#253

On paper forgiving people for wronging you isnt a bad idea if its heart felt and earned and giving criminals the opportunity to change and avoid jail for offenses like theft where jail may not solve the issue, yet both overwhelmingly are used to protect charismatic sex pests and serial rapists with a following and a campaign of pressuring their traumised victims into forgiveness/ restoration will follow. Repeated exposure and public shaming was the only thing that seemed to finally move the catholic church.

I was scrolling and saw a screenshot of someone ' taking accountability' for sexually abusing another partner, as one does multiple times. Whenever something like this happens the victims disappear and people avoid retweeting or reblogging from the rapist for a bit until they make a banger post

What restoration or accountability took place ? God knows because nothing changed , nothing was restored and this will happen again with another ' taking accountability' text and another victim you will be publicly pressured into giving testimony about the power of forgiveness

Bastian of the Neverending Story is fat and weird-looking, in the movie he's a perfectly photogenic all-American kid.

Hermione is buck-toothed and unpretty, in the movies she's a perfect little girl who grows into a very attractive woman.

Carrie is fat and unpretty, in the movies she's a supermodel in slightly unflattering clothes.

Don't even talk to me about Ugly Betty.

The latest Frankenstein adaptation continues a long trend of trying to convey the message of "this monster is not inherently evil" by making the monster look good. Because obviously if the monster did look bad, it would be evil and people would be justified in shunning it.

Even supposedly more serious media does it. Imre Kertész's Holocaust novel Fateless has a minor character, a wimpy weird-looking member of the group of boys who got deported together. The other boys don't really like him, and disdainfully agree when he's deemed not fit for work - of course they don't yet know that it's a death sentence. In the atrocious movie he's not weaker just younger, a photogenic little boy, and him being sent to his death is played as a sentimental tearjerker for the audience instead of forcing us to grapple with the complexity of the original, where mundane teen boy cruelty continues to exist in boys who are currently victims of a genocide.

A written text says: this person is ugly, this affects how people treat them, this affects how they feel about themselves, how they behave, how they live in the world. This might just be an incidental part of their story, or it might be its entire point of the whole fucking book. And then the movie sweeps in and says: oh, but they aren't ugly! They have always been beautiful! They are being bullied and shunned for no reason! So unfair!

And the unintentional but very obvious implication arises that if they *were* ugly, of course they would deserve the bullying, the audience would agree that they deserve the bullying, the audience would want to join in, kick spit point laugh. The idea of empathizing with an actually ugly person doesn't compute. (Maybe it's clear by now that this has done low-grade but long-lasting damage to me as a person: weird ugly people are simply not allowed to exist, not even in stories about being weird and ugly.)