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was on the wikipedia page for charleston red rice and i noticed the photo they used was blurry. i went to the talk page to see if this was brought up and stumbled upon this banger of a conversation
being anti-amatonormativity in a romance centered world is like watching half the people you know put all their eggs in one basket and then drop the basket and all their eggs break and they’re crying and swearing they’re never gonna do that again and then a month later they have all new eggs in a new basket and they tell you the problem was they didn’t have a strong enough basket or fresh enough eggs and then they drop the fucking basket again.
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#god i love the weird shit people do in college #every time we ordered a pizza we would give our cash tip inside a hand written thank you card #that our apartment.any guests had collaboratively composed with flowery language #thanking the delivery person and pizza chef by name #(since the tracker told ou the name of the employees making and delivering your pizza) #and 95% of the time we'd leave a lipstick kiss and a spritz of perfume on the note #one delivery girl texted us after she got into her little dominoes car to say we made her night #it was great
talking of surplus labor one time my father and I calculated how much money he moved at his warehouse job with one single shipment and it was several times his monthly salary. the technical base of capitalism is so advanced that a warehouse peon can generate the value necessary to sustain themselves for an entire month in mere hours, having the rest consitute surplus labor that can be reinvented to economic development exclusively. the monumental amount of value generated by a mature capitalist economy is large enough to sustain its entire population multiple times over, but at the same time, the parasitism of the small class that owns all of this surplus labor is monumental enough on its own that those workers are barely paid enough to take care of their own health and their working hours cannot be reduced a couple of hours without sending shocks through the entire capital chain. never has the degree of separation between producer and production been so large, never has the chasm between the classes been so ample
of course he didn't produce the commodities being moved, his job was to put them into various boxes and shipments. this warehouse moved textiles, as part of a large international textile company. this one single shipment that could have fed him for multiple months came from an unnamed place in Bangladesh. Even greater is the dispossession and alienation suffered by the proletariat of the parasatized nations, paid for cents on the hundredth euro. Were those textile workers paid fairly, the parasitism of the capital owners wouldn't be sustainable at its current magnitude, but the products would still be sold and the materials would still be paid and the supply would still be more than enough. and the price or production wouldn't even rise that much or at all.
For most apps, when you get a message notification tapping on it opens the message in the app, or lets you reply within the notification, or at worst just dismisses it.
For tumblr, it blocks the sender immediately. I've accidentally blocked 3 people this way in the past 24hrs.
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anything u think about YOUR life after 10pm is bs to be ignored. anything u think about a character’s life after 10pm should be posted about online and expanded on for paragraphs. :)
I don't usually do poetry, but contrapuntal poems have made me curious since I first read one (I think it was one of @two-bees-poetry's) and I wanted to try my hand at it. I was inspired by @fourseasonsblossoms's wonderful Nirvana in Fire contrapuntal poem series as well.
(many thanks also to @fromaliminalspace for being enthusiastic enough about it to make me want to post it <3)
If you've never encountered one, it's a 3-in-1 poem for two voices: I like reading the left side first, then the right, then the entire thing.
Text-only version under the cut.
Lin Shu
you lie; in agony on the blood-soaked snow
you had fire in your heart.
you were a soldier once,
do you remember?
you died.
you do not yet understand
how it will change you
be glad,
you will find out
open your eyes.
destruction is all you can see
a battlefield,
bloody lips and broken skin
a corpse, speaking. we know you
we know you will try.
dream.
within the confines of your mind,
avenge with your blade
the ghosts all around you.
close your eyes
this rage beneath your skin
the monster you’ve become
it’s a promise.
all this pain you’ve endured
someday it will end
the spirits of the dead hold you up in their arms
freezing wind blowing on your exposed skin.
for them
you will stay
you will live.
Mei Changsu
you lie; on your back unable to breathe
illness does not suit you
but it is the choice you made.
bones ground to dust, skin flayed apart
you survived.
the price you paid for this reprieve:
your face, your health, your self.
they will tell you, averting their eyes
that it was too high.
rise
from your bed; it has become
a prison.
this body no longer yours
will fail to achieve your goal.
find another way.
plan
the rise and fall of empires
the death of thousands.
the next day, repent
start over.
the poison in your veins
slowly kills you
you will keep it to yourself:
it will be over soon
just as it began.
the embraces of the living are nothing but
the scattered ashes of broken promises.
alone
you will wait
you will die.
Lin Shu / Mei Changsu
you lie; in agony on the blood-soaked snow / you lie; on your back unable to breathe
you had fire in your heart. / illness does not suit you
you were a soldier once, / but it is the choice you made.
do you remember? / bones ground to dust, skin flayed apart
you died. / you survived.
you do not yet understand / the price you paid for this reprieve:
how it will change you / your face, your health, your self.
be glad, / they will tell you, averting their eyes
you will find out / that it was too high.
open your eyes. / rise
destruction is all you can see / from your bed; it has become
a battlefield, / a prison.
bloody lips and broken skin / this body no longer yours
a corpse, speaking. we know you / will fail to achieve your goal.
we know you will try. / find another way.
dream. / plan
within the confines of your mind, / the rise and fall of empires
avenge with your blade / the death of thousands.
the ghosts all around you. / the next day, repent
close your eyes / start over.
this rage beneath your skin / the poison in your veins
the monster you’ve become / slowly kills you
it’s a promise. / you will keep it to yourself:
all this pain you’ve endured / it will be over soon
someday it will end / just as it began.
the spirits of the dead hold you up in their arms / the embraces of the living are nothing but
freezing wind blowing on your exposed skin. / the scattered ashes of broken promises.
for them / alone
you will stay / you will wait
you will live. / you will die.
Discovering how we can make our research more reliable is always good, and discovering contaminants like this is obviously very important. I do want to drop a few lines from the University of Michigan article linked above before we all go “oh microplastics aren’t a big deal anymore” (because I think that’s an easy conclusion to come to if you just read the headlines):
That’s not to say that there is no microplastics pollution, the U-M researchers are quick to say.
“We may be overestimating microplastics, but there should be none. There’s still a lot out there, and that’s the problem,” said McNeil, senior author of the study and U-M professor of chemistry, macromolecular science and engineering, and the Program in the Environment.
As microplastic researchers looking for microplastics in the environment, “we’re searching for the needle in the haystack, but there really shouldn’t be a needle to begin with,” said Clough, a recent U-M doctoral graduate.
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Not beating the gnome allegations today ... had to walk into the pharmacy carrying a fistful of strawberries I had just picked. Person who checked me out gave me a bemused look.
“For me this glass is already broken. I enjoy it; I drink out of it. It holds my water admirably, sometimes even reflecting the sun in beautiful patterns. If I should tap it, it has a lovely ring to it. But when I put this glass on the shelf and the wind knocks it over or my elbow brushes it off the table and it falls to the ground and shatters, I say, ‘Of course.’ When I understand that the glass is already broken, every moment with it is precious.”
