Artist for Nova 44 | here for art and animal facts | she/they | enormous nerd | Chronic pain enjoyer. | I also sell stuff - my Etsy shop is dead but lives again at https://asterandorchid.com
I live on the east coast, it's pretty damp here, and there are corn farms just outside town, and my gardening relatives have grown corn successfully.
BOM says our mean yearly rain is just over a metre, while yours is 70cm. Could be about when the rain is, because yours is mostly in July/August, while our wettest months are February and March
One year we moved to a house by a little creek. I was 14, and I tore up the grass and prepared a little plot all by myself. I planted corn because it was an easy crop for the region, and I'd grown a lot in much worse soil in the past. It grew beautifully: nearly every seed germinated, and they were all growing upright and strong in rich soil near the creek. I had probably 50 plants on the little plot.
And then. The neighbor dog (owned by the landlord) decided this was her only place to play. For four days straight, she made a beeline right for the corn, jumping on it, breaking the stalks, dashing through and making a nest on it. The first few days I tried to run her off, asked the landlord to keep the dog away, and splint the stalks. Then I gave up. I was so mad, I broke the rest myself so I wouldn't see the dog do it.
My dad accidentally planted corn via bird seed one year. It did shockingly well. (American East Coast). Their dog very patiently waited until the corn was ripe and picked to start carefully, deliberately disassembling the corn stalks, shredding them with the most attention to detail Iāve ever seen her use. She also attempted to make off with the harvested cobs and squash because she is a very tooth oriented girl.
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There's this category of TTRPG where the seemingly only selling point besides maybe artwork is giving players permission to jerk off to their own moral purity as manifest from buying the TTRPG.
Candela Obscura is the strawman put forward in this post, but itās a game that actually exists:
[This was partially written by @ashweather, another member of the A.N.I.M. team.]
Let me preface this by saying that I donāt think that the makers of Candela Obscura are morally evil, or that I think less of your moral worth if youāve played or enjoyed this game. Itās just that, at best, the game has a really obnoxious and cowardly tone and at worst has a lot of shit in it that looks really bad if you think about it for more than 5 seconds.Ā
If you think that tabletop RPGS are art (and we do), then they can be analyzed like art. They can have unfortunate implications or reflect unexamined reactionary politics. This post is going to be taking screenshots from both the quick start guide and the full rulebook to make this point - while the text between the two is broadly similar, the quickstart guide is more overtly finger-wagging and hostile, saying the quiet part out loud.Ā
The thing about Candela Obscura is that it takes place in a fantasy 19th-century England/USA, but it really wants to pretend that it doesnāt. It wants the aesthetics of this setting and almost every trope that comes baked into it, but also wants to act like itās above all that. It wants to have its cake and denounce it too. Itās so pants-shittingly terrified that it or the players might say or do something āproblematicā that it loops back around to being incredibly offensive.Ā
To take just a few examples, the text is absolutely riddled with this kind of sentiment:
(What the fuck do they think an āexplorerā is? Also, I think I have some bad news about 19th century doctors.)
Okay. Look. A lot of this is gesturing at principles that are unobjectionable or even useful to keep in mind when writing a setting like this. Yes, itās ideal to have a non-Eurocentric historical understanding of technology and culture. Yes, refugees are human beings with their own valuable skills and perspectives. Yes, if you uncritically write an expy of Victorian England or late 19th-century New England, youāre gonna end up with a bunch of insane stereotypes (especially Orientalist ones) that you probably shouldnāt just blithely put to the page without thinking about them. And yes, bigotry is a bad thing, obviously.
The problem is twofold: The first is that Candela Obscura feels the need to take a patronizing tone towards its own readers, as though they were incapable of engaging critically with the setting or subject matter on their own terms. The second is that despite all of this finger-wagging, Candela Obscura absolutely does not present a setting with any critical thinking put into its basic construction. (We checked, by the way. None of what we are about to present is supposed to be in-universe propaganda. If it is intended to be, this is not made clear at all in the text itself.)
