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I actually think that science fiction has done everyone a disservice by presenting escaping to another planet as a remotely feasible near-term solution to problems on Earth.
(I mean, this last bit isn’t actually a great argument, because a lot of techniques proposed for terraforming involve such things as smashing asteroids into planets, blocking out their view of the sun for decades at a time, or seeding the entire planet’s surface with novel extremophile bacteria, which would be unthinkable on Earth; but the point still stands! It would be vastly easier to restore Earth to a healthy climate than to make Mars even as habitable as the peak of Mount Everest)
As Mars is fuck-off far away, it’s really expensive to send even a robot the size of a compact car there, half of all uncrewed missions there fail, and we don’t even know how to land a crewed one yet.
They’re talking about a city on Mars. We don’t even have a city on Antartica! And Antartica is 10000x more hospitable, because it at least has breathable air and readily available water. And Antartica can have an actual supply chain feeding the necessary stuff to it rather than needing to plan rockets. But no one ever suggests colonising Antartica to solve overpopulation, because its so obviously inhospitable and it would cost so much to set up a city there. Still so much better than Mars.
Or cities floating on the ocean! Or cities in the sahara desert! Or cities in orbit! These are all terrible, terrible ideas, but each one is far more feasible and practical than a colony on Mars is.
Did you see anything about how china returned Przwalskis horses to it’s steppe and effectively halted desertification bc keystone species can do stuff like that? Technically terra forming, perfectly doable to engineer/ restore all sorts of earth ecosystems, and SO MUCH MORE FEASIBLE than anything that can be done on Mars.
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i dont want to derail from op's original point, but there have been a lot of wonderful reccs on this post, and i DO think we as a community need to do more to uplift trans men/transmasc musicians instead of stereotyping all transmasc musicians as "cringy". so, i sat down and went through every comment, tag, and reblog on this post (at least, all of the ones that are visible to me) and compiled a list, and i included some of my own favorites that i didnt see mentioned!
this list is not in any order, and i am not familiar with most of these artists, so an inclusion on this is not an endorsement of anything! if ive made a mistake anywhere, just let me know!
schmekel - transmasc jewish folk band (they seem to have deleted the majority of their music off most platforms, unsure why? but this link is to a playlist of re-uploads)
exiliahu - very vocally pro-palestine jewish trans man
noah finnce - british trans man, pop rock
ellyotto - canadian trans man, hyperpop
jesswar - fijian-austrailian trans man, hip hop
2am ricky - Black american trans man, hip hop/soul/jazz/house
rahim redcar - french trans man, indie/alt-pop
elio mei - american trans man, indie folk
anjimile - Black american trans man, indie folk
the oozes - queer punk band w/ a trans man lead singer
sushi soucy - transmasc, folk rock
dopamine - band of scottish transmascs
boy jr - transmasc, indie/alt rock
great grandpa - queer indie rock band w/ trans man lead singer
riotnine - transmasc punk band
the muslims - transmasc poc anti-fascist punk band
TR sun - Black american trans man, hip hop
billy tipton - american trans man, 1940s jazz star
mal blum - american trans man, indie rock/folk punk
dayflower - british transmasc "dreamcore" indie pop band
ryan cassata - american trans man, folk punk
ezra butler - british trans man, indie pop
bells larson - canadian nonbinary trans man, indie pop
sasha allen - american trans man, indie pop
boy bowser - american trans man, energetic hip hop
mikah amani - Black american trans man, folk music
jake edwards - british trans man, pop music
jakey bake - trans man, super indie/underground
king aiden - Black american trans man, indie pop
addison grace - american transmasc, indie pop
dylan and the moon - british trans man, indie folk
searows - american trans man, indie folk/bedroom pop
elio kennedy yoon - Asian-american trans man, indie pop
beverly glenn copland - Black canadian trans man, art/folk pop
REVENGEOFPARIS - nonbinary transmasc rapper
V3CTORGRAPH1CS - nonbinary transmasc, hyperpop
Um Jennifer? - american indie rock duo ; one is transmasc, the other is transfem
jigsawllie - transmasc, indie "weirdcore" vocaloid music
I get really frustrated with the people who treat hEDS as the "causes everything disorder" because it really doesn't and this mentality leads to other diagnoses being missed.
