Weird Insaan

I might translate this article later today. This one was the most complete one, even in Italian news it's not talked about that much.

this behavior is nothing new. the global south and everything in it - the people, the culture, our heritage - is seen as nothing more than a decoration or commodity to colonizers. i don't even need to bring up the koh i noor or the entire british museum; these examples are recent and egregious enough on their own.

At a conference/festival last year, there was a Shibari workshop on the schedule for some reason, although the topic of the event was prediction markets. This led to the following exchange (all names changed):

Adam (who at the time was basically a stranger to me): Hmm, "Shibari"... What is that, some kind of Jewish ritual?

Me: No, it's-

Barbara: EVERYONE SHUT UP! Ok. Nobody tell this man what shibari is.

Everyone: ...?

Barbara: We’re playing 20 questions.

Thus began what was by far the best game of 20 questions I have ever witnessed. There were... appreciably more than 20 questions.

[literally ten minutes of questions later]

Adam: Ok, so! Shibari... is a Japanese social export, it's an activity somebody does, it's in some way artistic, it does not involve drawing, it does not involve writing, it involves an inorganic object and an organic object, and... the organic object is a human, right?

Everyone: Right

Adam: And the inorganic object...

Barbara: Well...

Chris: The inanimate object

Adam: The inanimate object, which, oh, which is organic, which suggests that it's clothes... Is the inanimate object clothing?

Everyone: No

Me: To clarify, the inanimate object is always organic in terms of 'organic chemistry', but might or might not be, like, made from biological material

Adam: Ok. And so, you have an inanimate object, and you have a person... The person does not have to do anything during the... shibari activity. You are doing a manipulation to the inanimate object, with the person, for purposes that are fun... Is it for the entertainment of a group?

Barbara: Could be? ...

Adam: So it could be for the entertainment of a group, but it could be for the entertainment of the individuals?

Everyone: Right

Adam: Ok. The inanimate object - the equipment - right? It is not specialised, but is a common object, correct?

Everyone: yeah

AI

Adam: Does it have anything at all to do with AI?

Everyone: [laughter] No

Adam: I had to check. In this setting, everything turns back to AI at some point

Me: I would say no

Frank: Not yet!

Me: Right, not yet. But yeah, 'No' is definitely the answer to that one

George: I trust Rob Miles on this

Barbara: As an expert in shibari?

Frank: As an expert in AI Shibari. I think that's what it's called.

Chris: Oh, yeah it kind of is!

Can one shibari by accident?

Adam: Ok. Is it something that one might do without knowing that it is shibari?

Everyone: [cacophony of disagreement]

Me: Interesting question!

Frank: Very interesting question.

Barbara: It's totally plausible that someone would do something that would qualify as shibari without knowing the Japanese artform

Me: Yeah, and they might also have seen things about it but not know the name of it

Chatting during shibari

Adam: Does it involve talking?

Everyone: No, not necessarily

Adam: God Dammit. Agh, I thought it might be... talking using some prop or something

Barbara: For me it always involves talking, but it's...

Adam: One doesn't have to?

Barbara: It's just 'cause I don't stop talking

[laughter]

Adam: And it doesn't involve betting markets in any way?

Everyone: No

How technologically advanced is shibari equipment?

Adam: Ok. Is the object technologically difficult to make?

Everyone: No

One guy: Yes

Everyone: What? No it isn't!

Adam: Is it only available in an industrialised economy?

Everyone: No

That one guy again: Yes!

Everyone: NO!!!

The guy: No, you're right, I'm sorry... But it is difficult to make

George: Every object is difficult to make!

Barbara: Maybe you're confused about what shibari is

Ed: Yeah, you should be up there with Adam

Adam: Would it have been available before industrialisation?

Everyone: Yes!

Adam: Ok. Um... is it a stick?

Everyone: It's not a stick

No cheap tricks allowed

Adam: I feel like I'm gonna get close to covering everything...

Me: I feel like we were very close just now, when you were like "Well what could this object be?"

Adam: Ok so the object is important. It's... before industrialisation... Does it begin with a letter before-

Everyone: No, no, we're not doing that. N/A

Adam: Ok so it starts with an N and an A...

[laughter]

What is this dang object?