The game takes place primarily in the city of Newfaire and its surrounding environs - the Fairelands. The Fairelands are prosperous and idyllic, and all but outright stated to be āthe good guys.ā All of the āproblematicā aspects of the societies the game is emulating are either scrubbed without thinking about the implications of scrubbing them..Ā
(Donāt worry guys thereās no colonialism here, this version of fantastical New York was settled on a Terra Nullius where nobody lived, right over the ruins of an ancient society with a mix of Egyptian and Mesoamerican coding who practiced strange and corruptive magicks. Remember, reader, this game wants you to go out of your way to avoid reproducing any harmful stereotypes from the era.)
..or are present without any historical or structural reasons for them to be present:
(Donāt worry guys, sex work is lawful, profitable, safe, and socially acceptable! Oh yeah all the sex work happens in shady, spooky-looking crime districts that cops monitor, filled with drug-filled dens of illegal vice, though. By the way, there is no brothel listed in this districtās points of interests, or any further discussion of what sex work in Newfaire is actually like.)
There are so many examples of this that we could spill a novelās worth of digital ink talking about it. (We just donāt have time to get into, for instance, their adventure inspired by the āradium girlsā where the primary victim of the dangerous substance in question is a customer who is already dead when the adventure starts and not the workers who make the products.) Honestly though, this paragraph says more than we could in a hundred pages:
Here we find out that we are reading a TTRPG setting that has the same understanding of bigotry as the movie Crash. No institutionalized bigotry, just ābad actors who hold terrible beliefs.ā Just bad apples, with no personal history or cultural roots to their ideas, who presumably sprung out of the ground one day declaring themselves Republicans. Not only do these bad actors come from nowhere, they donāt go anywhere either. They donāt belong to any social movements, they donāt get organized, they donāt push for regressive political changes, and if they ever do, they certainly never succeed at those goals.Ā
You see, despite these bad apples, the soil they grew from is pure. And you know something else about the idyllic, almost utopian Fairelands? Theyāre under assault.
Thatās right! Hale (which the Fairelands is a part of) is under assault from the dastardly, corruptive forces of⦠uh, āOtherwhere.ā (Yeah, do they all have hooked noses and recessed chins too?) Thatās where all of the dirty foreigners invaders come from, who want to take away the prosperity of the Fairelands!
Oh, or maybe their whole culture were all coerced into doing it by an evil rock or something, which is definitely less xenophobic. But whatever, who cares what the reasons were. The Fairelands are under attack, and as the dominant power in the world, they need to defend themselves. Against the ācolonists.ā With nukes chain lightning.
(That last sentence continues on ātens of thousands..ā You get the picture.) So, whew, glad thatās over! Otherwhere is still really dangerous, though. They might even be developing weapons of mass destruction of their own:
You know, if Candela Obscura were a person, I have a feeling I wouldnāt want to hear its thoughts on Israel.Ā
You might be asking, where do the PCs fit in this? Well. The PCs are members of the in-universe organization Candela Obscura. They are an enormously powerful and widespread secret society of sometimes-cops sometimes-vigilantes who fight against the corruptive forces of magick to keep humanity safe. They keep dark secrets, āperform questionable acts in the name of the common good,ā and operate entirely without oversight or responsibilities to anyone other than this organization. We are assured that this organization has the best interests of the regions they operate in and of all humanity in mind.
Itās actually fine - cool, even! - that PCs are secret police/CIA agents who engage in morally dubious acts for the purported common good. Newfaireās society being deeply flawed is fine! The Fairelands as a political entity furthering an explicit narrative of being persecuted is fine! The problem is not that any of these elements exist, the problem is that Candela Obscura is utterly allergic to examining them. The text seemingly does not understand the setting it has presented at all.
The game wants to be anti-conservative, but the only kind of story it can produce is one of heroes who are ultimately aligned with the dominant power of the world, preserving the good and righteous status quo by fighting against corruptive, foreign, magical forces. āGay transgender women of all races can be holy knights secret police fighting to protect the good kingdom democracy from the endless hordes of the evil dark race that has threatened its borders for a thousand in recent years!ā
On a first read a while back, I said Candela Obscuraās gameplay mechanics make it sound like a game more meant to create āactual-playā shows than to be actually played. On examining the text more closely, thatās more true than I even realized at the time. The reason the game has all these bits about how not to be problematic - all of these instructions for avoiding engaging with the more controversial aspects of the setting - is because itās not really intended as a game to be played in a private environment. Itās intended as brand guidelines for putting on an actual play show. If you google Candela Obscura, the IMBD page for the actual play series appears before the store page for the rulebook.
