i wanna know the story behind this
What the FUCK
YOU ARE THE REASON
ojovivo
Jules of Nature

titsay

★
RMH
occasionally subtle
Three Goblin Art
Cosmic Funnies
AnasAbdin

Product Placement
will byers stan first human second

@theartofmadeline

shark vs the universe
Show & Tell

izzy's playlists!
Monterey Bay Aquarium

blake kathryn

JBB: An Artblog!

❣ Chile in a Photography ❣

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@hadleyspazzy
i wanna know the story behind this
What the FUCK

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Good work guys
it’s 7 am…. good morning everypony
How the fuck did this get worse
Bridesmaid to a waiter: What a beautiful wedding
Waiter, about to reveal that the poor groom’s bride is a whore: Oh you haven’t heard?
the number of people making comments on this post about how there’s nothing wrong with being a whore is far too high like i’m not trying to shame people who are promiscuous or sex workers this is a fucking reference to a song and if you dont understand the reference dont reblog with some idiotic trying too hard to be progressive shit its literally a joke about a lyric from a song it was never, and never will be, that fucking deep. if you dont get the reference literally just shut up and dont reblog this post oh my god
by fall out boy
I dont know what’s funnier the people getting offended because they don’t get the panic reference or the people getting offended because they don’t get the fall out boy joke
Comprehension of this post is what defines the Millennial / Gen Z generational boundary.
by panic! at the disco
barnyard the original party animals is the uncontested lord of bad implications in childrens movies
ok so like “the secret life of x” movies tend to not strongly explore the actual reasons why, exactly, their life has to be secret… they don’t really focus on it within the narrative. They do usually have some small justification for why animals or video games or toys or whatever have never just revealed themselves:
There’s no stated reason. They just pretend to not be alive. We usually can suspend our suspension of disbelief here because when it’s something like a video game or an emoji because any odd occurrences is perceived as a glitch or something similar but the actual reason why they aren’t too hung up on this kinda shitty lot in life isn’t said
They get something out of their current relationship with humans (like in toy story)
They have some specific reason to hide that they’re alive, like they die if they’re seen (like in the christmas toy)
They perceive themselves as sentient, talking creatures, but humans can’t understand them. They just see a squeaking mouse or an inanimate hot dog or whatever.
and the last one is what most animal movies do, and it’s like, not devoid of weird implications but you can see where it mostly works.
but barnyard is the outlier here: it goes with tier one: the animals can talk and walk on two legs but just pretend that they can’t for unstated reasons.
in the history of the barnyard world non human animals, at some point, decided to just pretend to be unable to speak. a “cow” or a “coyote” or a “hen” do not exist as we know it in the barnyard universe. the baa of the sheep is false; the ewe doesn’t understand it either. they only made up that noise to hide the fact that they speak human languages. a dog barking and running on all fours is a facade. animals naturally walk on their hind legs and made up whole postures just to appear non sentient.
and for what? what do they gain from this? they have no rights and no voice by their own choice. at one point a donkey claims the farmer is a good person because he’s vegan and a pig mentions bacon - this is not a fantasy universe devoid of death and misery and meat. do animals, in hushed whispers, remind their children not to sob in their real voice as they’re taken away? do the dogs not beg for kindness when they’re tied up and hit? do cows and chickens not cry for their life in the slaughterhouses? does a rat not scream a human scream when the trap misses their neck and only breaks their spine? Why? what is the point? They loose so much and have everything to gain.
anyways does everyone remember this really awful cat. it only appears in one scene but i can just sense the porn of it that would pop up if i googled it’s name
This post is like being tied to a chair as a a joker-style villain monologues and presses a gun closer and closer to my head as he reaches the climax of his rehearsed piece on the flaws of society and when he finally pulls the trigger it’s a little flag that says “bang!”

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jkasjdkasjksajfdasfdsafd goodbye
“there are two types of americans:
1) i am from bumfuckville south pennsylbumfuckia, you of course know this great city
2) im not sure if you’ve heard of this place called miami?”
Jennifer Coolidge Reads Thirst Tweets
Interviewer: So, Mr Loaf...
Meat Loaf: please, call me meat