Adam: Ok... so... is the object artificially pigmented?

Everyone: Can be, but not necessarily

Adam: Is it commonly painted?

Everyone: No

Adam: Is it commonly dyed?

Everyone: Yes

Adam: Ok, is it something that it's very common to dye in other purposes?

Everyone: Yeah

Adam: Does it involve a vegetable, of some kind?

Everyone: ...No?

Adam: Does it involve a plant?

Everyone: [confusion about what 'involve' means]

George: The object can have... some relation to a plant

Me: eehhh, that's more confusing than helpful. We already said that it can be biologically derived

Adam: But it would have been available before industrialisation?

Everyone: Yeah

Adam: So it's got to be something that is... around. Is it something that requires human modification to make into the form we know and love?

Everyone: Yes

Adam: Uh.. does this processing require specialised skill?

Everyone: Yeah, some skill for sure

Adam: Would I be able to do it? Like, without training?

Everyone: Probably not

Ed: On a long enough time horizon you'd figure it out, but the answer is basically no

Adam: Like, you throw me in with the tools to make it and say "come out in an hour", could I...

Everyone: No, probably not

Adam: But other people would be able to make it in an hour?

Everyone: Yeah, with the right skills

It’s not a weapon

Adam: Does it involve a weapon of any kind?

Everyone: No.

George: How creative are you allowed to-

Everyone: The answer's no

What shape is the object?

[long pause]

Adam: Well... does anyone else have any questions?

Barbara: You're asking such good questions though!

Ed: Yeah you're doing a good job

Danielle: I think you should ask more questions about the shape of the object

Everyone: Oh, great suggestion

Adam: Ok, is it spherical?

Everyone: No

Adam: Is it cylindrical?

Everyone: Yyeeaahh, sort of, yeah.

Adam: So it's not a pure cylinder but it's cylindrical-ish?

Everyone: Yeah

Adam: Is it an ovaloid?

Everyone: No.

Adam: Is it an ellipsoid?

Everyone: No

Adam: Is it uh... hmm... But it's longer than it is wide?

Everyone: Yes!!!

[scattered applause, we're close now]

Adam: Is it a plank of wood?

Everyone: No!!!

Barbara: It still isn't that!

Frank: No, his previous guess was stick

Adam: Yeah, a plank of wood requires processing and I couldn't make it... like it fits a lot of the other questions

Barbara: No you're right, that's fair, I'm convinced. It is a plank of wood.

Where is the object?

Adam: Could I find it inside a building or outside a building?

Everyone: Yes...

Adam: Wait. I mean. Ok, can you find it in a bathroom?

Everyone: Not really

Adam: Can you find it in a kitchen?

Everyone: Probably not

Adam: Can you find it lying on the ground?

Everyone: Yeah possibly

Adam: Is it something that people commonly use?

Everyone: Yeah

Adam: Is it something that people would pick up if they saw it lying there?

Everyone: Nah

It’s really not a weapon

Adam: Is it something that is dangerous at all?

Everyone: Can be, but not especially

Adam: Is any part of it sharp?

Everyone: No

Adam: Can any part of it fragment?

Everyone: [???]

Adam: Like, is it brittle?

Everyone: No

Adam: So it's firm?

Everyone: No

Adam: Is it flexible?

Everyone: Yes!!

Adam: Ok! Is it a pool noodle?

Everyone: [laughter]

Adam: Which is cylindrical, flexible, and organic, dyed but not painted...

Everyone: No, we're so proud of you, you're doing great

Me: But we did say "pre-industrial"

Pinning down the object

Adam: Ok ok. Is it a solid?

Everyone: Yes

Adam: Is it any of the solid hybrids, like a colloid or a gel?

Everyone: No

Adam: Does it retain its shape after being bent?

Everyone: Uh... yes?

Adam: So it doesn't spring back with any force?

Everyone: No, it doesn't spring back

Adam: Ok... so... Is it Japanese in origin, or is it found around the world?

Everyone: [assorted contradictory statements]

Me: The origin of the practice is Japan, but the origin of the object is all over

Adam: Is the object put on a person?

Everyone: Yes!

Adam: Is the object... um... is the object rope?

Everyone: YES!!

[scattered applause]

Me: The object is rope!

Adam: Ok!