It seems like the game really doesnāt want you to play a character outside of your own culture. And sure, as stated earlier, it is a good idea not to have a mysticized idea of other cultures, or represent them in a callous way. For a private game played at home, though, this is not really something you need to dedicate pages accounting for. Nobody outside the table has to hear a poorly-done accent or contend with a less-than-perfectly researched religious portrayal - and if there is a pervasive issue with someone being bigoted or leaning on stereotypes at the table, frankly, that is a problem that is outside the scope of a TTRPG to address.
However, if you are an actor on a show, portraying people from different cultures comes with a whole different set of (much more justified) baggage. Candela Obscuraās approach to player attitudes on the setting makes so much more sense as brand guidelines than it does as a codification of how to play a game. "Donāt have actors appear in insensitive costumes on camera." "Donāt have actors say foreign words they donāt know how to pronounce on camera." "Remember not to have your white actor do a Romani 'fortune-telling' scene on camera." "Donāt show anything that could negatively affect the perception of the brand."
Weād like to end this by contrasting this attitude with Coyote & Crow, a game made by indigenous Americans, and one that is also actually meant to be played. Coyote & Crow invites all players to (respectfully, in good faith) create characters from indigenous cultures. The creators have challenged those who avoid their game on the basis that āthey donāt want to be disrespectful by playing itā because that would involve portraying a Native character - in the end, who is that helping? That attitude results in potential players who remain just as ignorant of Native American cultures and - more importantly - donāt buy or support their game!
I have encountered this firsthand. I'm a massive history nerd, especially about pirates (among other things, but pirates are relevant to the story). I was hanging out in a system agnostic TTRPG server and Pirate Borg was mentioned so I talked about my idea for a historical fantasy campaign set around historical pirates and the Nassau Pirate's Republic. Started explaining some basic ideas, how it's basically about trying to keep this rogue nation together amid external hostility from England, France, and Spain and internal strife caused by a lack of trust and Edward Teach's descent into madness. Naturally this brings up Blackbeard and his crew, which contained several escaped slaves, and that the Queen Anne's revenge was a former slave ship. I immediately get the *several people are typing...* and am welcomed with several messages that Pirate Borg takes place in an alternate history where slavery never happened. I end up trying to have to defend myself, explaining the *true facts* that most pirates were escaped slaves, both native and black, and that a lot of pirate ships were captured slave ships because they had thicker hulls and could take more punishment in a fight. They were like "But you can have diverse crews and sturdy ships without bringing slavery into it." My response was "you *could*, but then you lose valuable historical context and systemic evils to fight against, I like running stories about making the world a better place." Some people understood that, but many of them *literally* shot back "But thinking about slavery makes me uncomfortable, so maybe just write it out of the setting?" That's when I shut up but I was just screaming in my head "YES, THE POINT IS IT SHOULD MAKE YOU FEEL UNCOMFORTABLE AND WANT TO CORRECT IT"
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[Freeze frame in the middle of an amazingly wild chase scene of some poor soggy bastard getting chased by an enraged crowd]
"Yep, that's me. You're probably wondering what's going on, and how I got into this situation in the first place."
[The stop unfreezes for a few seconds as this terrified target takes a few more desperate running steps, pausing again just as someone is about to grab his ankle]
"Well, the truth is, I still actually don't know what this was about. But I do know how I got here: I can never resist an angry mob. Now watch me get this fucker."
[the seizing hand grabs the runner by the ankle, he falls down and proceeds to get unceremoniously beaten to death. The protagonist brushes the dust off their clothes and the rest of the movie continues normally. The killing at the beginning scene is never mentioned again.]
I was at a courthouse once, and saw an indigenous australian woman in a dressing gown very carefully and gingerly making her way down the steps outside the courthouse, surrounded by family who were helping her down the stairs. We asked if she was OK, because she looked awful. She looked like she should have been wrapped up in bed with blankets and hot soup, not on the steps of a courthouse.
One of her family told us that she had given birth yesterday evening, but that Child Protection services had taken her baby away with no warning, claiming that she wasnt prepared to look after him. What had happened, is that she'd literally only just given birth -- hadn't even passed the afterbirth yet, is holding her blood-coated, crying, newborn baby to her chest -- and a nurse asked what her feeding plan was. She was tired from the birth and distracted by the brand new baby in her arms and thrown off by the timing of the question, but still, she managed to answer, and said she planned to breastfeed him whenever he was hungry.