hEDS itself actually has a very narrow range of symptoms. the majority of the symptoms people ascribe to hEDS are either entirely unconnected or come from hEDS comorbidities (which are not particularly well understood- we know they're there but we don't have a good grasp on why they're there)
hEDS does not cause allergic reactions, MCAS does. many people with hEDS have MCAS but not all people with hEDS have MCAS and not all people with MCAS have hEDS.
hEDS symptoms primarily have to do with direct impact on collagen causing things like joint instability and prolapses. hEDS comorbidities cover a broader range but even then people ascribe some conditions to hEDS without a whole lot of research backing it up.
it's more harmful than just pedantics. sometimes people miss more dangerous disorders like lupus because "well, hEDS can cause inflammation from joint damage and arthritis from repeat injuries." this way of thinking has likely killed people.
so, no, hEDS does not cause "everything." hEDS has a lot of comorbidities that still don't cover "everything." if your symptom isn't neatly explained by a well respected connection to hEDS or a comorbidity then seek medical advice about it because something else may be going on.
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The wizardposting trend feels a bit too specific to "the D&D 5th Edition character class known as Wizard" and/or "Merlin from T.H. White's The Once And Future King" to really reel me in. The wizardposting doesn't encompass nearly enough odinposting and/or solomonposting, imo. To say nothing of väinämöinenposting.
I prefer Louhi wizardess posting myself, the great Queen of the North, Mother of Wolf and Serpent and her dozens of beautiful daughters, Team Louhi 4 Life.
I understand why some people are fixated on the question of “did Nikki, the real Nikki, have feelings for Bear before the wish?”
With that said, some people’s focus on this question frustrates me. **major spoilers**
I can concede that there is an extra bit of “all of this was for nothing” that the answer to that question could serve the overall narrative, much like it being revealed that Sarah was accepted to art school after her brutal death.
The dramatic irony of “if Bear had just been honest and told Nikki, she might have liked him back and this whole thing could have been avoided” only adds more tragedy to what is already an extremely well-crafted and tragic horror film.
But even though I understand why we discuss this question and what the answer may be, I still can’t help getting frustrated when I see it talked about or debated.
Because ultimately it does not matter whether or not Nikki already liked Bear, or could have grown to develop feelings for Bear, or never-ever would have liked Bear at all.
It does not matter, because whatever choice Nikki may have made, Bear took it away entirely.
The question, to me at least, is completely moot because of that. Any choice Nikki could have made, any possible enactment of her own will or autonomy was ripped away from her by Bear.
One of the main themes, if not the central theme of Obsession is male entitlement. Bear feels so entitled to Nikki, to “have” her as his girlfriend, that he is willing to do everything he can to maintain his control and his “ownership”over her, even AFTER he fully understands that Nikki is not in control of herself in any way.
It takes Sarah being killed for him to finally take actual action towards freeing Nikki. Even when he decides to end the wish by overdosing, he changes his mind. In every situation he is in, he consistently prioritizes himself.
Nikki’s autonomy means nothing to him. Her choice means nothing to him. He’d rather continue to have control over her than have Nikki actually like him.
This is the reason the line “Just because you chose this for her, doesn’t mean it’s not real” never fails to send chills down my spine. Just the whole idea of it is horrifying.
“You chose this for her”.
Bear chose this for Nikki.
Maybe Nikki could’ve grown to like Bear genuinely. But we’ll never know, because Bear took Nikki’s ability to make that choice for herself away.
That’s why, in my eyes, whether she may have liked him or not doesn’t even matter.
The problem with studying the deep ocean is that humans need light to look at things, the depths of the ocean are extremely dark, and what lives there is accustomed to spending most of its time in that darkness. So when we go down there with submersibles and turn on Big Lights to see, we invariably and dramatically alter what's going on, in the same way that it's generally difficult to observe the natural behaviors of terrestrial animals if you whip out a megaphone and shout HEY GUYS WHAT ARE YOU DOING at them first.
I put this in the comments but feel it needs a reblog- Check out some of Dr Edith Widder’s work on light in the deep sea! Among other things, she used the bioluminescence of stoplight fish to deduce wavelengths which most deep sea animals can’t perceive and used that to create light filters to be able to film with minimal disturbance! And that’s how we got 25 minutes of giant squid footage!!!!
