I donât think I ever shared this here, so more than one whole year laterâŚphenomenal commission by @starling-illu

gracie abrams

Stranger Things
sheepfilms
Sweet Seals For You, Always
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Product Placement

pixel skylines
Cosimo Galluzzi
Today's Document
wallacepolsom
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trying on a metaphor
will byers stan first human second

#extradirty
he wasn't even looking at me and he found me

Origami Around
Lint Roller? I Barely Know Her
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seen from France
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@spectrum-color
I donât think I ever shared this here, so more than one whole year laterâŚphenomenal commission by @starling-illu

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I can forgive all of Robin Hobb's many crimes because she gave us Kettricken and Patience.
Like, Patience is the step-mum who Fitz makes a terrible first impression on. She's demanding and short-tempered and treats Fitz like he's feral.
Kettricken is the pretty girl who poisons Fitz shortly after meeting him. She's calculating and, after her marriage, ruling over a culture she doesn't fully understand, making Fitz's life more difficult with her decisions.
It would be so easy to write both of them to one-note stock characters. Two more minor antagonists in Fitz's life. But Robin Hobb doesn't. They're good. They're complex and sympathetic. They love Fitz and he loves them. They talk about him after his death. They make sure that his son knows him, even in Fitz's absence.
Fitz is, of course, incapable of understanding how much he's loved. But I think Kettricken and Patience come closest to breaking through the lies Fitz tells himself.
arya stark
one thing I greatly appreciate about the rote fandom is the collective decision to refer to civil bresinga by his full name only. heâs like the anti cher.

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Dany and her little twin
Whyâd he have to do it to himâŚ
I can't tell if it's a joke or serious post, by Amaram was an ass from the very beginning of the series.
Amaram is an ass from the beginning of the series, yes, but for all the books bluster about how kaladin shouldnât kill him and draws a parallel between kaladinâs thirst for vengeance against Amaram and moashâs against Elhokar, the end of oathbringer finishes it off by turning Amaram into a literal monster thus making the act of killing him suddenly okay. Moash is portrayed as bad for killing Elhokar, but then Kaladin(or at least Kaladin by proxy) gets his vengeance because the story just made it suddenly an okay thing to do without Kal being a hypocrite, which kind of undermines the entire arc that book was building up with moash as kaladinâs foil.
patience <333
âThey grow quickly now, and when they are grown I shall have my wings.â
âIf I had wings, I would want to fly too, Dany thought.â
đ daenerys commission done by asaisxart on X
'The White Prophet and the Catalyst!' she cried in disgust. 'Rather name them as they are, the Fool and the Idiot.'

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a commish for one of my besties for his playlist linked here
Happy valentines day to snowstorm
The Lady Patience <3
This started out as a Mucha redraw, supposed to be in his style or whatever, but at one point I decided I cant do the linework he does and will just, make it my own, overall pretty happy with it đââď¸
I don't care if the darkness is soon to arrive, just save me a place in the hungering sky
I don't mind if the dawn doesn't follow the night, I'll be safe in the place that you said was mine | x
I think the funniest thing about the Fitz and the Fool series is Fitz giving fantasy crack to a horse