Well apparently that wasn't enough of a plan for the hospital staff, who reported her and claimed that she was unprepared to look after the child, and claimed that had no social supports, and that the baby was at risk if left with her. All because a brand new mother, 30 seconds after giving birth, didn't have a PowerPoint presentation ready to go that cited the timing cycle she would feed her kid on, and instead simply said that she would feed him when he was hungry.
Child Protection services showed up, took her kid, and she was told to show up to court the next day to contest custody if she wanted her baby back.
So a woman who had given birth less than 24 hours prior was forced to rally her family and show up to court to prove that she a) had a feeding plan for the child, and b) had enough social supports to justify reclaiming her baby.
It was one of the most appalling things I'd ever seen. I don't even know if she won her case. They didn't know at the time we saw them, and after that brief interaction on the stairs, i never saw them again. I sincerely hope she got her newborn baby back.
That was about 5 years ago. And the exact same kind of thing is still happening today.
News broke today from a South Australian whistle-blower of the appalling treatment new mothers frequently receive, including hospital staff taking the baby away from the mother "for medical tests," only for the mother to then be told, with absolutely no prior warning, that the baby was not going to be returned to her.
I don't want to get all "hur hur that's not realistic" to amateur writers, but I want to make sure that everyone knows this: in a medieval or medieval-ish setting, someone who's seen an archer before would definitely be able to tell whether someone's an archer just by looking at them.
Archeologists can't tell for sure whether someone was assigned male or female when alive from bone structure, but they can tell whether someone was an archer. Longbow archer, anyway. The way their arms and shoulders were strongly muscled in a very asymmetrical way is pretty much unmistakable, and they were muscled enough that it's visible in their bones. If someone's seen what archers look like, they can tell whether a stranger they've never seen before can shoot a bow or not.
Finding an unarmed and unconscious, soft-bodied and narrow-shouldered stranger in the woods, the first clue that this mf is not a ranged nor melee fighter is not by whether his fingers are calloused in the right places for a bowstring. A medieval bowman was built like a brick shithouse.
RPG where it's very easy to overcome all of the bosses nonviolently through correct dialogue choices, but actually doing so locks you into the bad ending; in order to get the good ending, you need to do a bunch of obtuse side quests in order to goad them into fighting you.
#honestly this sounds fun #gimme the options #i wanna know what my choices are #how ambivalent can i be? #but also it's so much funnier that this concept makes violence the correct answer (via @cuzosu-blog)
Yeah, you could definitely play a scenario where violence is the morally correct answer for laughs, but you don't have to.
If you wanted to play it straight, one might imagine a game about fighting a fascist state where all of the bosses are The One Good Nazi types with very sympathetic, human reasons for collaborating with the regime ā there's the Sad Dad who's only committing mass murder because they're holding his kid hostage, the idealist who genuinely believes they can reform the system from the inside, the moral coward who rationalises their atrocities as harm reduction because if they quit, whoever replaced them would be even worse, etc. ā and all of the talky nonviolent options for dealing with them involve compromising the player character's principles.
The final boss is naturally a totally unsympathetic Hitler 2.0 type, but before you can fight him he hits you with the old Mustapha Mond monologue, and if you've let even one of his buddies off the hook, he turns the tables on the conversation-fu trope and persuades the player character to stand down.
The achievement for getting the good ending is, of course, titled "The Only Good Nazi Is A Dead Nazi".
friend of mine recommended a video essay that's like 5 hours long about why it's currently a whole Thing for fascists to claim they only eat meat and demonize vegetables etc etc, and it's genuinely quite well researched in many places and contains some fascinating history and has made me feel very weird about my status as an adult who enjoys drinking milk. but I've not finished it and I genuinely don't know if I will because at one point the ol' "you can't say you care about animals and also eat animals" chestnut got dropped by the white vegan essayist and it put such a bad taste in my mouth that I had to leave instantly
like idk man it just feels genuinely parodic to dedicate hours to analyzing how foodways have frequently been used as white supremacist propaganda and then casually toss out an argument that pretty invariably demonizes indigenous hunting practices with 0 regard for traditional knowledge and land stewardship guiding those practices
Every time I hear a white vegan say that I want to throw the rubble of the Klamath Dams at them.