Me: Now bring it home

Bringing it home?

Adam: Are things hung upon the rope?

Everyone: Uuuuummmmmm. Ambiguous? No.

Adam: Is the rope itself... does the rope look good?

Everyone: Yes!

Adam: Ok! Is this putting-on... a mark of esteem?

Everyone: No?? ???

[laughter]

Adam: So the object is a rope, and you're putting the rope on somebody

Everyone: Yes!

Adam: You're... putting rope on somebody!

Everyone: Yeah!

Adam: Is that... is that not the practice?

Everyone: No, no, it is, it is!

[confused cheering. Are we done?]

We’re not done

Chris: But, no, come on, there's more to it!

Ed: You're missing something critical!

Chris: You're so close!

Adam: Ok. Do you... hang someone?

Everyone: [strongly conflicting opinions]

Barbara: Only if you're doing it extremely wrong

Adam: Ok. But you can tie knots?

Everyone: YES!

Adam: Ok! Do you tie... is it a bracelet of some-

Everyone: No!

Adam: So it's not an adornment of any kind...

Everyone: Well...

Where on the body?

Adam: Is it put on your neck?

Chris: No

Danielle: Well, can be...

Adam: On your head?

Everyone: Can be

Adam: On a limb?

Everyone: Yeah

Adam: It's on a limb

Me: Not exclusively

Adam: On an arm?

Everyone: Can be

Adam: On a leg?

Everyone: Can be

Adam: On... uh... I've run out of limbs...

What does it mean?

Adam: Ok, it's rope, you put it on somebody, it's Japanese in origin... does it... signify something?

Everyone: Not really

Adam: Hmm. Do you tie the rope in a loop?

Everyone: ...Yeah??

Adam: I'm wondering, is it the casting of ropes upon people, like uh...

Chris: It's not a lasso, no

Frank: I like the idea of shibari as, like, a carnival game...

Barbara: I'm unclear on what the win condition is here...

Ed: I feel like there is a really important component that we haven't got yet

Everyone: Yeah, when he gets that component, he’s won

Are people into shibari?

Adam: Hmm... Did you find yourself fired by enthusiasm to do it upon being told about it?

Several people: Yes

Me: Personally no, but...

[laughter]

Adam: So it has mixed appeal?

Barbara: That is absolutely correct

Can one shibari... too hard?

Adam: Is it um, does it involve the tying of knots?

Everyone: YES

Adam: Ok. Are there knots that are peculiar to shibari?

Everyone: yeah

Adam: Is the learning of knots, or the tying of knots upon other people the important part?

Everyone: Uh... yes?

Adam: Do you tie someone up and they attempt to escape?

Everyone: Uh, not necessarily, but like, often.

Me: Yes is closer than no, I think

Adam: Ok, you tie rope on someone. Do you have to use some sort of special rope for it? Can you use any rope?

Barbara: You can use any rope, but some are better than others

Adam: So you wouldn't want to use any rough ropes, or...

Danielle: No, you do, that's actually preferred

Adam: You prefer rough ropes?

Chris: Some do

Frank: It depends

Danielle: Natural fibers tend to be rougher

Adam: Does it chafe?

Danielle: It can, but ideally not

Adam: Would you do it even if you were injured in the process of doing it?

Frank: No

Barbara: You would not want that to happen generally

Adam: Uh... Does it look cool?

Everyone: Yes!!

Origami?

Adam: So you're tying knots that look cool... is it like an origami for knots?

Everyone: [confused disagreement]

Ed: It's not about the knots

Chris: It's totally about the knots!

Frank: It's all about the cones...

Adam: Like, in origami you fold paper in ways that look cool, maybe you tie knots in ways that look cool?

Everyone: [loud disagreement]

Diagnosing the problem

[long long pause]

Chris: Ask the question in your heart!

Adam: ...Neckties?

Everyone: No?

Barbara: I keep thinking "But, he already has it", and then he asks a question that makes me say "No, he doesn't have it at all"

Frank: I think there's a question you want to ask, but you're not...

Everyone: Yeah

Chris: Yeah, ask the question that you don't want to ask

Danielle: I don't think he has the question...

Adam: Would it cause any gratification in someone?

Everyone: Yes!