My library queue includes all of the suggestions I pick up from everywhere; I often don’t remember how books got on there. So how did Yesteryear get on here, and am I going to be happy with the damage I’m inflicting on myself?
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Wait wait wait I realised this may not be common knowledge so I want to share it. If you're making something and you want to make sure it is visually accessible contrast-wise, take an image of it and reduce the saturation to zero then stand back to the distance someone would realistically view it.
I should be very clear that this is not an exact replica of how someone with colourblindness of any type or other visual symptoms would see this -- this is just a hack to help a person with normal vision figure out contrast. I have VSS and my other diagnoses affect my eye muscles so having multiple types of contrast (e.g., colour as well as lightness or colour as well as texture) is really important even though my vision is relatively normal by optometrist standards.
See, I know there are extenuating circumstances in that novel about the seemingly time traveling tradwife influencer that make her "dung ages" version of the 1850s historically inaccurate on purpose
I'm just not sure I trust the average reader to realize that and not just assume that it's a 100% accurate version of 1855
(I am being sent screenshots from parts of it. I am having to keep saying aloud to myself "it's not what you think; it's not supposed to be accurate" so I don't have an aneurysm) 
Spoilers that make it all make sense below the cut
Turns out it’s basically drug abuse dementia.
The main character and her husband basically start cosplaying as Little House on the Prairie after assaulting one of their employees, including ordering a bunch of Ye Olden Clothes. To deal with her mood issues, the husband starts sneaking her nonprescription psych meds.
So she has massive memory gaps where she forgets what is going on or who people are or what year it is.
okay, I just finished reading Yesteryear by Caro Claire Burke and like, holy shit. it was a ride
what I really didn't expect going into it though and what has therefore really made the novel fascinating to me is the presentation of her husband, Caleb. going into it, all I really knew was that he's the husband of a tradwife (typically implies, I would think, a shitty person), and that he gotten deeper and deeper into the manosphere. so, like, obviously I'm not expecting much on likability or even... interest, tbh
but I actually found he was so much more sympathetic than anticipated and that just really provided a fascinating character that had. SO much more to say!!
SPOILERS but please read my analysis of him it'd mean the world to me I love the shifting of his dynamic with Natalie!
like, so we meet him in the first section of the book and he seems typically trad husbandy, but Natalie does mention early on that he was both coddled and neglected by his parents, and that he doesn't really wear his masculinity comfortably, so you start to kind of understand there's more to him, but whatever
to me, it's not until, maybe after their wedding that you really start to see him as a bit more dynamic. again, he is coddled, he's rich, he's the youngest of five, you start to see that he's lazy, he doesn't want to really do much. he doesn't seem overly interested in Natalie but he was raised Christian and with certain expectations and he follows them, but you continue to see how it chafes against him. he doesn't want a job and nobody has ever held him to that expectation that he would have one, so whatever. he has sex with Natalie, but you can tell he's not particularly into it. he can't even get hard. Natalie later sees the porn he looks at and is horrified, but it's not exactly like step-siblings going at it or abuse or underage or anything too harrowing. he likes watching REAL LIFE COUPLE HAVE HOT SEX or PASSIONATE LOVEMAKING (lots of pussy licking!). he seems to value the idea that a couple could get each other off, even that a woman's pleasure could be involved, but he clearly just does not feel that with Natalie
despite this, he gets her pregnant and things seem to be moving along like a facade of what you'd expect for his life but he doesn't really put himself into it too much
I don't think he's the most malicious at this point, but he's dumb and he doesn't understand the real world and he's spent all this life being rich and not needing to try and it's like. what? now he has to try? that doesn't seem right
he is somewhat willing, though. Natalie wants him to get a job and he's reluctant, but you can tell that he hasn't completely dismissed it, he just moreso doesn't see anything that interests him. why work if you're not going to be happy? this is a privilege that he absolutely has and is willing to take advantage of. when he does find a job that would make him happy, he's excited at the prospect, and Natalie also fully believes he would great at it. that he'd give it his all and show care and enjoyment for the work he's doing
the goal posts kind of shift there, though, which is interesting. it's not enough to find a job--it has to be the right type of job. Natalie's not happy with the idea of him teaching kindergarten--something she says he would no doubt excel at--because it's not manly enough. and here's where gender roles really come into the book sharply. I believe Natalie even says here that it's too bad she's not the man, while Caleb is the woman, because she's more ambitious and he wouldn't mind staying home and having smaller goals
and it's... like duh gender roles hurt everyone but it is kind of insane when you really think about it. they can't take on the roles in their relationship that feel more natural to them, in their specific circumstance, because it's not what's expected of their biology? are we all hearing this? it's an embarrassment to be a certain type of person with a certain type of job because it's not masculine enough? Natalie and Caleb are still very imperfect as a couple but I do think they could've gotten more enjoyment out of their marriage if they were at least allowed to be themselves, but god forbid that not match their penis and vagina assignment!