The largest dam removal in U.S. history. So successful that the salmon that havenāt run freely in the river for literally over a century came back the next year. Not steady progress over a decade as expected, the very next salmon run they came home. No one alive saw salmon in that river outside the hatcheries kept by nativeās tribes and the Department of Fish And Wildlife scientists desperately trying to save them. One of the activists who helped bring the suit spoke of their dying grandmother making them promise to bring the fish home, and they didnāt know how that was possible, but they spent decades doing it.
The legal basis for successfully suing the power company who owned the dams was Indigenous treaty rights to eat the fish. Eating the fish was the one thing in a century that succeeded in being a clear and legally binding right that superseded the desires of white capital and industry. I have been going to the public interest environmental law conference off and on for 20 years where a lot of organizing for Undam The Klamath happened. Iāve heard updates about every legal tact they tried as they happened, and they tried everything.
There are healthy, thriving salmon, trout, and lamprey in a rewilding and recovering Klamath River right now as a direct result of Indigenous people eating them. Of their legally binding right to eat them. They sure as fuck care more about those fish than any white vegan ever could. They are salmon people that the Creator sent Salmon to feed, while charging the People with protecting and stewarding them. Itās not possible to learn about salmon and trout in the Pacific Northwest without learning this, and itās unambiguously racist to dismiss this symbiotic relationship.
The white vegans are trying to get all hunting and fishing banned in Oregon, and thatās quite possibly the single most catastrophic thing that could be done to the animals here because we killed off all the major predators of creatures like deer and without anything hunting them their numbers will explode, eat all the vegetation, destroy the ecosystem, and then die along with everything else in that failing ecosystem. Controlled hunting of deer is vitally necessary for the deer to survive. This is something Native people know, but patronizing racist savior-complex white people refuse to listen to.
I have a whole collection of Oregonās Public Broadcastingās documentaries about Klamath River or the larger story of fish and people in the region. If you watch nothing else, watch Klamath Dams Are Coming Out, First Salmon Ceremony, After The Dams, and First Decent (Native made). It could not be clearer that the salmon are being protected and nourished by the people who eat them, and that stewardship is a massive part of their creation myths. But it contradicts political vegan dogma so they donāt listen.
#also do you have any idea how much conservation is funded by people who want to eat those animals#at least in the us anytime someone buys ammo or hunting equipment or hunting licenses that money goes directly to state wildlife agencies
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nasa is using a 3D world graphic for the solar eclipse thingy today where germany is still devided in east and west adjfglkafdhgadfg. buddies, it's been almost 40 years.
So I showed this to a physicist and they were like "Oh! Yes! It's a figure from Fred Espenak's very old paper where he did a bunch of eclipse graphics! I've been looking at these my entire internet life, basically, for every solar eclipse! They called him Mr. Eclipse. He just passed away recently š„ŗ"
Anyway apparently Mr. Eclipse made 5000 years' worth of solar eclipse graphics, which you can find the simpler versions of here
So now instead of laughing at NASA for their outdated graphics I'm emotional about Mr. Eclipse and his hard work
ok so likeĀ āthe secret life of xā movies tend to not strongly explore the actual reasons why, exactly, their life has to be secret⦠they donāt really focus on it within the narrative. They do usually have some small justification for why animals or video games or toys or whatever have never just revealed themselves:
Thereās no stated reason. They just pretend to not be alive. We usually can suspend our suspension of disbelief here because when itās something like a video game or an emoji because any odd occurrences is perceived as a glitch or something similar but the actual reason why they arenāt too hung up on this kinda shitty lot in life isnāt said
They get something out of their current relationship with humans (like in toy story)
They have some specific reason to hide that theyāre alive, like they die if theyāre seen (like in the christmas toy)
They perceive themselves as sentient, talking creatures, but humans canāt understand them. They just see a squeaking mouse or an inanimate hot dog or whatever.Ā
and the last one is what most animal movies do, and itās like, not devoid of weird implications but you can see where it mostly works.
but barnyard is the outlier here: it goes with tier one: the animals can talk and walk on two legs but just pretend that they canāt for unstated reasons.Ā
in the history of the barnyard world non human animals, at some point, decided to just pretend to be unable to speak. aĀ ācowā or aĀ ācoyoteā or a āhenā do not exist as we know it in the barnyard universe. the baa of the sheep is false; the ewe doesnāt understand it either. they only made up that noise to hide the fact that they speak human languages. a dog barking and running on all fours is a facade. animals naturally walk on their hind legs and made up whole postures just to appear non sentient.
