official daine visual archive

❣ Chile in a Photography ❣
I'd rather be in outer space 🛸
art blog(derogatory)
trying on a metaphor

Love Begins
Sweet Seals For You, Always

★

JVL
Game of Thrones Daily
Mike Driver
🪼
hello vonnie
Sade Olutola
let's talk about Bridgerton tea, my ask is open

d e v o n
occasionally subtle

#extradirty
seen from Australia
seen from Russia
seen from Australia

seen from United States
seen from United States
seen from Saudi Arabia
seen from United States

seen from Netherlands

seen from United States

seen from Vietnam

seen from United States
seen from Canada

seen from Saudi Arabia

seen from Australia

seen from United States

seen from Saudi Arabia

seen from Türkiye
seen from United States

seen from United Kingdom

seen from Malaysia
@anticbrvtalist

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Hans Bellmer par Pierre Argillet, 1963.
Hans Bellmer (German, 1902-1975), Poupée désarticulée [Dislocated doll], 1954. White gouache blanche on black paper, 50 x 50 cm.
Lee Miller, "Hotline to God", Strasbourg, 1945.

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Helmut Newton's lustrated No.3, 1991 via antipubliclibrary Instagram
OLD GUARD NEW BLOOD II'A DARK FORCE CUTS THROUGH'Documenting The UndergroundAn International Complilation
Oil lamp, Roman (c. 30 AD).
Josef Thorak working on his piece, Goddess of Victory.

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isamu Noguchi. Grey Sun, 1967.
arni marble
The Fitzwilliam Museum, Cambridge, UK, photo by Winona Jade
> Photo: Simon Roberts.
"Beneath the Pilgrim Moon is a collection of photographs taken during the second Covid-19 lockdown [5 nov. to 2 Dec. 2020] whilst London’s Victoria and Albert Museum was closed to the public."
The photographs were first shown in the exhibition All Alone.
Enkū (円空) (1632–1695) photography by Tetsuo Kurihara

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Introduction by Ivan Napreenko – Layout by Valnoir.Aleksandr Lebedev-Frontov (alf, 1960–2022) is a major figure of the Russian avant-garde, a pioneer of Soviet noise and a total artist working at the intersection of sound, collage, and ideology. Born in Leningrad, he developed a radical practice from the late 1970s onwards, drawing as much from Luigi Russolo and John Cage as from the experiments of Dziga Vertov.Brought to wider attention in the mid-1990s through Sergei Kuryokhin, and closely linked to the newspaper Limonka, A.L.F. developed a singular aesthetic blending Dada, Constructivism and industrial culture, in the spirit of Hannah Höch.This book presents his visual work through a chronological trajectory, from his early collages and works produced for Limonka to the visuals and album covers of his musical projects. It reveals a distinctive graphic language, combining détourned propaganda, dark humor, and a deep obsession with the avant-gardes of the 20th century.Through this journey, Lebedev-Frontov emerges as a key figure of post-Soviet underground culture: a radical, fiercely independent artist whose work remains completely unclassifiable.
Published by Timeles Ed - 2026 - France 19 x 27 cm - 200 pages - Hard cover Introduction by Ivan Napreenko - Layout by Valnoir. Aleksandr Le
Private library via slash.untitled Instagram