Adam: Would it... Would it cause sexual gratification?

Everyone: Yes!!

Adam: Is it a practice... under the category of kink?

Everyone: Yes!!!

Adam: Is it tying somebody up for bondage purposes?

Everyone: YEAH!!! [Pandemonium, hollering, applause, Adam is lifted above the cheering crowd]

After the hearty congratulations were done, I wandered off, elated from the experience, and I bumped into a group of friends.

"Friends!" I said, "I just had the funniest experience. This guy didn't know what 'shibari' was, so we-"

"Shibari?" a friend interjected, "What is that, like, a Jewish building?"

            Frogs fall out of my mouth when I talk. Toads, too.

            It used to be a problem.

            There was an incident when I was young and cross and fed up parental expectations. My sister, who is the Good One, has gold fall from her lips, and since I could not be her, I had to go a different way.

            So I got frogs. It happens.

            “You’ll grow into it,” the fairy godmother said. “Some curses have cloth-of-gold linings.” She considered this, and her finger drifted to her lower lip, the way it did when she was forgetting things. “Mind you, some curses just grind you down and leave you broken. Some blessings do that too, though. Hmm. What was I saying?”

            I spent a lot of time not talking. I got a slate and wrote things down. It was hard at first, but I hated to drop the frogs in the middle of the road. They got hit by cars, or dried out, miles away from their damp little homes.

            Toads were easier. Toads are tough. After awhile, I learned to feel when a word was a toad and not a frog. I could roll the word around on my tongue and get the flavor before I spoke it. Toad words were drier. Desiccated is a toad word. So is crisp and crisis and obligation. So are elegant and matchstick.

            Frog words were a bit more varied. Murky. Purple. Swinging. Jazz.

I practiced in the field behind the house, speaking words over and over, sending small creatures hopping into the evening.  I learned to speak some words as either toads or frogs. It’s all in the delivery.

            Love is a frog word, if spoken earnestly, and a toad word if spoken sarcastically. Frogs are not good at sarcasm.

            Toads are masters of it.

            I learned one day that the amphibians are going extinct all over the world, that some of them are vanishing. You go to ponds that should be full of frogs and find them silent. There are a hundred things responsible—fungus and pesticides and acid rain.

            When I heard this, I cried “What!?” so loudly that an adult African bullfrog fell from my lips and I had to catch it. It weighed as much as a small cat. I took it to the pet store and spun them a lie in writing about my cousin going off to college and leaving the frog behind.

            I brooded about frogs for weeks after that, and then eventually, I decided to do something about it.

            I cannot fix the things that kill them. It would take an army of fairy godmothers, and mine retired long ago. Now she goes on long cruises and spreads her wings out across the deck chairs.

            But I can make more.

            I had to get a field guide at first. It was a long process. Say a word and catch it, check the field marks. Most words turn to bronze frogs if I am not paying attention.

            Poison arrow frogs make my lips go numb. I can only do a few of those a day. I go through a lot of chapstick.  

            It is a holding action I am fighting, nothing more. I go to vernal pools and whisper sonnets that turn into wood frogs. I say the words squeak and squill and spring peepers skitter away into the trees. They begin singing almost the moment they emerge.

            I read long legal documents to a growing audience of Fowler’s toads, who blink their goggling eyes up at me. (I wish I could do salamanders. I would read Clive Barker novels aloud and seed the streams with efts and hellbenders. I would fly to Mexico and read love poems in another language to restore the axolotl. Alas, it’s frogs and toads and nothing more. We make do.)

            The woods behind my house are full of singing. The neighbors either learn to love it or move away.

            My sister—the one who speaks gold and diamonds—funds my travels. She speaks less than I do, but for me and my amphibian friends, she will vomit rubies and sapphires. I am grateful.

            I am practicing reading modernist revolutionary poetry aloud. My accent is atrocious. Still, a day will come when the Panamanian golden frog will tumble from my lips, and I will catch it and hold it, and whatever word I spoke, I’ll say again and again, until I stand at the center of a sea of yellow skins, and make from my curse at last a cloth of gold.

You know how if you go through years and years of “best science fiction short stories”, every so often you find some short story you’ve never heard of before, but it’s just amazing and brilliant and leaves you wondering why you never read stories with that plot before? This is one of those.