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do not fear for me. the fire is mine.
prints + merch + c0mms open
one of my favorite aspects of jonâs relationship with ygritte is how heâs essentially playing the traditional role of a woman (just like robb does). ygritte is incessant in her sexual advances despite jonâs repeated refusals, he lives in genuine fear of her anger/suspicion if he openly rejects her, heâs finally worn down when he realizes that he has two choices: he can either have sex with her or be ousted from free folk society/executed for being a traitor. give her what she wants or suffer the consequences (think of what ned tells arya about the consequences of refusing to do her duty as a woman, his not-so-subtle warning that she could end up like lyanna âbeautiful, and willful, and dead before her timeâ). and the whole time jon is being told that itâs his own fault for âstealingâ ygritte, despite him obviously having no way to understand that aspect of her culture. heâs a woman, and women are seductresses, they tempt men into sin, they âask for itâ (the irony is that heâs closer to being the rose of winterfell than he is to being bael the bard).
but then when jon DOES finally give in to ygritteâs advances, she teases him for being a âmaidâ, which he counters with âI was a man of the Nightâs Watchâ (he was a man. is he still a man? who is he if not a man?). of course the question is, how is jon supposed to have had any experience with sex if he took vows of celibacy under penalty of death at the age of 15? (âNo one had ever told Jon just what lords did with their ladiesâ). how are women expected to get married, have sex, and undergo pregnancy/childbirth when no one ever prepares them for what that means? (see: sansaâs entire storyline). jon did his duty by not asking questions, but heâs still laughed at/emasculated for not knowing the answers. so jon tries to convince himself that itâs all going according to plan (âI had to make her trust meâ) and that he actually holds the power in their relationship, despite being keenly aware of how little choice he has (âIf I refuse her, she will know me for a turncloakâ). but the power clearly lies with ygritte to spare his life, to accept him as one of the free folk, to teach him about sexual pleasure based on her own experiences as an older woman (âYgritte had been his teacherâ) while constantly reminding him that she holds all of the knowledge that he needs (âYou know nothing, Jon Snow, but I can show youâ). by westerosi standards, jon is her wife. the only time that he actually takes her by surprise is when he performs oral sex on her, which is both the complete centering of female pleasure (finally!) and another instance of jon playing the woman who âgivesâ pleasure to ygritte.
and ALL of this is happening while jon is simultaneously learning what it means to be a woman who doesnât fit into a song (via gender inversion with ygritte and his time among the spearwives and other free folk women). heâs playing the part of the âidealâ westerosi woman while being surrounded by women who refuse to conform to that mold, but who are clearly still existing within a different brand of misogyny (based on what we know about the free folk tradition of âstealingâ women and even ygritteâs complete unfamiliarity with oral sex being performed on women). so if jon is a woman by westeroi standards, what is he by free folk standards? can he still be a man with ygritte? will he still be a man when he climbs back over the wall?
of course the difference is that jon is not in fact a woman, so when he gets the chance he can simply escape back to the safety of the all-male order of the nightâs watch where ygritte (the âmanâ) canât follow him. and when she dares to try, a fellow man kills her and leaves jon to hold her as she diesâŚbefore jon regains his power as a man and ascends to the role of lord commander. itâs also notable that what permanently âtaintsâ him is not really the fact that he had sex despite his vows, but that he did so with a free folk woman (the âotherâ, the âunnaturalâ, the feminine).
but jon STILL canât win! maybe heâs still a woman after all. he does everything that heâs supposed to do (âI am playing the part the Halfhand told me to playâ), but heâs punished for it anyway. heâs a brother of the nightâs watch so he must be celibate, but heâs a brother of the nightâs watch so he must maintain his cover and have sex with ygritte. thereâs no way out for him, no right answer: if youâre not really a wildling, why did you sleep with her? are you saying that you didnât want it? are you saying that you didnât enjoy it? are you saying that youâre not disgusting and traitorous and deserving of death? and 16 year old jon simply doesnât have the words to articulate that no, he didnât want it. but he did enjoy it. but she forced him. but he loved her. but he did as he was told. but he no longer believes in everything that he was told. but he had no choice. but he made a choice. but it wasnât right. but all of these feelings can coexist together, canât they? canât they ?? not when youâre a woman, jon!
the most interesting part about all of this is that ygritte isnât some super villain predator like people try to reduce her to. yes she rapes jon, however sheâs not coming from a place of dehumanization or objectification the way that someone like drogo or the mountain are. what happens between jongritte is a case of cultural clashing where ygritte assumes that jon is playing out the traditional marriage rituals of the free folk (men forcibly âstealingâ women), so all of his refusals look to her like heâs just playing along with the game, like heâs playing hard to get (a reversal of traditional free folk gender roles, since free folk women are expected to resist/put up a fight while being courted). the idea of âstealingâ a woman is the only way that ygritte has ever understood romance/marriage and the role of women in a relationship, so she clings to this idea even after realizing that jon never meant to âstealâ her at all (plus by that point they have already had sex and she is certain that he wants her, so whether he meant to marry her or not becomes less important). to her, marriage requires force/violence in order to overcome a womanâs anticipated resistance, so itâs no surprise that jonâs initial refusals seem playful to her rather than genuine resistance.
obviously none of this is an excuse for the violence that ygritte inflicts on jon, however itâs yet another example of jon playing the role of a woman - here, we have a misogynistic tradition that is designed to maintain male dominance and control, yet it victimizes jon as a man in the exact opposite way aka by making him as a powerless as a free folk woman (except that he doesnât value this ritual the way that free folk women do).
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exactly!! this is what I mean when I say that the nightâs watch fears the free folk as the âotherâ / âunnaturalâ / feminine. everything that jon does in adwd challenges the nightâs watch and its strict ideas of masculinity (discipline, tradition, duty, honor, the protector/shield, a manâs world apart from women and children). think of satin as a queer-coded man, sam being perceived as feminine, spearwives wielding societal power, val refusing to be the âwildling princessâ to be married off, melisandre as stannisâs most influential advisor, jon emphasizing the importance of saving the free folk women and children at hardhome and being ridiculed for it, etc. oh no jon snow is turning the nightâs watch into an army of women !!! đą
ofc this is all very ironic consider jonâs whole âkill the boy and let the man be bornâ thing and how jon himself is trying to kill his âsofterâ side (associated with women and children) to become the ideal male leader aka how he perceived ned as the patriarch of house stark. crazy.