oh, great intentions, i've got the best of interventions

Earthquake safety booklet distributed to Apple employees, cover. 1966.

Claudia! God I can’t wait for her to haunt everyone next season. Please,, I will sell my soul for some Claudia and Madeleine next season. Can iwtv introduce force ghosts into canon? I need to see them heckling from the balcony seats like Statler and Waldorf. Damn, now I kind of need to draw that.

what if we went to your dead wife's grave and we both mourned for the thing we'll never get back. and we were both girls.

are we the baddies: SFF subgenre focused on agents of an imperial power realizing that and grappling with what to do next, in contrast to stories focusing on the scrappy rebels resisting said imperial power

I could fix him (the empire): SFF subgenre where the colonized subject being nice and/or sexy enough Ends Colonialism, frequently tied to the John President of Racism problem

librarian bait: books centered on the transformative life-changing power of books and libraries, cousin to books focused on the transformative life-changing power of storytelling and narrative in general

college brochure fiction: stories where the protagonist has an artfully arranged group of diverse friends who are as flat as paper and whose cultural backgrounds never come up meaningfully

It hails from an immortal tumblr post by penultimate-step, except not immortal apparently because I get 'not found' when I try to go back to the original. So here's the text:

Buttercup’s supposed passiveness is the crux of most critiques of The Princess Bride. But I’d argue that Buttercup acts in her own interests throughout the movie, making moves to secure her own future from her position of powerlessness. For the entirety of the movie barring the first and last scenes, Buttercup is a captive. She has to marry Humperdink in accordance with the law- she has no choice. In this moment we see her at her most passive. She’s accepted that he will marry her regardless of her feelings and she seeks her happiness in other places. Then she gets kidnapped. From that moment to the end of the movie Buttercup gets passed back and forth as the trophy everyone fights over. However, she doesn’t sit idly by. She attempts to escape Vizzini by jumping overboard into eel infested waters. That’s a brave move. She doesn’t know who is on the other ship she swims towards. She only hopes they won’t kill her like Vizzini plans to. Her failure doesn’t negate the bravery of her actions. Then she defies Wesley before she knows his identity. She tries to kill him by pushing him down the hill. He turns his back for one second and she makes a move against a man who she thinks will likely kill her. She saves Wesley when they exit the forest. Yes, it backfires, but she doesn’t know that. From that point on, Buttercup makes deals and argues with Humperdink in an attempt to get out of her betrothal. She uses any argument in her arsenal. It doesn’t work because she doesn’t know what he has planned for her.

the women of the pitt and their terrible horrible no good very bad day