from here, we also get, Natalie can't just tell her husband what to do (also probably against gender roles), so she has to convince him that public school is bad. and because she says that and Caleb literally has a sack of potatoes where his brain should be, he decides to do his own research, very likely just googles "is public school bad?" and very easily falls into all sorts of reactionary content online. which he doesn't exactly have the media literacy or personal knowledge to dispute, so he ends up believing it
and I thought that this was such a fascinating look at how people can get started down these pipelines! the way you could trace Natalie poisoning her own husband's mind when she was simply trying to shit down a desire she thought was Wrong of him to have. how innocent it can all be--a thirst for knowledge, to confirm something you're not sure of, without the right research skills... it's easy to getting sucked into believing everything you read online. Caleb gets sucked IN!
and I think that it also shifted perspectives... we talk a lot about young boys being vulnerable to this pipeline, and when I kind of picture the type of guy who would care about the manosphere, I guess I never really thought "someone who's established in their life and not traditionally masculine" would still be able to stumble into it. but they are. anyone is susceptible, is the scary part
and now for a good chunk of the book we just sort of follow how he digs deeper and deeper into this. at the same time, we're still jumping in and out of the bits in the 1800s which I will get to, and we see even more that I think lends Caleb sympathy. Natalie agrees with his father to have more children, and basically has to pressure Caleb into it. she specifically describes him as looking pained when she asks to have sex, and then she tries for like 10 minutes to get him hard before sending him off to jack off in a bowl. and, like, whether or not you define that as rape, it's fucking coercive, and you can tell how little he wants it. again, the roles are reversed. in many heterosexual relationships, pressure for sex can come from the husband. in the idea of these more "trad" relationships, I would say it's probably more the husband wanting to be fruitful, or whatever. Caleb is fine with one child, he seems to like her, he plays with her, he doesn't want more, but he's forced into it
years pass, with Caleb continuing to fall into online conspiracies. I find it interesting that even in that, he's not particularly malicious. he talks about the manosphere, but he never gets too outwardly "women belong in the kitchen". he doesn't quite boss Natalie around. he does blame the feelings of inadequacy in the world on how "society is trying to feminize men", but he kind of just. talks. vaguely. and doesn't seem overly passionate. he doesn't seem to realize that the reason he's sort of a failure is less his femininity and more a combination of his parents failing to raise a competent son and his wife denying who he is
the manosphere does have a clear impact on how Caleb sees himself, though. Natalie notes at one point, maybe around their third child, that he watches the kids longingly but no longer plays with them. she says that he no longer thinks playing with his children is appropriate because of how the people online have characterized masculinity, and how he's expected to perform it. this just takes further enjoyment from Caleb's life and isolates him from his children, and it's about here that I think he starts to lose a bit of sympathy, because you see that he's not the most involved father
there's a night that Natalie is taking too long to cook dinner so she can record it to post online, and their eldest goes to get Caleb, complaining that they haven't eaten yet. it's shown to be a failing on Natalie, Caleb showing up with their child and questioning why she hasn't fed her. and it is a clear failing, the prioritization of online image vs the actual real life needs of her child. but while Caleb is annoyed, it's important to note two things:
1. Clementine had to go find her father, because though Natalie was busy cooking, he was not present to watch the kids. I believe this is before they have nannies, too, so he expects Natalie to take all of that on herself
2. Caleb could easily take on cooking or providing for the kids. he could make them snacks while Natalie works. instead, he pretty much does nothing to challenge Natalie's neglect or combat it, getting mad at her while not providing any support of his own to his children