and for what? what do they gain from this? they have no rights and no voice by their own choice. at one point a donkey claims the farmer is a good person because heās vegan and a pig mentions bacon - this is not a fantasy universe devoid of death and misery and meat. do animals, in hushed whispers, remind their children not to sob in their real voice as theyāre taken away? do the dogs not beg for kindness when theyāre tied up and hit? do cows and chickens not cry for their life in the slaughterhouses? does a rat not scream a human scream when the trap misses their neck and only breaks their spine? Why? what is the point? They loose so much and have everything to gain.
anyways does everyone remember this really awful cat. it only appears in one scene but i can just sense the porn of it that would pop up if i googled itās name
Actually the TV series Back at the Barnyard interestingly implies it may be a sort of religious tradition for animals to pretend to be non-sapient around humans, possibly a religion created by humans themselves, which eventually just became a cultural tradition in general once it became clear humanity no longer expected animals to talk and walk upright anymore.
With Otis briefly being indoctrinated into a Buddhist cult of cows who revere a āSun Cowā, which is revealed to be a cow with qualifications to become Kobe beef. As part of their traditions, the designated āSun Cowā is heavily pampered, before being slaughtered and served for a Japanese restaurant. This is treated as a great honor amongst them.
This nearly happens to Otis before he is rescued, though the cow cult lets him go without much fuss. Presumably they continue sacrificing their own to become high quality Japanese meals afterwards, but respect Otisā decision not to go through with it.
Very interestingly, farm animals are not only aware humans eat them, but also seem to support it to varying degrees, or otherwise are surprisingly neutral. Even as Otis resists the idea of being eaten, heās not exactly lifting a hoof to stop the practice in general. Itās just that ingrained into their society as a fact of life, in spite of the morbidity of it. Otis and his friends are seemingly the only ones who donāt want to be eaten, and are treated as being āimmatureā for not wanting to go through with this sort of cultural obligation to be consumed, which relates overall to the themes of the movie, Otis not willing to accept the responsibilities his father and other animals in the Barnyard expect from him.
jellyfish have to be kept in a round tank because if they're in a tank with corners they'll get stuck in them. I think that's beautiful. god's stupidest little plastic bags (affectionate)
Also when being bred in captivity(this is done at my work and my job is to teach people about it) to get them to reproduce from the polyp stage of life, we have to intentionally cause them enough stress to reproduce but not enough to harm them. Lately weāve done that by cleaning their habitat extra well, makes them think the word is ending
My parents are giving updates on momās cancer treatment and testing. And itās generally just hard to parse how both of them text.
My mom loves to use ellipses and fragmented sentences, my dad likes to ramble and not actually say anything of substance.
While struggling through the typos and wretched grammar I stopped dead when I saw my dad, instead of saying, ācaveatā had written: āThereās one caviar.ā
Todayās update is a head scratcher because Iām not actually sure what she was trying to say.
For context, sheās getting released from round two of chemo. To that end they have given her a port to easily give medication and take her blood. Thatās just gonna stay in for a while. Those are the things I know.
So she lets me know sheās home. This text reads, āIām home, sweetā
Then she texts a photo of a pile of figs and adds ālike figsā. āBumper cropā (my mom has never understood the meaning of a bumper crop and Iām not gonna go there)
At this point Iām not sure if sheās offering figs or being home is⦠sweet like figs? Maybe both.
Then she says, āI have been assimatedā
The photo that follows is her chest, presumably showing off her new port.
But my wife and I canāt stop laughing. What the fuck is assimated? We donāt know.
My wife thinks sheās telling us that it means sheās pooping.
āAssassinated? Assimilated? Like into the borg?ā I ventured.