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Uuuh music thing @tothetrashwhereibelong tagged me in
Rules: you can usually tell a lot about a person by the type of music they listen to! Put your favorite playlist on shuffle and list the first 10 songs, then tag 10 people. No skipping!
Okay I couldn’t choose a playlist so tbh I just put all my liked music on Spotify on shuffle
Siboney- Connie Francis
What is this feeling?- from “Wicked”
The night before- the Beatles
O fole roncou- Luiz Gonzaga
Magneto- Nick Cave and the bad seeds
Bubblegum Bitch- MARINA
Dá 1like- Banda uó, Karol Conká
Osse Shalom- The Jewish Starlight Orchestra
Assombrações - Maria Bethânia
Gentleman Jack- O’Hooley & Tidow
@gevnni @hadleyspazzy @alakazamryn @bunniesandbeheadings @bitterbiracialbibliophile @piningforthefords @mischievouspoltergeist @alexander-vass @raskolnikovian @natedoeshomestuck do it of you want to
For me,
Du hast by Rammstein (learning German currently)
Shake That by Eminem
Olha A Explosão by MC Kevinho, feel free to judge me @raskolnikovatthebarricade
BAAM by Momoland
Cold Cold Cold by Cage the Elephant
Made in China (remix) by the Higher Bros
DNA by BTS
Cheguei by Ludmilla
Judas by Lady Gaga
Swine by Lady Gaga
At the peak of my 13-year-oldness, I wrote a Hunger Games fic in which a former tribute (who won, obviously) had to watch her two kids being reaped the same year, and for extra drama, the organizer made her their mentor. The fic alternated between flashbacks to her own Games with the allies she made and saw die, and the fact that eventually she would have to choose which of her kids to save (or just straight up abandon both to the arena).
So far so good right?
Except the year was 2012. It was a songfic.
And the song I chose? The chorus to Nicky Minaj’s STARSHIPS.
"Starships" being the name her group of allies was given by the viewers. "Let’s do this one more time" was unironically the saddest line in the fic.
OP where is the fic
I love that the Witcher proves how you can have a sexist world without having a sexist story. The framework is patriarchal, it's at times blatantly sexist and at one point Yennefer even bitterly points out that, as far as the world as concerned, women are just vessels. But the narrative isn't.
Things like -- it would be so easy to turn Yennefer into a villain. She's got a classic Femme Fatale backstory, she hits every point, she's powerful and ambitious and ruthless... but she isn't evil. In the end, she doesn't put her ambition over doing the right thing. She doesn't let her recklessness get in the way of the Battle at Sodden Hill; she registers some displeasure at being put up in the tower to observe and report, but she does it, and she does it without reserve or bitterness, to the best of her ability. She went through hell to find the power that she thought would give her what she wanted, only to discover that it wasn't all it was cracked up to be -- on her own. She didn't get this revelation from a lover, or from some great tragic descent into madness and fall from grace. She came to this realization over time, without someone else's opinion.
Queen Calanthe -- jfc, Queen Calanthe is how Daenerys Targaryen should have been handled. She's a powerful woman, an unapologetically ambitious warrior woman, who falls and loses her throne and country -- exactly the same way a King would have. Her flaws -- her hubris, her selfishness, her unwillingness to let go of her granddaughter -- lead to her downfall, but they do so rationally. She doesn't go mad, or start making stupid irrational decisions, or have to be otherwise softened -- she loses the battle. She was out-maneuvered, and her support was blocked, and she just failed. She just lost. Queens -- any poweful woman, really -- always go mad and have to be put down For The Greater Good, they never get to be a Tragic Hero in the classical sense -- always Lady Macbeth, never Hamlet.
Calanthe is a fucking Greek Tragedy. She hits all the high points of an Aristotelean Tragic Hero: she evokes pity and the fear that the viewer could have made all the same mistakes; her fortunes change from prosperity to adversity, not through vice or depravity but through error of judgment; that error is made through a fundamental character flaw, something that the character could have stopped, but also couldn't because of who they are as a person.
I cannot think of another Queen treated this way in fiction.
There's one single mention of rape, and that character does imply that this in part led to her not being a princess anymore -- followed almost-immediately by the main character explicitly and pointedly calling her Princess, pointing out that it isn't what was done to her that makes her monstrous, it's what she herself does. Even so, it's simply part of her backstory, she's the one who brings it up, and there's no gruesome flashback to "evoke sympathy" or whatever bullshit excuse to show women suffering.
It's just. It's so obvious that this showrunner is a woman. The comparisons to GoT are all over the place, and obviously -- they're both dark, gritty fantasies with a heavy political aspect -- but the way this show treats its characters, and particularly its women, is just so refreshing. It's not without its flaws, and while I'll admit that there were a few moments where I was like, "did she really need to be naked here?" none of those moments were tasteless or predatory, and there was none of that gratuitous degradation of women that was such a hallmark (and turnoff) of Game of Thrones.
(There's more, too, about how the Witcher differs from GoT in how sometimes, some people are just decent and kind. Sometimes, people really are all right, and do the right thing regardless of their own self-interest. And while, yes, it would be unrealistic if everyone or even most people were that way -- it's just as unrealistic to have no one be. There's this element of human compassion in the Witcher that's far too rare, if it exists at all, in Westeros, that makes the world so much less heavy. There's plenty of darkness and bleakness, but there's also kindness and compassion to balance it out. But that's a whole other post.)
It's just. God, it is just so nice, to have a fantasy show that acknowledges sexism without itself devaluing the female characters.
So seriously, give me ALL the GoT comparisons. Because it’s not until The Witcher that I realized not only how much of a dumpster fire GoT became but that it always had been. Look! You don’t have to make a medieval based fantasy world and also make it chock full of mysogeny in a way that only ends up hurting women fans. Watching The Witcher felt like a weight being lifted from my chest.
THANK YOU FOR THIS!
Britney Spears in a 1999 interview

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the number of food bloggers whose husbands seem to hate food is astounding
Most of these men would get scurvy in minutes if their wives were any less inclined to act like their mothers
One of my biggest turn offs in a guy is being a 0icky eater