And after getting over my initial (rather emotional) response, I wanted to reply properly, and explain just why that hit me so hard.

So back around twenty years ago, the internet cosplay and costuming scene was very different from today. The older generation of sci-fi convention costumers was made up of experienced, dedicated individuals who had been honing their craft for years.  These were people who took masquerade competitions seriously, and earning your journeyman or master costuming badge was an important thing.  They had a lot of knowledge, but – here’s the important bit – a lot of them didn’t share it.  It’s not just that they weren’t internet-savvy enough to share it, or didn’t have the time to write up tutorials – no, literally if you asked how they did something or what material they used, they would refuse to tell you. Some of them came from professional backgrounds where this knowledge literally was a trade secret, others just wanted to decrease the chances of their rivals in competitions, but for whatever reason it was like getting a door slammed in your face.  Now, that’s a generalization – there were definitely some lovely and kind and helpful old-school costumers – but they tended to advise more one-on-one, and the idea of just putting detailed knowledge out there for random strangers to use wasn’t much of a thing.  And then what information did get out there was coming from people with the freedom and budget to do things like invest in all the tools and materials to create authentic leather hauberks, or build a vac-form setup to make stormtrooper armor, etc.  NOT beginner friendly, is what I’m saying.

Then, around 2000 or so, two particular things happened: anime and manga began to be widely accessible in resulting in a boom in anime conventions and cosplay culture, and a new wave of costume-filled franchises (notably the Star Wars prequels and the Lord of the Rings movies) hit the theatres.  What those brought into the convention and costuming arena was a new wave of enthusiastic fans who wanted to make costumes, and though a lot of the anime fans were much younger, some of them, and a lot of the movie franchise fans, were in their 20s and 30s, young enough to use the internet to its (then) full potential, old enough to have autonomy and a little money, and above all, overwhelmingly female.  I think that latter is particularly important because that meant they had a lifetime of dealing with gatekeepers under our belts, and we weren’t inclined to deal with yet another one.  They looked at the old dragons carefully hoarding their knowledge, keeping out anyone who might be unworthy, or (even worse) competition, and they said NO.  If secrets were going to be kept, they were going to figure things out for ourselves, and then they were going to share it with everyone.  Those old-school costumers may have done us a favor in the long run, because not knowing those old secrets meant that we had to find new methods, and we were trying – and succeeding with – materials that “serious” costumers would never have considered.   I was one of those costumers, but there were many more – I was more on the movie side of things, so JediElfQueen and PadawansGuide immediately spring to mind, but there were so many others, on YahooGroups and Livejournal and our own hand-coded webpages, analyzing and testing and experimenting and swapping ideas and sharing, sharing, sharing.  

I’m not saying that to make it sound like we were the noble knights of cosplay, riding in heroically with tutorials for all.  I’m saying that a group of people, individually and as a collective, made the conscious decision that sharing was a Good Things that would improve the community as a whole.  That wasn’t necessarily an easy decision to make, either. I know I thought long and hard before I posted that tutorial; the reaction I had gotten when I wore that armor to a con told me that I had hit on something new, something that gave me an edge, and if I didn’t share that info I could probably hang on to that edge for a year, or two, or three.  And I thought about it, and I was briefly tempted, but again, there were all of these others around me sharing what they knew, and I had seen for myself what I could do when I borrowed and adapted some of their ideas, and I felt the power of what could happen when a group of people came together and gave their creativity to the world.

And it changed the face of costuming.  People who had been intimidated by the sci-fi competition circuit suddenly found the confidence to try it themselves, and brought in their own ideas and discoveries.  And then the next wave of younger costumers took those ideas and ran, and built on them, and branched out off of them, and the wave after that had their own innovations, and suddenly here we are, with Youtube videos and Tumblr tutorials and Etsy patterns and step-by-step how-to books, and I am just so, so proud.  

So yeah, seeing appreciation for a 17-year-old technique I figured out on my dining-room table (and bless it, doesn’t that page just scream “I learned how to code on Geocities!”), and having it embraced as a springboard for newer and better things warms this fandom-old’s heart.  This is our legacy, and a legacy the current group of cosplayers is still creating, and it’s a good one.  

OP also invented armsocks.