you can also note that he seems to have no objections with selling his children on the internet for fame and money. not that he seems to concern himself too much with being involved in Natalie's work, but a good father might be concerned with how the visibility would impact his children. of course, growing up with a politician for a father, he might also be so used to it as to barely be bothered. I just think that he needs to be held accountable for basically not doing shit to keep these kids safe
again, we move forwards, and here we hit Shannon. she's fascinating in her relationship to Caleb, because she challenges him. while Natalie let her husband get brainwashed with things she also knew not to be true but pretty much left him to it, Shannon does push back. and Caleb seems to like that. she treats him like a real person, which I guess no one else ever has? he's pretty much immediately in love with her! finally someone is showing him the attention and respect he craves
but it's interesting, too, because he seems to pretty easily believe her. and it's like. usually people with strong held beliefs aren't so easy to win over. Caleb then comes across as extremely impressionable. you could mold that man into whatever you need so easily. it's interesting, though, that he decides he's in love with Shannon because she challenges him. almost like he kind of needs someone to not just let him get away with whatever. he craves more, but Natalie just needs his sperm, his father's money, and him out of the way, so she doesn't particularly care
even when the scandal comes out about them, Shannon emphasizes that Caleb is kind. it's just that he's also a dumbass without a spine
but, things really turn when the scandal comes out. first off, they finally have a conversation about their relationship. well, an argument. good news is!: Caleb doesn't like fucking Natalie cause she feels like a dead body. so, um. unfortunately the bar is in hell and some men would not have minded... it's a win for Caleb we're running out of other options for wins
but their roles really reverse, here, when they choose to live as if it's actually the 1800s. maybe the full, immersive commitment to the bit helps them to better fit their gender roles, but suddenly, Caleb is not the same stupid manipulable idiot from earlier. and we can assume it takes a while to fully settle into, but it's fascinating. he starts this transformation during their argument, where he also slaps Natalie when she speaks poorly of his mother. he seems to take enjoyment in taking mean in these moments, telling her how he should've divorced her when he had the opportunity, how his father genuinely wants to kill her
now, if he'd divorced her... really at any point before here I think he'd still come away from things looking half decent. but he doesn't. he's never going to, no matter how much he might want to. he's in it, now
so, he agrees to fit the 1800s lifestyle. he agrees to subject his children to this, because it's not just him. and he says later on that he couldn't leave Natalie and the children, but... even if in some sick twisted way he cares for Natalie, he could've come back for her if he really cared, but at least gotten the kids to a better guardian in the meantime. Clementine is the one who has to take the children. at 16, it's Clementine who takes on the role of responsible parent, dragging all but her youngest sibling with her off of the farm. to make matters worse, while Clementine tries to free her siblings, Caleb also actively brings three ADDITIONAL children into this world they've created
and both Caleb and Natalie, but I'm really going to blame Caleb for this because he seems to be more mentally sound, parentify their eldest daughters. Caleb leaves it to Clementine to save her siblings. fuck, he even has his oldest sons ensuring they don't starve out there. his children are taking care of him, trying to fix his mistakes. it's fucking insane
and you see it with Mary, too. Mary is so fucking parentified she acts like Natalie's fucking mother instead of the other way around. and, again, Natalie's unwell. but Caleb leaves that to MARY to sort out. Caleb leaves Mary to basically be the surrogate wife and run the household. to ensure her younger sister and her MOTHER are safe
Natalie says at one point that Caleb only does the farm chores he likes best and leaves the rest to the farm hands. without those farm hands, it's clear that he dumps the responsibilities he can't be fucked with to his daughter. he leaves a child to take care of the things that should be his job as the mentally sane parent, but can't be, because he's The Man. he's finally and fully embracing his masculinity, but it comes at the cost of seriously fucking over his children, even outside of the whole raising them like it's the fucking 1800s bullshit!
