Misplaced Lens Cap
Today's Document

#extradirty
$LAYYYTER

we're not kids anymore.
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@g3rmb0y

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needy
āoh no, my audience has begun to guess the big twists of my story and are accurately predicting what will happen!ā
incorrect response: write the rest of the story to be as twisty, shocking and counter to expectations as possible, regardless of whether this is a logical or satisfying way for the plot to go
correct response:
can someone elaborate on the āmake hoaxā and āpost angry tweet about āleakāā part. iām stupid and donāt understand things
sure!
(youāre not stupid. I posted this thinking it would amuse a handful of mutuals who all knew the context and that would be about it, so I didnāt think about providing any other explanation. I had no idea it would spread this far.)
Iāll start from the very beginning just to be thorough. so this is Alex Hirsch, creator and head writer of Gravity Falls, a show which had a big focus on mystery, conspiracies, codes and ciphers, etc. the whole plot is kicked off by one of the main characters finding a mysterious old journal in the woods, which detailed all kinds of weird and supernatural things, but then ended abruptly with the author saying they had to hide the journal because they were being watched. the central driving mystery of the show, therefore, was the question of who wrote the journal and what happened to them.
now, the thing about Gravity Falls is that, while it must be said that the writers werenāt always quite as sure of their plans as we tend to like to think they are, it is very much a fair play mystery, with legitimate clues to what was going on. but the writers were caught off guard by how quickly the show attracted a dedicated audience, including a lot of people outside the primary presumed demographic, who started solving the clues faster than expected. so some of the fans were able to correctly guess who the author was before it was revealed in the show, and the theory started spreading. this put the writers in something of a panic, because this was THE mystery that the whole story revolved around, with ¾ of the show building up to the dramatic reveal in the middle of season 2. they wanted it to be a mystery that could be figured out, sure, but they werenāt prepared for people to solve it so far in advance of when it was planned to be revealed, which would have really taken away from the big moment. they werenāt going to change the main story itself, but having been caught unaware by how much attention the fans were paying, they wanted to up the ante and make the mystery more complex to solve going forwardābut first they needed to buy some time and throw the fandom off the scent for a little longer.
hence, Alexās plan as described above. they whipped up a fake shot that appears to give away the identity of the author as being another character in the show, put it on a screen in the studio as if it was a real animation frame, took a picture of it, and āleakedā it online. it was initially decided to be a hoax (albeit, I think, presumed to be a hoax originating from outside the production team), until Alex posted this tweet:
ā¦before quickly deleting it (though not so quickly that it didnāt get seen, of course).
it worked well enough to distract most people for a while, and wasnāt revealed as a hoax until a year later, when an episode aired that definitively proved that the supposed screenshot could never have happened, at which point Alex owned up to the whole thing as seen in the tweet above. by then the episode with the real reveal wasnāt far off, and while people did still work it out ahead of time, it was more of an āOH MY GOD I KNEW IT!ā moment than a ābooooooring, weāve known that for agesā moment, which of course was what the writers wanted all along.
personally I find this a fascinating approach to dealing with the problem of spoilers, because it doesnāt affect the story itself at all; if you watch Gravity Falls todayāor if you were watching it when it aired without any significant contact with the fandomāyouād never know about it. ultimately, the problem the writers were facing wasnāt that some people might guess the answer to the mysteryāthey never wanted to make it completely impossible to predictāso much as it was that they hadnāt designed the story to stand up to so many people working on the puzzle together, which resulted in a sort of total output of puzzle-solving ability that far outstripped the capability of any one solo human being. so their solution is something thatās very much targeted toward delaying that group problem-solving, without actually affecting the experience of any individual person watching the show.
plus, itās very in keeping with the overall tone of the show.
and now you know!
if your audience guesses the ending of your story
donāt:
change the ending
do:
gaslight them
genuinely one of my favourite details about Bram Stokers Dracula that isn't really transferred to the pop culture is that vampires have irridescent eyes, they appear brown at a glance, however when light is reflected on them they seem to go red!
another thing that pop culture latched onto is this idea that you might use a wreath of garlic bulbs to ward off a vampire, however, in the book there is a popular use of garlic blossoms rather than the bulbs. i think these are a lot prettier and way more versatile for stylisation! you could have a garlic flower crown.
also like the cowboy part can we please stop omitting the fact that there is a real ass cowboy in Bram Stokers Dracula and hes from real ass Texas and he has a fucking gun and he tries to fucking shoot Dracula
Something that absolutely changed how I read Dracula was apparently it was written as a subtle satire beneath the horror. A lot of the references haven't aged well so they don't make sense, but the gun toting American cowboy was an absolute parody.