āThat would be a wild joke from someone whoās never watched Star Trek.ā
me: "huh, 'ramie linen,' that's a textile I haven't met before. I should go learn what that's about--"
the very first site I open: "unlike flax linen which has a PROUD EUROPEAN HERITAGE, ramie linen is made from a CHINESE NETTLE PLANT. ramie linen is currently less widespread than flax linen but that's due to the more involved processing required of ramie fibers - china is working on new enzymatic processing methods, that if successful, may ENDANGER OUR PRECIOUS HEIRLOOM FIBERS by flooding the market with CHEAP IMITATIONS--"
it turns out that it's infuriatingly hard to find any kind of objective information about textiles online because most of your search results are going to be fabric merchants who are understandably Invested in telling you all about why this fabric is the Bestest New Thing that you should stock up on, and that's without factoring in differences in manufacturing process, weave, etc. there ARE science papers on fiber properties, but the properties they report on are several steps removed from how said fiber actually feels and behaves when made into clothes.
I think I've resigned myself to the idea that all clothes are going to need repair eventually, and therefore my standards for anything I'm going to take the time to make into a garment are "can be washed in a machine on at least warm" and "not made of plastic." but like. it would still be nice to know some things so I can decide whether it's a good idea to make a given fabric into something that's going to have a bunch of stress points.
ANYWAY I can't tell how much of this is legit and how much of this is just "trust me bro," but ramie linen (in sharp contrast to the language decrying it as a Cheaper Worse flax linen) is its own beast with quite a few nice qualities. yes, it is made from a nettle plant - no, that particular nettle does not sting. sources are all over the place about how strong it is (especially because "strength" when it comes to fibers refers to a bunch of different factors) but it's tough enough, including when wet, that it's used to make ropes and fishing nets. it's been used for a Very Long Time in asia, with many examples of ramie linen clothing surviving today. it spins into a more consistent yarn than linen (which often spins into yarns with varying thicknesses, aka slubs) so it can be made into some very fine and smooth fabrics - this can be a plus or a minus since slubbiness can be great for more rustic-ish looks. it also has a slight sheen - again, plus or minus depending on what you're going for. claims are that it initially feels rougher than flax linen but softens up nicely after a few washes. claims are also that it's "naturally anti-microbial" (how? by what measure? in what way?), highly breathable, and that it both wicks moisture and dries quickly which makes it great in hot and humid climates - which okay, I'd buy that considering its long history of use in hot and humid countries, but I really would like something more specific than "better than cotton/flax linen/etc." like so many clothes are made of plastic these days. the bar for these things is in hell.
I think my takeaway is that if I find some deadstock (fashion industry leftovers) of it in a color I like, in a weight I need, I might acquire some just to putter around with, but it doesn't seem to show up in deadstock very much. at least not in the US
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what's your opinion on the "real winner of the space race" argument. I don't think you respect this type of discourse but it annoys me that people assume the moon as the end goal was shared by birth sides from the beginning and i was wondering if you are annoyed by similar misconceptions
its an interesting conversation in a sense, in that both sides are pretty revisionist. soviet space program apologia would have you believe that the Soviets were doing awesome at everything and just walked away for some reason. The Soviets in reality were seriously struggling to develop heavy and superheavy lift capabilities and the space program was riven by rivalry and backbiting. N1 and Energia, as programs, both failed bigly and in N1s case spectacularly. The Soviets really failed in having a vision on What To Do In Space beyond earth orbit. That's not to say they didn't have remarkable achievements - their Venus probes were a mark of tenacity and determination - but they often ended up going "So... now what?"
Which is an interesting reversal of circumstance! the Soviets got ahead at the beginning precisely because they, unlike the Americans, saw the usefulness of a space program and had a strong vision for what needed to be done. And they marched forwards implacably. Many are also unaware that the Soviets made real long term success and had scientific achievements which NASA never matched. The Soyuz was simply unbeatable as a cheap, safe and reliable medium lift vehicle, and a man rated one at that. It wasn't surpassed until Falcon 9 just a decade ago, and the US relied on it to get to the ISS because shuttle kept eating people and cost a fortune. Soviet metallurgy and materials science in rocket engines was also more advanced than NASAs (who thought the Soviets were lying until NASA got to pick the carcass after the collapse).
