I give them everything but I feel fucking empty. They don't care. Heated Rivalry (continuation of this post)

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@gofuckupyourmind
I give them everything but I feel fucking empty. They don't care. Heated Rivalry (continuation of this post)

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Heated Rivalry is the ONLY show that has ever made the Miscommunication trope work for me because there's no bullshit, contrived "one character overhears something out of context and never clarifies" event, Shane and Ilya literally are communicating in vastly different styles while interpreting each other's actions through their own styles.
Of COURSE Ilya struggles to be direct and open with his words, he's been punished for it over and over and furthermore English is not his first language so he can't say what he wants to.
Of COURSE Shane struggles with indirect and implied subtext, he's autistic, and Ilya seems to change every single time they interact making him difficult to predict.
Neither of them are in the wrong for how they communicate, this is simply how they've learned to navigate the world, but you can still do a great amount of harm without intending to do so, as we see in the show, but the important thing is that they learn and grow together.
Shane Hollander sat his freshly fucked ass on a hard metal step during Canadian winter and gripped onto that jacket so tight Ilya practically had to wrestle it from his arms like taking a sock from a doodle puppy. Under no circumstances did he have to follow Ilya down those stairs. These are things that your mother will never know about you Shane Hollander but don't you DARE lie to that woman and tell her you haven't been in love for years. You were playing Russian roulette with plausible deniability all the way back during the first fucking Obama administration.
Yuna and David had a valid concern when asking about Ilya's past promiscuity, because they need to know that their son's partner is taking it seriously
The "I have only been in love with one person" line from Ilya is beautiful and poignant and said without doubt or hesitation, to relieve all of the Hollanders concerns.
But what I think is important is that Shane's response of "Same here. Only one." Though this may seem unnecessary to his parents ("we know you pretty well, Shane"), it's NOT unnecessary to Ilya.
Ilya crashed the fuck out over Rose Landry. Ilya expected Shane to bring Rose to All Star Weekend, in the books Ilya even expects Shane's "can I tell you something?" To be an engagement announcement. Rose could be open and affectionate with Shane in front of the whole world. The whole world thought that Rose and Shane were in love.
Ilya isn't used to being loved. Ilya doesn't believe he can be loved.
Ilya needed to know that not only does Shane love him, but at no point, regardless of how much Shane denied himself or how hard he tried with others, at NO POINT did he ever give his heart to anyone else.
"I like you" isn't just a stepping stone to "I love you" - it is a distinct narrative beat in its own right.
As the audience, we already know that Ilya loves Shane because we heard him say it in Russian. But we also know that love is not enough - Shane loves Rose but they weren't compatible. Sometimes love isn't enough, for a variety of reasons.
This is why Shane and Ilya are terrified of coming to the cottage. Because we still don't know if they're compatible beyond the incredibly hot sex and psychic level hockey passes. The tuna melt date was nice before Shane crashed out, but that was just one afternoon.
"I like you" is the missing piece in their relationship. I know that I love you and I desire you and we play good hockey together, but do I like you?
The cottage scenes answer: yes. I like playing with you and I like cooking with you and I like talking to you and I like sharing space with you and I like sleeping next to you and I like waking up with you. I like you.
I like you and I love you and I still have no idea how we can possibly make this work but I really want to figure it out.

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But you know me. I'm lazy, so... I don't know that side of you at all.
One thing I don’t see talked about nearly enough in Heated Rivalry (and maybe this is just my carefully curated, possibly sheltered Tumblr experience) is the physicality of Ilya’s reaction when he walks into Shane’s hospital room.
Because nothing about it is loud—and that’s what makes it devastating.
Ilya barely moves. He barely breathes. His face is locked down so tight it’s almost painful to watch, and yet his entire body is screaming. The last time we saw him, he was on the ice, being ushered back toward the bench by a ref, Shane’s situation unresolved. And then—cut to the hospital room. The door closes. And suddenly, those few seconds carry the weight of the entire horrible, worry-soaked night. We don’t see that night, but we feel it, because Ilya carries all of it into the room with him.
And then there’s Shane.
Shane looks wrecked. Like actual roadkill. And you can see it kill Ilya inside to look at him—to know it was one of his guys who did this, who took away what was left of Shane’s season. The guilt is immediate and suffocating.
But Shane? Shane is beaming.
That huge, goofy, unguarded smile. The soft, love-struck eyes. He has never looked at Ilya like that in public before. Ever. Maybe not even in private. And the juxtaposition is unreal: Shane’s broken body laid out in the bed, and this absolute tenderness in his face when he looks at Ilya, when he sing-songs his name. It’s unbearable to Ilya in the best and worst way.
Ilya’s breathing is already shaky with tears. Jaw tight. He tries to speak—twice—and can’t get the words out. He nods to himself like he’s bracing for impact, and then finally asks the question he’s clearly been carrying all night:
“Are you okay?”
And he doesn’t move. He stays by the door.
This is a guy who is almost always the physical initiator. The one who most often closes the distance because Shane finds it so hard accept what he wants. And here he is, practically pressed against the door like he doesn’t trust himself to step any closer. Until Shane makes grabby hands for him, because of course he does.
I see a lot of (very deserved) love for the comedic aspects of Shane being high as a kite in this scene. Praise and love for the sweetness and tenderness. But those first few moments? They’re gut-wrenching. Quiet. Controlled. Devastating.
Conner Storrie, you did not have to hurt me like this—but since you did, please collect every award immediately.
shane: since our rookie season
ilya: i didn’t set up an ad campaign with the two of us together, call you pretty, tease you in the shower, and then almost get caught by your mom in the elevator for you to get our anniversary wrong. since summer before, shane
Ilya Rozanov after the gossip news about Shane and Rose, poor Ilya

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heated rivalry, chapter 21
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Together ✨💖
Also can i say that i think the elevation of Svetlana’s inclusion in the show was so fantastic not just because Ilya needed another character in his life to bounce off of dialogue wise but also because it showed how he behaves when he’s comfortable. He’s always laying in her lap and getting pet, joking around with silly voices, he likes to play and rough house and we see glimpses of that with Svet because she’s his childhood friend, so slowing seeing those behaviors come out as he gets more settled with Shane was so incredibly sweet and rewarding.
"hollander" (this doesn't have to change, we can go back, we can just be hollander and rozanov and ignore the strings, we can pretend it's nothing more and never talk about it and I'll never say shane again, I'll never ask for more if this is all i can get) "hollander" (there's nothing I can say to keep this from crumbling but i'm begging you)
“Ilya made the first move” as if unsociable Shane Hollander didn’t search the entire facility for Ilya and then go out back and shake his hand and then stand there, breathing in secondhand smoke

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So maybe they had picked up things about each other over the years, without really trying.
#yeah he does