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genuinely one of my favourite details about Bram Stokers Dracula that isn't really transferred to the pop culture is that vampires have irridescent eyes, they appear brown at a glance, however when light is reflected on them they seem to go red!
another thing that pop culture latched onto is this idea that you might use a wreath of garlic bulbs to ward off a vampire, however, in the book there is a popular use of garlic blossoms rather than the bulbs. i think these are a lot prettier and way more versatile for stylisation! you could have a garlic flower crown.
also like the cowboy part can we please stop omitting the fact that there is a real ass cowboy in Bram Stokers Dracula and hes from real ass Texas and he has a fucking gun and he tries to fucking shoot Dracula
Peak masculinity. Photo from my collection, no date/info.
watching twilight and I keep making myself laugh imagining if it was just alucard or any other vampire instead of Edward. POV nausferatu goes to ur school

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The core appeal of Willy Wonka is that he's a nigh-omnipotent maniac who uses his near limitless powers over reality to trick shitty people into killing themselves. You can't make him the protagonist of a whimsical coming of age tale - you have to treat him like Jason Voorhees, or Dracula, or any other horror icon. Give him some new victims and new interesting kills and set him loose, that's all audiences want.
I feel like I watched a somewhat different movie...
Gene lobbied hard for Wonka to be introduced as a feeble limping old man who suddenly falls into a forward somersault and leaps to his feet, because "from that moment on the audience won't know if he can be trusted." On a related note: the director told Gene what would happen during the boat scene, but none of the other actors were prepared; to this day, none of them are sure what he ad libbed and what was scripted.
My favorite detail, though, is his performance of Pure Imagination. On the surface, the song is charming and inviting, but if you look closely at him throughout the scene, you'll notice that Gene never blinks. He looks around, down at his feet, up at the trees; his eyes never fully close. He moves erratically, stuttering up and down the steps of the chocolate room. The lyrics are warm and friendly, but his face is blank. He bows to permit his visitors to run amok, but his posture is stiff. He helps Violet and Mike reach a couple of treats, but there is no joy in the gesture. The final post-chorus feels like a dirge, a threat, and a warning, all at once; Wonka sits in repose under a tree, but his eyes are glassy and dispassionate. "There is no life I know to compare with pure imagination; / living there / you'll be free / if you truly / wish / to be.......... "
Fantasy in excess, like anything else, will destroy you; that's the real message of Gene Wilder's Wonka. He taunts his guests with unrepentant disdain, and doesn't care if they live or die. He toys with their emotions, their safety, and their grip on reality, feeling no regret or remorse, no pity, no compassion. Fantasy is colorful and compelling, but it's false, and ultimately empty. Wonka is a walking maladaptive daydream, and as far as I'm concerned, that's the real reason the 1971 film has endured in the culture for so long.
Wait, I'm expanding my "Mary Poppins vs. Bugs Bunny" trickster spectrum here.
I never guessed that in my adulthood, Iād be relating to Calvinās parents as much as I do in this comic.
Because damn ⦠Calvinās dad was so right.
This is part of an arc where their house got broken into and they have to deal with the ensuing fallout.
Calvin and Hobbes was some real shit, my dude.
Reading Calvin and Hobbes as an adult is a VERY different experience than reading it as a kid.
I always liked this arc because they were out of town when the house was robbed (I think at a wedding?) but Calvin forgot Hobbes. So when they get home and realize theyāve been robbed, Calvin is super scared Hobbes mightāve been stolen. For some reason the last panel when the parents are happy that Calvin has his buddy again just always moved me.Ā
Also this part:Ā

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Echigo Line
Niigata, Japan
By now, the rice planting should be finished. Today is a continuation of this early season, but the train continues to run along uneventfully.