Still, it failed dramatically in the later years. they had no idea what to do and were competing over lift vehicles, not in the manner of sports teams but in the manner of mob families. these failures went beyond late soviet decay and grew out of the structure of the Soviet space program, which was built out of competing and independent facilities/projects, scientist gulags where you could be imprisoned while winning the hero of the soviet union awat for being a head scientist of rocket programs, and big egos who learned that they could send state goons after rival scientists who came down on the other side of the hydrolox vs metholox debate (yes, really, that example was real)
The NASA apologists meanwhile act as if the moon landing was the only thing that mattered and are simply completely ignorant of soviet accomplishments. the "first woman in space" is the most obvious case here, but most are also completely ignorant of the Soviet Mars and Venus programs - the venutian program in particular revolutionised our understanding of the planet. The yanks, as always, are focused on thumping their chests and jerking themselves off, they even miss the real victories of the American space program, which occured long after da moon. First, Mars: the Soviets failed, despite reaching mars first, to actually succeed in doing anything on Mars, while NASA's Mars missions, which began contemporaneously with the soviet program, needs no introduction. Secondly, space stations. Mir, for all it's accomplishments, ended up being neglected and finally abandoned with astronauts inside - actually stranded and in danger, who had to be rescued by the US and their space program. in fact the entire Russian space program would be rescued by forcibly joining it at the hip to the American space program by the frankenstation we call the ISS. This was done intentionally by the US to 1 - make decoupling physically impossible and thus politically infeasible 2 throw the Russian space program a lifeline so their many rocket engineers and facilities wouldn't start building for whomever bid highest (nuclear nonproliferation was the 90s watchword) 3 create a necessary point of cooperation to ensure a diplomatic and peaceful door was always open between Russia and the US. This worked specularly, to be clear. most are unaware of how well too.
An example which I said I wouldn't bring up is also the moon program. not the landing, which was a lovely show pony and acomplishment, but the program entire. NASA didn't go to the moon, they built a long program to go to the moon over and over and over again. The Soviets could have gone to the moon - but I doubt they could have built this kind of enduring program. It was always their weakness in deep space missions.
NASA and the USSRs space program were different because their method of organisation and leadership were different. The US opted for a centralised program with decentralised facilities to force political cooperation and gaurentee funding. The Soviets opted for a bottom up program of competing facilities and teams who had to petition the central organs for funding and approval explicitly against the others. While this lead to initial gains and diversity, in the end it lead to money being spent all over on programs which were dropped and on fierce and underhanded competition for scraps, where necessary failures resulted in abortions (N1).
NASA of course would end up being bloated and putrid because of its organisation method, beholden to congressmen who just cared that factories stayed open and without the authority to actually plan the building of their own vehicles - leading to the Shuttle death trap and the 20+ years of SLS boondoggle.
This has been said before, but it's very funny how the problems with the "communist" space program involved crab-bucket hypercompetitiveness and the problems with the "capitalist" one involve/d kleptocracy and bloat.
Been thinking about the animorphs series (been getting back into the audiobooks too), specifically how much would change or not change if Tobias has been trapped in the body of a female red tailed hawk all those years. I think Tobias would have at least become genderfluid, definitely genderqueer in some aspect.
As a fellow animorphs enthusiast, do you have any thoughts? Do you think it would have changed much?
Not really. I don't think Tobias cares much about the sex of his hawk body, and I don't think the other kids would talk about him as a girl if he was in a girl hawk, if that's what you mean -- they morph across sexes all the time and never have much to say about it except for that one time really early on that Marco complained about being a "girl wolf". Being a hawk is a radically different experience than being a human already, and I don't think that female hawkitude is any closer physiologically or socially to female humanity than male hawkitude is. I think the main difference, if Tobias had a female hawk body, would be slightly different teasing from Marco.
More illuminating re: Tobias' gender is his reaction to being in a female human body, which he finds to be an incredibly positive experience in a very pointed way. Also, his discomfort with his own human body, which can have a lot of causes (his shitty home life and the bullying will cause this regardless), but in combination with his reluctance to be a human boy when he has the option even in safe and supported circumstances and his reaction to morphing Taylor, is extremely telling. Tobias has a lot of indicators of being trans (I personally think of him as trans), but I don't think being a female hawk would have changed much.
I think a more interesting conversation re: morphing as gender fluidity is Rachel's tendency, when given the option to pick her own morphs, to target male morphs. She explains this as wanting the biggest animals and working from species where those happen to be male, but it's interesting that the Cheerleader Popular Girl who learns to react to stress with physical violence, a response somewhat acceptable in teenage boys but utterly unacceptable in teen girls in her culture, always indulges this stress reaction by turning into something male first.
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