one of the very last things to comment on in this role reversal is sexual assault. as I established earlier, it's clear that Natalie is coercive if not outright assaulting Caleb when it comes to sex. but now, in their olden times play fantasy, he's truly and properly The Man, and, of course, he assaults her
maybe they worked out their sexual issues at some point while Natalie was still sane, but that doesn't give him carte blanche whenever he wants it. she barely knows what's going on and resists the idea she belongs here. he tries to act noble that he left her alone for a few weeks, but his needs still come first, and this is their role as a husband and wife. he expects her to just bend over and enjoy it, without any consent, while knowing she's clearly still out of her mind. he acts like it's her duty, but it's not one she can actively consent to carrying out right now, and that's fucked! (also! it's never a fucking obligation!)
he's also been drugging her, mind you, and while that's allegedly for her benefit, it's still fucked up in the context of their new sexual dynamic
now, when this initially happens, at least for me, I kind of assumed this is a Caleb of a different universe, born and raised in a different time, and so while it's upsetting that he's capable of that, still, you almost can excuse the Caleb of present day. he's got little to do with this
but then you see how those two fit into each other and... all empathy you can have for him is gone
Caleb goes from someone who was simply coddled and dumb + easily influenced, to a neglectful parent, to a full out psychopath who fucking rapes his mentally ill wife like it's nothing
while he's initially presented as the submissive one to Natalie's dominance, in time their relationship dynamic shifts, turning Natalie less into a villain and more a victim, and doing the opposite to Caleb! Natalie WANTS them to play pretend at this life, and finally their delusion is so strong that they've become exactly who she wanted, whatever the cost for the both of them
they are really such fascinating but AWFUL characters but I do LOVE their ending. they hate each other. they're all they have. they're leaving together. they will never be free of each other. they will die in separate jail cells <3 it's poetic!
i finally finished yesteryear and now you have to deal w my thoughts. Spoilers under the cut, everything pre cut is not a spoiler!
Firstly, i fucking hate Natalie. Every time i tried to get someone into this book, i described it as “i want to summon the protagonist into real life so i can five finger open palm slap her against the face, and the book is written so good i cant put it down.”
I literally cannot suggest this book enough.
I frequently described the book as being trapped in a prison of my own making- I was so angry and annoyed every time I read it because Natalie is insufferable and entitled and frankly a cunt, and yet I was OBSESSED with reading it! And now that ive finished it, I almost wonder if thats what Caro Claire Burke intended to happen.
Natalie very much is in a prison of her own making. I’ve seen people mentioning her moms influence- such as suggesting Natalie jog after birth- but I feel like thats also ignoring how her mom tried to raise her kids to be kind and thoughtful. I also don’t doubt that her mom raised her to be the evangelist she is- when Ben enters the story, Natalie and her mom talk about how odd it is hes a christian who supports divorce- but we can’t ignore truly how much of this was Natalies fault.
It was Natalie who strangled Shannon, it was Natalie who decided to play make believe on her farm, and it was Natalie who took the deal of pumping out kids for cash. I think Yesteryear does a Bojack Horseman kind of thing- where as you read, you consistently go “that was a horrible choice” but can understand why Natalie strangled Shannon (fucking her husband), why she has the nannies (the kids took precious filming time away while they did useless things like grow up), why she took dougs deal. But at the end of it all, we truly cant look away from the true haunting of the narrative- Men.
Reading this book as a now man, ex-woman, it was hauntingly familiar to my childhood. I wssnt even raised jesus-y! But most everyone around me always said, one day youll find a nice husband and have kids. Even as a child I was ADAMANT I wouldn’t have kids, and everyone but my parents always went “ohhh youll change your mind when you’re older!”. Now I am older, all my friends are having kids, I found my nice man and we’re gonna have an ant farm instead.
Natalie was also raised around this kind of environment. So was your mother. So was everyones sister, some peoples brothers, everyone who has ever gone by she/her has or will hear the famous “when you have your kids,” often paired with “and husband-“
Natalie was raised to be suffocated in this environment, even by her mom. Shes bible thumping, and again and again we hear her talk about how good christian women submit to her husband. I think the closest we got to her having any kind of agency away from it was when she was making the deal with doug, when she refers to herself as the husband and caleb as the wife.
