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@greencatalystcomet
Having Esther gently touch Kol's face after inflicting pain on him and Finn running his thumbs over the top of Kol's cheekbones right before hexing him.................... they're doing this on purpose to make me insane...................
what the fuck is going on between these three jesus christ
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after you read the poem “the woman dies” a lot of media makes you mad
Excerpts from The Woman Dies by Aoko Matsuda
if you vote me for president i vow to make everything the ocean again. no more land only ocean. this will solve all of our problems and replace them with new, far more interesting problems
okay, yes, the doctor and rose are very orpheus and eurydice. yes, in both stories the love was not enough to stop the tragedy. yes, what ultimately mattered was the love and not the tragedy. yes, both get their eventual happy endings through a death and rebirth
BUT i feel like people get it mixed up. the doctor isn't orpheus. rose is. rose is always the one fighting through hell and high water for them, the one who has, multiple times, faced impossible odds to get the doctor out of proverbial hell. the doctor's position as eurydice is acceptance of his fate. that he deserves his place. but he sees orpheus fight for him and even though that doesn't change things, he knows he is loved.
the game station? bad wolf? orpheus and eurycide, but orpheus succeeds. krop tor? the satan pit? how much more obvious can you get? orpheus and eurycide but eurycide climbs out of the underworld.
but see, then you get doomsday. then you get the tragedy, and although it seems like rose is eurydice dragged to hades, you just have to ask: who fights to get back? who gets their "wait for me" in the form of missing stars and dimension cannon jumps? rose. she's orpheus, jumping universes with her own song of love leading her back to eurydice. and the doctor does turn around on the street (very orpheus, i know. the comparison writes itself) BUT then he dies! he gets shot! back to the underworld!
the metacrisis regeneration is, as mentioned before, the final death of orpheus and the reunion of lovers in the underworld. because everyone seems to forget that part is possible, if not thinly implied in ovid's "metamorphoses".
and maybe that does make the doctor orpheus. maybe they're interchangeable. i just love finishing the story of orpheus and eurydice with "but the love was there. but looking back wasn't the end. but there can still be hope after tragedy" because that's ultimately what it's all about.
keep that furnace fed with the fossils of the dead...
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“Poor little Doctor. Poor little Master…”
linda pastan, “The Five Stages of Grief” x doctor who s09e11 heaven sent
almost (sweet music) by hozier + ninejackrose and their parallels
timepetals + bad wolf / religion
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thinking about how the memory tardis had one piece of rose in it, her missing poster, and how that is representative of rose's narrative, she's missing... there are pieces of all the other doctors, of yaz, of river, but rose's thing isn't the jacket donna found, isn't some sort of actual rose, but is literally just her missing poster, because even to the memory tardis, to the doctor, she is missing. where is she? have you seen rose tyler?
i havent been watching wwe for the past several months and the treatment of the women throughout wrestlemania 42 perfectly sums up why. give me one good reason for the LONGEST womens match to be 10 minutes
"and the stars look very different today..."
prints now available here!
i'm generally a hater of nico's crush on percy (why does it make any sense for nico to have a crush on the guy he blames for his sister's death?) and what makes it even worse is i could have LOVED nico's crush on percy if they had mentioned the connection between the son of the sea god and nico being born and raised (ish) in venice. like if they had drawn any attention to that whatsoever, blah blah blah nico missing his home and percy reminding him of the place he felt safe, the place he remembers (but not rlly bc of his dip in the lethe) his mother and his sister. it could have made sense and been a great explanation but that never happened. mostly i really like pjo but sometimes it frustrates me
«Michael was protective of the frail old woman he believed her to be. So… so delicate, so forgetful, yet gently wise. He cared for her. He trusted her...»
The Magnus Archives 101
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waiting, in retellings of greek myth
quotes from Hadestown (the musical), Epic the Musical, and The Song of Achilles (novel by Madeline Miller) images in order are Penelope awakened by Eurycleia by Angelica Kauffman, 18th-19th century, Jordan Fisher as Orpheus in the Broadway production of Hadestown, Achilles bandages the arm of Patroclus, potter Sosias unknown painter, 500 B.C., Orpheus and Eurydice by Carl Goos, 1830 C.E., Achilles Lamenting the Death of Patroclus by Gavin Hamilton, 1760-1763 C.E., Grace Hodgett Young and Dónal Finn as Eurydice and Orpheus in the West End production of Hadestown,
Sorry, but the whole “Hector is wearing Achilles’ own armor, taken from my corpse. It looks, almost, as if Achilles is chasing himself.” part just has me thinking… Who is Achilles truly hunting down on that battlefield? The man who killed Patroclus, or the man who let Patroclus walk into his demise? Who is Achilles trying to punish? Who is he truly trying to kill? Hector or himself?
THIS is such an intriguing thought
I would love to hear more of your thoughts on the matter, moments of the book that point to it, etc
The guilt of Achilles, aye?
