#myfjord #mymaekar
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Kiana Khansmith
$LAYYYTER

roma★
NASA
wallacepolsom
styofa doing anything
almost home
cherry valley forever

Janaina Medeiros
Peter Solarz

❣ Chile in a Photography ❣
Today's Document
YOU ARE THE REASON

Product Placement
Cosimo Galluzzi

★

One Nice Bug Per Day
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@fjordstan
#myfjord #mymaekar

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“The LEGO Movie was my favorite movie of 2014, but it strikes me that the main character was male, because I feel like in our current culture, he HAD to be. The whole point of Emmett is that he’s the most boring average person in the world. It’s impossible to imagine a female character playing that role, because according to our pop culture, if she’s female she’s already SOMEthing, because she’s not male. The baseline is male. The average person is male. You can see this all over but it’s weirdly prevalent in children’s entertainment. Why are almost all of the muppets dudes, except for Miss Piggy, who’s a parody of femininity? Why do all of the Despicable Me minions, genderless blobs, have boy names? I love the story (which I read on Wikipedia) that when the director of The Brave Little Toaster cast a woman to play the toaster, one of the guys on the crew was so mad he stormed out of the room. Because he thought the toaster was a man. A TOASTER. The character is a toaster. I try to think about that when writing new characters— is there anything inherently gendered about what this character is doing? Or is it a toaster?”
— Bojack Horseman creator Raphael Bob-Waksberg commenting on how weird gendered defaults in entertainment are, and why we should think twice about them. Excerpted from this longer original post. (via 360degreesasthecrowflies)
Meiji period fashion was some of the best in the world, speaking purely from an aesthetic standpoint you can really see the collision of European and Japanese standards of beauty and how their broad agreement even in particulars (the similarity between Japanese and Gibson girl bouffants, the obi vs the corset, the obi knot vs the bustle, the mutual covetousness for exotic textiles, the feverish swapping of both art styles and subjects) combined and produced some of the most interesting cultural exchange we have this level of documentation for. Europeans were wearing kimono or adapting them into tea gowns, japanese were pairing lacy Edwardian blouses with skirt hakama and little button up boots. haori jackets with bowler hats and European style lapels. if steampunk was any good as an aesthetic it would steal wholesale from the copious records we have in both graphic arts and photography of how people were dressing in this milieu.
«The botany professor,» from Kkokei Shimbun, October 20, 1908. she's wearing a kimono blouse or haori, edwardian skirt or hakama, gibson girl bouffant, a lacy high-collar blouse with cravat and brooch, and a pocket watch with chain
1910-1930 (Taishō era, right after Meiji, which I should have included in my OP) men's haori with western lapels
everything can be sorted on a sliding scale of "punk" (good) to "fascist" (bad). these are the only two ends of the scale it's possible to have. if something is "good" (for example, public libraries,) it cannot merely be Good, it is only possible that it be punk and THEN be good as a symptom of punk. but if you can't swing it to convincingly argue that public libraries are punk, then, well, I'm sorry, but the only option left is that libraries are in fact fascist.

