this poignant melodrama's based on fact.

Our fucked up dolphins

Our fucked up porcupines

Our fucked up snakes

This

Kelli: Do you have an answer about how frequently Armand was wiping Louis's memory?

Rolin: Yeah probably but I don't know how important it is... Everybody, Assad probably has a different idea, Jacob does, and maybe some of my writers room do –I love that, I think that's okay. For me I actually think it was very very very little. And I actually think –many people probably disagree with me– that Louis probably did ask him in Sausalito to erase it. I think he did. I always felt Armand having two really extraordinary lies. And just two. But because you have to continue with those, it becomes a series of lies and lies and lies, and it seems worse to me than it is. I always wanted to find this empathetic version of Armand, but I house it like everything else I did in the show: I house my idea about it, and there are open interpretations of the actor who is embodying it, the people who have had reactions about that, and I think that's cool. And it ends up letting the audience members– you get to see yourself in how you feel about all those things.

Kelli: I always thought that it might be believable that Louis could ask for that, but I don't know if he did, what do you guys think? Do you agree with Rolin?

Jacob: Yeah, I like Rolin's answer, I think it's open to interpretation. And kind of for me, the thing is that... I sort of don't–

Sam: It doesn't matter.