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@disgracedmilfman

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old drawing from... 2019 or 2020?
About 10 years ago a person named Devon Marie Machuca (aka Ender Darling) was arrested for stealing (and selling) human remains from a Black majority cemetery in New Orleans. They would end up serving 2 months.
Holt Cemetery is what's called a potter's field. It is a cemetery that caters to the poorest of the poor, people whose families are unable to pay for the burial of their loved ones. This cemetery is in use today, and the majority of people buried there are impoverished Black people.
Desecrating Black corpses is not funny. Selling pieces of deceased human beings is not funny. I understand that this story is a piece of tumblr lore, but this is not a hee ha silly story. Those were real human beings. People with family and friends who mourned their deaths. People who were too poor to be buried anywhere else, and were instead brought to Holt Cemetery.
Have some respect for the way you talk about the deceased. You and I both know that if this person stole remains from some frufru white cemetery that the reaction would be very different.
Act better.
if you ever see me talk shit about europe, I'm never talking about the beautiful sisters (Scotland and Ireland).
Rabbits and triangles🐇

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i think this captures the defining pathology of the collective social media psyche right now. we are in the thrall of people who are wantonly cruel but who also demand to be coddled at all times in every way
pewdiepie was one of the harbingers of the alt right internet apocalypse i hate that skinny white man with all my heart
the dichotomy between the "immigrant" (someone from the global south who moves to the north) and the "expat" (someone from the global north who moves to the south) makes me feel fucking crazy. a white person who moves to asia is an expat but an asian who moves to the west is an immigrant. & how those terms are politicized and assigned class statuses, like the word "immigrant" tends to imply a blue collar worker (even if that isn't the case) while "expat" implies a white collar worker. the associations with "expat neighbourhoods" in asian countries is very very different from those of "immigrant neighbourhoods" in western nations. also how "immigrants" who dont assimilate are seen as "failing" and bad, lower class, a burden on society, etc. whereas "expats" not assimilating into local culture is expected and viewed as a sign of their higher status. the double standards are so insane
IM TALKING ABOUT ASIA???
i don't know how many times i can say to europeans in the notes "these words have political connotations associated with race, class, and national origin outside of the most literal linguistic definitions and i am specifically talking about how these are used in the (southeast) asian context but this also applies in varying ways around the world because racism and classism are global phenomenons" before they stop replying to this post with 'uhm actually as a german who moved to chile i consider myself an immigrant this must be an english-ism or americanism, it's linguistically incorrect' because i'm going to start getting mean for real soon
there are literally Thousands of southeast asians as well as central+south americans and africans in the notes being like "this is literally exactly what it's like" but sure, this is an english language us-centric problem, thank you white germanaustralianbrit for enlightening us all
Everyone envies me for my shrimp lighter
a few great films that are free on the internet archive
in decent quality too!
here is the archive collection of these films so you can favorite on there/save if desired.
links below
black girl (1966) dir. ousmane sembene
the battle of algiers (1966) dir. gillo pontecorvo
paris, texas (1984) dir. wim wenders
desert hearts (1985) dir. donna deitch
harold and maude (1973) dir. hal ashby
los olvidados (1952) dir. luis bunuel
walkabout (1971) dir. nicolas roeg
rope (1948) dir alfred hitchcock
freaks (1932) dir. tod browning
frankenstein (1931) dir. james whale
sunset boulevard (1950) dir billy wilder
fantastic planet (1973) dir. rené laloux
jeanne dielman (1975) dir. chantal akerman
the color of pomegranates (1969) dir. sergei parajanov
all about eve (1950) dir. joseph l. mankiewicz
gilda (1946) dir. charles vidor
the night of the hunter (1950) dir. charles laughton
the invisible man (1931) dir. james whale
COLLECTION of georges méliès shorts
rebecca (1940) dir. alfred hitchcock
brief encounter (1946) dir. david lean
to be or not to be (1942) dir. ernst lubitsch
a place in the sun (1951) dir george stevens
eyes without a face (1960) dir. georges franju
double indeminity (1944) dir. billy wilder
wild strawberries (1957) dir. ingmar bergman
shame (1968) dir. ingmar bergman
through a glass darkly (1961) dir. ingmar bergman
persona (1961) dir. ingmar bergman
winter light (1963) dir. ingmar bergman
the ascent (1977) dir. larisa shepitko
the devil, probably (1977) dir. robert bresson
cleo from 5 to 7 (1962) dir. agnes varda
alien (1979) dir. ridley scott + its sequels
after hours (1985) dir. martin scorsese
halloween (1978) dir. john carpenter
the watermelon woman (1996) dir. cheryl dune
EDIT: part two here + the letterboxd list
edit: part three here

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using violence to liberate people from sweatshops, unsafe mines, and grinding poverty isn't the same as using violence to impose those things on people. the idea that violence is morally repugnant regardless of context is a belief that every oppressor throughout history would love for the oppressed to hold
Anaisdure via insta
"leftists are all white" is a bizarrely racist stance for supposedly "anti-racist" liberals to take if I'm being real here. obviously it's not true, but beyond that it also kinda suggests that, to white liberals, minorities don't have the level of intellectual agency required to disagree with them.
Historically the most effective socialist, communist and anarchist organizers in the United States have been persons of color, it wasn't lily-white europeans running food distribution and anti-cop patrols in LA, it was the Black Panthers.
two men will watch a movie together and instead of having sex afterwards they record a podcast about it

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yesterday I had the thought "visual novel for normal people" (?) and halfway through making this image (which I thought would be really funny) I realized it was completely meaningless
terrifying when you watch a movie or a show or whatever & youre like that was fun but it felt a little redundant they didnt need to hammer the point home that much & then you go online & theres thousands of people going that was so weird i did not get it what did that mean google.com ending explained please?