âgood kingâ and âevil conquererâ, it goes deeper, itâs notable because botw was starkly opposed to the thematic axioms totk presents.
i just think itâs very interesting that they made a sequel to botw, and completely redefined or otherwise ignored botwâs thematic core.
No, no, listen. The kissing was a metaphor. They're not actually âthey're not actually gay. It's symbolism. The car thing? No that was real. She literally turned into a car.