The Writer's Keep

18 years. this is enough time for the work to grow to adulthood and begin to care for itself

Ideas in the 1920s: We should make a new kind of plastic you can eat

Ideas in the 1960s: We should invent a new and more civil racism

Ideas in the 1980s: What if you could have sex with Hello World

Ideas in the 1990s: What if cars had TVs in them

Ideas in the 2000s: Is it gay to wash your hair?

Ideas in the 2010s: What if a refrigerator was made of goo

1. The FBI's Famous Cases & Criminals archive (fbi.gov/history/famous-cases) has detailed breakdowns of real fraud cases, Ponzi schemes, and confidence operations. The language they use is clinical and precise, which is perfect for getting the procedural details right.

2. The FTC Consumer Sentinel Network publishes annual reports on the most common fraud tactics in the US. Great for understanding how modern scams actually work and what makes people fall for them.

3. The Smithsonian's American Art Museum has a free digital collection of forgery case studies. If your character forges documents or art, this is gold.

4. Court Listener (courtlistener.com) is a free legal database where you can read actual court transcripts from fraud trials. Want to know how a real con artist talks under oath? This is where you find out.

5. The Internet Archive's collection of old newspaper crime sections. Search for "confidence man" or "swindle" in papers from the 1920s through 1960s and you'll find incredible real stories that would feel too dramatic for fiction.

Bonus: The Psychology of Fraud section on the Association for Psychological Science website has accessible articles about why people trust, how deception works cognitively, and what makes someone a convincing liar. Essential reading if you want your con artist characters to feel psychologically real.

Sometimes we want to see things that aren't there.

There is a reason why there is a more modern antisemitic caricature of "the college educated coastal elite trying to erode at western masculinity and femininity" and it's literally, in part, because of Jewish led transfeminist action. It is a caricature that exists in dialogue with longer standing antisemitic stereotypes, but we're talking specifically about the modern iteration of it.

It's because of Leslie Feinberg's action, mobilization, and writing in the late 70's through the early 00's as a vocally Jewish transgender feminist. It's because of Judith Butler's essay "Performative Acts and Gender Constitution" and their book Gender Trouble in the 90's. It's because of Bornstein's books Gender Outlaws and Gender Outlaws: The Next Generation, the second of which was worked on in collaboration with Jewish trans man S. Bear Bergman. It's because Riki Wilchins has been an active part of trans and intersex feminist action for decades despite you probably not knowing hir name.

Wilchins co-founded Camp Trans with Feinberg. S/he co-founded Transsexual Menace with Denise Norris. Wilchins coined the term "genderqueer" and s/he also helped lead to the foundation of Intersex Awareness Day thanks to hir work with intersex activist Cheryl Chase and the Hermaphrodites With Attitude! protest group. Wilchins has been a backbone of trans and intersex activism since the 90's.

All Jewish nonbinary people from different assigned gender backgrounds working towards trans liberation and solidarity. For decades.

Her not being born yet? Not an excuse- we need to plan better.