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hey remember when people said we gotta keep talking about this and then two days passed and it just went quiet. anyways
Something I haven't seen many people talk about in PHM is the fact that Eridians probably don't have the same attitudes towards time as humans do. Think about it: Erid is an inherently dayless place, having an atmosphere that allows no light and thus no concept of day or night. We don't really think much about how our entire lives are structured around this cycle that Earth life has been experiencing for eons. Erid life has no concept of this at all. Eridian sleep schedules are somewhat irregular and not synced to each other (they can't be, not if someone always stays awake to watch). They don't track birthdays like we do, they can't unless they're paying attention to their solar cycle, which I'd expect is a relatively new thing for their culture. Maybe they base age on their near-perfect memories or how many layers their carapace has or how big they are, or experiences/accomplishments. They may have an idea of an Eridian year, if their planet has seasons or something like that, but I doubt it has a whole lot of importance to them.
I'd image having an alien who relies so heavily on cycles and repeated patterns in order to function normally would be mind-boggling to the Eridians. What do you mean it celebrates the exact day of its birth every so often, just because? Wait we need to program a reliable change in light levels to simulate its planet, which has almost no atmosphere? And we have to schedule any interactions we have with it around this cycle? Wait it tracks its age by the scientific year, not by life experience and physical aging?
Constantly being reminded that this guy Rocky brought home that saved their entire planet is, in fact, a complete alien.
i still cant draw grace consistently i mean hello rocktiz nation
bonus
white people will literally be like if u arent nice to me Im going to become a nazi. and think they’re making a great argument
this stupid shit has been around for so long and it’s crazy to me there are still people with enough rocks in their brain to believe it. “Oughhhhh if you aren’t nice to you oppressors they’ll become bigots instead of allies” if someone’s support for marginalized groups hinges entirely on whether or not that group is niceys, they’re by definition not effective or useful allies and, by admission of this argument, an active danger to the communities theyre supposed to be allied with because they can Enter Bigot Mode the second they become displease
the most fun a girl can have is finding parallels, noticing patterns, making connections, contemplating

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"you don't know what you have until you lose it" works for things that suck too btw. sometimes you need to experience life without something for a while to realise oh damn that was some bullshit
i used to have no hope for the future but now i'm thinking. i want rich people food. i want rare sirloin steak. i've never had sirloin steak in my life. i think i want to try it before i die.
i want to get some tattoos. i want to learn how to play drums. i want to go back to the ocean. i want to land a heelflip. i want to benchpress with big plates.
it crept up on me but i want i want i want i want to live. i want to live
do you understand? i am living this life for the first time. nobody has seen the world through my eyes. i am alive. i want to feel the dry warmth of the sun in my bones. i want to breathe, again and again and again. maybe even forever.
do you understand? this world is a disgusting place forsaken by the one above and yet. it is beautiful. i want to live.
And if I said Megamind is one of the few movies that understands Superman.
And if I said Megamind through its three subversions of Superman shows a deeper understanding that the point of Superman is that he was loved and taught to love by good, present parents, and because of that he is able to return that love to a world even if it doesn't always accept it, and he is not corrupted by his power, than many other films either subverting or playing the superman story straight.
Megamind has three Superman subversions. One is obviously Megamind himself. He was not raised loved by the world, but rather was loved by those hated by the world. Because he was still raised with love, he does care about other people, hence his character development. But because he didn't receive wider love growing up, his own is misplaced at first.
Metro Man was not loved growing up in a way that mattered. His adopted father was clearly very absent, and while we don't know much about his family, their relationship seems superficial. Because of this, his sense of duty to the world is also superficial, hence his boredom.
Hal wasn't raised with power. He gained it and was shown how to use it by a 'space dad' who only taught him power and not love. Hence, he sees it only as a grasping means to an end.
All three of these subversions, in their negative space, create the silhouette of the superhero that they are parodying. That silhouette is of a space child that came to earth and was cared for very deeply by the world, and taught love through his experience of love, and because of that holds fast to his duty to the world. Which is Superman.
i'm sorry i never did your tag game. i love you
i think one of the worst things the left wing internet ever did was push the idea that oppression is basically a virtue, and being oppressed is a sign of your morality. it has made it like…impossible for some of you to hold the idea that most people are privileged in some ways and oppressed in others. AND a lot of you seem to have it in your mind that terrible people cannot be oppressed, and that oppressed people cannot do terrible things, which is a dangerous rhetoric to hold imo.

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forever thinking about that girl at my uni orientation who, after being told to pour out her water bottle before entering an event, looked at me and said "they tell us to stay hydrated and then make us pour out our water, this is like totally kafkaesque" and then poured out what was very obviously an entire water bottle full of whiskey. hope she's doing well.
Uh oh, I've got bad news for you, Grace
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