And Caleb. What a poster child for christian man child. Amelia and Doug, the picture of americana. Natalies mom, the adulterer who found her own company best. We have such stark parallels between all of them, and no doubt Doug was intended as a stand in for you know who.
Additionally, I LOVE how lighthanded Burke was with portraying Natalie as a racist conservative. She never outright says it, she does a beautiful peppering of information throughout the whole narrative. I went in knowing Natalie was gonna be some kind of alt-right, but Burke has a clear understanding of dog whistles, and peppered dozens throughout. When we meet Shannon and Natalie rambles about how she has a nose piercing and dyed hair- personally I imagined a septum piercing- a common conservative complaint, which immediately implies that Shannon is more left leaning in contrast to Natalies alt right. Then we get her pedestal of being proud to be a christian, how she believes being christian is being attacked now. And when she calls herself and her children the face of the aryan race, theres been so many small hints to it that the slap of it stings less then it should- just like how the Alt Right pipeline works. By the time we learn her kids call indigenous people savages, the reader is so desensitized to her racism that it only adds to her character, it doesn’t stop the plot with shock.
Additionally, the choice of never having Natalie admit that shes alt-right really helps you understand how tradwife influencers and crazy qanon conspiracy theorists (like caleb) even come to be. Caleb was looking for farm advice and ended up deeper down the alt right pipeline. Natalie- whether she consciously believes it or not- fell further down it with him. When Doug is screaming Civil War, she doesn’t heed Shannons warning about how terrifying that is- she waves it off as political theater, a common tactic in conspiracy theorists denying real world consequences.
I have more to say, but its late, and I really should get tk bed
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Fascinated by the hypocrisy of Natalie's mother. Obviously, I'm glad she had her turn-around, and her confronting Natalie about how incredibly unkind she is was cathartic, but she doesn't recognize her own handiwork?
Natalie's primary flaw, the flaw that shuts her out of real change, is that she thinks she's better than everyone else, and that because of that, everything she does is right and she doesn't have to listen to anyone if she doesn't want to. But most of the rest of it has its roots in the way her mother raised her. Natalie's mom paid lip-service to the idea that Natalie should be 'nice,' but she invested far more time into teaching Natalie to be racist, to be judgmental, to embrace lying as a way of life, to both be materialistic and develop the vocabulary necessary to deflect criticism regarding it, to place far greater importance on what other people think of her than on living in a way that is fulfilling to her personally. Natalie's mom went to therapy and got better? Great! Natalie's mom is also the reason Natalie didn't go to therapy to deal with her post-partum depression. She is the one who first sent Natalie down the path towards becoming an influencer. She embraced the idea of living the way she wanted to live even if it wasn't in step with what Christian fundamentalists say is good for a woman, and then turned right around and enforced the norms she knew weren't good for everyone on her own children. She chose to raise her children in an environment where if even a kernel of meanness lives in a child, would foster it until it grew into a poisonous tree.
And now, when the bill comes due, of course she doesn't want to pay. It's a tale as old as time. No one ever wants to take responsibility for the radicalized in their midst.
Exactly like yeah your daughter did build the cage she's in but YOU helped her build it . You even nailed stakes into her hands when she tried to get out like girl?!?!
How is it that you can a music library of like 1,200+ absolute bangers but as soon as you put it on shuffle in a group setting it's like. anime opening you added in 2010. homestuck parody song. musical artist who was cancelled last year for kidnapping and eating children in his basement. Hamilton
I can't believe some people are actually reblogging this like "Tch. Omg, so embarrassing OP, I can't believe you would ever admit to liking Hamilton 😏 " like ok, first of all congratulations for hatching as a fully formed adult in 2022 from the pure white egg of a virgin swan i guess. Raised in a cave on a diet consisting solely of nuts and berries and leftist twitter clapbacks. "ooooooh, I've never had a complicated relationship with a piece of art that was phenomenally well-received at the time but aged like milk as later reflection revealed the fundamental flaws in its premise that were in fact present from its inception but which I didn't notice because I was 17 and hadn't heard of neoliberalism yet" Should we throw a party? Should we invite Anthony Fantano? Anyway second of all. you draw the line at Lin Manuel Miranda but you're fine with basement guy?